Ceramic Studio

Total Page:16

File Type:pdf, Size:1020Kb

Ceramic Studio ~ P NOVEMBER 1979 $1.2S Often copied but never equaled. ! The Shimpo-West ® R K-2 Over ten years ago Shimpo-West designed and They will tell you their wheels are running as introduced a superior potter's wheel. The first well as the day they brought them home. of its kind. Over the years the few changes The Shimpo-West concept of engineering we've made are only refinements, never changes and craftsmanship is backed by years of prac- for the sake of change.- I tice. We have the practical i The original Shimpo-West ® knowledge it takes to bring Shimpo-West practices the Ring Cone Drive System ~-~iiiiii i. iii~1~ policy of sustained excellence. [-13 you a truly fine, dependable Ask any potters who have wheel. If this is what you're bought Shimpo-West wheels looking for, look to Shimpo- during the last ten years. West. After all, you can't manufacture experience. SHIMPO-WEST INC., 14400 LOMITAS AVE., DEPT. B111, CITY OF INDUSTRY, CA 91746 The Ultimate Extruding Systems System III DoubleAction Air Drive w/Foot PedalControl (100 psi ...by Bailey Compressoroptional) Mountedon: OptionalFloor Stand w/ExternalExtruding Fixtures ExtrusionCapacity: Consider this: 8"L x 8"W x Any Length An extruder that is Power Driven and Foot Pedal Controlled to offer effortless extrud- ing, while leaving both hands free to manipulate the form. An extruder capable of extruding slabs 24"wide, boxes, tubes, and multisided forms up to 8"across, spheres, etc. Interchangeable Extrusion Barrels that clip on and off for easy cleaning or multiple clay body extruding System [ Rust Proof Barrels for porcelain clay bodies Manual "Ratchet Drive" Extruder/Wall Mount Vertical and Horizontal Extruding Extrusion Capacity: Ratchet Drive on manual extruders 8"L x 8"W x Any Length A power drive extruder that is light enough to be manually held while extruding into press molds or slab surfaces External Extruding Fixtures for cutting, 17 guiding, and separating finished forms System II SingleAction Air Drivew/Foot PedalControl/60 psi CompressorMounted on: OptionalFloor Stand w/ExternalExtruding Fixtures The fact is, Bailey Extruding Systems are a Extrusion Capacity:4"& 6" breakthrough which makes all other diameterx Limited Length extruders inferior by comparison. To investi- I) gate more of the advantages of using Bailey Bailey Pottery Equipment, an innovator in slab Equipment, write or call us, or contact your machines, has designed a new standard in local dealer and ask them for a demonstration. clay extruders by which all others will be Find out why Bailey Pottery Equipment is measured. Up to now, extruders have been hailed as "the Professional's Choice". considered a useful tool for making handles and not much more. Bailey Extruders create For more information on Bailey Slab Rollers, new dimensions in forming clay that were refer to the September '79 issue of Ceramics never before possible at a low cost. The Monthly. possibilities are endless! Bailey Pottery Equipment Corporation C.RO. 1577 Kingston, NY 12401 914 339-3721 November 1979 3 Almost ng on Yes. We have just about all our pottery equipment on our Free Freight program. We have almost all our glaze chemicals on free freight. We have all our Kemper tools on free freight, over 45 books and Ohaus scales. We are willing to ship any of our listed products anywhere within the con- tinental USA free of any shipping charge and at discounted prices. Use our toll-free phone number to ask for any price. It is 1-800-241-1895. Free Freight Equipment: Crusader electric kilns, with or without optional kilntronics; Wrap gas kilns; Shimpo-West ~' Bantam, RK-2 Basic & RK-2 Super wheels; Brent models A, B,C & CXC wheels; Crusader 101 & 102 wheels; Brent SR-14, SR-20 & SR-36 slabrollers; Brent hand- extruders; Ohaus scales & books. All at discounted prices. KemperTools: All kemper tools listed in our catalog with a minimum tool order of $15.00. Glaze Chemicals: All chemicals listed below with a minimum order of $15.00 and a maximum weight of 40 pounds. All chemicals are of the highest quality available and suited to pottery uses. I-,800-241-1895(Plastic Vitrox) Free Freight GhazeChemicals: Dolomite Lead-Chromate(Yellow) PV Clay Albany Slip Flourspar Monosilicate Pyrophrolite Alumina Hydrate Frits--3134 (P54) (H14) Oxide-Litharge Rutile-Powd Alumina Oxide 3819 (P25) (H25) Red Rutile-Gran. Antimony Oxide 3110 Lepidolite Silicon Carbide(FFF) Barium Carbonate 3124 (P311 ) (H90) Lithium Carbonate Sodium Carbonate-SodaAsh Barnard Blackbird Slip Gerstley Borate Macaloid Spodumene-ChemicalGrade Bentonite-Western Grog-20 Mesh Magnesium Carbonate Superpax Bone Ash Gum Arabic ManganeseCarbonate Talc-Ceramic Grade Borax Ilemenite-Granular Manganese Dioxide-Powd. Titanium Dioxide Boric Acid Iron-Chromate ManganeseDioxide-Gran. Tin Oxide Cobalt Carbonate Oxide (Black) Nepheline Syenite Ultrox Cobalt Oxide Oxide (Red) Nickel Carbonate Umber-Burnt Chrome Oxide Oxide (Spanish) Nickel Oxide-Black Umber-Raw Copper Black Oxide Jordon Clay Ochre (Yellow) Vanadium Pentoxide Copper Carbonate Kiln Wash-High Fire Petalite Wollastonite Cornwall Stone Lead-Bisilicate Potassium Carbonate-Pearl Ash Zinc Oxide (Calcined) Cryolite (Synthetic) Carbonate(White) Pumice-VolcanicAsh Zircopax Throwing Apron: Please send the following: $ 8..~l plus [] New catalog--S1.50 $1.50 handling KICKWHEEL & shipping [] Throwing apron Duck C,anva~ []T-Shirt S, M, L, XL r-Shirt: POTTERYSUPPLY® $3.00 plus O (Orders outside continental USA: $1,50 handling $3.50 shippingand handling) & shipping 1428 Mayson St. N E S,M,L.XI. ~ Atlanta,Georgia 30324 Name 1 (404) 873-3366 Address ,EwP,0,E~/,Toll Free, out of state: 241-1895 (Please Print) 1-800. 4 CERAMICS MONTHLY IIIM O II~l 1" IHI II. W desigri PRE-COLUMBIAN DESIGNS FROM PANAMA: Volume 27, Number 9 November 1979 591 Illustrations of Cocl6 Pottery, Samuel Kirkland Lothrop. A collection of illustrations showing the imagination, power and charm of the ceramic artists of Cocl6. This book also covers Letters to the Editor .............................. 7 the unique shapes of Cocl~ vessels, long praised Where to Show ................................... 9 for imagination, technique and synthes~s with Answers to Questions exterior decoration. .............................. 11 Soft cover $3.50 Suggestions ...................................... 13 Itinerary ........................................ 15 DESIGNER,NATURE Bertel AS II ~ Comment by Eudorah Moore ....................... 23 Bager. A unique visual Animal Imagery .................................. 32 pleasure - Bager's excit- ing collection of close-up Contemporary Salt-Glazed Ceramics ................. 34 photographs of plant life Exhibition at The University of Kansas illustrating the beauty by William Bracker ............................. 36 and fascinating forms of organic objects. John Fassbinder by Elaine Levin ..................... 38 Soft cover $7.95 North German Folk Pottery ........................ 46 POTTERY Chris Unterseher: Porcelain ........................ 51 DECORATION, James Lovera .................................... Thomas Sharer. An 53 inspirational and in- Ceramics Southeast ................................ 54 HOW TO WRAP 5 MORE formative book about EGGS: TRADITIONAL Laura decorative applica- Wilensky .................................. 56 JAPANESE PACKAGING, Once tions with an May Not Be Enough by Charles Lakofsky ........ 57 Hideyuki Oka. This book s emphasis on how to Building and Firing an Alfred Wood Kiln 244 exquisite photographs do each process. by Larry Lubow ................................ present the beauty in the The techniques 61 look and feel of ordinary Fundamentals of Fund Raising by Diane J. Duca ...... 64 covered are: decor- humble things. It is a visual ation in the forming News & Retrospect ................................ 75 delight, revealing the rela- process; carved tionships between hand Index to Advertisers ............................... 98 decoration; im- material, use and shape pressed decoration; made clear through the added decoration; Cover remarkable ingenuity of slips, underglaze and Japanese packaging majolica; Iowfire White porcelain bottle with underglaze blue decoration, Yi $17.50 dynasty (late 18th century A.D.), 14 inches in height. This glazes and lusters. $17.50 form was among 345 objects presented in "5000 Years of Korean Art," through September 30 at the Asian Art Mu- seum of San Francisco. Organized by the National Museum of Korea, other works in the show are presented in an article beginning on page 91. COMPLETE SUMI-E TECHNIQUES, Sadamt Yamada. This book contains directions for paint- ing over 200 examples of sumi-e including flowers, trees, animals, fish and landscapes. It also offers concise background information on Publisher and Acting Editor: SPENCER L. DAVIS such topics as how to view sumi-e, its history, Managing Editor: WILLIAM C. HUNT sumi-e and Zen and sumi-e and white spaces. Art Director: ROBERT L. CREAGER Soft cover $9.95 Copy Editor: BARBARA HARMER TIPTON JAPANESE DESIGN MOTIFS, compiled by the Matsuya Piece-goods Store. A collection of over 4,000 individual designs representing the Assistant Editor: CAROL LEFEBVRE HAOELEE 900-year old tradition of Japanese family crests. This is an unabridged Circulation Manager: MARY RUSHLEV republication of the catalogue originally compiled around 1913 bY the Advertising Manager: CONNIE BELCHER Matsuya Piece-goods Store. Soft cover $5,00 DESIGNS ON PREHISTORIC HOPI POTTERY, Fewkes. A collection Editorial, Advertising, and Circulation O][ices: 1609 Northwest of illustrations
Recommended publications
  • Weaverswaver00stocrich.Pdf
    University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Fiber Arts Oral History Series Kay Sekimachi THE WEAVER'S WEAVER: EXPLORATIONS IN MULTIPLE LAYERS AND THREE-DIMENSIONAL FIBER ART With an Introduction by Signe Mayfield Interviews Conducted by Harriet Nathan in 1993 Copyright 1996 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Kay Sekimachi dated April 16, 1995. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley.
    [Show full text]
  • A Potterõ S Pots, by Suze Lindsay Clay Culture
    Cover: Bryan Hopkins functional constructions Spotlight: A Potter s Pots, by Suze Lindsay Clay Culture: An Exploration of Jun ceramics Process: Lauren Karle s folded patterns em— robl ever! p a Mark Issenberg, Lookout M ” ountain d 4. Pottery, 7 Risin a 9 g Faw h 1 n, GA r in e it v t e h n g s u a o h b t I n e r b y M “ y t n a r r a w r a e y 10 (800) 374-1600 • www.brentwheels.com a ith el w The only whe www.ceramicsmonthly.org october 2012 1 “I have a Shimpo wheel from the 1970’s, still works well, durability is important for potters” David Stuempfle www.stuempflepottery.com 2 october 2012 www.ceramicsmonthly.org www.ceramicsmonthly.org october 2012 3 MONTHLY ceramic arts bookstore Editorial [email protected] telephone: (614) 794-5867 fax: (614) 891-8960 editor Sherman Hall associate editor Holly Goring associate editor Jessica Knapp editorial assistant Erin Pfeifer technical editor Dave Finkelnburg online editor Jennifer Poellot Harnetty Advertising/Classifieds [email protected] telephone: (614) 794-5834 fax: (614) 891-8960 classifi[email protected] telephone: (614) 794-5843 advertising manager Mona Thiel advertising services Jan Moloney Marketing telephone: (614) 794-5809 marketing manager Steve Hecker Subscriptions/Circulation customer service: (800) 342-3594 [email protected] Design/Production production editor Melissa Bury production assistant Kevin Davison design Boismier John Design Editorial and advertising offices 600 Cleveland Ave., Suite 210 Westerville, Ohio 43082 Publisher Charles Spahr Editorial Advisory Board Linda Arbuckle; Professor, Ceramics, Univ.
    [Show full text]
  • Colonial Archaeology: 070 333 Spring 2006 Prof C. Schrire Room 201
    Colonial Archaeology: 070 333 Spring 2006 Prof C. Schrire [email protected] Room 201/202 RAB Phone: 932 9006 Course Outline: This course will teach the rudiments of identification and analysis of colonial artifacts dating from about 1600-1900 AD. Our teaching collection includes a variety of ceramics, pipes, glass and small finds. The course if taught largely by supervision and not lectures. Students will sort collections, draw objects, measure objects and identify them according to numerous criteria. Course Requirements: A prerequisite for this course is 070: 208, Survey of Historical Archaeology, normally taught in the Fall term. Students for whom this requirement was waived are expected to study a suitable textbook on the subject, such as Orser, C. 1995 Historical Archaeology and Deetz, J In small things forgotten. Students will attend one three hour class, once a week. During this time they will handle material, analyze it, and draw objects. Each student will need a clean writing pad or notebook, a pad of graph paper, pencils, colored pencils, eraser, a ruler, and a divider. There will be two exams, a midterm and final. Useful Texts: 1. Noel-Hume, I. 2001. The Artifacts of Colonial America 2. Fournier, Robert. Illustrated Dictionary of Practical Pottery. Paperback, 4th ed. 2000 Radnor Pa. Available at Amazon.com ($31.96) 3. Numerous additional sources will be present at class for used during the practicals. Colonial Archaeology: 070 330 Significant technical terms: (see Fournier 2000) Absorption: The taking up of liquid into the pores of a pot. The water absorption of a ceramic is an indicator of its degree of vitrification.
    [Show full text]
  • Color in Salt Glaze
    Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 8-1-1967 Color in salt glaze Daniel Lee Stevens Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Let us know how access to this document benefits ou.y Recommended Citation Stevens, Daniel Lee, "Color in salt glaze" (1967). Dissertations and Theses. Paper 561. https://doi.org/10.15760/etd.561 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN ABSTRACT OF THE THESIS OF Daniel Lee Stevens for the Master of Science in teaching in Cerami~s 'presented 0:0 August 7, 1967. Title: COLOR IN SALT GLAZE. , Abs tract approved: This thesis endeavors to bring a brief history of salt glaze to the reader, following i~s ge~esisin Germany to England and the American colonies and its continuation to the prese~t day. In order to conduct research on color in salt glaze~ a kiln had to be built for this purpose, meeting all the requirements 'that this tech- nique demands. Studies were ~ade on clay bodies to determine their throwing qualities as well as their ability to take a salt glaze. Finally, research was carried out 'in many serfes of tests studying the reactions of'various engobes and other coloring materials when ,fired in the salt glaze kiln. \ .' COLOR IN SALT GLAZE by Daniel Lee Stevens A THESIS submitted to .Portland State College, in partial fulfillment of the requirements for the degree of Master of Science in Teaching August 1967 \ I PORTLAND STATE COL~EGE LIBRARY' .
    [Show full text]
  • The Factory of Visual
    ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving.
    [Show full text]
  • 9. Ceramic Arts
    Profile No.: 38 NIC Code: 23933 CEREMIC ARTS 1. INTRODUCTION: Ceramic art is art made from ceramic materials, including clay. It may take forms including art ware, tile, figurines, sculpture, and tableware. Ceramic art is one of the arts, particularly the visual arts. Of these, it is one of the plastic arts. While some ceramics are considered fine art, some are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artifacts in archaeology. Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture and decorate the art ware. Products from a pottery are sometimes referred to as "art pottery".[1] In a one-person pottery studio, ceramists or potters produce studio pottery. Most traditional ceramic products were made from clay (or clay mixed with other materials), shaped and subjected to heat, and tableware and decorative ceramics are generally still made this way. In modern ceramic engineering usage, ceramics is the art and science of making objects from inorganic, non-metallic materials by the action of heat. It excludes glass and mosaic made from glass tesserae. There is a long history of ceramic art in almost all developed cultures, and often ceramic objects are all the artistic evidence left from vanished cultures. Elements of ceramic art, upon which different degrees of emphasis have been placed at different times, are the shape of the object, its decoration by painting, carving and other methods, and the glazing found on most ceramics. 2.
    [Show full text]
  • Noritake Garden Entrance Exit Fascinating Cycle of Life up Close
    天 Parking Lot Encounter nature at the biotope 1F A biotope is an area in an urban setting that provides oritae uare aoa C a living environment for plants, insects, sh, birds, iestle so Parking Gate and other forms of life. Come experience the General Discover the Culture, Rest in the Forest. Noritake Garden Entrance Exit fascinating cycle of life up close. Information See everything Noritake and Enjoy lunch and dessert served Free Admission (Admission fees apply for the Craft Center and Noritake Museum only) Okura Art China have to offer, on casual Noritake tableware. The Enormous “Six Chimneys” “The Detached Kiln” * All facilities are barrier-free. from elegant daily-use tableware Come and take a break from A monument symbolizing instills visitors with a sense to prestige products. A full lineup shopping or walking. Admission fees for the Craft Center and Noritake Museum of tableware is also available. Noritake’s dream the enthusiasm of its time. Adults/university students 500 yen These are relics from the tunnel This old kiln, nestled amidst a Visitors aged 65 or over 300 yen North Gate Nishi-Yabushita kilns built in 1933 to bake quiet forest, exudes the High school students and younger Free Discover the Culture, Rest in the Forest. Visitors with ID verifying disability Free CRAFT CENTER ceramics. The Noritake dream, a enthusiasm of the soil and Pedestrian access constant beacon of inspiration ames from its time. (Be prepared to present the ID) Noritake Museum * Group discounts available Groups of 30 or more 10% off Noritake Garden The “Red Brick Buildings”, ever since the early Meiji Period, Groups of 100 or more 20% off 4F Admire the grand “Old Noritake” symbolic of Japan’s burns on bright today.
    [Show full text]
  • Iron and Manganese 2014 Clean Creek: Iron and Manganese
    Clean Creek iron and manganese 2014 Clean Creek: Iron and Manganese Brief History of Abandoned Mine Drainage Curator’s Statement In Pennsylvania, coal has been mined for over 200 years. The Iron and manganese are commonly used in ceramics produced first known commercial mine was opened in 1761 on Coal by large scale factories as well as small scale studio potteries. Hill, which is now known as Mt. Washington in Pittsburgh. Iron oxide and manganese dioxide are available to ceramicists While coal has fueled our economy, heated our homes, and in chemically pure forms produced by industrial manufacture. provided countless kilowatt-hours of electricity, historical The Clean Creek iron and manganese are precipitated as a mining activities have left a legacy of scarred landscapes and by-product of a watershed recovering from a mine discharge. polluted streams. An estimated 4,000 miles of streams (more The recovered materials are available to ceramicists at the same than any other state) have been degraded by abandoned cost as the manufactured materials. The recovered iron and mine drainage (AMD). In many instances, metal precipitates manganese represent a new “green” option for ceramicists. have coated the bottom of streams destroying the habitat of the macroinvertebrates (“stream bugs”) that are so extremely Ceramicists have a tradition of sharing. mTechniques are not important in the aquatic food chain. Only the most tolerant of often kept secret. Clay and glaze recipes are usually given species are able to survive with some streams being designated freely from one artist to another. The aim of this exhibition is as “dead.” to showcase a variety of possible outcomes when using these materials.
    [Show full text]
  • Ceramics Monthly Nov83 Cei11
    William C. Hunt ........................................ Editor Barbara Tipton ...................... Associate Editor Robert L. Creager ........................ Art Director Ruth C. Butler.............................. Copy Editor Valentina Rojo....................... Editorial Assistant Mary Rushley.............. Circulation Manager Connie Belcher ... Advertising Manager Spencer L. Davis.................................. Publisher Editorial, Advertising and Circulation Offices 1609 Northwest Boulevard, Box 12448, Columbus, Ohio 43212 (614) 488-8236 Ceramics Monthly (ISSN 0009-0329) is published monthly except July and August by Professional Publications, Inc.—S. L. Davis, Pres.; P. S. Emery, Sec.: 1609 North­ west Blvd., Columbus, Ohio 43212. Second class postage paid at Columbus, Ohio. Subscription Rates:One year SI 6, two years $30, three years $40. Add $5 per year for subscriptions outside the U.S.A. Change of Address:Please give us four weeks advance notice. Send both the magazine wrapper label and your new address to Ceramics Monthly, Circulation Office, Box 12448, Columbus, Ohio 43212. Contributors: Manuscripts, photographs, color separations, color transparencies (in­ cluding 35mm slides), graphic illustrations, texts and news releases dealing with ceramic art are welcome and will be considered for publication. A booklet describing procedures for the preparation and submission of a man­ uscript is available upon request. Send man­ uscripts and correspondence about them to The Editor, Ceramics Monthly, Box 12448, Columbus, Ohio 43212. Indexing:Articles in each issue of Ceramics Monthly are indexed in the Art Index. A 20-year subject index (1953-1972) covering Ceramics Monthly feature articles, Sugges­ tions and Questions columns is available for $1.50, postpaid from the Ceramics Monthly Book Department, Box 12448, Columbus, Ohio 43212. Additionally, each year’s arti­ cles are indexed in the December issue.
    [Show full text]
  • Press Release, P
    1 Contacts: Karen Frascona Amelia Kantrovitz 617.369.3442 617.369.3447 [email protected] [email protected] MUSEUM OF FINE ARTS, BOSTON, ANNOUNCES MAJOR GIFT OF CONTEMPORARY CRAFT FROM DAPHNE FARAGO COLLECTION BOSTON, MA (January 18, 2013)— The Museum of Fine Arts, Boston (MFA), announces a gift of 161 works from longtime supporter Daphne Farago — the Museum’s largest-ever gift of contemporary craft across a range of media. These 20th- and 21st-century works are among the finest examples of studio craft and represent objects by notable artists, such as fiber artists Anni Albers and Sheila Hicks, sculptor Robert Arneson, glass artist Dale Chihuly, and furniture maker John Cederquist. The gift includes works of fiber (94), ceramics (24), glass (19), turned wood/carvings (11), metal (5), furniture (4), jewelry (2), Structure No. 18: Theory of Lift, basketry (1), and folk art (1). The largest donor of contemporary craft in the Jeanette Marie Ahlgren, 1994 Museum’s history, Mrs. Farago has transformed the MFA’s collection with gifts totaling nearly 950 objects to the Museum in her lifetime. Other significant donations to the MFA by Mrs. Farago include the 2006 gift of more than 650 pieces of contemporary jewelry and the 2004 gift of more than 80 works of contemporary fiber art created by the late Edward Rossbach and Katherine Westphal. "These works illustrate Daphne Farago's vision as a collector — they are part of her personal collection and represent some of the finest, most intellectually and technically ambitious creations in these areas," said Malcolm Rogers, Ann and Graham Gund Director of the MFA.
    [Show full text]
  • Gather Newsletter.Indd
    Spring/Summer 2006 “Glass of the Maharajahs” the opens May 19 Heineman Family Donates Contemporary Glass Collection Rare Colored Cut Glass in Gather “Splitting the Rainbow” C o r n i n g M u s e u m o f G l a s s DIRECTOR’S LETTER Museum News One of the pleasures of working at The Corning Museum of Glass is the fact that the Museum never stands still. We are ambitious, and Corning Incorporated and our other supporters allow us— within reason—to turn many of our dreams into reality. Online Database Details Glass Exhibitions Worldwide New Museum Publication and Video Available Contemporary glass is a vital part of our collection and exhibitions. A new online database, compiled and maintained by the Rakow We were thrilled, therefore, at the beginning of the year, to receive Research Library, offers web users the ability to search for past, A new publication from The the largest gift of contemporary glass in the Museum’s history. present and upcoming temporary glass exhibitions around the Corning Museum of Glass Photo by Frank J. Borkowski. world. The Worldwide Glass Exhibition Database can be found at explores the past 25 years of www.cmog.org/exhibitionsdatabase. contemporary glass, and a new Ben Heineman Sr. and his wife Natalie have spent more than 20 years building video produced by The Studio one of the most distinguished private collections of contemporary glass, and have “The Rakow’s mission is to collect, maintain and provide public introduces glass students to the collected with a consummate sense of what is best among the countless works access to all glass-related resources," says Diane Dolbashian, art of flameworking.
    [Show full text]
  • Smithsonian American Art Museum
    Smithsonian American Art Museum Chronological List of Past Exhibitions and Installations on View at the Smithsonian American Art Museum and its Renwick Gallery 1958-2016 ■ = EXHIBITION CATALOGUE OR CHECKLIST PUBLISHED R = RENWICK GALLERY INSTALLATION/EXHIBITION May 1921 xx1 American Portraits (WWI) ■ 2/23/58 - 3/16/58 x1 Paul Manship 7/24/64 - 8/13/64 1 Fourth All-Army Art Exhibition 7/25/64 - 8/13/64 2 Potomac Appalachian Trail Club 8/22/64 - 9/10/64 3 Sixth Biennial Creative Crafts Exhibition 9/20/64 - 10/8/64 4 Ancient Rock Paintings and Exhibitions 9/20/64 - 10/8/64 5 Capital Area Art Exhibition - Landscape Club 10/17/64 - 11/5/64 6 71st Annual Exhibition Society of Washington Artists 10/17/64 - 11/5/64 7 Wildlife Paintings of Basil Ede 11/14/64 - 12/3/64 8 Watercolors by “Pop” Hart 11/14/64 - 12/13/64 9 One Hundred Books from Finland 12/5/64 - 1/5/65 10 Vases from the Etruscan Cemetery at Cerveteri 12/13/64 - 1/3/65 11 27th Annual, American Art League 1/9/64 - 1/28/65 12 Operation Palette II - The Navy Today 2/9/65 - 2/22/65 13 Swedish Folk Art 2/28/65 - 3/21/65 14 The Dead Sea Scrolls of Japan 3/8/65 - 4/5/65 15 Danish Abstract Art 4/28/65 - 5/16/65 16 Medieval Frescoes from Yugoslavia ■ 5/28/65 - 7/5/65 17 Stuart Davis Memorial Exhibition 6/5/65 - 7/5/65 18 “Draw, Cut, Scratch, Etch -- Print!” 6/5/65 - 6/27/65 19 Mother and Child in Modern Art ■ 7/19/65 - 9/19/65 20 George Catlin’s Indian Gallery 7/24/65 - 8/15/65 21 Treasures from the Plantin-Moretus Museum Page 1 of 28 9/4/65 - 9/25/65 22 American Prints of the Sixties 9/11/65 - 1/17/65 23 The Preservation of Abu Simbel 10/14/65 - 11/14/65 24 Romanian (?) Tapestries ■ 12/2/65 - 1/9/66 25 Roots of Abstract Art in America 1910 - 1930 ■ 1/27/66 - 3/6/66 26 U.S.
    [Show full text]