2014 OAC Round #8
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Regional Oral History Off Ice University of California the Bancroft Library Berkeley, California
Regional Oral History Off ice University of California The Bancroft Library Berkeley, California Richard B. Gump COMPOSER, ARTIST, AND PRESIDENT OF GUMP'S, SAN FRANCISCO An Interview Conducted by Suzanne B. Riess in 1987 Copyright @ 1989 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West,and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. All uses of this manuscript are covered by a legal agreement between the University of California and Richard B. Gump dated 7 March 1988. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley. -
Kogap Landfill Site Inv Rpt(9-93).Pdf
/ SITE CHARACTERIZATION REPORT FORMER KOGAP LANDFILL MEDFORD,OREGON ..~ Prepared for Rogue Valley Manor, Inc. September 30, 1993 Prepared by EMCON Northwest, Inc. 1150 Knutson Road, Suite 4 Medford, Oregon 97504-4157 state of Oregon .vl:PARTMENT OF ENVIRONMENfAL QUALITY rD) rn .;~ ~ 0 ,V] 12 rID Project 0857-001.02 LnJ . cP ,) 0 1993 lQUJHWEST REGION OFFICE r,· " Site Characterization Report Former Kogap Landfill Medford, Oregon r I I The material and data in this report were prepared under the supervision and direction I of the undersigned. r' I I , EMCON Northwest, Inc. I' i r r '. , . M/l/RVMANR-R.930-93/DG:0 Rev, 0, 09/30/93 0857.ooL.02 ',' ")''J' " ~ •• c.' ii ; • ( • / -. ; c•• ,.;I "• ~ ~ • -.t. '. L ! ) .' iL , CONTENTS LIST OF FIGURES iv 1 INTRODUCTION 1 1.1 Regulatory Requirements 1 1.2 Site Background 2 2 PERMIT REQUIRED INFORMATION 3 2.1 Location Description 3 2.2 Legal Description 3 2.3 Site Map 3 2.4 Hydrology 4 2.5 Water Well Inventory 4 2.6 Regional Geology and Hydrogeology 4 3 EVALUATION OF POTENTIAL IMPACTS TO GROUNDWATER 7 3.1 Previous Sampling Work 7 3.2 Summary 9 REFERENCES APPENDIX A SOLID WASTE DISPOSAL SITE CLOSURE PERMIT 1082 APPENDIX B SITE MAP (from Fetrow, January 1991) APPENDIX C STATISTICAL S~Y OF MEAN DAILY DISCHARGE FOR BEAR CREEK APPENDIX D WATER WELL INVENTORY (from Fetrow, February 1991) APPENDIX E ENVIROSCIENCE, AUGUST 1990 REPORT APPENDIX F ANALYTICAL RESULTS FROM SAMPLING WATER WELLS, AUGUST 1992 M/l/RVMANR-R.930-93/DG:0 Rev. 0, 09/30/93 0857-001.02 iii ,r LIST OF FIGURES I r L Figures 1 Site Location Map r 2 100 and 500 Year Flood Plains of Bear Creek 3 Geologic Units in Vicinity of Site [' I. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
TESTING 'THE GIRL with X-RAY EYES' Tsunami Conspiracies and Hollow Moons
TAVRIS ON SEX DIFFERENCES • RANDI ON JOHNNY CARSON • NICKELL ON TURIN SHROUD Skeptical Inquirer THE MAGAZINE FOR SCIENCE A N D R EASON Volume 29, No. 3 • May / June 200 » Testing **, 'The Girl with X-Ray Eyes' •\ •Ray Hyman. Andrew Skolnick Joe Nickell Psychic Swindlers ^H --.T.'.-V*• • Four Myths about Evolution A Librarian's Guide to Critical Thinking Published by the Committee for the Scientific Investigation of Claims of the Paranormal THE COMMITTEE FOR THE SCIENTIFIC INVESTIGATION of Claims off the Paranormal AT THE CENTER FOR INQUIRY-TRANSNATIONAL (ADJACENT TO THE STATE UNIVERSITY OF NEW YORK AT BUFFALO| • AN INTERNATIONAL ORGANIZATION Paul Kurtz, Chairman; professor emeritus of philosophy, State University of New York at Buffalo Barry Karr, Executive Director Joe Nicked, Senior Research Fellow Massimo Polidoro, Research Fellow Richard Wiseman. Research Fellow Lee Nisbet. Special Projects Director FELLOWS James E. Alcock.* psychologist. York Univ., Toronto Saul Green, Ph.D., biochemist, president of ZOL Loren Pankratz. psychologist. Oregon Health jerry Andrus, magician and inventor, Albany, Oregon Consultants, New York. NY Sciences Univ. Marcia Angell. M.D., former editor-in-chief. New Susan Haack. Cooper Senior Scholar in Arts Robert L Park, professor of physics, Univ. of Maryland England Journal of Medicine and Sciences, prof, of philosophy, University John Paulos, mathematician. Temple Univ. Robert A. Baker, psychologist, Univ. of Kentucky of Miami Steven Pinker, cognitive scientist. Harvard Stephen Barrett. M.D., psychiatrist, author. C. E. M. Hansel, psychologist, Univ. of Wales Massimo Polidoro, science writer, author, consumer advocate. Allentown, Pa. David J. Helfand. professor of astronomy, executive director CICAP Italy Willem Betz. -
263-264 Contents Copia
ROMANCE NOTES YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY VOLUME XLVI, NUMBER 3SPRING, 2006 YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY CONTENTS Specters of Naiveté and Nuance in Verlaine’s Poèmes Saturniens Matthew D. Anderson 265 “El amante liberal”: Cervantes’s Ironic Imitation of Heliodorus Sean McDaniel 277 Berceo’s “La casulla de San Ildefonso”: Thematic Transformation through Rhetoric Matthew A. Wyszynski 287 Jews in Voltaire’s Candide Arthur Scherr 297 Transatlantic Visions: Imagining Mexico in Juan Rejano’s La esfinge mestiza and Luis Buñuel’s Los olvidados Victoria Rivera-Cordero 309 João Cabral de Melo Neto and the Poetics of Bullfighting Robert Patrick Newcomb 319 Garnier’s La Troade between Homeric Fiction and French History: The Question of Moral Authority Marc Bizer 331 Reflections on Translating Nicolás Guillén’s Poetry into English Keith Ellis 341 Blurring Boundaries between Animal and Human: Animalhuman Rights in “Juan Darién” by Horacio Quiroga Bridgette W. Gunnels 349 Une réécriture de Constance Verrier chez George Sand: Malgrétout Dominique Laporte 359 Un voyage de l’oeil à l’autre ou Maldoror traverse le miroir. Quelques Remarques sur l’identité et le flou dans Les Chants de Malldoror Éloïse Sureau 367 Translating Tango: Sally Potter’s Lessons Carolyn Pinet 377 Las musas inquietantes de Cristina Peri Rossi. Problematización de la mirada masculina en las artes visuales Parizad Dejbord Sawan 387 YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY Other publications of the Department: Estudios de Hispanófila, Hispanófila, North Carolina Studies in the Romance Languages and Literatures. Impreso en España Printed in Spain Artes Gráficas Soler, S. L. Valencia, 2007 Depósito Legal: V. 963 - 1962 YYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY SPECTERS OF NAIVETÉ AND NUANCE IN VERLAINE’S POÈMES SATURNIENS MATTHEW D. -
Annual Report 2005
NATIONAL GALLERY BOARD OF TRUSTEES (as of 30 September 2005) Victoria P. Sant John C. Fontaine Chairman Chair Earl A. Powell III Frederick W. Beinecke Robert F. Erburu Heidi L. Berry John C. Fontaine W. Russell G. Byers, Jr. Sharon P. Rockefeller Melvin S. Cohen John Wilmerding Edwin L. Cox Robert W. Duemling James T. Dyke Victoria P. Sant Barney A. Ebsworth Chairman Mark D. Ein John W. Snow Gregory W. Fazakerley Secretary of the Treasury Doris Fisher Robert F. Erburu Victoria P. Sant Robert F. Erburu Aaron I. Fleischman Chairman President John C. Fontaine Juliet C. Folger Sharon P. Rockefeller John Freidenrich John Wilmerding Marina K. French Morton Funger Lenore Greenberg Robert F. Erburu Rose Ellen Meyerhoff Greene Chairman Richard C. Hedreen John W. Snow Eric H. Holder, Jr. Secretary of the Treasury Victoria P. Sant Robert J. Hurst Alberto Ibarguen John C. Fontaine Betsy K. Karel Sharon P. Rockefeller Linda H. Kaufman John Wilmerding James V. Kimsey Mark J. Kington Robert L. Kirk Ruth Carter Stevenson Leonard A. Lauder Alexander M. Laughlin Alexander M. Laughlin Robert H. Smith LaSalle D. Leffall Julian Ganz, Jr. Joyce Menschel David O. Maxwell Harvey S. Shipley Miller Diane A. Nixon John Wilmerding John G. Roberts, Jr. John G. Pappajohn Chief Justice of the Victoria P. Sant United States President Sally Engelhard Pingree Earl A. Powell III Diana Prince Director Mitchell P. Rales Alan Shestack Catherine B. Reynolds Deputy Director David M. Rubenstein Elizabeth Cropper RogerW. Sant Dean, Center for Advanced Study in the Visual Arts B. Francis Saul II Darrell R. Willson Thomas A. -
Thomas Merton and Vincent Van Gogh: the Map of Two Pilgrim Journeys to the True Self in Art and Parable
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Thomas Merton and Vincent Van Gogh: The map of two Pilgrim Journeys to the True Self in Art and Parable. By Paula Hazel Hutchinson Submitted in fulfilment of the degree of M.Th. University of Glasgow Department of Theology and Religious Studies Centre for the Study of Literature, Theology and the Arts April 2007 © Paula Hazel Hutchinson ProQuest Number: 10396058 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10396058 Published by ProQuest LLO (2017). Copyright of the Dissertation is held by the Author. -
Whitney Biennial 2012: Where Have Painting and Sculpture Gone? Pg
April–May 2012 www.galleryandstudiomagazine.com Vol. 14 No. 4 New York GALLERY&STUDIO Whitney Biennial 2012: Where Have Painting and Sculpture Gone? pg. 2 Michael Robinson (b. 1981). Still from These Hammers Don’t Hurt Us, 2010. Digital video, color, sound; 13 min. © Michael Robinson; courtesy the artist DAisy ChaiN A new excerpt from Ed McCormack’s HOODLUM HEART pg. 14 Sheila Hecht Symphony of Color Ark Angel, 48"x36", acrylic/canvas 48"x36", Angel, Ark Split Second Decisions May 1 – 26, 2012 Reception: Saturday, May 5, 4 – 6pm 530 West 25th St., NYC, 10001 Tues - Sat 11 - 6pm 212 367 7063 www.nohogallery.com © Xiaoli Yang - Fertility A - 4 Acrylic on Canvas 47” x 47” April 24 - May 15, 2012 Reception: April 26, 2012 6-8 pm Hortencia Barreto Vera L.P. Cauwenberghs Doug Gilbert Elisabeth Holzschuster Nicholai Khan Helen Laishley Lola Lonli Marty Maehr MAEV Yvonne Maloney Isabelle Viallaneix W.M. Vinci Xiaoli Yang 530 West 25th Street, New York 212-226-4151 Fax: 212-966-4380 www.Agora-Gallery.com [email protected] GALLERY&STUDIO April/May 2012 Whitney Biennial 2012: Where Have Painting and Sculpture Gone? f the present Whitney Biennial indicates matter what the relationship is between art Ianything at all, it may be that what Jack and medicine I would rather keep it purely on Kerouac once referred to as “the unspeakable the aesthetic plain [sic]. Why don’t you show visions of the individual” are back in style. your thesis in a medical hospital?” (Tactfully, Consider that Forrest Bess, a once obscure she didn’t specify Bellevue!) self-described “Texas roughneck fisherman” Aside from his sensational anatomical who, besides painting abstractions that experiments, however, as I made clear in my have a homespun avant garde quality which earlier essay, Bess’ paintings are well worth stands up favorably to Arthur Dove, Georgia considering. -
On the Ages of Flood Basalt Events Sur L'âge Des Trapps Basaltiques
C. R. Geoscience 335 (2003) 113–140 Geodynamics / Géodynamique On the ages of flood basalt events Sur l’âge des trapps basaltiques Vincent E. Courtillot a,∗,PaulR.Renneb,c a Institut de physique du Globe de Paris, 4, place Jussieu, 75252 Paris cedex 05, France b Berkeley Geochronology Center, Berkeley, CA, USA c Department of Earth and Planetary Science, University of California, Berkeley, CA, USA Received 18 July 2002; accepted 22 October 2002 Written on invitation of the Editorial Board Abstract We review available data constraining the extent, volume, age and duration of all major Phanerozoic continental flood basalts (CFB or traps) and oceanic plateaus (OP), together forming the group of large igneous provinces (LIP), going from the smallest Columbia flood basalts at ∼16 Ma to the as yet ill-known remnants of a possible trap at ∼360 Ma in eastern Siberia. The 16 traps (CFB and OP) reviewed form a rather unimodal distribution with an initial modal volume of the order of 2.5 Mkm3.Most provinces agree with a rather simple first order model in which volcanism may have lasted of the order of 10 Ma, often resulting in continental break-up, but where most of the volume was erupted in about 1 Ma or sometimes less. This makes CFBs/OPs (LIPs) major geodynamic events, with fluxes exceeding the total output of present day hot spots and even possibly exceeding over short times the entire crustal production of mid-ocean ridges. The proposed correlation between trap ages and the ages of several geological events, including mass extinctions and oceanic anoxia, is found to have improved steadily as more data have become available, to the point that the list of trap ages may coincide with many major divisions in the geological time scale. -
Biography of a Renai~Sance "Tv1asterpiece
ATHE ITE u1 Library The Boston Letter from u1thenteum No. 92 JUNE 1990 WINBURNE'S "hounds of spring" seem to be in deep slumber as we go to press, allowing the dregs of winter to persist in cold and rainy fashion, at least here in mid-May Boston. Even the brave blossoms on the two young dogwood trees that flank the bronze entry doors seem to be struggling against hope less odds. But on the fifth floor terrace the snappy green and white awning is up, and the tables and chairs await occupants who will soon find this delightful area of the building a perfect spot for lunch or a quiet, sunny read. Mr. MacDonald has the roses already set out, and reports that we may also expect to see (and smell) a variety of intoxicating blooms including chocolate morning glories, candytuft cream flash, climbing nasturtiun1s, moonfiowers, larkspur, and scabiosa (which he assures us is not a disease). With this floral extravaganza a\vaiting us, it seems appropriate to let sleeping "hounds" lie, and move further along in "Atalanta in Calydon" to the point at which Swinburne confidently assures us that ... winter's rains and ruins are over, And all the season of sno\\ s and sins; The days dividing lover and lover, The light that loses, the night that '\Vins; And time remembered is grief forgotten, And frosts are slain and flowers begotten, And in green underwood and cover Blossom by blossom the spring begins. Exhibitions in the Gallery The current exhibition in the Gallery, "Gifts and Acquisitions, 1980-1990," will run throughout the summer and close on August 31. -
IN MEMORY of DAYS and NIGHTS by Patrick Barney APPROVED
In memory of days and nights Item Type Thesis Authors Barney, Patrick Download date 09/10/2021 18:25:00 Link to Item http://hdl.handle.net/11122/11351 IN MEMORY OF DAYS AND NIGHTS By Patrick Barney APPROVED: IN MEMORY OF DAYS AND NIGHTS A THESIS Presented to the Faculty of the University of Alaska Fairbanks in Partial Fulfillment of the Requirements for the Degree of MASTER OF FINE ARTS By Patrick Barney, B.A. iii Abstract In Memory of Days and Nights is a collection of meditative and lyric essays that are interconnected by their attention to relationships of dominance and subordination mediated by economic systems and language, personal complicity in such relationships, possible forms of revolt, and attempts to make meaning within these systems. The essays in this collection deal with these issues in several forms. The shorter form essays, utilizing a lyric voice concerned with imagery and rhythm as opposed to narrative, range from half a page to five pages long. These either examine personal experience in an effort to reflect upon death and meaninglessness or depict myth and historical occurrence to meditate upon the human desire for order. The longer essays in this collection range from traditional narrative-driven pieces, to collage and mosaic pieces—unfolding in the accumulated depictions of instances of time—to universal meditations burgeoning from individual experience. These navigate the intersections between the microcosm of the author’s life and the macrocosm of human life, often by applying the thought-systems of various philosophers and writers to personal experience. Fairbanks, Alaska May 2011 iv Table of Contents Page Signature Page................................................................................................................ -
The Gospel in Art
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com I THE GOSPEL IN ART -- The Gospel in Art ALBERT E. BAILEY DIRECTOR OF RELIGIOUS EDUCATION WORCESTER ACADEMY, MASS. LECTURER IN RELIGIOUS EDUCATION NEWTON THEOLOGICAL INSTITUTION Author of "On Nazareth Hill," "The Wise Man's Story" "Art Studies in the Life of Christ" PILGRIM PRESS BOSTON CHICAGO O 2>. IO JUN 19 1919"" 6 '.: .- of at) AAtUQg 1384 Collection Copyright 1916 By ALBERT E. BAILEY THE PILGRIM PRESS BOSTON CONTENTS INTRODUCTION: The Point of View. How to Study a Picture 3 LIST OF PICTURES ON THE LIFE OF CHRIST. Arranged topically and alphabetically by artists 21 Chap. 1. THE ANNUNCIATION 37 Fra Angelico: Upper corridor, S. Marco, Florence; Crivelli: Church of the Annunciation, Ascoli; Rossetti: " Ecce Ancilla Domini," Tate gal., London; Murillo: Immaculate Conception, Louvre, Paris. Chap. 2. THE NATIVITY 57 Merson: Arrival in Bethlehem; Correggio: Holy Night, Zwinger gal., Dresden; Van der Goes: Adoration of the Shepherds, Acad., Florence; Lerolie: Arrival of the Shepherds. Chap. 3. INCIDENTS OF THE CHILDHOOD . 73 Gentile da Fabriano: Adoration of the Kings, Acad., Florence; Burnt- Jones: Star of Bethlehem, Birmingham gal., England; Hunt: Triumph of the Innocents, Walker gal., Liverpool; Merson: Repose in Egypt, Dr. Geo. Kennedy, Hyde Park, Mass.; Edwin Long: "Anno Domini." Chap. 4. THE YEARS OF GROWTH .... 99 Millais: Christ in the House of His Parents; Hofmann: Christ and the Doctors, Zwinger gal., Dresden; Hunt: Finding of Christ in the Temple, Birmingham gal.; Hunt: Shadow of Death, Manchester gal.