The Cord Weeklythe Tie That Binds Since 1926 CRISIS, WHAT CRISIS? NETWANKING BACK in BLACK
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Malcolm Lowry: a Study of the Sea Metaphor in "Ultramarine" and "Under the Volcano"
University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations Theses, Dissertations, and Major Papers 1-1-1967 Malcolm Lowry: A study of the sea metaphor in "Ultramarine" and "Under the Volcano". Bernadette Wild University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/etd Recommended Citation Wild, Bernadette, "Malcolm Lowry: A study of the sea metaphor in "Ultramarine" and "Under the Volcano"." (1967). Electronic Theses and Dissertations. 6505. https://scholar.uwindsor.ca/etd/6505 This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. MALCOLM LOWRY: A STUDY OF THE SEA METAPHOR IN ULTRAMARINE AND UNDER THE VOLCANO BY SISTER BERNADETTE WILD A T hesis Submitted to the Faculty of Graduate Studies through the Department of English in Partial Fulfillment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario 1967 Reproduced with permission of the copyright owner. -
Canvas 06 Music.Pdf
THE MUSIC ISSUE ALTER I think I have a pretty cool job as and design, but we’ve bridged the editor of an online magazine but gap between the two by including PAGE 3 if I could choose my dream job some of our favourite bands and I’d be in a band. Can’t sing, can’t artists who are both musical and play any musical instrument, bar fashionable and creative. some basic work with a recorder, but it’s still a (pipe) dream of mine We have been very lucky to again DID I STEP ON YOUR TRUMPET? to be a front woman of some sort work with Nick Blair and Jason of pop/rock/indie group. Music is Henley for our editorials, and PAGE 7 important to me. Some of my best welcome contributing writer memories have been guided by a Seema Duggal to the Canvas song, a band, a concert. I team. I met my husband at Livid SHAKE THAT DEVIL Festival while watching Har Mar CATHERINE MCPHEE Superstar. We were recently EDITOR PAGE 13 married and are spending our honeymoon at the Meredith Music Festival. So it’s no surprise that sooner or later we put together a MUSIC issue for Canvas. THE HORRORS This issue’s theme is kind of a departure for us, considering we PAGE 21 tend to concentrate on fashion MISS FITZ PAGE 23 UNCOVERED PAGE 28 CREATIVE DIRECTOR/FOUNDER CONTRIBUTING PHOTOGRAPHERS Catherine McPhee NICK BLAIR JASON HENLEY DESIGNER James Johnston COVER COPYRIGHT & DISCLAIMER EDITORIAL MANAGER PHOTOGRAPHY Nick Blair Reproduction in whole or in part without written permission by Canvas is strictly prohibited. -
Culture Collide (LA) Corona Capital
o1*A *Añ ño1 1 *A ño ñ A o * 1 1 * A o ñ ñ o A 1 * * 1 A o ñ ñ o A 1 * * 1 A o ñ ñ o A 1 * * 1 A #o ñ ñ o A 1 1* Coberturas Especiales Culture Collide (L.A.) Corona Capital (D.F.) Editorial ™ Bienvenidos… La música forma parte fundamental del ser humano gracias al papel que ha jugado y juega en todas las culturas del mundo. Es una constante en la historia de la humanidad. Los instrumentos y sonidos podrán cambiar, pero en esencia siempre será expresión de emociones y sentimientos. México es el punto de enlace entre la música latinoamericana y la estadounidense; somos un país con un gran interés y pasión por la música de todas partes del continente y del orbe. Esa pasión se refleja en las bandas que crean canciones, remixes, covers, en los medios y sobre todo en la audiencia: que asiste a conciertos, busca lo más nuevo, pero que también celebra encontrarse en todo momento con las grandes bandas del pasado. Hoy, y tras una década de existencia, Filter Magazine, la publicación originaria de Estados Unidos, llega a México para compartir lo más actual y relevante, pero también para impulsar a las bandas referentes cuyo legado siempre está allí… esperando ser descubierto. Así que, es un honor presentarles el trabajo que después de varios meses de planeación se consagra en este primer número de Filter México, que cabe resaltar, será la primera publicación musical gratuita de nuestro país, porque sabemos que el modelo editorial tradicional no es viable para un melómano nómada. -
Talk Into Tune
Talk into tune When Toronto musician Charles Spearin asked his neighbours about happiness, he didn't just listen to their answers - he turned them into songs CARL WILSON From Wednesday's Globe and Mail Published on Tuesday, Feb. 10, 2009 4:45PM EST Last updated on Thursday, Apr. 09, 2009 11:39PM EDT As a piano-trumpet duo skitters around her, a person with a pleasant professional accent talks about her work with “challenged young women” who tell her “all the time” that they're happy. “Some of their expectations are so simplistic – not to say simplicity because they're challenged … ” Then the thought strikes: “It's like they don't ask beyond of what's present.” Immediately the voice repeats: “It's like they don't ask beyond of what's present.” And again: “It's like they don't ask beyond of what's present.” At which point the music makes its own breakthrough. Keyboard and horn link arms with bass and drums and kick out a chorus to the precise tune and tempo of the woman's words. You can almost see her with brass band and challenged charges on parade through New Orleans, fanfaring their be-here-now anthem – sing it, sister! – It's Like They Don't Ask Beyond of What's Present! This is Anna, Track 2 of The Happiness Project, the first solo album by Toronto musician Charles Spearin, which was released yesterday. Actually, solo is a misnomer. A multi-instrumentalist with tight-knit space-rock ensemble Do Make Say Think as well as that legions-strong study in socio-rockology, the popular band Broken Social Scene, Spearin prefers company – in this case, his whole neighbourhood. -
Social Negotiation & Drinking Spaces in Frontier Resource Extraction
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects Summer 2018 On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities Megan Rhodes Victor College of William and Mary - Arts & Sciences, [email protected] Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Victor, Megan Rhodes, "On The Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities" (2018). Dissertations, Theses, and Masters Projects. Paper 1530192698. http://dx.doi.org/10.21220/s2-zjty-y220 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. On the Table and Under It: Social Negotiation & Drinking Spaces in Frontier Resource Extraction Communities Megan Victor Bloomfield Hills, Michigan Master of Arts, The College of William & Mary, 2012 Bachelor of Arts, The University of Michigan, 2010 A Dissertation presented to the Graduate Faculty of The College of William & Mary in Candidacy for the Degree of Doctor of Philosophy Department of Anthropology College of William & Mary May 2018 © Copyright by Megan Rhodes Victor 2018 ABSTRACT Current research on frontiers describe these spaces as zones of meeting, interaction, dynamism, and change. Further, the geographic, ecological, economic, and political processes that are inherent within these locales shape them, rendering them far from static. -
Mock Election: Wise Words from Mr
A Public Forum for News, Opinion, and Creative Thought of The Governor’s Academy OCTOBER 30, 2008 VOLUME 50, ISSUE 3 IN THIS ISSUE: Mock Election: Wise Words from Mr. Quigley EDITORIALS also be the Keynote Address by Jen Migliiore ‘10 Way Too Tired 2 by Michael Regunberg, a Photo Faux-Pas 2 All the news surrounding public relations consultant, the presidential election may who will analyze and com- OPINION seem distant to students who pare our election to that of a Redefining America 2 are unable to cast a vote, but on “real” one. Boarder v. Day 5 November 3, the entire school But how and when did Mission Impossible 8 community will get the chance this all start? Mr. Quigley to be apart of an election. The brought this fairly new tra- NEWS mock election will allow the stu- dition to The Governor's Mock Election 3 dents “to learn how the electoral Academy four years ago Wind Turbine 6 process actually works, and during the Kerry/Bush develop their personal views campaign. He had partici- SPORTS affecting the country right pated and organized the Season Highlights 7 now,” according to Mr. Bill mock election at his previ- Rising Star 7 Quigley, history teacher and ous school, The Rivers organizer of the mock election School, and felt it was some- FEATURES event. From top, then left: Emily Harrold, Jack Harris, Shan Chatterjee, thing he ought to introduce Aboubacar Okeke-Diagne, Dylan Binnie, Peter Leary Halloween 5 The day's events will mimic to the Academy. The com- Photo by Abby Wallman ‘10 Riddler 5 exactly those of a real election. -
MEDIA GUIDE 2014 IIHF World Junior Championship a Chance to See the Best Ice Hockey Players
MEDIA GUIDE 2014 IIHF World Junior Championship A chance to see the best ice hockey players One misconception about the IIHF World Junior Championships is that it features “future” stars. If you look at the development of the event, you will realize that this magnificent tournament features players who are world class stars already today. The World Juniors also show, by the way, how quickly a year goes by. Let’s take you back to December 2012 and the IIHF World U20 event in Ufa, Russia. Canada’s Ryan Nugent-Hopkins who led the tournament in scoring with 15 points in 6 games is today an integral part of the Edmonton Oilers while his countrymen Jonathan Huberdeau (9 points in 6 games in Ufa) and Mark Scheifele (8 points in 6 games) are the future of the Florida Panthers and Winnipeg Jets respectively. USA’s All-Star defenseman and gold winner in Ufa, Jacob Trouba, is playing sensationally well for the Winnipeg while teammate Alex Galchenyuk personifies the new generation Montreal Canadiens. Last year’s dominating Finns Joel Armia and Markus Granlund have both signed NHL contracts and are biding their time in the AHL, but Swedes Filip Forsberg, Elias Lindholm and Rickard Rakell have all played NHL games this season. So think about this when you watch the 38th IIHF World Junior event in Malmö – you may most likely have one chance to see the best players. Next year they are probably celebrated professionals either in the NHL or in any of the European leagues. A good example of the natural turnover is the defending World Champion United States: from last year’s golden roster in Ufa only there are only three returnees on the 2014 team. -
The World of Hockey Knows No Borders
March 2007 Volume 11 Number 1 Published by International Ice Hockey Federation Editor-in-Chief Horst Lichtner Supervising Editor Kimmo Leinonen Editor Szymon Szemberg Design Jenny Wiedeke The world of hockey knows no borders 1 2 5 3 4 WE ARE THE WORLD: A glimpse at the hockey world. 1: Team Canada celebrates its U20 title. 2: The European Champion’s Cup was won by Russia’s Ak Bars Kazan. 3: The Asian Winter Hockey Games were a big success. Pictured is United Arab Emirates 4: The IIHF and Malaysia come together. 5: Yutaka Fukufuji makes his NHL debut. The opening of 2007 is proof positive of our game’s global impact For the International Ice Hockey Federation, Stone trophy. I am also pleased to announce that the ECC will return to St. there is one primary goal: To have the game of Petersburg in 2008. hockey expand all around the world. And I am pleased to say that if the start of this calendar 3. I had the opportunity to travel to China for the Asian Winter Games and I was quite impressed with the steps that hockey is taking in the entire Asian region. year is any indication, hockey's reach is going Sure, some of the games were lopsided, but the teams competed, learned, and beyond anyone's wildest expectations. most importantly enjoyed playing our great sport. For many of these teams it was their first chance to compete on the international stage. Let me tell you, I am RENÉ FASEL EDITORIAL confident that it will not be the last such opportunity. -
Northern Cree When It's Cold Cree Round Dance Songs
Charlotte Cornfield The Shape of Your Name “You free yourself when you take away the script,” says Toronto songwriter Charlotte Artist: Charlotte Cornfield Cornfield. “That’s where this record came from, dismantling patterns and embracing Title: The Shape of Your Name the process.” Cornfield’s third full length, The Shape of Your Name, is set to arrive in Genre: Singer-Songwriter, Indie, Folk April 5, 2019 via Outside Music imprint Next Door Records. The album has a more Recommended if you like Phoebe Bridgers, Big Thief, Julien honed studio sound than her scrappier 2016 release Future Snowbird, and for good Baker, Soccer Mommy, boygenius, Lucy Dacus reason: it was recorded in 5 different sessions over the course of 3 years. The songs are her strongest and most striking to date - contemplative and contemporary, funny Release Date: April 5, 2019 and heart-wrenching - and they’ve got that stuck-in-your-head-for-days quality that LP: NDR0001 Cornfield is known for. The Shape of Your Name features a star-studded cast of LP UPC: 623339912617 collaborators including (but not limited to) Grammy-winning engineer 12” Slip Sleeve Shawn Everett (Kurt Vile, Alabama Shakes, Weezer, Julian Casablancas), Broken Social Scene members Brendan Canning, Kevin Drew and Charles Spearin, and Montreal songwriter Leif Vollebekk. “My initial intention wasn’t to make a record at all,” Cornfield muses. “The whole thing CD: 23339-9126-2 kind of happened by accident. I went to The Banff Centre to do a residency and came CD UPC: 623339912624 out with these recordings that I knew I wanted to use for something but wasn’t sure Digipak what.” She brought the unfinished songs to her former roommate Nigel Ward in Montreal. -
CST120 CONSTELLATION Do Make Say Think Stubborn Persistent Illusions
Do Make Say Think Stubborn Persistent Illusions 2x180gLP • CD • DL Release Date: 19 May 2017 “Do Make Say Think legitimize post-rock as a term of art... engender some of the most honest, unpretentious, group-oriented rock of their time." – Popmatters “Experimental rock on the grandest and most impressive of scales with not a trace of musical mildew or corrosion." – The Wire “The supernova in Constellation’s stellar network... arguably the finest back catalogue of any currently operating instrumental rock band." – Drowned In Sound Do Make Say Think has been widely celebrated as one of the preeminent instrumental rock bands of the 90s-00s. Stubborn Persistent Illusions is the group’s first album in eight years – and a stellar addition to one of the most consistent, inventive, exuberant, satisfying, and critically acclaimed discographies CST120 CONSTELLATION in the ‘post-rock’ canon. Following Other Truths (2009), the five members of DMST pursued other creative TRACKLIST: projects, while all continuing to stay firmly rooted in Toronto. An invite from 01 War On Torpor Heartland Festival and Constellation to play the label’s 15th Anniversary shows in 02 Horripilation Europe in fall 2012 brought DMST back to the stage in very fine form – the band 03 Murder Of Thoughts worked up a bevy of gems from their catalogue and absolutely killed live. A 04 Bound rekindling was sparked, leading to new writing and recording sessions throughout 05 And Boundless 2014-2016. Overdubbing, ‘underdubbing’, gestating and mixing was helmed by 06 Her Eyes On The Horizon band members Ohad Benchetrit, Charles Spearin and Justin Small at Ohad’s 07 d=3.57√h (As Far As The Eye Can See) 08 Shlomo's Son studio th’Schvitz: Stubborn Persistent Illusions is a reminder and continuation of 09 Return, Return Again the group’s DIY ethos, and the integral role played by their singular self- production acumen and aesthetic. -
The Snow Miser Song 6Ix Toys - Tomorrow's Children (Feat
(Sandy) Alex G - Brite Boy 1910 Fruitgum Company - Indian Giver 2 Live Jews - Shake Your Tuchas 45 Grave - The Snow Miser Song 6ix Toys - Tomorrow's Children (feat. MC Kwasi) 99 Posse;Alborosie;Mama Marjas - Curre curre guagliò still running A Brief View of the Hudson - Wisconsin Window Smasher A Certain Ratio - Lucinda A Place To Bury Strangers - Straight A Tribe Called Quest - After Hours Édith Piaf - Paris Ab-Soul;Danny Brown;Jhene Aiko - Terrorist Threats (feat. Danny Brown & Jhene Aiko) Abbey Lincoln - Lonely House - Remastered Abbey Lincoln - Mr. Tambourine Man Abner Jay - Woke Up This Morning ACID MOTHERS TEMPLE - Are We Experimental? Adolescents - Democracy Adrian Sherwood - No Dog Jazz Afro Latin Vintage Orchestra - Ayodegi Afrob;Telly Tellz;Asmarina Abraha - 808 Walza Afroman - I Wish You Would Roll A New Blunt Afternoons in Stereo - Kalakuta Republik Afu-Ra - Whirlwind Thru Cities Against Me! - Transgender Dysphoria Blues Aim;Qnc - The Force Al Jarreau - Boogie Down Alabama Shakes - Joe - Live From Austin City Limits Albert King - Laundromat Blues Alberta Cross - Old Man Chicago Alex Chilton - Boplexity Alex Chilton;Ben Vaughn;Alan Vega - Fat City Alexia;Aquilani A. - Uh La La La AlgoRythmik - Everybody Gets Funky Alice Russell - Humankind All Good Funk Alliance - In the Rain Allen Toussaint - Yes We Can Can Alvin Cash;The Registers - Doin' the Ali Shuffle Amadou & Mariam - Mon amour, ma chérie Ananda Shankar - Jumpin' Jack Flash Andrew Gold - Thank You For Being A Friend Andrew McMahon in the Wilderness - Brooklyn, You're -
Collectivity, Capitalism, Arts & Crafts and Broken Social Scene
“A BIG, BEAUTIFUL MESS”: COLLECTIVITY, CAPITALISM, ARTS & CRAFTS AND BROKEN SOCIAL SCENE by Ian Dahlman Bachelor of Arts (Hons.), Psychology and Comparative Literature & Culture University of Western Ontario, 2005 London, Ontario, Canada A thesis presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Master of Arts in the Program of Communication and Culture Toronto, Ontario, Canada, 2009 © Ian Dahlman 2009 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-59032-4 Our file Notre référence ISBN: 978-0-494-59032-4 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation.