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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Malcolm Lowry: a Study of the Sea Metaphor in "Ultramarine" and "Under the Volcano"
University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations Theses, Dissertations, and Major Papers 1-1-1967 Malcolm Lowry: A study of the sea metaphor in "Ultramarine" and "Under the Volcano". Bernadette Wild University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/etd Recommended Citation Wild, Bernadette, "Malcolm Lowry: A study of the sea metaphor in "Ultramarine" and "Under the Volcano"." (1967). Electronic Theses and Dissertations. 6505. https://scholar.uwindsor.ca/etd/6505 This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. MALCOLM LOWRY: A STUDY OF THE SEA METAPHOR IN ULTRAMARINE AND UNDER THE VOLCANO BY SISTER BERNADETTE WILD A T hesis Submitted to the Faculty of Graduate Studies through the Department of English in Partial Fulfillment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario 1967 Reproduced with permission of the copyright owner. -
Reading and Leeds 2018 Revs up Its Line-Up
UNDER STRICT EMBARGO UNTIL 12PM, 23 FEBRUARY 2018 READING AND LEEDS 2018 REVS UP ITS LINE-UP SLAVES // DON BROCO // TRAVIS SCOTT THE VACCINES // THE KOOKS // SHAME BILLY TALENT // DEAF HAVANA // MILK TEETH KREPT X KONAN // LEWIS CAPALDI THE HORRORS // KATE NASH FICKLE FRIENDS // HMLTD AND MANY MORE JOIN HEADLINERS KINGS OF LEON, KENDRICK LAMAR, FALL OUT BOY AND PANIC! AT THE DISCO WEEKEND AND DAY TICKETS ON-SALE NOW www.readingandleedsfestival.com Friday, 23 February 2018: Reading and Leeds Festival has just lifted the lid on more names who will play at this year’s event – with chart heavyweights such as Slaves, Don Broco, Travis Scott, The Kooks, Krept X Konan, Shame, Billy Talent, Wilkinson (Live), The Vaccines, Lewis Capaldi, Deaf Havana, The Horrors, Fickle Friends, Kate Nash, HMLTD and Milk Teeth amongst them. The acts – spanning the hottest names right now in rock, indie, dance, hip-hop and more – will play alongside headliners Kings of Leon, Kendrick Lamar, Fall Out Boy and Panic! at the Disco at the famous Richfield Avenue and Bramham Park sites this August bank holiday weekend (24 – 26 August). Tickets are on-sale right now and available here. As if the already announced Kings of Leon, Panic! at the Disco, Fall Out Boy and Underøath wasn’t enough, rock music regulars at the festival now have a whole host more reasons to look forward to Reading and Leeds this year. Probably the most popular duo in music right now, Slaves, will make a triumphant return to the stages. Never two to under deliver, the Reading and Leeds crowds can expect the unexpected from the pair responsible for the likes of ‘Spit It Out’ and ‘Are You Satisfied’? UNDER STRICT EMBARGO UNTIL 12PM, 23 FEBRUARY 2018 With another top 10 album, ‘Technology’, under their belt, Don Broco will be joining the fray this year. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Music Reading Read the Passage, the E-Mail and the Festival Guide. the Glastonbury Festival Is an Unforgettable Sight. for Three
Music Reading Read the passage, the e-mail and the festival guide. The Glastonbury Festival is an unforgettable sight. For three days, 280 hectares of peaceful farm country in the beautiful Somerset Valley become a vast, colourful tent city. The Glastonbury Festival is Britain's largest outdoor rock concert, and it attracts crowds of more than 100,000 people. It has six separate stages for musicians to play on. It has eighteen markets where fans can buy things. It has its own daily newspaper and is even broadcast live on television. It also raises large amounts of money for several charities, including Greenpeace and the Campaign for Nuclear Disarmament. Glastonbury is just one of many events on the international music festival calendar each year. For dance music fans, there's Creamfields, the Essential Festival and Homelands - all in the UK. Rock fans have Roskilde Festival in Denmark, Fuji Rock and Summer Sonic in Japan, and the Livid Festival and the Big Day Out in Australia. And the crowds just keep getting bigger. In fact, the size of some of these festivals is causing problems. Since the deaths of nine people at Roskiide in 2000 and the death of a young woman at the 2001 Big Day Out, festival organisers and local police have been working together to make sure festival-goers stay safe. Despite these tragic events, festivals are more popular than ever. And it's not just about the music. It's about making new friends and partying non-stop for days at a time. It's about dancing till you can't stand up anymore and then crashing in someone else's tent. -
1489596882 BL Festivals Guid
WE’RE FESTIVAL VETERANS Getting value for money from your festival branding activity requires research, planning, creativity, and an appreciation that you’re venturing into an environment where brands can be welcomed, tolerated, ignored or vilified. We have a long history of helping clients win cut through at festivals around the world, these include: R ECOVE FESTIVALS NOT RIGHT F OR YOU? THINK AGAIN With younger festival goers increasingly priced out of the game, today’s festival audience largely comprises Millenials, people in their thirties. This also explains the increasing number of festivals catering for families, cultural, literary and culinary enthusiasts. It also means an opening of the way for brands that previously might have never thought about investing in a festival. And a growing number are realising this is an environment that can yield results; there’s a lot more to festivals than mud, booze, rock and roll. KNOW YOUR FESTIVAL HEDONISTIC Global Gathering, Big Chill, Exit, Tribal Gathering, Tommorowland, Boom Town, 2000Trees MAINSTREAM Glastonbury, V Festival, Big Day Out, Tea in the Park, Oxygen, Isle of Wight, Wireless, Reading & Leeds Festivals FAMILY FRIENDLY/ CULTURAL Secret Garden Party, Sonar, Green Man, WOMAD, Camp Bestival, Big Feastival, Wilderness, Somersault Brands that can work their way into the festival environment in a natural, creative way can engage this audience while they’re in a highly receptive state. To do this, there are a couple of simple principles we employ: 1. IDENTIFY ‘WHY’ Identifying your ‘why’ is all about finding a festival with which your brand can legitimately demonstrate a shared purpose, common ethics and values. -
EVENTS REPORT – 1 NOVEMBER 2006 to 28 FEBRUARY 2007 Page 1 of 10
Page 1 of 10 MARKETING AND EVENTS COMMITTEE Agenda Item 5.4 REPORT 8 May 2007 EVENTS REPORT – 1 NOVEMBER 2006 TO 28 FEBRUARY 2007 Division Commerce & Marketing Presenter Peter Stewart, Manager Events Melbourne Purpose 1. To inform the Marketing and Events Committee of the events conducted within the City of Melbourne between 1 November 2006 and 28 February 2007. Recommendation from Management 2. That the Marketing and Events Committee accepts the Events Report – 1 November 2006 to 28 February 2007. Comments 3. The events outlined in this report relate to those coordinated through the Events Melbourne Branch of the City of Melbourne. A small number of arts events are coordinated through the Arts & Culture Branch and are not within the scope of this report. Water Restrictions and Events 4. The City of Melbourne has initiated a number of proactive strategies to significantly reduce the water consumption and water usage during events as a result of the current state-wide water restrictions. 5. These strategies involve utilising alternative or modified water-filled traffic management treatments; minimising water usage during vending, food preparation and drinking water fountains; using concrete/sand-filled weights instead of water-filled weights in infrastructure weighting; and utilising Class A recycled water for portable toilet flushing rather than drinking water. 6. As a result of these strategies being implemented, recent events have significantly reduced the level of water usage during events, for example New Year’s Eve 2006 utilised 250,000 litres less water and Moomba Waterfest utilised 300,000 litres less water than in previous years. -
Antony and the Johnsons Til Northside
2015-04-14 13:30 CEST Antony and the Johnsons til NorthSide Med tilføjelsen af i alt fem nye navne inklusive et fænomenalt nyt hovednavn, der laver en unik koncert sammen med Aarhus Symfoniorkester, er den endelige plakat klar til NorthSide 2015 Mange måneders hårdt arbejde er nu overstået, og resultatet præsenteres i dag i form af en plakat med 41 navne, der spænder fra legendariske Grace Jones, popsensationen Sam Smith, hiphop-kongerne Wu-Tang Clan, fænomenale Antony and the Johnsons sammen med Aarhus Symfoniorkester og det mest ønskede NorthSide-navn nogensinde – The Black Keys. Med offentliggørelsen af plakaten sættes de sidste fem navne på plakaten, og heriblandt finder man Antony and the Johnsons, der til lejligheden har allieret sig med Aarhus Symfoniorkester. Den unikke sanger Antony Hegarty har en kompromisløs og udfordrende karriere bag sig, hvor det Mercury Prize- vindende mesterværk ”I Am a Bird Now” og albummet ”Cut the World” står som højdepunkter. Sidstnævnte blev indspillet i 2011 sammen med DR UnderholdningsOrkestret til to roste koncerter i København, og denne fantastiske musik vil nu blive genskabt på NorthSide. Antony Hegarty får følgeskab af norske Emilie Nicolas, der har imponeret med hittet ”Pstereo” fra det forrygende debutalbum ”Like I’m A Warrior” samt de to danske navne S!vas og Rangleklods. S!vas har redefineret dansk hiphop og introduceret så mange nye ord til det danske sprog, at han sidste år blev hædret med GAFFAs Specialpris for sin banebrydende musik, og duoen Rangleklods er efter stribevis af koncerter på de største europæiske festivaler både klar med et nyt album og klar til at præsentere deres intelligente og nuancerede klubmusik på NorthSide. -
PREVIEW the 2013 OFF the COUCH TRAINING PROGRAM BARRIO SITE VISIT | WEEK 1 with Barrio Team from Adelaide Festival of the Arts P
PREVIEW THE 2013 OFF THE COUCH TRAINING PROGRAM BARRIO SITE VISIT | WEEK 1 with Barrio team from Adelaide Festival of the Arts Thursday 14 March at Barrio, 6pm - 8pm www.adelaidefestival.com.au/2013/club/barrio PUBLICITY | WEEK 2 with journalists, bloggers, promoters and venue bookers Thursday 21 March at Carclew, 6-8pm Sose Fuamoli | The AU Review www.theaureview.com/users/sosefina-fuamoli Sose’s career in the arts began in 2006, when she toured and performed with Darwin-based dance company, Sunameke. Relocating to Adelaide in 2009, Sose graduated with a Bachelor of Arts in English and classics from Adelaide University. Sose has been working as a music journalist and editor for a variety of online and press publications for the past four years. She is currently the South Australian Manager and Head News Editor of Sydney- based music and arts publication, The AU Review. Having worked with a variety of Australian and international artists, showcasing Adelaide’s talent has always remained a priority for Sose. Her work has been published Australia-wide and has more recently been featured by CMJ in New York. Luke Penman | play/pause/play www.playpauseplay.com A few years ago Luke came to the realisation that, despite living in Adelaide, he didn't know any bands from Adelaide. He also realised how much he hated working in dead-end office jobs and vowed to break into the music industry. Fast-forward a few years and Luke has dabbled in artist management and promotions while also running an Adelaide music blog and podcast and hosting Local Noise on Radio Adelaide. -
Musiques Du Diable Et Autres Bruits Bénéfiques , Avec
MUSIQUES DU DIABLE ET AUTRES BRUITS BÉNÉFIQUES ALEXANDRE VINCENT FONTAINE ROUSSEAU GIARD sélection et textes dessins MUSIQUES DU DIABLE ET AUTRES BRUITS BÉNÉFIQUES sélection musicale 2010 — 2015 LES ÉDITIONS DE TA MÈRE attention : Ce livre contient au moins 23 tounu·e·s, Pour mon voisin préféré 23 têtes de mort (dont 3 avec du feu) et un nombre incalculable de coches pétées. Pour mon voisin préféré Direction littéraire : Révision : Maxime Raymond Maude Nepveu-Villeneuve Direction artistique : Maquette et composition : Benoit Tardif Vincent Giard © Éditions de Ta Mère, 2017 © Alexandre Fontaine Rousseau, 2017 © Vincent Giard, 2015 — 2017 Bibliothèque et Archives nationales du Québec, 2017 Bibliothèque et Archives du Canada, 2017 isbn : 978-2-924670-13-2 www.tamere.org Nous remercions de son soutien financier le Conseil des Arts du Canada. L’an dernier, le Conseil a investi 153 millions de dollars pour mettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays. Nous remercions de leur soutien moral Cathon et Sophie Bédard, qui ont chacune commis un dessin dans ce livre. Saurez-vous les trouver ? plus sérieusement : Ce livre est un hommage aux treize numéros du défunt zine Tout va bien, publiés entre 2009 et 2013. Son existence est aussi intimement liée à celle des États altérés, diffusés depuis janvier 2009 sur les ondes de cism. Les auteurs tiennent à remercier celles et ceux qui ont contribué, de près ou de loin, à ce que ces deux entités existent. Ils désirent aussi profiter de cette occasion pour rassurer le lecteur quant à leur santé physique et mentale, leur hygiène personnelle ainsi que leur alimentation (liquide ou non). -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
Culture Collide (LA) Corona Capital
o1*A *Añ ño1 1 *A ño ñ A o * 1 1 * A o ñ ñ o A 1 * * 1 A o ñ ñ o A 1 * * 1 A o ñ ñ o A 1 * * 1 A #o ñ ñ o A 1 1* Coberturas Especiales Culture Collide (L.A.) Corona Capital (D.F.) Editorial ™ Bienvenidos… La música forma parte fundamental del ser humano gracias al papel que ha jugado y juega en todas las culturas del mundo. Es una constante en la historia de la humanidad. Los instrumentos y sonidos podrán cambiar, pero en esencia siempre será expresión de emociones y sentimientos. México es el punto de enlace entre la música latinoamericana y la estadounidense; somos un país con un gran interés y pasión por la música de todas partes del continente y del orbe. Esa pasión se refleja en las bandas que crean canciones, remixes, covers, en los medios y sobre todo en la audiencia: que asiste a conciertos, busca lo más nuevo, pero que también celebra encontrarse en todo momento con las grandes bandas del pasado. Hoy, y tras una década de existencia, Filter Magazine, la publicación originaria de Estados Unidos, llega a México para compartir lo más actual y relevante, pero también para impulsar a las bandas referentes cuyo legado siempre está allí… esperando ser descubierto. Así que, es un honor presentarles el trabajo que después de varios meses de planeación se consagra en este primer número de Filter México, que cabe resaltar, será la primera publicación musical gratuita de nuestro país, porque sabemos que el modelo editorial tradicional no es viable para un melómano nómada.