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1130输出文件画册最终版.Indd 1 15-11-30 下午8:58 1130输出文件 画册最终版.indd 1 15-11-30 下午8:58 亚洲时间——首届亚洲双年展暨第五届广州三年展 第五届广州三年展办公室 ASIA TIME: THE 1st ASIA BIENNIAL AND THE 5th GUANGZHOU TRIENNIAL FIFTH GUANGZHOU TRIENNIAL OFFICE 业务指导：中华人民共和国文化部艺术司、外联局 广东省文化厅 项目统筹：张 芬 胡宇清 吕子华 Operation administrators: Project Managers: ZHANG Fen / HU Yuqing / Lyu Zihua The Art Department and Bureau for External Cultural Relations, Project Coordinators: HUANG Hairong / YUAN Zhao / Yaya Hu / JIANG Cui 主 办：广东美术馆 项目协调：黄海蓉 袁 钊 胡 也 蒋 翠 Ministry of Culture, the People’s Republic of China LIN Wei / ZHANG Fan / FENG Bi /ZHOU Shanyi/ LIAO Shani / 协 办：广东省立中山图书馆 林 薇 张 帆 廖沙泥 李若然 冯 碧 Department of Culture of Guangdong Province LI Ruoran / FENG Bi 行政助理：何 璐 刘苑婷 赵婉君 何惠玲 Administrative Assistants: HE Lu / LIU Wanting / ZHAO Wanjun / HE Huiling 总策展人：罗一平 推广协调：李姗姗 叶小青 刘丹妮 李诗媛 Organizer: Guangdong Museum of Art Media Coordinators: LI Shanshan / YE Xiaoqing / LIU Danni / LI Shiyuan 主策展人：张 晴 汉克·斯拉格 Co-organizer: Sun Yat-sen Library of Guangdong Province 策 展 人：金弘姬 乌特·梅塔·鲍尔 莎拉·威尔逊 主 编：罗一平 学术主持：孙 歌 副 主 编 ： 陈 建 宁 江 郁 之 邵 珊 Chairman: LUO Yiping Chief Editor: LUO Yiping 论坛主持：孙 歌 莎拉·威尔逊 执行编辑：胡宇清 廖沙泥 Chief Curators: ZHANG Qing / Henk SLAGER Vice Editors: CHEN Jianning/JIANG Yuzhi/SHAO Shan Curators: Hong-hee KIM / Ute Meta BAUER / Sarah WILSON Excutive Editors: HU Yuqing / LIAO Shani 策展研究员：吕子华 王佩琴 洪利知 编辑团队： 张 芬 吕子华 黄海蓉 袁 钊 胡 也 Academic Conductor: SUN Ge Editing Team: ZHANG Fen / Lyu Zihua / HUANG Hairong / YUAN Zhao 开幕时间：2015 年 12 月 11 日 蒋 翠 林 薇 张 帆 冯 碧 周善怡 蔡舒婷 Forum Moderators: Sun Ge / Sarah WILSON Yaya Hu / JIANG Cui / ZHANG Fan / CAI Shuting 展览时间：2015 年 12 月 11 日至 2016 年 4 月 10 日 翻 译：史亭玉 Research Curators: Lyu Zihua / ONG Puay Khim / Hong Leeji Translator: SHI Tingyu 展览地点：广东美术馆 广东省立中山图书馆 文字校对：胡宇清 张 芬 廖沙泥 冯 碧 周善仪 吕子华 黄海蓉 袁 钊 胡 也 Opening: 11 December 2015 Proof Readers: Hu Yuqing / Zhang Fen / LIAO Shani / FENG Bi/ZHOU Shanyi / Lyu Zihua/ 论坛时间：2015 年 12 月 12 日 蒋 翠 林 薇 路 易 Duration: 11 December 2015–10 April 2016 HUANG Hairong / YUAN Zhao / Yaya Hu / JIANG Cui / LIN Wei / Louis BERNEY 论坛地点：广东美术馆 平面设计：卢 珊 Venues: Guangdong Museum of Art,Sun Yat-sen Library of Guangdong Province Graphic Designer: LU Shan Symposium: 12 December 2015 首届亚洲双年展暨第五届广州三年展组织委员会 Symposium Venue: Guangdong Museum of Art 主 任：杨 树 Organizing Committee of ASIA TIME: The 1st Asia Biennial and the 5th 副 主 任 ： 于 万 东 李 再 炎 罗 一 平 Guangzhou Triennial 委 员：孙旭亮 李蔚荷 陈建宁 江郁之 邵 珊 郑永新 林潮雄 Chairman: YANG Shu 项目负责：张 芬 胡宇清 吕子华 Vice Chairmen: YU Wandong / LI Zaiyan / LUO Yiping 展务负责：陈建宁 郑永新 Committee members: SUN Xuliang / LI Weihe / CHEN Jianyu / JIANG Yuzhi / SHAO Shan / ZHENG Yongxin / 展场负责：李 熙 袁喜明 LIN Chaoxiong 出版和论坛：胡宇清 Curatorial Coordinators: ZHANG Fen / HU Yuqing / Lyu Zihua 对外事务：钟克珍 廖建芬 Exhibition Coordinators: CHEN Jianyu / ZHENG Yongxin Installation Directors: LI Xi / YUAN Ximing 推广负责：王 冰 Publishing and Symposium Coordinators: HU Yuqing 公教负责：刘端玲 史方方 External Affairs: ZHONG Kezhen / LIAO Jianfen 摄录负责：祝 明 Promotion Coordinator: WANG Bing 接待负责：涂晓庞 Education Program: LIU Ruiling / SHI Fangfang 后勤负责：林潮雄 李锦荣 Video Documentation: ZHU Ming 技术负责：陈荣辉 Guest Reception: TU Xiaopang 藏品负责：梁洁颖 郭 慧 黄浩星 Logistics: LIN Chaoxiong / LI Jinrong 财务负责：谢雪藩 Technical Support: CHEN Ronghui Collection Coordinators: LIANG Jieying / GUO Hui / HUANG Haoxing 保卫负责：黄敬华 Financial Coordinator: XIE Xuefan 设计总监：林 蕾 卢 珊 Security Coordinator: HUANG Jinghua 法律顾问：江有声 Design Directors: LIN Lei / LU Shan Legal Consultant: JIANG Yousheng 1130输出文件 画册最终版.indd 2-3 15-11-30 下午8:58 4 5 1130输出文件 画册最终版.indd 4-5 15-11-30 下午8:58 6 7 1130输出文件 画册最终版.indd 6-7 15-11-30 下午8:58 1130输出文件 画册最终版.indd 8-9 15-11-30 下午8:58 1130输出文件 画册最终版.indd 10-11 15-11-30 下午8:58 总策展人 Chairman 罗一平：广东美术馆馆长 LUO Yiping: Director of Guangdong Museum of Art, Guangzhou Chief Curators 主策展人 Zhang Qing: Head of the Curatorial and Research Department of 张晴：中国美术馆研究与策展部主任 the National Art Museum of China, Beijing 汉克·斯拉格：荷兰乌特勒支艺术学院院长 henk Slager: Dean of MaHKU and Research Professor, University of the Arts, Utrecht 策展人 乌特·梅塔·鲍尔：新加坡南洋理工大学当代艺术中心创始人 Curators 金弘姬：韩国首尔美术馆馆长 Ute Meta BAUER: Founding Director of NTU, Singapore 莎拉·威尔逊：伦敦大学考陶尔德艺术学院现当代艺术史教授 Hong-Hee KIM: Director of Seoul Museum of Art, Seoul Sarah WILSON: Professor of Courtauld Institute, London 12 13 1130输出文件 画册最终版.indd 12-13 15-11-30 下午8:58 1 1 2 3 4 骆佩珊 （英国） Susan pui san LOK (UK) 5 娜丝琳＋巴巴克 （伊朗 / 伊朗） Nasrin ＋ Babak (Iran/ Iran) 6 NC 小组 （中国） NC GROUP (China) 7 裴咏梅 （中国） PEI Yongmei (China) 萨利姆·阿里夫·夸德里 （英国） Saleem Arif QUADRI (UK) 8 艾兰·日得（奥地利） Ella RAIDEL (Austria) 9 阿德尔·阿比丁 （芬兰） Adel ABIDIN (Finland) 艾斯特·莎莱夫—格尔兹 （法国） Esther SHALEV-GERZ (France) 唐·安吉 （荷兰） Tiong ANG (Netherlands) 10 盐田千春 （日本） Chiharu SHIOTA (Japan) 北斗星 （中国） Big Dipper Group (China) 扬内克·西蒙 （波兰） Jan SIMON (Poland) 11 卜冰 （中国） BU Bing (China) 普拉尼特·索伊 （印度） Praneet SOI (India) 12 奥马·法斯特 （以色列 / 美国） Omer FAST (Israel/USA) 玛拉蒂·苏里约达摩 （印度尼西亚） Melati SURYODARMO (Indonesia) 傅文俊 （中国） FU Wenjun (China) 13 莎拉·施 （美国） Sarah SZE (USA) 娜塔莎·萨德尔 （德国） Natasha Sadr HAGHIHIAN (Germany) 健身计划小组 （芬兰 / 美国 / 法国） The BodyBuilding Project (Finland/USA/France) 14 灰野敬二 （日本） Keiji HAINO (Japan) 贾拉勒·托夫克 （伊拉克 ) ＋ Jalal TOUFIC (Iraq) ＋ 15 咸京我 （韩国） Kyungah HAM (Korea) 格拉齐耶拉·里兹卡拉·托夫克 （黎巴嫩） Graziella Rizkallah TOUFIC (Lebanon) 萨拉·范·德·海德（韩国 / 荷兰） Sara van der HEIDE （Korea/ Netherlands） 王维 （中国） WANG Wei (China) 16 胡项城 （中国） HU Xiangcheng (China) XML 工作室＋阿尔敏·林克 （荷兰 / 德国 / 意大利） XML ＋ Armin LINKE (Netherlands/ Germany/ Italy) 郑锦衡 （韩国） Geumhyung JEONG (Korea) 山城知佳子 （日本） Chikako YAMASHIRO (Japan) 18 郑恩瑛 （韩国） siren eun young jung (Korea) 余旭鸿 （中国） YU Xuhong (China) 扬·卡纳＋杰保·克努帝纳 （芬兰 / 芬兰） Jan KAILA ＋ Japo KNUUTILA (Finland/ Finland) 原弓 （中国） YUAN Gong (China) 19 姜爱兰 （韩国） Airan KANG (Korea) 岳敏君 （中国） YUE Minjun (China) 乔布·科里唯京 （荷兰） Job KOELEWIJIN （Netherlands） 张小涛（中国） ZHANG Xiaotao (China) 梁美萍 （中国香港） LEUNG Mee Ping (Hong Kong，China) 安雅·佐罗德 （俄罗斯） Anya ZHOLUD （Russia） 林宏璋 （中国台湾） LIN Hongjohn (Taiwan, China) 周滔 （中国） ZHOU Tao (China) 刘越 （中国） LIU Yue (China) 14 15 1130输出文件 画册最终版.indd 14-15 15-11-30 下午8:58 1130输出文件 画册最终版.indd 16-17 15-11-30 下午8:58 总策展人 一、缘起：我们为什么要做亚洲双年展？为什么要用亚洲视野 东美术馆举办首届亚洲双年展，首届亚双展的基本战略思路“亚洲问 校准世界时间？ 题全球表述”也在会议上得以确认。 “亚洲”是一个内涵丰富的时空概念。随着政治文化的多元发展、亚 另一个不容忽略的现实是，亚洲经济的快速崛起为中国带来了新的机 洲经济的崛起、艺术生态的开放，亚洲文化逐渐走向世界前台，亚洲 遇。二战后日本的复苏 ,“四小龙”的发展，西亚产油国的杠杆作用， 艺术也成为亚洲问题与亚洲意识的重要表征，与此同时，亚洲艺术的 1979 年中国的改革开放与 1990 年印度的改革都使得世界的经济重 现状与未来发展亦日益成为世界关注的焦点。 心开始逐渐转移，随着亚洲问题进入全球视野，“中国”概念亦慢 慢浮现出来。综合国力的提升使得中国的国际交往日益频繁，特别 “亚洲”作为一个概念，在 18 世纪或是更早期的时候，是欧美人在 是 20 世纪 80 年代以来，中国在地缘政治、经济贸易，乃至军事力 讨论远东地区时的地理名字，是被命名的“亚洲”。尽管近代以来整 量等方面都成为在亚洲起主导作用的重要力量。如何在与亚洲邻国的 个亚洲国家都在为亚洲文化、民族独立，乃至亚洲艺术在世界上的独 多种关系中，增大文化的影响力，扩大话语的主导权，成为中国对 立不懈努力，但在文化意义分享的过程中，话语的差异使得以欧美 外文化传播最亟需解决的重要命题之一。我认为，作为一个对亚洲、 为代表的西方和以亚洲为代表的东方长期以来发展并不平衡 , 亚洲本 对全球都举足轻重的国家，不能没有自己的亚洲双年展。作为亚洲的 土意识普遍缺乏。正如阿拉伯裔学者爱德华·萨义德在《东方主义》 重要一员，中国对亚洲当代艺术现状的梳理和未来的发展都应发挥更 一书中指出，西方视野中的所谓东方是西方人精心“虚构”且充满偏 多、更强的主导性作用。因为中国，不仅是世界文化图景不可或缺 见的产物。“西方”成为支配性力量的代名词。我们清醒地观察到， 的组成部分，更是撬动亚洲力量、校准世界时间的重要力量与平台。 目前欧美国家正主导着艺术双 / 三年展机制的话语权，国际诸多大型 由广东美术馆代表中国举办亚洲双年展，通过中国之于亚洲独特的位 艺术展如欧洲意大利的威尼斯双年展、亚洲韩国的光州双年展等都是 置和影响力来搭建文化沟通的平台，展现中国对于亚洲问题的关注， 这种话语权的产物，均以西方艺术观念为中心，以与西方艺术接轨为 对于全球化的回应，其意义就显得尤为重要。而将“亚洲问题全球表 标准。为突破当代艺术双 / 三年展机制的西方中心主义，彰显亚洲意 述”的战略思路与国家“一带一路”的战略构架紧密相连，将亚洲问 识，在本人策展的第四届广州三年展的“启动展”上，尝试开辟了“版 题的思考置于“一带一路”的大区域，则强化了全球语境中亚洲视野 图移动：东盟与中国 10+1 ”的专题板块，意在寻找一种既审视亚 的独特性。 洲自身又审视西方的亚洲视野。2012 年，在孟加拉首都达卡召开的 “第六届亚洲美术馆馆长论坛”上，我代表中国提出了 2013 年由广 二、“区域”和“知域”的重合与背离 开启亚洲意识与亚洲 东美术馆举办首届亚洲策展人论坛并于 2015 年举办首届亚洲当代艺 经验的新视野 术双年展的倡议，得到了与会国家美术馆长们的一致赞同。随即， 首届亚洲双年展暨第五届广州三年展以“亚洲时间”为主题，以“一 2013 年 9 月，在广州举办了以“亚洲意识与亚洲经验”为主题的首 带一路”为指导理念，其目的是要用亚洲视野校准世界时间。什么是 届亚洲策展人会议，与会亚洲 24 个国家、欧美 8 个国家的 80 多名 亚洲视野？这一追问涉及两个基本问题，即什么是亚洲？什么是亚洲 著名美术馆的馆长和著名策展人形成了“广州共识”，全体同意由广 18 19 1130输出文件 画册最终版.indd 18-19 15-11-30 下午8:58 艺术？对这两个问题的回答，关系到亚洲各国策展人，如何认识亚洲 说重建一种分析机制，它用“亚洲”来命名，因为我们寻找的方向不 日知识共同体”，在亚洲研究领域享有盛誉。她邀请了数位中国学界 术策划和学术主持；展览版块由一个具有全球视野的策展团队担纲， 及亚洲艺术的现状和发展的趋势，以及如何通过展览呈现亚洲自身的 是来自那些既定的成见或已经被过度解读的亚洲。我们从历史记忆出 研究亚洲问题的著名学者，我邀请的 13 位欧美资深策展人举行联席会 由中国美术馆研究与策划部主任张晴、荷兰乌特勒支视觉艺术与设计 特点，从而推动亚洲艺术的发展。这成为我在策划首届亚洲双年展时 发，在从亚洲到全球的多种空间中，在当下问题和时代思想互为联系 议，在区域和知域的不确定性中发现亚洲问题的双重性乃至多重性， 研究生院院长汉克·斯拉格为主策展人，韩国首尔美术馆馆长金弘姬、 的元命题。 和互为反馈的关联和拷问中起航。 并为首届亚双展举办的系列学术讨论规定了“寻找亚洲”的主题。我 新加坡当代艺术中心 CCA 艺术总监乌特·梅塔·鲍尔以及英国考陶尔 们把这个起点看作是一个极具启发性的思想史“事件”，不仅因为它 德艺术学院教授莎拉·威尔逊为策展人。 首先要明确的是“亚洲”的概念。作为首届亚洲双年展的“亚洲”， 三、学理出发从“亚洲时间”追问亚洲原理 凸现当代艺术的可 孕育了丰富的可能性，更在于它暗示了亚洲需要以高度的理论想象力 是 20 世纪以来的地图划分清晰的亚洲？还是文化视野中的曾被理解为 能与想象 在同月进行的第一次策展人会议上明确了各个策展人的分工和总体预 加以呈现，而不仅仅是对一个地域性直观状态的模仿，这正与挑战人 多样的文化与各自独立的多个政治体叠加的亚洲？随着全球化的影响， 算，对展览结构、主题、参展艺术家数量做了初步讨论，并对经费的 亚洲双年展，作为一个艺术探索的主题，尤其凸现了当代艺术潜在的 类直观鉴赏习惯的当代艺术精神相契合。 亚洲各国都在短时间内进入了全球性的紧张关系之中，开始以各种复杂 可行性和额度达成初步共识，随后在广东美术馆召开了首届亚洲双年 可能性。由于现实的国际局势的调整和经济格局的变化，亚洲作为一 的形态进行交涉。如何让区域研究区域化，进而全球化，是当前亚洲 2014 年 5 月召开了第二次学术会议，亚洲六国 10 位策展人与国内一 展暨第五届广州三年展新闻发布会。这也是策展团队的首次公开集体 个相对独立的区域，如果说在现实格局中已经得到了确认，知识与思 研究无法回避的问题。无疑，亚洲作为“区域”，是展示社会行动范 线的亚洲学者展开对话和讨论，从亚洲自身的角度思考亚洲的“亚洲” 亮相。 想的认知，即“知域”却并未同时并进。亚洲作为一个话题，尽管近 围的空间概念，但其中一个被忽略的重要事实是，作为“知域”的亚洲， 在哪里，对亚洲当代的艺术现状进行了摸底，拟定了首届亚洲双年展 年来在学界方兴未艾，它的轮廓、内涵、表象与原理，尚未能得到有 2015 年 3 月的第二次策展人会议上，确定了首届亚洲双年展的主题为 也在自身的空间表现出独特的形态，蕴涵着丰富的多样性。特别是把 的目标、主题和学术架构。我们选择了黄埔村进行考察，因为它是中 效的确认，更没有产生明确的共识。人们使用“亚洲”这个词汇，只 “亚洲时间”（Asia Time），并以“一带一路”战略思想作为此次展 迄今为止围绕亚洲研究的对象和方法的持续讨论，包括围绕历史和思 国最早的连接世界的起点，即便它可能仅仅算得上是中国版图中一个 不过是在追认现实中已然兴起的“亚洲复兴”趋势而已，在思想上、 览的指导理念。“一带一路”清晰描述了地理上的“亚洲”在各个国 想的关系等长期关注的问题，放到从 19 世纪末到 20 世纪初的世纪之 非常边缘的位置，在水路版图中却是不可忽视的中心。在黄埔古村落 理论上，亚洲还没有得到主体性的论述和分析。或许正是由于这种状况， 家的链接点，明确了“亚洲时间”的坐标。“一带一路”并非一个实 交，来思考知识分子是怎样认识以及迈向变动的转型时代时，作为“知 所展现的传统和现代艺术的交融与碰撞，蕴含了亚洲的整体性与普遍 使得“亚洲”主题与当代艺术的结盟具有了特别的意义：当代艺术需 体和机制，而是一种合作发展的理念和倡导。展览将从“海上丝绸之路” 域”的亚洲则打开了一个新的展示社会认识范围的空间。如果再将作 性，实际上意味着亚洲双年展的展览架构将追溯广州通向亚洲、走向 要非直观的想象力，“亚洲”也同样是一个依靠直观感觉无法处理的 的历史出发，以亚洲为基点，以一带一路为区域，以亚洲问题为支撑， 为现实的亚洲和作为思想的亚洲的所谓二分法纳入同一范畴，就会发 世界的记忆。两次学术会议使包括欧美策展人在内的所有与会者认识 理论命题。 展开对亚洲时间的追寻，通过“亚洲时间”的主题，将“一带一路”
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