John Alexander Pope Papers
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Natalia Khlebtsevich
Natalia Khlebtsevich https://www.khlebtsevich.com/ https://www.facebook.com/profile.php?id=100003401203572 https://www.instagram.com/khlebtsevich_natalia/ [email protected] +7 916 141 84 93 Born in Moscow 1971. Graduated from Stroganov Moscow State University of Industrial and Applied Arts (1990-1996, Department of Ceramics), with postgraduate studies in art history in the same school (1998- 2000). Member of the Moscow Union of Artists, International Artist Federation, International Academy of Ceramics IAC, Professor of the Stroganov University. Starting 1993 constantly participated in Russian and International exhibitions. Many of Natalia Khlebtsevich's installations are marked by the presence of biological components. The primary media of her work are clay and porcelain which, by way of firing, become permanently unchangeable, thus signifying the irrevocable terminality. Juxtaposed to this nominal timelessness, the biological, obviously mortal parts stand as contrapuntal elements embodying life and growth, constantly changing the visual perception of the objects. Some of the installations include light and water and soundtracks epitomizing the passage of time. The work is not in a state of standstill, the accompanying living things and recorded sounds induce the viewers in the process of its creation engaging them to participate in artist’s exploration of human condition and the perception of time. Prizes: • Laureate. International Ceramics Festival. Gzhel. Russia.2018 • Honorable Mention of the Jury. 39th International Ceramics Competition in Gualdo Tadino (Italy). 2017. • Honorable Mention of the Jury. 2017.11 MINO Ceramics Festival (Japan). • Nominee. Kandinsky Prize. 2009 и 2011. Breus Foundation. • Laureate of Young Artist Show 2004. Moscow Union of Artists. • Laureate. International Festival of Archtecture and Design. -
Porcelain Cíqì 瓷 器
◀ POLO, Marco Comprehensive index starts in volume 5, page 2667. Porcelain Cíqì 瓷器 Porcelain was first made in China about 850ce . The essential ingredient is kaolin, a white clay that when fired at an extremely high temper- ature acquires a glassy surface. Porcelain wares were first exported to Europe during the twelfth century. By 1700 trade in Chinese porcelain was immense, with Ming dynasty wares, characterized by cobalt-blue-painted motifs, highly prized. orcelain is ceramic material made with kaolin, which is a fine, white clay. Porcelain wares were first made in China about 850ce during the Tang Ornately painted porcelain bowl. Potters of the dynasty (618– 907 ce). An Islamic traveler who had vis- Ming dynasty concentrated more on painted ited China in 851 saw clay vessels that resembled glass. design and less on form. Photo by Berkshire Evidence indicates that fine, white stoneware (pottery Publishing. made from high-firing clay other than kaolin) was made in China as early as 1400 bce, and potters appear to have been familiar with kaolin during the Han dynasty rather than gray or brown or rust colored) and high fusion (206 bce – 2 2 0 ce). But the forerunner of modern-day por- temperature (the high heat required to turn the ingredi- celain was not made until the Tang dynasty. Tang dynasty ents into porcelain). Chemically kaolin is made up of kao- porcelain is known as “hard-paste” or “true porcelain” and linite, quartz, feldspar, muscovite, and anastase. Kaolin was made by mixing kaolin, which is formed by the decay and petuntse are fused by firing in a kiln at 980º C, then of feldspar, a chief constituent of granite, with petuntse, dipped in glaze and refired at about 1,300º C. -
Karbury's Auction House
Karbury's Auction House Antiques Estates & Collection Sale Saturday - September 8, 2018 Antiques Estates & Collection Sale 307: A Chinese Gilt Bronze Buddhist Figure USD 300 - 500 308: A Set of Four Bronze Cups USD 200 - 300 309: A Song Style Jizhou Tortoiseshell-Glazed Tea Bowl USD 1,000 - 2,000 310: A Bronze Snake Sculpture USD 100 - 200 311: A Wood Pillow with Bone Inlaid USD 100 - 200 312: A Carved Ink Stone USD 200 - 300 313: A Stone Carved Head of Buddha USD 100 - 200 314: A Doucai Chicken Cup with Yongzheng Mark USD 500 - 700 Bid Live Online at LiveAuctioneers.com Page 1 Antiques Estates & Collection Sale 315: A Jian Ware Tea Bowl in Silver Hare Fur Streak USD 800 - 1,500 316: A Celadon Glazed Double Gourd Vase USD 400 - 600 317: Three Porcelain Dog Figurines USD 200 - 400 318: A Jun ware flower Pot USD 1,500 - 2,000 319: A Pair of Famille Rose Jars with Cover USD 800 - 1,200 320: A Blanc-De-Chine Figure of Seated Guanyin USD 1,500 - 2,000 321: A Pair of Vintage Porcelain Lamps USD 200 - 300 322: A Chicken Head Spout Ewer USD 800 - 1,200 Bid Live Online at LiveAuctioneers.com Page 2 Antiques Estates & Collection Sale 323: Two sancai figures and a ceramic cat-motif pillow USD 200 - 300 324: A Teadust Glazed Vase with Qianlong Mark USD 500 - 800 325: A Rosewood Tabletop Curio Display Stand USD 300 - 500 326: A Blue and White Celadon Glazed Vase USD 300 - 500 327: A Wucai Dragon Jar with Cover USD 300 - 500 328: A Green and Aubergine-Enameled Yellow-Ground Vase USD 200 - 300 329: A Celadon Square Sectioned Dragon Vase USD 200 - 300 -
The Museum in the City
01 / 2019 ISSN 2520-2472 MUSEUMUSEUMMSS OFOF CITIESCITIES REVIEW REVIEW network.icom.museum/camoc/ Towards the ICOM Kyoto 2019: Get to know the museums of Osaka COnferenCe and GuIde relaTed TO MuseuMs 1 MUSEUMS OF CONTENTS CITIES REVIEW 25 18 21 04 15 08 03 Genk. Engaging with heritage Joana Sousa Monteiro Osaka 04 18 30 City in the Museum / - Introductory note: Museum Since 1918 Museum in the City Countdown to ICOM Kyoto 2019! 21 32 - History of Museum in Osaka: Overview of the development of Osaka city “Maximising the impact of Towards a City Museum and its museums cultural heritage on local Watch - The Museum of development” – Oriental Ceramics Osaka an OECD conference and 33 and the Nakanoshima guide related to From The Museum museums of the City for a Museum of the City 23 34 Culture: Considering the Quantum Culture: The future of museums is plural 38 Future conferences of a Natural History Museum 25 - Towards Conceptualizing A Post-Industrial Walk in Cover Photo: osaka Castle. © en.wikipedia.org Editorial Board: 2 From the Chair The ICOM General Conference happens every three 2019. Historic House Museums. Now that the deadline for the call for papers has is organizing the workshop “Towards a City Museum rd and 4th got the highest number of abstract proposals ever: ICOM Portugal and the Museum of Lisbon. The workshop intends to discuss and set up glad to know that so many good professionals are interested in our work. worldwide. The invited speakers for the workshop are As a learning tool about Japanese museums and museums of Osaka with an assessment of the History of Barcelona and European City Museums by Shugo Kato from the Osaka Museum of History. -
9. Ceramic Arts
Profile No.: 38 NIC Code: 23933 CEREMIC ARTS 1. INTRODUCTION: Ceramic art is art made from ceramic materials, including clay. It may take forms including art ware, tile, figurines, sculpture, and tableware. Ceramic art is one of the arts, particularly the visual arts. Of these, it is one of the plastic arts. While some ceramics are considered fine art, some are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artifacts in archaeology. Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture and decorate the art ware. Products from a pottery are sometimes referred to as "art pottery".[1] In a one-person pottery studio, ceramists or potters produce studio pottery. Most traditional ceramic products were made from clay (or clay mixed with other materials), shaped and subjected to heat, and tableware and decorative ceramics are generally still made this way. In modern ceramic engineering usage, ceramics is the art and science of making objects from inorganic, non-metallic materials by the action of heat. It excludes glass and mosaic made from glass tesserae. There is a long history of ceramic art in almost all developed cultures, and often ceramic objects are all the artistic evidence left from vanished cultures. Elements of ceramic art, upon which different degrees of emphasis have been placed at different times, are the shape of the object, its decoration by painting, carving and other methods, and the glazing found on most ceramics. 2. -
Cambridge University Press 978-1-108-49995-8 — the City of Blue and White Anne Gerritsen Index More Information
Cambridge University Press 978-1-108-49995-8 — The City of Blue and White Anne Gerritsen Index More Information 321 Index Note: Page numbers in bold refer to fi gures, and those in italics refer to maps. Abbasid Caliphate (750–1258), trade in, 1 – 2 introduction of, 15 Abu- Lughod, Janet, 44 – 46 , 45 , 47 , 55 Jingdezhen emergence of, 61 , 68 Ackerman- Lieberman, Phillip, 59 Jingdezhen global production of, 5 Africa, porcelain trade in, 59 in Joseon Korea, 125 , 125 , 126 animal patterns, 198 Kessler on dating of, 64 in Jizhou ceramics, 82 – 83 , 93 – 94 , 95 Linjiang kilns and, 102 – 103 see also deer ; dragon in ritual texts, 127 – 128 archaeologists, on porcelains, 6 , 117 in shard market, 3 – 5 , 16 , 1 7 archaeology, 6 , 12 – 13 , 34 , 52 , 82 – 83 , 106 underglaze painting of, 67 Cizhou ware ceramics, 32 – 33 Yu a n d y n a s t y a n d , 6 6 Ding ware ceramics, 24 , 32 – 33 bluish- white glaze, of qingbai ceramics, 40 Fengzhuang storehouse, 21 – 22 ‘Book of Ceramics’, see Taoshu hoards, 72 bottle Hutian kilns, 49 , 264n54 gourd- shaped, 196 – 197 , 196 , 198 , 214 Jizhou ware, 93 , 97 in shard market, 3 – 5 Linjiang kiln site, 102 – 103 tall- necked porcelain, 198 , 199 , maritime, 12 – 13 , 52 – 55 , 127 – 128 204 – 205 , 215 qingbai ceramics, 52 bowl, 172 shard market, 1 , 16 , 1 7 fi sh, 228 – 230 S i n a n s h i p w r e c k , 5 2 – 5 5 glaze patterns for, 35 – 36 Western Xia dynasty, 51 Jizhou ceramics dated, 95 , 96 , 97 Yonghe kilns, 76 , 77 w i t h luanbai glaze, 47 – 48 , 48 Ardabil collection, 205 in shard market, 3 – 5 art history, of porcelains, 6 see also tea bowls ‘Assorted Jottings of Shi Yushan’ Shi Yushan Brandt, George, 64 bieji (Shi Runzhang), 101 Brankston, A. -
Noritake Garden Entrance Exit Fascinating Cycle of Life up Close
天 Parking Lot Encounter nature at the biotope 1F A biotope is an area in an urban setting that provides oritae uare aoa C a living environment for plants, insects, sh, birds, iestle so Parking Gate and other forms of life. Come experience the General Discover the Culture, Rest in the Forest. Noritake Garden Entrance Exit fascinating cycle of life up close. Information See everything Noritake and Enjoy lunch and dessert served Free Admission (Admission fees apply for the Craft Center and Noritake Museum only) Okura Art China have to offer, on casual Noritake tableware. The Enormous “Six Chimneys” “The Detached Kiln” * All facilities are barrier-free. from elegant daily-use tableware Come and take a break from A monument symbolizing instills visitors with a sense to prestige products. A full lineup shopping or walking. Admission fees for the Craft Center and Noritake Museum of tableware is also available. Noritake’s dream the enthusiasm of its time. Adults/university students 500 yen These are relics from the tunnel This old kiln, nestled amidst a Visitors aged 65 or over 300 yen North Gate Nishi-Yabushita kilns built in 1933 to bake quiet forest, exudes the High school students and younger Free Discover the Culture, Rest in the Forest. Visitors with ID verifying disability Free CRAFT CENTER ceramics. The Noritake dream, a enthusiasm of the soil and Pedestrian access constant beacon of inspiration ames from its time. (Be prepared to present the ID) Noritake Museum * Group discounts available Groups of 30 or more 10% off Noritake Garden The “Red Brick Buildings”, ever since the early Meiji Period, Groups of 100 or more 20% off 4F Admire the grand “Old Noritake” symbolic of Japan’s burns on bright today. -
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39 Ching-Ling Wang* R E JA P RE-CONSIDERING A CIZHOU-TYPE JAR IN THE VVAK COLLECTION U-TY Introduction O Within the collection of the VVAK, on long term loan to the Rijksmuseum Amsterdam, is a Cizhou-type (Cizhouyao xi) stoneware jar (AK-MAK-536, fig. 1). This jar has a short tapered neck, a wide mouth, and four small loops between the neck and the shoulder which would originally have been used to IZH secure a lid; from the square shoulder the sides narrow towards the foot. C The inner neck and the body are covered with a crackled glaze and slip to around three centimeters above the base. On the surface of the glaze are cloudy patches of slip that turned pink or brownish-beige during firing. A The slip has been worn away around the base. One side is decorated with G a painting of a galloping horse, shown running through grassland – as suggested by spare brush strokes. The horse is painted in shades of iron IN brown beneath the glaze. It has a dark brown body, a yellowish-brown mane, R and a tail painted with fluid brushstrokes. On the other side, in the same E palette, is an as yet unidentified plant (fig. 2). The base of the jar is plain biscuit (fig. 3). D I first encountered this jar in September 2013 during an interview for my job as curator of Chinese art in the Rijksmuseum. I remember that this jar was NSI placed in front of me and I was asked several questions about it. -
14 Krahl 1 White Wares
Regina Krahl White Wares of Northern China Regina Krahl White Wares of Northern China he white stonewares on the Belitung wreck Huanghe (Yellow River), ‘are rich in clay min erals 1 Wood 1999, 27, with a map, 26; Tcomprised some 300 items, all of them made while stoneware and porcelain ‘clays’ south of the cf. also above pp. 119–122. in northern China. Most of them represent table- divide tend to be rock based and rich in fine 2 White wares made of a pure wares. As with green wares, two distinct qualities quartz and micas’.1 And it would seem that for white clay and fired at tempera- tures just high enough to qualify can be distinguished, reflecting the production the first two millennia or so of China’s historic as stonewares, have been dis- covered at sites of the late Shang of different kiln centres in Hebei and Henan. period, the two regions developed their ceramic dynasty at Anyang in Henan Among them are examples of probably the finest traditions quite independent from each other. province. These rare examples are finely made, fashioned in ceramic wares available at the time, and some Although the origins of stoneware production shapes and decorations imitating contemporary bronzes, but are of the earliest true porcelains made in China. in the north can equally be traced to the Shang lacking a glaze. No continuous They also include the only complete examples dynasty (c. 1600–c. 1050 BC), this part of China development of stonewares can be detected from these early be- dis covered so far of China’s earliest blue-and- lacked the continuous development which char- ginnings, and at present they still white ware. -
ASIAN ART REFERENCE BOOKS and SELECTIONS from CT LOO LIBRARY 13 September 2012 New York, Rockefeller Plaza
ASIAN ART REFERENCE BOOKS AND SELECTIONS FROM CT LOO LIBRARY 13 September 2012 New York, Rockefeller Plaza Lot 801 [LOO, CT, EXHIBITIONS AND SALES] -- ROSTOVTZEFF, M Inlaid Bronzes of The Han Dynasty in the Collection of CT Lo... Price Realized $4,750 Lot 802 [HAN, TANG and SONG DYNASTIES -- EXHIBITION CATALOGUES] -- D'ARDENNE DE TIZAC, H Chinesische Tierplastik und T... Price Realized $1,625 Lot 803 [GERMAN LANGUAGE] -- PERZYNSKI, Friedrich Von Chinas Göttern Reisen in China Munich: Kurt Wolff Verlag, 192... Price Realized $2,500 Lot 804 [SCULPTURE] -- LOEHR, Max Relics of Ancient China from the Collection of Dr Paul Singer New York: The Asia ... Price Realized $1,375 Lot 805 [PAINTINGS] -- WHITE, William Charles Chinese Temple Frescoes A Study of Three Wall-Paintings of the Thirteenth... Price Realized $3,000 Lot 806 [MURALS AND STONE ART] -- WHITE, William Charles Tomb Tile Pictures of Ancient China Toronto: University of... Price Realized $375 Lot 807 [BUDDHIST ART] -- ANESAKI, M Buddhist Art In Its Relation to Buddhist Ideals Boston and New York: Houghton ... Price Realized $56,250 Lot 808 SIRÉN, Osvald Chinese Sculpture from the Fifth to the Fourteenth Century London: Ernest Benn, Limited, 1925 Price Realized $40,000 Lot 809 [OSVALD SIRÉN, WORKS IN FRENCH] -- SIRÉN, Osvald Histoire Des Arts Anciens De La Chine Paris and Brussels: ... Price Realized $30,000 Lot 810 MIZUNO, Seiichi, and Toshio NAGAHIRO Yun-Kang The Buddhist Cave-Temples of the Fifth Century AD in North China<... Price Realized $74,500 Lot 811 [JOURNALS] -- LI, Chi Archaeologia Sinica Number Two Hsiao-T'un (The Yin Shang Site at Anyang, Honan), Volume I.. -
San Diego County Treasurer-Tax Collector 2019-2020 Returned Property Tax Bills
SAN DIEGO COUNTY TREASURER-TAX COLLECTOR 2019-2020 RETURNED PROPERTY TAX BILLS TO SEARCH, PRESS "CTRL + F" CLICK HERE TO CHANGE MAILING ADDRESS PARCEL/BILL OWNER NAME 8579002100 11-11 GIFT TRUST 04-01-96 8579002104 11-11 GIFT TRUST 04-01-96 8579002112 11-11 GIFT TRUST 04-01-96 8679002101 11-11 GIFT TRUST 04-01-96 8679002105 11-11 GIFT TRUST 04-01-96 8679002113 11-11 GIFT TRUST 04-01-96 8779002102 11-11 GIFT TRUST 04-01-96 8779002106 11-11 GIFT TRUST 04-01-96 8779002114 11-11 GIFT TRUST 04-01-96 8879002103 11-11 GIFT TRUST 04-01-96 8879002107 11-11 GIFT TRUST 04-01-96 8879002115 11-11 GIFT TRUST 04-01-96 5331250200 1141 LAGUNA AVE L L C 2224832400 1201 VIA RAFAEL LTD 3172710300 12150 FLINT PLACE LLC 2350405100 1282 PACIFIC OAKS LLC 4891237400 1360 E MADISON AVENUE L L C 1780235100 138 SUN VILLA CT LLC 8894504458 138 SUN VILLA CT LLC 2222400700 1488 SAN PABLO L L C 1300500500 15195 HWY 76 TRUST 04-084 1473500900 152 S MYERS LLC 4230941300 1550 GARNET LLC 2754610900 15632 POMERADO ROAD L L C 1678 COUNTRY CLUB DR ESCONDIDO CA 92029 TRUST 05-07- 2325114700 18 1678 COUNTRY CLUB DR ESCONDIDO CA 92029 TRUST 05-07- 8894616148 18 2542212300 1697A LA COSTA MEADOWS L L C 2542212400 1697A LA COSTA MEADOWS L L C 6461901900 1704 CACTUS ROAD LLC 5333021200 1750 FIFTH AVENUE L L C 2542304001 180 PHOEBE STREET LLC 5392130600 1815-19 GRANADA AVENUE LLC 5392130700 1815-19 GRANADA AVENUE LLC 2643515400 18503 CALLE LA SERRA L L C 2263601300 1991 TRUST 12-02-91 AND W J K FAMILY LTD PARTNERSHIP 5650321400 1998 ENG FAMILY L L C 5683522300 1998 ENG FAMILY L L -
New Zealand Potter Volume 20 Number 2 Spring 1978
newzealdndpotter vol 90/? spring 1978 Contents Potting in Auckland Lindsay Bedogni, Grant Campbell Waybe Farm Pottery John and Diane Anderson Nicholas Stather Andrew and Gennie Van der Puten ©OOO\>$>UJI\J Sally Vinson 10 Glenn Beattie 12 Beverley Luxton 13 Olive Jones, pioneer potter 14 Native Gardens 15 Glazes —— improving predictability 16 In pursuit of a glaze 18 Levi Borgstrom — wood carver 19 Cry your eyes out Betty Crocker 20 Fear not the flame 26 Pottery in Australia 28 Kiln — keeping a low profile 30 Refractories for potters’ kilns 33 Kiln for fast firing stoneware 34 New Zealand Potter is a non-pro fit making magazine published twice annually. Circulation is 6,500. The annual subscription is $NZ4.00, for Australia $A4.70, Canada and the United States, $U.S.5.40, Britain £2.70 postage included. New Subscriptions should include name and address ofsubscriber and the issues required. Please mark correspondence ”Subscriptions". Receipts will not be sent unless asked for. A renewal form is included in the second issue each year. This should be used without delay. It is the only indication that the magazine is still required. Advertising rates Full page 180mm wide X 250mm high $126 Half page 180mm x 122mm high S75 Quarter page 88mm wide x 122mm high $45 Spot 88mm wide x 58mm high $27 Offset printing. Unless finished art work ready for camera is supplied by advertiser, then 10% will be added to the above rates. Correspondence marked ”Advertising”, to editor. Two young Auckland potters whose work shows different ap— a proaches to their craft.