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Matisse Structure & Flow Formula

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MATISSE STRUCTURE & FLOW FORMULA STRUCTURE FORMULA: ALL COLOURS AVAILABLE IN 75ML & 150ML TUBES and 250ML & 500ML JARS C dolour Car WHERE APPEARS, COLOUR ALSO AVAILABLE IN 1LTR OR 4LT TUBS. FLOW FORMULA: ALL COLOURS AVAILABLE IN 75ML & 500ML JARS WHERE APPEARS, COLOUR ALSO AVAILABLE IN 1LTR TUBS. Titanium White ● Iridescent White ● Antique White ● ASTM 1 S1 NT S4 ASTM 1 S1 Pure Brilliance.Pure Quality Australian Ghost Gum ● Unbleached Titanium ● Naples Yellow Light ● ASTM 1 S1 ASTM 1 S1 ASTM 1 S1 Nickel Titanate ● Yellow Light Hansa Bismuth Yellow ● Cadmium Yellow Light ● Primary Yellow ● Yellow Mid Azo ● Cadmium Yellow Medium ● ASTM 1 S4 ASTM 2 S2 ASTM 1 S5 ASTM 1 S4 ASTM 2 S2 ASTM 1 S2 ASTM 1 S4 Aureolin Yellow Yellow Deep ● Iso Yellow ● Australian Salmon Gum ● Cadmium Orange ● Matisse Orange DPP ● Permanent Orange ● BWS 8 S7 ASTM 1 S2 ASTM 1 S6 ASTM 1 S2 ASTM 1 S4 BWS 8 S7 ASTM 1 S3 Vermillion (Azo) ● Cadmium Orange Deep ● Naphthol Scarlet ● Matisse Red Light ● Matisse Scarlet DPP ● Primary Red ● Cadmium Red Medium ● ASTM 1 S3 ASTM 1 S4 ASTM 2 S3 ASTM 1 S4 ASTM 1 S7 ASTM 1 S4 ASTM 1 S4 Quinacridone Red Naphthol Crimson ● Brilliant Alizarin (Crimson) ● Australian Red Violet ● Matisse Rose Madder ● Magenta Quin Violet Magenta Light ● ASTM 1 S4 ASTM 2 S3 ASTM 2 S3 ASTM 1 S6 ASTM 1 S7 ASTM 1 S3 BWS 8 S2 Ash Pink ● Venetian Red ● Transparent Venetian Red Permanent Maroon ● Deep Rose Madder (Perm) Burgundy ● Dioxazine Purple ASTM 1 S2 ASTM 1 S2 ASTM 1 S3 ASTM 1 S6 ASTM 1 S4 ASTM 2 S2 ASTM 2 S3 Permanent Light Violet ● Australian Sky Blue ● Mineral Blue ● Ultramarine Blue Midnight Blue ● Matisse Indigo ● Phthalocyanine Blue ASTM 2 S2 ASTM 1 S2 ASTM 1 S2 ASTM 1 S2 ASTM 1 S2 ASTM 1 S6 ASTM 1 S2 Primary Blue ● Prussian Blue ● Cerulean Blue ● Cobalt Blue ● Cobalt Turquoise ● Australian Blue Gum ● Southern Ocean Blue ASTM 1 S2 ASTM 2 S1 ASTM 1 S4 ASTM 1 S5 ASTM 1 S4 ASTM 1 S2 ASTM 1 S2 Cobalt Teal ● Aqua Green Light ● Phthalocyanine Green Australian Olive Green (Trans) Hookers Green ● Alpine Green ● Green Grey (Antique) ● ASTM 1 S5 ASTM 1 S2 ASTM 1 S2 ASTM 1 S2 ASTM 1 S2 ASTM 1 S2 ASTM 1 S2 Chromium Green Oxide ● Australian Sap Green ● Australian Yellow Green ● Matisse Emerald Permanent Green Light ● Yellow Oxide Transparent Yellow Oxide ASTM 1 S2 ASTM 1 S3 ASTM 1 S3 ASTM 1 S3 ASTM 1 S2 ASTM 1 S1 ASTM 1 S3 Australian Sienna Raw Sienna ● Burnt Sienna ● Red Oxide ● Transparent Red Oxide Mars Violet ● Raw Umber ● ASTM 1 S3 ASTM 1 S1 ASTM 1 S1 ASTM 1 S1 ASTM 1 S3 ASTM 1 S2 ASTM 1 S1 Burnt Umber ● Transparent Umber Van Dyke Brown ● Raw Umber Deep ● Skin Tone Deep ● Skin Tone Light ● Skin Tone Mid ● ASTM 1 S1 ASTM 1 S3 ASTM 1 S1 ASTM 1 S1 ASTM 1 S1 ASTM 1 S1 ASTM 1 S1 Mars Grey ● Carbon Grey ● Paynes Grey ● Mars Black ● Carbon Black ● Ivory Black ● Graphite Grey ● ASTM 1 S1 ASTM 1 S1 ASTM 1 S2 ASTM 1 S1 ASTM 1 S1 ASTM 1 S1 ASTM 1 S2 Available Structure 1Ltr Available Structure 4Ltr Available Flow 1Ltr Metallic Bronze ● Metallic Copper ● Metallic Silver ● Metallic Light Gold ● Metallic Gold ● BWS 8 S4 BWS 8 S4 BWS 8 S4 BWS 8 S4 BWS 8 S4 ● Opaque ● Transparent S1-S7 Series number for pricing purposes ASTM / BWS Lightfastness rating (see over for more information). ● Semi-transparent MATISSE BACKGROUND COLOURS MATISSE INKS coloured gesso White ● Off White ● Caromello ● Cream ● White ● Black ● ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 1 Pale Beige ● Terracotta ● Pimento ● China Red ● Yellow Yellow Deep ASTM 1 ASTM 1 ASTM 2 ASTM 2 ASTM 1 ASTM 1 Heritage Red ● Burgundy ● Whisper Pink ● Blush ● Orange Red ASTM 2 ASTM 2 ASTM 2 ASTM 2 ASTM 2 ASTM 1 Victoria Pink ● Capitol Orange ● Haymarket ● Daisy Yellow ● Deep Red Carmine ASTM 2 ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 1 Straw ● Antique Green ● Forest Green ● Whisper Green ● Olive Green Deep ● Olive Green Light ● Magenta Violet Ultra Blue Blue ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 2 ASTM 1 ASTM 1 Gum Tree Green ● Leaf Green ● Turquoise ● Midnight Blue ● Capitol Blue ● Ritz Blue ● Turquoise Green Bright Green Burnt Sienna ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 2 ASTM 1 ASTM 1 ASTM 1 ASTM 1 Heritage Blue ● Antique Blue ● Winter Blue ● Whisper Blue ● Capitol Purple ● Lichen Grey ● Sepia Copper ● Bronze ● Gold ● ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 2 ASTM 1 ASTM 1 BWS 8 BWS 8 BWS 8 Brown ● Capitol Sienna ● Victorian Grey ● Pale Grey ● Folk Black ● Silver ● Iridescent ● Ink Extender Ink Cleaner ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 1 BWS 8 BWS 8 nly the finest quality pigments and ingredients are selected for the Matisse range of premium O artist acrylic colours. All have the highest lightfastness rating of ASTM I or II. All Matisse paints are fully compatible with the range of Matisse Mediums working together to create a highly versatile painting system for all artists. combs, squeegees, rags, stencilling brushes, plastic wrap, etc. Lightfastness Matisse Mediums MM19 Poly-U-Gloss Varnish (polyurethane) The lightfastness (permanency of colour or resistance to fading) in paint Matisse painting mediums make the very flexible range of Structure and Durable but only suitable for hard surfaces. This varnish is heat resistant. is rated by several different standards, however the most popular are: Flow Formula Paints even more versatile. Dries clear and is non-yellowing. • ASTM (American Society for Testing and Materials); or MM1 Drying Retarder MM20 Water-Based Patina (and Glazing Medium) Slows the evaporation of water from the paint, giving you more ‘open’ An antiquing medium for use with acrylic paints. Also effective for • BWS (Blue Wool Scale). time when you are painting. glazing. ASTM ratings range from ASTM I to ASTM V, with pigments that are MM2 Impasto Medium MM22 Print Paste rated ASTM I being considered to have excellent lightfast qualities, and A full bodied texture paste and modelling compound. May be used on Used to adapt paints for screen printing onto paper. those rated ASTM III-V being considered fugitive. The BWS scale ranges its own or mixed with Matisse paints with very little visual colour loss. MM24 Iridescent Medium from BWS 8 (excellent lightfastness) to BWS 1 (fugitive). For a paint to be Not suitable for glazing. Mixed with paints, it adds an iridescent (metallic) sheen. Will make considered artist quality, it should be lightfast, or permanent, with an MM3 Surface Tension Breaker colours lighter. ASTM rating of I-II or a BWS rating of 8-6. A dispersant that is used to break down the surface tension of acrylic MM25 Black Gesso paints. Also known as a ‘watercolour medium’ or ‘flow medium’. Excellent Matisse paint labels indicate the lightfastness rating given to the A permanent flexible primer for canvas, board or paper. Black colour for airbrushing, calligraphy and watercolour techniques. pigment content of each colour and ASTM ratings have been used gives intensity to bright colours. whenever possible, with the internationally recognised BWS rating MM4 Gel Medium MM26 Transparent Gesso A clear transparent colour extender that will allow thick layering that Gesso without any pigmentation. Can be readily mixed with Matisse being used when the ASTM has not tested a particular pigment for use dries to a glossy finish. in acrylic paints. Background colours to provide a coloured pastel primer or used with MM5 Matt Medium other Matisse gessoes to add even more tooth. All Matisse Flow, Structure, Background and Ink pigments are rated Mixed with paints and other mediums, MM5 Matt Medium will reduce MM27 Low Viscosity Gesso either ASTM I-II or BWS 8 so artists can be confident of creating lasting their gloss levels. Colours will look more like gouache. A permanent flexible primer for canvas, board or paper. Thinner viscosity works of art. MM6 Polymer Matt Varnish with excellent tooth. A water-based acrylic varnish, non-yellowing that is used to give a matt MM28 Polymer Satin Varnish Matisse Structure & Flow Formula to low-sheen finish. A water-based acrylic varnish that is non-yellowing and dries completely The intense, vibrant colours of the Structure and Flow Formula paints MM7 Polymer Gloss Varnish and Gloss Medium clear with a semi-gloss finish. A versatile water-based acrylic varnish that can also be used for glazing, MM29 Final Varnish Satin Finish cover the full colour spectrum, including several uniquely Australian glass painting and decoupage. Non-yellowing and dries completely colours. Turps-based varnish suitable for acrylic or oil paintings. Strippable - ideal clear. for restoration work or outdoor murals. Dries to a semi-gloss finish. Matisse Structure Formula is a rich impasto paint most like oil paint. MM8 Spreader Medium MM30 Matt Gel Medium Matisse Structure Formula paint is ideal for application with a brush or A transparent flowing paste that increases the workability of the paint A clear, transparent colour extender allowing thick layering that dries to palette knife for striking textured effects or combined with the range and helps achieve effective glazes. a matt finish. of Matisse Mediums for exceptional flexibility of application and finish. MM9 Acrylic Painting Medium MM31 Open Medium Matisse Flow Formula is a low viscosity acrylic paint that glides from Pure acrylic binder that can be used to dilute paint without the use of Extends the ‘open’ or ‘working’ time of acrylics without affecting the brush.
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    Li et al. Herit Sci (2020) 8:22 https://doi.org/10.1186/s40494-020-00366-3 RESEARCH ARTICLE Open Access Applying micro‑computed tomography (micro‑CT) and Raman spectroscopy for non‑invasive characterization of coating and coating pigments on ancient Chinese papers Tao Li1* , Chuang Liu2,3* and Dongmei Wang4 Abstract The coating technique, supposedly invented by Chinese papermakers no later than the 3rd century AD, greatly improved paper sheets’ qualities of color, texture, writability, and printability. Alongside the dispersal of papermak- ing and surface-treatment techniques beyond China, coated papers were manufactured and used in many other regions of the world. Understanding the manufacture of coated papers, therefore, is crucial for perceiving how surface treatments were developed to meet the need for paper with enhanced properties. However, the characterization of coating and coating pigments on ancient Chinese papers has long remained an unsolved issue, and previous stud- ies on this topic have often produced inconclusive results. To explore a non-invasive methodology that can more reliably characterize coated papers and the coating pigment on them, this article presents the results of a pilot study that applied micro-computed tomography (micro-CT) and Raman spectroscopy to samples of three Qing Dynasty (1644–1911 AD) papers and two handmade papers manufactured in China in the 1990s. Micro-CT revealed the coat- ing layer(s) on Lajian (waxed coated paper) and Lengjinjian (gold-dusted paper) of the Qing Dynasty and character- ized the modern raw xuan and bamboo papers as uncoated. Raman spectroscopy, together with handheld X-ray fuorescence analysis, identifed the mineral-based pigment in the coating layer, suggesting the use of lead white or kaolin as the coating pigment.
  • Color Chart Colorchart

    Color Chart Colorchart

    Color Chart AMERICANA ACRYLICS Snow (Titanium) White White Wash Cool White Warm White Light Buttermilk Buttermilk Oyster Beige Antique White Desert Sand Bleached Sand Eggshell Pink Chiffon Baby Blush Cotton Candy Electric Pink Poodleskirt Pink Baby Pink Petal Pink Bubblegum Pink Carousel Pink Royal Fuchsia Wild Berry Peony Pink Boysenberry Pink Dragon Fruit Joyful Pink Razzle Berry Berry Cobbler French Mauve Vintage Pink Terra Coral Blush Pink Coral Scarlet Watermelon Slice Cadmium Red Red Alert Cinnamon Drop True Red Calico Red Cherry Red Tuscan Red Berry Red Santa Red Brilliant Red Primary Red Country Red Tomato Red Naphthol Red Oxblood Burgundy Wine Heritage Brick Alizarin Crimson Deep Burgundy Napa Red Rookwood Red Antique Maroon Mulberry Cranberry Wine Natural Buff Sugared Peach White Peach Warm Beige Coral Cloud Cactus Flower Melon Coral Blush Bright Salmon Peaches 'n Cream Coral Shell Tangerine Bright Orange Jack-O'-Lantern Orange Spiced Pumpkin Tangelo Orange Orange Flame Canyon Orange Warm Sunset Cadmium Orange Dried Clay Persimmon Burnt Orange Georgia Clay Banana Cream Sand Pineapple Sunny Day Lemon Yellow Summer Squash Bright Yellow Cadmium Yellow Yellow Light Golden Yellow Primary Yellow Saffron Yellow Moon Yellow Marigold Golden Straw Yellow Ochre Camel True Ochre Antique Gold Antique Gold Deep Citron Green Margarita Chartreuse Yellow Olive Green Yellow Green Matcha Green Wasabi Green Celery Shoot Antique Green Light Sage Light Lime Pistachio Mint Irish Moss Sweet Mint Sage Mint Mint Julep Green Jadeite Glass Green Tree Jade