April–May 2012 www.galleryandstudiomagazine.com Vol. 14 No. 4 New York GALLERY&STUDIO Whitney Biennial 2012: Where Have Painting and Sculpture Gone? pg. 2 Michael Robinson (b. 1981). Still from These Hammers Don’t Hurt Us, 2010. Digital video, color, sound; 13 min. © Michael Robinson; courtesy the artist DAisy ChaiN A new excerpt from Ed McCormack’s HOODLUM HEART pg. 14 Sheila Hecht Symphony of Color Ark Angel, 48"x36", acrylic/canvas 48"x36", Angel, Ark Split Second Decisions May 1 – 26, 2012 Reception: Saturday, May 5, 4 – 6pm 530 West 25th St., NYC, 10001 Tues - Sat 11 - 6pm 212 367 7063 www.nohogallery.com © Xiaoli Yang - Fertility A - 4 Acrylic on Canvas 47” x 47” April 24 - May 15, 2012 Reception: April 26, 2012 6-8 pm Hortencia Barreto Vera L.P. Cauwenberghs Doug Gilbert Elisabeth Holzschuster Nicholai Khan Helen Laishley Lola Lonli Marty Maehr MAEV Yvonne Maloney Isabelle Viallaneix W.M. Vinci Xiaoli Yang 530 West 25th Street, New York 212-226-4151 Fax: 212-966-4380 www.Agora-Gallery.com
[email protected] GALLERY&STUDIO April/May 2012 Whitney Biennial 2012: Where Have Painting and Sculpture Gone? f the present Whitney Biennial indicates matter what the relationship is between art Ianything at all, it may be that what Jack and medicine I would rather keep it purely on Kerouac once referred to as “the unspeakable the aesthetic plain [sic]. Why don’t you show visions of the individual” are back in style. your thesis in a medical hospital?” (Tactfully, Consider that Forrest Bess, a once obscure she didn’t specify Bellevue!) self-described “Texas roughneck fisherman” Aside from his sensational anatomical who, besides painting abstractions that experiments, however, as I made clear in my have a homespun avant garde quality which earlier essay, Bess’ paintings are well worth stands up favorably to Arthur Dove, Georgia considering.