Colorant Colored Cocoa Butter
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Watercolor Basics with Susan Donohoe
Watercolor Basics with Susan Donohoe BASICS SUPPLY LIST FOR - TECHNIQUES - Day 1 The lists are long, beginners should bring what they have. They SHOULD NOT go out and buy supplies just to have them. I will bring supplies that they can use to fill in the blanks. Better for them to learn in the workshop what is best for them to buy instead of wasting their money. Personal Needs for each day: Please bring any of these items that you will require. A cushion for your chair, the day can get long for your backside. Your lunch each day. There is a microwave and a small refrigerator for your use. Keep it simple. Hydration-bring plenty of liquid to stay hydrated. A sweater or work shirt to stay comfortable as the room temperature may fluctuate throughout the day. Brushes: Preferred brands: Escoda, Holbein, Cheap Joe’s, Loew-Cornell, Da Vinci, Halcyon One of each if you have them: Round: #6, #10, #14, #18+ (the biggest round brush you own - no need to buy one.) Flat: 1/2”, 1”, 2”, Hake (if you have one) Scrubber brushes: assorted sizes. (These brushes can be purchased at Michael’s or JoAnn’s. They are stiff brushes similar to oil painting brushes. They are sometimes called fabric brushes.) Paper: Arches #140 - Cold Press - 1 full sheet. If you know how and wish to do so prior to class, you can tear the full sheet into 4 equal 1/4 sheet pieces. Paint: Artist Grade Paint only!!!! Preferred Brands: Holbein, Daniel Smith, Mission, Aquarelle Sennelier, M. -
Ice Cream Flavor Sorbet Flavor
Ice Cream Flavor Sorbet Flavor Banana Milk Tea Acai Sorbet Butter Pecan Mocha Chip Bloody Orange Sorbet Cherry Vanilla Orange Creamy Limon Cello Sorbet Chocolate Pistachio Mango Sorbet Chocolate Chip Cookie Dough Pumpkin (Seasonal) Pink Grapefruit Sorbet Chocolate Fudge Swirl Red Bean Watermelon Sorbet Chocolate Peanut Butter Rocky Road Coconut Sesame Cookie –N- Cream Strawberry Dulce de Leche Strawberry Cheesecake Cotton Candy Taro Green Tea Vanilla Chocolate Nutella Wild Berry Mint Chip Dry Topping Wet Topping Fresh Fruit Topping Almond Slice Marshmallow Black Cherry Banana Coconut Flake M & M Caramel Sauce Blueberry Chocolate Chip Mochi Chocolate Sauce Mango Chocolate Crunch Mini Peanut Butter Cup Peanut Butter Sauce Pineapple Chocolate Sprinkle Oreo Cookie Hot Fudge Strawberry Cookie Dough Peanut Marshmallow Sauce Dry Walnut Pecan Nutella Sauce Fruity Pebbles Rainbow Sprinkle Strawberry Sauce Graham Cracker Reese’s pieces Vanilla Syrup Gummy Bear Toasted Coconut Wet Walnut Gronala Whipping Cream Homemade Chocolate Mousse Macaron Tiramisu Cup Strawberry Shortcake Apricot Vanilla Matcha Lemon Tart Mango Cup Rose Cotton Candy Oreo Taro Coconut Pistachio Pecan Tart 4” Cheesecake Oreo Tiramisu Nutella Red Velvet Cake Wild Berry Raspberry Passion Fruit Strawberry Cheesecake Milk Tea Fruit Tea Oolong Tea Original - Black Tea with Milk / Green Tea with Milk *Apple Lychee Oolong Tea *Almond Nutella *Blueberry *Mango Oolong Milk Tea Banana Papaya Grape *Passion Fruit Brown Sugar Oolong Milk Tea *Coconut Red Bean Grape Fruit *Peach Honey Oolong -
Watercolours: What´S Different in the New Assortment?
Product information Watercolours HORADAM® watercolours: What´s different in the new assortment? The following colours have got a new name: Art.-No. Old Name New Name 14 208 Aureolin modern Aureolin hue 14 209 Translucent yellow Transparent Yellow 14 211 Chrome yellow lemon Chromium yellow hue lemon 14 212 Chrome yellow light Chromium yellow hue light 14 213 Chrome yellow deep Chromium yellow hue deep 14 214 Chrome orange Chromium orange hue 14 218 Translucent orange Transparent orange 14 366 Deep red Perylene maroon 14 476 Mauve Schmincke violet 14 498 Dark blue indigo Dark blue 14 648 Sepia brown tone Sepia brown reddish 14 786 Charcoal grey Anthracite The following colours are completely omitted due to raw materials which aren’t available anymore: Art.-No. Old Name 14 652 Walnut brown This tone cannot be mixed out of other colours. 14 666 Pozzuoli earth This tone can be mixed using 14 649 English Venetian red and the slightly reddish 14 670 Madder brown. These colours are now produced using other pigments. Therefore they have got a new name and a new number: Old Art.-No. Old Name New Art.-No. New Name 14 345 Dark red 14 344 Perylene dark red 14 210 Gamboge gum modern 14 217 Quinacridone gold hue 14 478 Helio blue reddish 14 477 Phthalo sapphire blue 14 536 Green yellow 14 537 Transparent green gold - Discontinued colours The described product attributes and application examples have been tes- a warranty for product attributes and/or assume liability for damages that ted in the Schmincke laboratory. -
MODERN WATERCOLOR III Fair FR Fair G Granulating J Semi-Opaque NA Not Yet Tested H Opaque
ASTM LF GOLDEN LF STAIN OPACITY I Excellent EX Excellent Semi-Staining k Semi-Transparent II Very Good GD Good Staining i Transparent MODERN WATERCOLOR III Fair FR Fair G Granulating j Semi-Opaque NA Not Yet Tested h Opaque Item # Series Color Color Index Name Pigment Name ASTM Opacity Granulating Staining 1-4 Light-fastness 7000525 1 Ardoise Gray PBk19 Hydrated Aluminum Silicate I i G 7000135 1 Aureolin Modern PW6, PY150 Titanium Dioxide Rutile, Nickel Complex Azo I j 7000126 4 Benzimidazolone Yellow PY154 Benzimidazolone Yellow H3G I k 7000115 3 Bismuth Vanadate Yellow PY184 Bismuth Vanadate EX k 7000415 2 Bohemian Green Earth PBk7, PG7, PR101, PY42 Nearly Pure Amorphous Carbon, Chlorinated Copper I k G Phthalocyanine, Synthetic Iron Oxide, Synthetic Iron Oxide 7000470 1 Burnt Sienna (Natural) Pbr7 Calcined Natural Iron Oxide I j G 7000480 1 Burnt Umber (Natural) Pbr7 Calcined Natural Iron Oxide containing Manganese I j G 7000180 4 Cadmium Orange PO20 Cadmium (Sulfo-Selenide) - (CC) I j 7000220 4 Cadmium Red Deep PR108 Cadmium (Sulfo-Selenide) - (CC) I j G 7000195 4 Cadmium Red Light PR108 Cadmium (Sulfo-Selenide) - (CC) I j G 7000215 4 Cadmium Red Medium PR108 Cadmium (Sulfo-Selenide) - (CC) I j 7000170 4 Cadmium Yellow Deep PY35 Cadmium Zinc Sulfide - (CC) I k 7000120 4 Cadmium Yellow Light PY35 Cadmium Zinc Sulfide - (CC) I k 7000130 4 Cadmium Yellow Medium PY35 Cadmium Zinc Sulfide - (CC) I k 7000105 4 Cadmium Yellow Primrose PY35 Cadmium Zinc Sulfide - (CC) I k 7000500 1 Carbon Black PBk7 Nearly Pure Amorphous Carbon I h 7000330 -
Mango Information Kit (1999) Reprint
Mango information kit Reprint – information current in 1999 REPRINT INFORMATION – PLEASE READ! For updated information please call 13 25 23 or visit the website www.dpi.qld.gov.au This publication has been reprinted as a digital book without any changes to the content published in 1999. We advise readers to take particular note of the areas most likely to be out-of-date and so requiring further research: • Chemical recommendations—check with an agronomist or Infopest www.infopest.qld.gov.au • Financial information—costs and returns listed in this publication are out of date. Please contact an adviser or industry body to assist with identifying more current figures. • Varieties—new varieties are likely to be available and some older varieties may no longer be recommended. Check with an agronomist, call the Business Information Centre on 13 25 23, visit our website www.dpi.qld. gov.au or contact the industry body. • Contacts—many of the contact details may have changed and there could be several new contacts available. The industry organisation may be able to assist you to find the information or services you require. • Organisation names—most government agencies referred to in this publication have had name changes. Contact the Business Information Centre on 13 25 23 or the industry organisation to find out the current name and contact details for these agencies. • Additional information—many other sources of information are now available for each crop. Contact an agronomist, Business Information Centre on 13 25 23 or the industry organisation for other suggested reading. Even with these limitations we believe this information kit provides important and valuable information for intending and existing growers. -
Edgewater Public Elementary School Edgewater, FL
Chapter 3.3 Edgewater Public Elementary School Edgewater, FL Volusia County MPO November 2008 Volusia County MPO School Bicycle and Pedestrian Review Study, Phase 3B School Summary Edgewater Public Elementary School is located in a residential area bordered by a cemetery, railroad tracks and Hawks Park in the City of Edgewater. Few roadways within the walk zone include sidewalks. Of the 662 students attending this school, 316 live within the walk zone area. During the 2007/2008 school year approximately 90 of these students walked or rode bicycles to school. At afternoon dismissal, most of these students walk to the YMCA located adjacent to the school. At the time of this Study, there were two crossing guards located at U.S. Hwy. 1 and Ocean Avenue. For the 2008/2009 school year, one guard will be assigned to this location. The City of Edgewater provides a volunteer traffic control officer at the intersection of Ocean Avenue and Old County Road. During the period 2005 to 2007, one bicycle crash occurred on Park Avenue at the intersection with Flagler Avenue when a student was riding along the sidewalk and rode into a vehicle turning onto Flagler Avenue. Increased bicycle and pedestrian safety education is recommended for this school. The City of Edgewater has submitted funding requests for sidewalks along both sides of U.S. Hwy. 1 from Orange Avenue to Cory Drive on the east side, and from Ocean Avenue to Louisa Drive and from Turgot Avenue to Roberts Road on the west side. Students living south of Indian River Boulevard who attend Edgewater Public Elementary School are currently provided bus transportation due to designated courtesy conditions. -
'Honey Gold' Mango Fruit
Final Report Improving consumer appeal of Honey Gold mango by reducing under skin browning and red lenticel discolouration Peter Hofman The Department of Agriculture and Fisheries (DAF) Project Number: MG13016 MG13016 This project has been funded by Horticulture Innovation Australia Limited with co-investment from Piñata Farms Pty Ltd and funds from the Australian Government. Horticulture Innovation Australia Limited (Hort Innovation) makes no representations and expressly disclaims all warranties (to the extent permitted by law) about the accuracy, completeness, or currency of information in Improving consumer appeal of Honey Gold mango by reducing under skin browning and red lenticel discolouration. Reliance on any information provided by Hort Innovation is entirely at your own risk. Hort Innovation is not responsible for, and will not be liable for, any loss, damage, claim, expense, cost (including legal costs) or other liability arising in any way (including from Hort Innovation or any other person’s negligence or otherwise) from your use or non-use of Improving consumer appeal of Honey Gold mango by reducing under skin browning and red lenticel discolouration, or from reliance on information contained in the material or that Hort Innovation provides to you by any other means. ISBN 978 0 7341 3977 1 Published and distributed by: Horticulture Innovation Australia Limited Level 8, 1 Chifley Square Sydney NSW 2000 Tel: (02) 8295 2300 Fax: (02) 8295 2399 © Copyright 2016 Contents Summary ......................................................................................................................................... -
Mango Varieties and Availability
VarietiesMangoMango and Availablity Tommy Atkins Honey/Atalulfo • Aroma: Small hints of tropical fruit and citrus • Aroma: Tropical fruit and peachy notes • Taste: Tart with sweet notes • Taste: Sweet and sour with tropical fruit notes • Texture: Firm flesh and high fibers throughout • Texture: Smooth, firm flesh with no fibers • Color: A dark red blush often covers much of the fruit with green • Color: Vibrant yellow and orange-yellow accents • Shape: Small, flattened oblong shape • Shape: Medium to large with oval or oblong shape • External Ripeness Indicators: Skin turns to a deep golden color and • External Ripeness Indicators: This mango may not provide any small wrinkles appear when fully ripe visual cues • Primary Source Country: Mexico, Peru, Ecuador, Brazil • Primary Source Countries: Mexico, Brazil, Ecuador,Guatemala Kent Keitt • Aroma: Peach and tropical fruit • Aroma: High in citrus notes • Taste: Sweet with hints of sour notes • Taste: Sweet and fruity • Texture: Juicy, tender flesh with limited fibers • Texture: Firm, juicy flesh with limited fibers • Color: Dark green and often has a dark red blush over a small portion • Color: Dark to medium green, sometimes with a pink blush over of the mango a small portion of the mango • Shape: Large oval shape • Shape: Large oval shape • External Ripeness Indicators: Yellow undertones or dots cover more • External Ripeness Indicators: Skin stays green even when ripe of the mango as it ripens • Primary Source Countries: Mexico, Ecuador, Brazil, United States • Primary Source Countries: -
Matisse Structure & Flow Formula
MATISSE STRUCTURE & FLOW FORMULA STRUCTURE FORMULA: ALL COLOURS AVAILABLE IN 75ML & 150ML TUBES and 250ML & 500ML JARS C dolour Car WHERE APPEARS, COLOUR ALSO AVAILABLE IN 1LTR OR 4LT TUBS. FLOW FORMULA: ALL COLOURS AVAILABLE IN 75ML & 500ML JARS WHERE APPEARS, COLOUR ALSO AVAILABLE IN 1LTR TUBS. Titanium White ● Iridescent White ● Antique White ● ASTM 1 S1 NT S4 ASTM 1 S1 Pure Brilliance.Pure Quality Australian Ghost Gum ● Unbleached Titanium ● Naples Yellow Light ● ASTM 1 S1 ASTM 1 S1 ASTM 1 S1 Nickel Titanate ● Yellow Light Hansa Bismuth Yellow ● Cadmium Yellow Light ● Primary Yellow ● Yellow Mid Azo ● Cadmium Yellow Medium ● ASTM 1 S4 ASTM 2 S2 ASTM 1 S5 ASTM 1 S4 ASTM 2 S2 ASTM 1 S2 ASTM 1 S4 Aureolin Yellow Yellow Deep ● Iso Yellow ● Australian Salmon Gum ● Cadmium Orange ● Matisse Orange DPP ● Permanent Orange ● BWS 8 S7 ASTM 1 S2 ASTM 1 S6 ASTM 1 S2 ASTM 1 S4 BWS 8 S7 ASTM 1 S3 Vermillion (Azo) ● Cadmium Orange Deep ● Naphthol Scarlet ● Matisse Red Light ● Matisse Scarlet DPP ● Primary Red ● Cadmium Red Medium ● ASTM 1 S3 ASTM 1 S4 ASTM 2 S3 ASTM 1 S4 ASTM 1 S7 ASTM 1 S4 ASTM 1 S4 Quinacridone Red Naphthol Crimson ● Brilliant Alizarin (Crimson) ● Australian Red Violet ● Matisse Rose Madder ● Magenta Quin Violet Magenta Light ● ASTM 1 S4 ASTM 2 S3 ASTM 2 S3 ASTM 1 S6 ASTM 1 S7 ASTM 1 S3 BWS 8 S2 Ash Pink ● Venetian Red ● Transparent Venetian Red Permanent Maroon ● Deep Rose Madder (Perm) Burgundy ● Dioxazine Purple ASTM 1 S2 ASTM 1 S2 ASTM 1 S3 ASTM 1 S6 ASTM 1 S4 ASTM 2 S2 ASTM 2 S3 Permanent Light Violet ● Australian Sky Blue -
Art Groove 2018 Watercolor Unwrapped with Kathleen Scoggin
Art Groove 2018 Watercolor Unwrapped with Kathleen Scoggin My goal through this class is for artists to loosen up their paintings using the Wet into Wet method. We will explore painting in a loose juicy method and finish with negative painting. We will develop your subject matter with strong design and learn new twists to give your paintings the WOW factor. Subject choice is up to you, from abstract to more realistic. You do not need all of these supplies, it is a list of those I use. Helpful to have those with a * Materials List: • *PAPER: ARCHES watercolor paper (I use rough 140#) Quarter sheet size preferred • *BOARDS: Plexi & board (gater board), cut 1” larger than paper • *BRUSHES: #10 round, flats1” and 2” or 11/2” & 1 rigger • *MISC. ITEMS: Natural sponge, paper towels, water bucket, pencil, eraser, scissors, sketch book & felt tip pen. • OTHER MISC. ITEMS: Stabilo Pencil Aquarellable - mfg #8046, paper-glass-plastic-metal available at Art Supply Warehouse or Amazon ArtGraf Tailor-Shape Water-Soluble Graphite – Cheap Joes Derwent XL Charcoal – Amazon or Blick Art Materials Derwent Inktense Pencil Set – Cheap Joes • *PALLETE: I use two, but one will do. • *PAINTS: Below are the colors I use. You do not need all of these colors. Bring what you have! Paints below are either American Journey or DaVinci. Pallet #1: Yellow Ochre, Aureolin, Gamboge Hue, Benzimida Orange, Quinacridone Gold, Alizarin Crimson, Permanent. Red, Quinacridone Burnt Orange, Burnt Sienna, Olive Green, Phathalo Turquoise, Phathalo Green, Permanent Magenta, Phathalo Blue, Ultrama- rine Blue, Cobalt Blue, Cobalt Turquoise Pallet #2: Titanium White Gouache, Titanium Buff, French Gray, Coastal Fog, Pat’s Coastal Blue, Naples Yellow, Nickel Azo Yellow, Green Gold, Skip’s Green, Peachy Keen, Or- chid, Sky Blue, Periwinkle, Cerulean Blue, Blue Stone, Indigo, Lamp Black OTHER COLORS YOU MAY LIKE: Opus – Da Vinci, Mint Julep, Sag Harbor Grey, Raw Sienna – AJ, Under Sea Green, Moon Glow & Lunar Blue - Daniel Smith and Transparent Pyrrole Orange - Qor . -
Opaque Colors
When glazing, it helps to know which colors are transparent and which are opaque. Whether a particular color is transparent or opaque has to do simply with its inherent chemical makeup. An opaque color will offer more coverage than a transparent one; that much is obvious. But it is important to remember that opacity and transparency have nothing to do with color saturation/intensity or color permanence. Both groups contain fugitive colors as well as powerful ones (red can fade quickly in UV light; blue used in even small quantities will turn the mixture strongly blue). This list is provided to help you determine which colors are best used for underpainting, which are best for glazing right out of the tube, and which may require the use of a glazing medium. Opaque Oil Colors Transparent Oil Colors Whites Whites lead white zinc white titanium white transparent white Yellows Yellows cadmium yellow (all tones) aureolin (cobalt yellow) Naples yellow Indian yellow yellow ochre transparent gold ochre jaune brilliant transparent oxide yellow nickel titanate yellow stil de grain jaune Reds and Oranges Reds and Oranges cadmium red (light and dark) alizarin crimson cadmium orange rose madder (light and dark) English red ultramarine red Mars red quinacridone red Venetian red quinacridone burnt orange terra rosa transparent red oxide vermillion naphthol scarlet anthraquinoid red perinone orange Greens Greens chromium green oxide viridian permanent green phthalo green cadmium green phthalo turquoise green gold terre verte Browns Browns burnt umber burnt sienna raw umber raw sienna Pozzuoli earth brown madder alizarin transparent brown stil de grain brun Blues Blues cerulean blue ultramarine blue cobalt blue phthalo blue manganese blue indanthrone blue indigo Violets Violets cadmium purple cobalt violet Mars violet manganese violet caput mortuum violet carbazole violet quinacridone violet rose dore’ dioxazine purple Blacks and Neutrals Blacks and Neutrals lamp black ivory black peach black Davy’s gray Mars black Paynes gray . -
Supply List for Watercolor Workshop Students
SUPPLY LIST FOR WATERCOLOR WORKSHOP STUDENTS a 12 x 16 piece of Gatorbord, plexiglass, or marlite (temboard with a smooth white finish on one side) to use as a waterproof painting support an assortment of watercolor brushes: rounds size 4, 8, 12 and flats 1”, 1.5” a failed watercolor painting you can tear in pieces an assortment of tube watercolors: Aureolin yellow, Permanent Rose, Cobalt Blue and any others you like to use. I have comprehensive materials list that includes a long list of excellent pigments. I favor Daniel Smith pigments, but Winsor Newton is also excellent. Other excellent quality watercolors are DaVinci, Grumbacher. Stephen Quiller, Holbein, and American Journey (Cheap Joe’s). A bag of texturing materials such as Saran wrap, cellophane, cheesecloth, pieces of lace, gridded items such as pieces of rug hooking mesh, sink mats, plastic needlepoint mesh, pieces of screening, rickrack, plastic stencils, smaller bubble wrap, anything flat that can be placed in a wet wash! – YAA will put together a few things for you to use, but feel free to bring your own! Your sketchbook and/or a variety of clippings and photographs of subject matter that excites you. My recommendations for watercolor tube pigments: You do NOT need all of these, but my recommendations follow. Pigments with an * are a minimum palette: pigments with a + are my favorite additions DS=Daniel Smith, DV=DaVinci, WN=Winsor Newton, H= Holbein Tube pigments are available from Cheap Joe’s Art Stuff, 374 Industrial Park Drive, Boone, NC 28607, Phone 800.227.2788 or