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Porcelain Cíqì 瓷 器
◀ POLO, Marco Comprehensive index starts in volume 5, page 2667. Porcelain Cíqì 瓷器 Porcelain was first made in China about 850ce . The essential ingredient is kaolin, a white clay that when fired at an extremely high temper- ature acquires a glassy surface. Porcelain wares were first exported to Europe during the twelfth century. By 1700 trade in Chinese porcelain was immense, with Ming dynasty wares, characterized by cobalt-blue-painted motifs, highly prized. orcelain is ceramic material made with kaolin, which is a fine, white clay. Porcelain wares were first made in China about 850ce during the Tang Ornately painted porcelain bowl. Potters of the dynasty (618– 907 ce). An Islamic traveler who had vis- Ming dynasty concentrated more on painted ited China in 851 saw clay vessels that resembled glass. design and less on form. Photo by Berkshire Evidence indicates that fine, white stoneware (pottery Publishing. made from high-firing clay other than kaolin) was made in China as early as 1400 bce, and potters appear to have been familiar with kaolin during the Han dynasty rather than gray or brown or rust colored) and high fusion (206 bce – 2 2 0 ce). But the forerunner of modern-day por- temperature (the high heat required to turn the ingredi- celain was not made until the Tang dynasty. Tang dynasty ents into porcelain). Chemically kaolin is made up of kao- porcelain is known as “hard-paste” or “true porcelain” and linite, quartz, feldspar, muscovite, and anastase. Kaolin was made by mixing kaolin, which is formed by the decay and petuntse are fused by firing in a kiln at 980º C, then of feldspar, a chief constituent of granite, with petuntse, dipped in glaze and refired at about 1,300º C. -
Karbury's Auction House
Karbury's Auction House Antiques Estates & Collection Sale Saturday - September 8, 2018 Antiques Estates & Collection Sale 307: A Chinese Gilt Bronze Buddhist Figure USD 300 - 500 308: A Set of Four Bronze Cups USD 200 - 300 309: A Song Style Jizhou Tortoiseshell-Glazed Tea Bowl USD 1,000 - 2,000 310: A Bronze Snake Sculpture USD 100 - 200 311: A Wood Pillow with Bone Inlaid USD 100 - 200 312: A Carved Ink Stone USD 200 - 300 313: A Stone Carved Head of Buddha USD 100 - 200 314: A Doucai Chicken Cup with Yongzheng Mark USD 500 - 700 Bid Live Online at LiveAuctioneers.com Page 1 Antiques Estates & Collection Sale 315: A Jian Ware Tea Bowl in Silver Hare Fur Streak USD 800 - 1,500 316: A Celadon Glazed Double Gourd Vase USD 400 - 600 317: Three Porcelain Dog Figurines USD 200 - 400 318: A Jun ware flower Pot USD 1,500 - 2,000 319: A Pair of Famille Rose Jars with Cover USD 800 - 1,200 320: A Blanc-De-Chine Figure of Seated Guanyin USD 1,500 - 2,000 321: A Pair of Vintage Porcelain Lamps USD 200 - 300 322: A Chicken Head Spout Ewer USD 800 - 1,200 Bid Live Online at LiveAuctioneers.com Page 2 Antiques Estates & Collection Sale 323: Two sancai figures and a ceramic cat-motif pillow USD 200 - 300 324: A Teadust Glazed Vase with Qianlong Mark USD 500 - 800 325: A Rosewood Tabletop Curio Display Stand USD 300 - 500 326: A Blue and White Celadon Glazed Vase USD 300 - 500 327: A Wucai Dragon Jar with Cover USD 300 - 500 328: A Green and Aubergine-Enameled Yellow-Ground Vase USD 200 - 300 329: A Celadon Square Sectioned Dragon Vase USD 200 - 300 -
List 3. Headings That Need to Be Changed from the Machine- Converted Form
LIST 3. HEADINGS THAT NEED TO BE CHANGED FROM THE MACHINE- CONVERTED FORM The data dictionary for the machine conversion of subject headings was prepared in summer 2000 based on the systematic romanization of Wade-Giles terms in existing subject headings identified as eligible for conversion before detailed examination of the headings could take place. When investigation of each heading was subsequently undertaken, it was discovered that some headings needed to be revised to forms that differed from the forms that had been given in the data dictionary. This occurred most frequently when older headings no longer conformed to current policy, or in the case of geographic headings, when conflicts were discovered using current geographic reference sources, for example, the listing of more than one river or mountain by the same name in China. Approximately 14% of the subject headings in the pinyin conversion project were revised differently than their machine- converted forms. To aid in bibliographic file maintenance, the following list of those headings is provided. In subject authority records for the revised headings, Used For references (4XX) coded Anne@ in the $w control subfield for earlier form of heading have been supplied for the data dictionary forms as well as the original forms of the headings. For example, when you see: Chien yao ware/ converted to Jian yao ware/ needs to be manually changed to Jian ware It means: The subject heading Chien yao ware was converted to Jian yao ware by the conversion program; however, that heading now -
Catazacke 20200425 Bd.Pdf
Provenances Museum Deaccessions The National Museum of the Philippines The Herbert F. Johnson Museum of Art, Cornell University New York, USA The Monterey Museum of Art, USA The Abrons Arts Center, New York, USA Private Estate and Collection Provenances Justus Blank, Dutch East India Company Georg Weifert (1850-1937), Federal Bank of the Kingdom of Serbia, Croatia and Slovenia Sir William Roy Hodgson (1892-1958), Lieutenant Colonel, CMG, OBE Jerrold Schecter, The Wall Street Journal Anne Marie Wood (1931-2019), Warwickshire, United Kingdom Brian Lister (19262014), Widdington, United Kingdom Léonce Filatriau (*1875), France S. X. Constantinidi, London, United Kingdom James Henry Taylor, Royal Navy Sub-Lieutenant, HM Naval Base Tamar, Hong Kong Alexandre Iolas (19071987), Greece Anthony du Boulay, Honorary Adviser on Ceramics to the National Trust, United Kingdom, Chairman of the French Porcelain Society Robert Bob Mayer and Beatrice Buddy Cummings Mayer, The Museum of Contemporary Art (MCA), Chicago Leslie Gifford Kilborn (18951972), The University of Hong Kong Traudi and Peter Plesch, United Kingdom Reinhold Hofstätter, Vienna, Austria Sir Thomas Jackson (1841-1915), 1st Baronet, United Kingdom Richard Nathanson (d. 2018), United Kingdom Dr. W. D. Franz (1915-2005), North Rhine-Westphalia, Germany Josette and Théo Schulmann, Paris, France Neil Cole, Toronto, Canada Gustav Heinrich Ralph von Koenigswald (19021982) Arthur Huc (1854-1932), La Dépêche du Midi, Toulouse, France Dame Eva Turner (18921990), DBE Sir Jeremy Lever KCMG, University -
Tianmu Bowls
GLOBAL EA HUT Tea & Tao Magazine 國際茶亭 May 2018 Tianmu天目 Bowls GLOBAL EA HUT ContentsIssue 76 / May 2018 Tea & Tao Magazine Cloud祥雲寺 Temple This month, we are excited to dive into the world of tea bowls, exploring how to choose bowls for tea and the history of China’s most Love is famous bowls, called “tianmu.” And we have a great green tea to drink as we discuss the his- changing the world tory, production and lore of tianmu as well as some modern artists making tianmu bowls. bowl by bowl Features特稿文章 13 The Glory of Tianmu By Wang Duozhi (王多智) 25 Tianmu Kilns in 03 Fujian By Li Jian’an (栗建安) 42 Yao Bian Tianmu 13 By Lin Jinzhong (林錦鐘) 45 Shipwrecked Tianmu By Huang Hanzhang (無黃漢彰) 33 Traditions傳統文章 53 03 Tea of the Month “Cloud Temple,” Fresh Spring Green Tea Mingjian, Nantou, Taiwan 21 Cha Dao How to Hold the Bowl By Jing Ren (淨仁) Teaware Artisans p. 33 Lin Jinzhong, by Wu De (無的) p. 53 Wang Xi Rui, by Wu De (無的) 祥 © 2018 by Global Tea Hut 59 Special Offer All rights reserved. Wang Xi Rui Tianmu Bowls 雲 No part of this publication may be re- 寺 produced, stored in a retrieval system 61 TeaWayfarer or transmitted in any form or by any means, electronic, mechanical, pho- Erin Farb, USA tocopying, recording, or otherwise, without prior written permission from the copyright owner. n May, TaiwanFrom really warms up and we startthe turn- cover teaware in atEditor least one issue, which we are presenting ing more to lighter teas like green teas, white teas in this very issue. -
The Concept of the Five Famous Wares of the Song Dynasty —A Modern Invention
The Concept of the Five Famous Wares of the Song Dynasty —A Modern Invention Sabrina Rastelli Department of Asian and North African Studies, Ca’ Foscari University of Venice, Venice, Italy Abstract The concept of the five famous wares of the Song dynasty is a fundamental theory that has influenced both researching and learning about Chinese ceramics. Archaeological excavations carried out since the 1950s and particularly during the past two decades have provided modern scholars with many and precious pieces of information that have deeply changed our understanding of the history of Chinese ceramics. They have also undermined the concept itself, but when discussing Ding, Ru, Jun, Guan or Ge experts seldom resist the temptation to remind that it is one of the five famous wares. The aim of this paper is to trace back when and how this definition was coined, by combing through Chinese sources. Key words five famous wares China ceramics ceramic literature Song The concept of the five famous wares of the Song dynasty (Songdai Wuda Mingyao 宋代五大名窑 ) is a fundamental theory that has influenced both researching and learning about Chinese ceramics. At the end of the 1980s, Song wares were classified as either official or popular. The first category was constituted by the so-called five famous wares of the Song dynasty, namely Ding(定), Ru(汝), Jun(钧), Guan(官)and Ge(哥). Ten years later, while researching for my PhD thesis, I began to doubt the exactness of this theory, but I explored the problem only from the perspective of the Yaozhou ( 耀州 ) kilns (Rastelli, 2008). -
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39 Ching-Ling Wang* R E JA P RE-CONSIDERING A CIZHOU-TYPE JAR IN THE VVAK COLLECTION U-TY Introduction O Within the collection of the VVAK, on long term loan to the Rijksmuseum Amsterdam, is a Cizhou-type (Cizhouyao xi) stoneware jar (AK-MAK-536, fig. 1). This jar has a short tapered neck, a wide mouth, and four small loops between the neck and the shoulder which would originally have been used to IZH secure a lid; from the square shoulder the sides narrow towards the foot. C The inner neck and the body are covered with a crackled glaze and slip to around three centimeters above the base. On the surface of the glaze are cloudy patches of slip that turned pink or brownish-beige during firing. A The slip has been worn away around the base. One side is decorated with G a painting of a galloping horse, shown running through grassland – as suggested by spare brush strokes. The horse is painted in shades of iron IN brown beneath the glaze. It has a dark brown body, a yellowish-brown mane, R and a tail painted with fluid brushstrokes. On the other side, in the same E palette, is an as yet unidentified plant (fig. 2). The base of the jar is plain biscuit (fig. 3). D I first encountered this jar in September 2013 during an interview for my job as curator of Chinese art in the Rijksmuseum. I remember that this jar was NSI placed in front of me and I was asked several questions about it. -
14 Krahl 1 White Wares
Regina Krahl White Wares of Northern China Regina Krahl White Wares of Northern China he white stonewares on the Belitung wreck Huanghe (Yellow River), ‘are rich in clay min erals 1 Wood 1999, 27, with a map, 26; Tcomprised some 300 items, all of them made while stoneware and porcelain ‘clays’ south of the cf. also above pp. 119–122. in northern China. Most of them represent table- divide tend to be rock based and rich in fine 2 White wares made of a pure wares. As with green wares, two distinct qualities quartz and micas’.1 And it would seem that for white clay and fired at tempera- tures just high enough to qualify can be distinguished, reflecting the production the first two millennia or so of China’s historic as stonewares, have been dis- covered at sites of the late Shang of different kiln centres in Hebei and Henan. period, the two regions developed their ceramic dynasty at Anyang in Henan Among them are examples of probably the finest traditions quite independent from each other. province. These rare examples are finely made, fashioned in ceramic wares available at the time, and some Although the origins of stoneware production shapes and decorations imitating contemporary bronzes, but are of the earliest true porcelains made in China. in the north can equally be traced to the Shang lacking a glaze. No continuous They also include the only complete examples dynasty (c. 1600–c. 1050 BC), this part of China development of stonewares can be detected from these early be- dis covered so far of China’s earliest blue-and- lacked the continuous development which char- ginnings, and at present they still white ware. -
The Castilians Discover Siam: Changing Visions and Self-Discovery
THE CASTILIANS DISCOVER SIAM: CHANGING VISIONS AND SELF-DISCOVERY Florentino ~odao' Abstract Iberians were the first people in Europe to interact directly with Siam. Centuries elapsed between the time the first information about Siam was received in the Iberian Peninsula and the period when their rulers perceived this Asian territory in a more or less coherent framework. This work studies the changes in their perception of the Kingdom of Siarn as it evolved from the earliest mythical references, in a long process that was neither uniform nor reliant merely on the receipt of data. Focusing on these early perceptions, this study notes the Iberians' different reactions to this new knowledge, the role of individuals and how the parallelprocess of their own budding national identities affected theoutcome. Introduction The Castilians and Portuguese shared similar conceptions about the "Far East" in the Middle Ages. During the Renaissance they were in a privileged position to obtain deeper knowledge about the territories in that region, their rulers and forms of government. Due to the great navigations, they established direct contact. After the Portuguese settled in Malacca in 1511 and the Castilians in the Philippines in 1565, those contacts became frequent. Hence the medieval cognitive framework used to interpret data related to Siarn was replaced by the Iberians earlier than by other Europeans. But this external process coincided with an internal evolution of the Iberians' own identities, both as individuals and as members of a society. Natural curiosity to learn about new lands and peoples, coupled with advances in science, navigation and travel, made many question traditional Christian beliefs about the world created by God for the first time. -
POTTERY from JĀM: a Mediaeval Ceramic CORPUS from Afghanistan
POTTERY FROM JĀ M 107 POTTERY FROM JĀM: A MEDIAEVAL CERAMIC CORPUS FROM AFGHANISTAN By Alison L. Gascoigne University of Southampton with a contribution by Rebecca Bridgman University of Cambridge Abstract This paper presents preliminary results of field recording of ceramic material from Jām, Ghūr province, Afghanistan, a site which has been associated with Fīrūzkūh, the summer capital of the Ghurid dynasty. A fabric series and catalogue of forms is presented, in addition to the results of some initial scientific analyses. Comparisons have been drawn with corpora from other sites in Afghanistan, Iran and Central Asia, and the significance of the material is discussed in light of the regional and chronological significance of assemblages from this area. Keywords Jām; ceramics; Ghurids; petrology; Afghanistan I. INTRODUCTION Claude Gardin in the 1950s and early 1960s.2 In the light of this situation, one of the aims of the MJAP The Minaret of Jam Archaeological Project (MJAP) has been to initiate recording of an inevitably very was conceived in 2003 to undertake archaeological preliminary ceramic typology that will clarify the net- work at the badly looted site of Jām in Ghūr prov- works connecting the site of Jām with neighbouring ince, central Afghanistan. The project was initially regions, in addition to addressing aspects of ceramic under the auspices of the Istituto Italiano per l’Africa production and use at the site itself. Circumstantial e l’Oriente, directed by Giovanni Veradi and funded evidence for pottery production was identified among by UNESCO. The first, small-scale, season in 2003 the archaeological remains at Khar Khūj, a short dis- was designed to undertake an impact assessment for tance south of the minaret along the Jām Rūd valley. -
736 | Asian Art China I – V Lot 1 – 948A 6 – 7 May 2016 Viewing: 3 – 5 May, 10.00 Am – 5.00 Pm
736 | Asian Art China I – V Lot 1 – 948a 6 – 7 May 2016 Viewing: 3 – 5 May, 10.00 am – 5.00 pm Please note that the times given below only give an approximation of the schedule of the auction, during which considerable delays may arise. Please note also that the succession of the following lot numbers may include numbers without belonging to an object. Friday, 6 May 2016 doors open: 09.00 am 9.30 am 1 – 39a China I - Hidden - treasures ca. 9.45 am 41 – 88 China II - Chinese paintings and calligraphy ca. 10.30 am 89 – 140 China III - Tibet, Nepal and South East Asia ca. 10.45 am 141 – 540 China IV ca. 2.00 pm 541 – 714 China V Saturday, 7 May 2016 doors open: 09.00 am 9.30 am 717 – 948a China V Please address enquiries about individual objects to the appropriate expert. Catalogue: Michael Trautmann, Tel.+49 (0) 711 / 649 69 - 310, [email protected] All participants in the auction are bound by our conditions of sale published at the end of this catalogue. Statements by us in the catalogue or in condition reports or made orally or in writing elsewhere regarding the autorship, origin, size, date, medium, attribution genuiness, provenience, condition or estimated selling prize of any lot are merely statements of opinion and are not to be relied on as statements of definitive fact. Prospective buyers are advised to examine the goods in which they are interested before auction takes place. Condition reports available on request Katalogbearbeitung / Catalogue / 圖錄 Michael Trautmann Tel.: ++49 (0)711 / 649 69 - 310 trautmann @ auction.de 1 1 China I 11 China I A FINE CIRCULAR, CARVED CINNABAR A CIRCULAR CINNABAR LACQUER BOX LACQUER (tihong) DISH WITH LANDSCAPE WITH DEPICTION OF SCHOLARS IN A DESIGN AND SCHOLARS IN A GARDEN GARDEN, China, c. -
San Diego County Treasurer-Tax Collector 2019-2020 Returned Property Tax Bills
SAN DIEGO COUNTY TREASURER-TAX COLLECTOR 2019-2020 RETURNED PROPERTY TAX BILLS TO SEARCH, PRESS "CTRL + F" CLICK HERE TO CHANGE MAILING ADDRESS PARCEL/BILL OWNER NAME 8579002100 11-11 GIFT TRUST 04-01-96 8579002104 11-11 GIFT TRUST 04-01-96 8579002112 11-11 GIFT TRUST 04-01-96 8679002101 11-11 GIFT TRUST 04-01-96 8679002105 11-11 GIFT TRUST 04-01-96 8679002113 11-11 GIFT TRUST 04-01-96 8779002102 11-11 GIFT TRUST 04-01-96 8779002106 11-11 GIFT TRUST 04-01-96 8779002114 11-11 GIFT TRUST 04-01-96 8879002103 11-11 GIFT TRUST 04-01-96 8879002107 11-11 GIFT TRUST 04-01-96 8879002115 11-11 GIFT TRUST 04-01-96 5331250200 1141 LAGUNA AVE L L C 2224832400 1201 VIA RAFAEL LTD 3172710300 12150 FLINT PLACE LLC 2350405100 1282 PACIFIC OAKS LLC 4891237400 1360 E MADISON AVENUE L L C 1780235100 138 SUN VILLA CT LLC 8894504458 138 SUN VILLA CT LLC 2222400700 1488 SAN PABLO L L C 1300500500 15195 HWY 76 TRUST 04-084 1473500900 152 S MYERS LLC 4230941300 1550 GARNET LLC 2754610900 15632 POMERADO ROAD L L C 1678 COUNTRY CLUB DR ESCONDIDO CA 92029 TRUST 05-07- 2325114700 18 1678 COUNTRY CLUB DR ESCONDIDO CA 92029 TRUST 05-07- 8894616148 18 2542212300 1697A LA COSTA MEADOWS L L C 2542212400 1697A LA COSTA MEADOWS L L C 6461901900 1704 CACTUS ROAD LLC 5333021200 1750 FIFTH AVENUE L L C 2542304001 180 PHOEBE STREET LLC 5392130600 1815-19 GRANADA AVENUE LLC 5392130700 1815-19 GRANADA AVENUE LLC 2643515400 18503 CALLE LA SERRA L L C 2263601300 1991 TRUST 12-02-91 AND W J K FAMILY LTD PARTNERSHIP 5650321400 1998 ENG FAMILY L L C 5683522300 1998 ENG FAMILY L L