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Matisse Structure & Flow Formula STRUCTURE FORMULA: ALL COLOURS AVAILABLE IN 75ML & 150ML TUBES and 250ML & 500ML JARS C dolour Car WHERE APPEARS, COLOUR ALSO AVAILABLE IN 1LTR OR 4LT TUBS. FLOW FORMULA: ALL COLOURS AVAILABLE IN 75ML & 500ML JARS WHERE APPEARS, COLOUR ALSO AVAILABLE IN 1LTR TUBS.

Titanium White ● Iridescent White ● Antique White ● ASTM 1 S1 NT S4 ASTM 1 S1 Pure Brilliance.Pure Quality

Australian Ghost Gum ● Unbleached Titanium ● Naples Light ● ASTM 1 S1 ASTM 1 S1 ASTM 1 S1

Nickel Titanate ● Yellow Light Hansa Bismuth Yellow ● Cadmium Yellow Light ● Primary Yellow ● Yellow Mid Azo ● Cadmium Yellow Medium ● ASTM 1 S4 ASTM 2 S2 ASTM 1 S5 ASTM 1 S4 ASTM 2 S2 ASTM 1 S2 ASTM 1 S4

Aureolin Yellow Yellow Deep ● Iso Yellow ● Australian Salmon Gum ● Cadmium Orange ● Matisse Orange DPP ● Permanent Orange ● BWS 8 S7 ASTM 1 S2 ASTM 1 S6 ASTM 1 S2 ASTM 1 S4 BWS 8 S7 ASTM 1 S3

Vermillion (Azo) ● Cadmium Orange Deep ● Naphthol Scarlet ● Matisse Light ● Matisse Scarlet DPP ● Primary Red ● Cadmium Red Medium ● ASTM 1 S3 ASTM 1 S4 ASTM 2 S3 ASTM 1 S4 ASTM 1 S7 ASTM 1 S4 ASTM 1 S4

Quinacridone Red Naphthol Crimson ● Brilliant Alizarin (Crimson) ● Australian Red Violet ● Matisse Rose Madder ● Magenta Quin Violet Magenta Light ● ASTM 1 S4 ASTM 2 S3 ASTM 2 S3 ASTM 1 S6 ASTM 1 S7 ASTM 1 S3 BWS 8 S2

Ash Pink ● Venetian Red ● Transparent Venetian Red Permanent ● Deep Rose Madder (Perm) ● Dioxazine Purple ASTM 1 S2 ASTM 1 S2 ASTM 1 S3 ASTM 1 S6 ASTM 1 S4 ASTM 2 S2 ASTM 2 S3

Permanent Light Violet ● Australian Sky ● Mineral Blue ● Ultramarine Blue Midnight Blue ● Matisse Indigo ● Phthalocyanine Blue ASTM 2 S2 ASTM 1 S2 ASTM 1 S2 ASTM 1 S2 ASTM 1 S2 ASTM 1 S6 ASTM 1 S2

Primary Blue ● Prussian Blue ● Cerulean Blue ● Cobalt Blue ● Cobalt Turquoise ● Australian Blue Gum ● Southern Ocean Blue ASTM 1 S2 ASTM 2 S1 ASTM 1 S4 ASTM 1 S5 ASTM 1 S4 ASTM 1 S2 ASTM 1 S2

Cobalt Teal ● Aqua Light ● Phthalocyanine Green Australian Green (Trans) Hookers Green ● Alpine Green ● Green Grey (Antique) ● ASTM 1 S5 ASTM 1 S2 ASTM 1 S2 ASTM 1 S2 ASTM 1 S2 ASTM 1 S2 ASTM 1 S2

Chromium Green Oxide ● Australian Sap Green ● Australian Yellow Green ● Matisse Emerald Permanent Green Light ● Yellow Oxide Transparent Yellow Oxide ASTM 1 S2 ASTM 1 S3 ASTM 1 S3 ASTM 1 S3 ASTM 1 S2 ASTM 1 S1 ASTM 1 S3

Australian Raw Sienna ● Burnt Sienna ● Red Oxide ● Transparent Red Oxide Mars Violet ● Raw ● ASTM 1 S3 ASTM 1 S1 ASTM 1 S1 ASTM 1 S1 ASTM 1 S3 ASTM 1 S2 ASTM 1 S1

Burnt Umber ● Transparent Umber Van Dyke ● Raw Umber Deep ● Skin Tone Deep ● Skin Tone Light ● Skin Tone Mid ● ASTM 1 S1 ASTM 1 S3 ASTM 1 S1 ASTM 1 S1 ASTM 1 S1 ASTM 1 S1 ASTM 1 S1

Mars Grey ● Carbon Grey ● Paynes Grey ● Mars Black ● Carbon Black ● Black ● Graphite Grey ● ASTM 1 S1 ASTM 1 S1 ASTM 1 S2 ASTM 1 S1 ASTM 1 S1 ASTM 1 S1 ASTM 1 S2

Available Structure 1Ltr Available Structure 4Ltr

Available Flow 1Ltr

Metallic ● Metallic ● Metallic Silver ● Metallic Light ● Metallic Gold ● BWS 8 S4 BWS 8 S4 BWS 8 S4 BWS 8 S4 BWS 8 S4 ● Opaque ● Transparent S1-S7 Series number for pricing purposes ASTM / BWS Lightfastness rating (see over for more information). ● Semi-transparent Matisse Background Colours Matisse Inks coloured gesso

White ● Off White ● Caromello ● ● White ● Black ● ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 1

Pale ● Terracotta ● Pimento ● China Red ● Yellow Yellow Deep ASTM 1 ASTM 1 ASTM 2 ASTM 2 ASTM 1 ASTM 1

Heritage Red ● Burgundy ● Whisper Pink ● Blush ● Orange Red ASTM 2 ASTM 2 ASTM 2 ASTM 2 ASTM 2 ASTM 1

Victoria Pink ● Capitol Orange ● Haymarket ● Daisy Yellow ● Deep Red Carmine ASTM 2 ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 1

Straw ● Antique Green ● Forest Green ● Whisper Green ● Olive Green Deep ● Olive Green Light ● Magenta Violet Ultra Blue Blue ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 2 ASTM 1 ASTM 1

Gum Tree Green ● Leaf Green ● Turquoise ● Midnight Blue ● Capitol Blue ● Ritz Blue ● Turquoise Green Bright Green Burnt Sienna ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 2 ASTM 1 ASTM 1 ASTM 1 ASTM 1

Heritage Blue ● Antique Blue ● Winter Blue ● Whisper Blue ● Capitol Purple ● Lichen Grey ● Copper ● Bronze ● Gold ● ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 2 ASTM 1 ASTM 1 BWS 8 BWS 8 BWS 8

Brown ● Capitol Sienna ● Victorian Grey ● Pale Grey ● Folk Black ● Silver ● Iridescent ● Ink Extender Ink Cleaner ASTM 1 ASTM 1 ASTM 1 ASTM 1 ASTM 1 BWS 8 BWS 8 nly the finest quality and ingredients are selected for the Matisse range of premium O artist acrylic colours. All have the highest lightfastness rating of ASTM I or II. All Matisse paints are fully compatible with the range of Matisse Mediums working together to create a highly versatile painting system for all artists. combs, squeegees, rags, stencilling brushes, plastic wrap, etc. Lightfastness Matisse Mediums MM19 Poly-U-Gloss Varnish (polyurethane) The lightfastness (permanency of colour or resistance to fading) in paint Matisse painting mediums make the very flexible range of Structure and Durable but only suitable for hard surfaces. This varnish is heat resistant. is rated by several different standards, however the most popular are: Flow Formula Paints even more versatile. Dries clear and is non-yellowing. • ASTM (American Society for Testing and Materials); or MM1 Drying Retarder MM20 Water-Based Patina (and Glazing Medium) Slows the evaporation of water from the paint, giving you more ‘open’ An antiquing medium for use with acrylic paints. Also effective for • BWS (Blue Wool Scale). time when you are painting. glazing. ASTM ratings range from ASTM I to ASTM V, with pigments that are MM2 Impasto Medium MM22 Print Paste rated ASTM I being considered to have excellent lightfast qualities, and A full bodied texture paste and modelling compound. May be used on Used to adapt paints for screen printing onto paper. those rated ASTM III-V being considered fugitive. The BWS scale ranges its own or mixed with Matisse paints with very little visual colour loss. MM24 Iridescent Medium from BWS 8 (excellent lightfastness) to BWS 1 (fugitive). For a paint to be Not suitable for glazing. Mixed with paints, it adds an iridescent (metallic) sheen. Will make considered artist quality, it should be lightfast, or permanent, with an MM3 Surface Tension Breaker colours lighter. ASTM rating of I-II or a BWS rating of 8-6. A dispersant that is used to break down the surface tension of acrylic MM25 Black Gesso paints. Also known as a ‘watercolour medium’ or ‘flow medium’. Excellent Matisse paint labels indicate the lightfastness rating given to the A permanent flexible primer for canvas, board or paper. Black colour for airbrushing, calligraphy and watercolour techniques. content of each colour and ASTM ratings have been used gives intensity to bright colours. whenever possible, with the internationally recognised BWS rating MM4 Gel Medium MM26 Transparent Gesso A clear transparent colour extender that will allow thick layering that Gesso without any pigmentation. Can be readily mixed with Matisse being used when the ASTM has not tested a particular pigment for use dries to a glossy finish. in acrylic paints. Background colours to provide a coloured pastel primer or used with MM5 Matt Medium other Matisse gessoes to add even more tooth. All Matisse Flow, Structure, Background and Ink pigments are rated Mixed with paints and other mediums, MM5 Matt Medium will reduce MM27 Low Viscosity Gesso either ASTM I-II or BWS 8 so artists can be confident of creating lasting their gloss levels. Colours will look more like gouache. A permanent flexible primer for canvas, board or paper. Thinner viscosity works of art. MM6 Polymer Matt Varnish with excellent tooth. A water-based acrylic varnish, non-yellowing that is used to give a matt MM28 Polymer Satin Varnish Matisse Structure & Flow Formula to low-sheen finish. A water-based acrylic varnish that is non-yellowing and dries completely The intense, vibrant colours of the Structure and Flow Formula paints MM7 Polymer Gloss Varnish and Gloss Medium clear with a semi-gloss finish. A versatile water-based acrylic varnish that can also be used for glazing, MM29 Final Varnish Satin Finish cover the full colour spectrum, including several uniquely Australian glass painting and decoupage. Non-yellowing and dries completely colours. Turps-based varnish suitable for acrylic or oil paintings. Strippable - ideal clear. for restoration work or outdoor murals. Dries to a semi-gloss finish. Matisse Structure Formula is a rich impasto paint most like oil paint. MM8 Spreader Medium MM30 Matt Gel Medium Matisse Structure Formula paint is ideal for application with a brush or A transparent flowing paste that increases the workability of the paint A clear, transparent colour extender allowing thick layering that dries to palette knife for striking textured effects or combined with the range and helps achieve effective glazes. a matt finish. of Matisse Mediums for exceptional flexibility of application and finish. MM9 Acrylic Painting Medium MM31 Open Medium Matisse Flow Formula is a low viscosity acrylic paint that glides from Pure acrylic binder that can be used to dilute paint without the use of Extends the ‘open’ or ‘working’ time of acrylics without affecting the brush. Matisse Flow Formula paint is ideal for mural work, canvas water, to prevent paints from becoming water sensitive. consistency. Allows a more relaxed approach that is often desired for painting, geometrics, hard edge, photo realism and fine detailed MM10 Gesso softening, shading and blending. painting - in fact any art that requires intense smooth colours. A permanent flexible primer for canvas, board or paper. Intense white MM32 Light Modelling Paste ground with a medium tooth. Modelling compound that has the same qualitites as MM2 Impasto Matisse Ink MM11 Satin Varnish (polyurethane) Medium but with a lighter body and finish. Durable but only suitable for hard surfaces. This varnish is heat resistant. MM33 UV Conservation Varnish These artist quality inks are bright, intense, heavily pigmented colours Dries clear and is non-yellowing. Turps based acrylic resin varnish containing UV inhibitors. Removable for use in all forms of artwork. This range is accented with five metallic MM12 Clear Sealer for conservation purposes. Dries to a clear gloss finish. colours, including an iridescent ink that can be intermixed to extend the A sealer that can be used on wood, glass, ceramics, terracotta and new MM34 Brush & Hand Cleaner already large range of colours. All Matisse products are acid free. metal. Will also seal tannin in wood. A gentle cleaner that can remove paint from both brushes and hands. MM13 Fabric Fixative Only natural ingredients, non toxic or polluting, biodegradable. Matisse Background Colours Makes colours permanent on T-shirts or most other fabrics after heat MM35 Brush Restorer setting. Artists can build their art on a strong foundation with Matisse Powerful and plant based alternative cleaner that can remove dried, MM14 Final Varnish Gloss Finish built up paint from brushes without harsh chemicals and dangerous Background colours. Matisse Background colours are highly pigmented Turps-based varnish suitable for acrylic or oil paintings. Strippable - ideal fumes. sealing gessos that can be applied to almost any surface. Used directly for restoration work or outdoor murals. Dries to a gloss finish. onto wood, the Matisse Background colour will cover and create a MM36 High Tooth Gesso (encaustic) MM15 Final Varnish Matt Finish A permanent and flexible, high tooth finish ground for canvas, wood smooth surface to paint on, but will also seal the surface with its built- Turps-based varnish suitable for acrylic or oil paintings. Strippable - ideal panels, board or paper. High absorbency and adhesion. Formulated as in sealer. Matisse Background can also be used with stencils, design for restoration work or outdoor murals. Dries to a matt finish. an encaustic or pastels primer ground. painting, for blocking in large areas of colour, or underpainting. Apply MM16 Faux Finish & Marbling Gel MM37 Self Leveling Medium (high gloss) direct from the jar and clean up with water. Matisse Background spreads Also known as scumble glaze. Very effective patterns can be created Thick gel ideal for high gloss thick varnishing, glazing and pouring easily with brush or roller and dries fast to a matt-velvet finish. through the use of MM16 and Matisse colours with sponges, erasers, techniques. Apply with a brush, palette knife or jug.

Colour Pigment AB Colour Pigment AB Colour Pigment AB Numbers Numbers Numbers Alpine Green PG7 PY74 PY83 TO Green Grey (Antq) PW6 PBk11 PG7 OO Permanent Maroon PR179 SO O pacity Ratings Antique White PW6 PY42 OO Hookers Green PG7 PY74 PBk7 T S Primary Blue PB15.3, PW6 SS To help artists identify the opacity and transparency of Aqua Green Lt PW6 PG7 OO Iridescent White PW6+ Mica titanate OO Primary Red PV19 SS Matisse Acrylic colours, two ratings have been made available. Ash Pink PW6 PBr7 O O Iso Yellow PY139 SS Primary Yellow PY3 PW74 PW6 S S Yellow PY40 ST Ivory Black PBk9 SO Prussian Blue PB27 TS A. Pigment opacity rating: This denotes the actual rating that would be given to the pigment particle (and the Australian Blue Gum PW6 PB15.3 PBk9 OO Magenta Quin Violet PR122 TT Quinacridone Red PV19 ST aggregate for blends) when studied on a macroscopic Australian Ghost Gum PW6 PY42 PBr7 OO Magenta Light PY74 PW6 PR122 OO Raw Sienna PY43 TS level or as described by the pigment manufacturer. Australian Olive Green PG7 PY83 PR101 TT Mars Black PBk11 SO Raw Umber PBr7 SS PBk7 B. Paint rating: this rating describes the resultant opacity Australian Red Violet PV19 TS Mars Grey PW6 PBk11 OO Raw Umber Deep PBr7 PBk7 SS of the actual paint. Mars Violet PR101 OO Red Oxide PR101 TO Australian Salmon Gum PV19 PY83 PW6 SO Although in most cases these two ratings will be the same, Australian Sap Green PY74 PG7 PY83 TS Matisse Emerald PG36 TT Skin Tone Deep PBr7 PR101 PG7 SS there are some pigments in a pure, dry state that may PR101 Matisse Indigo PB60 TS Skin Tone Light PW6 PO36 PR101 O O not maintain the same opacity when incorporated into Australian Sienna PY83 PR101 PY42 ST Matisse Orange DPP PO73 OO Skin Tone Mid PY74 PR101 PY42 OO acrylic paint. This may be due to variations in particle size Australian Sky Blue PW6 PB29 OO Matisse Red Light PR254 SS Southern Ocean Blue PG7 PB15.3 TT between the pigment and other raw materials in the paint Australian Yellow Green PY74 PY83 PG7 SS formulation, the intensity of pigments or the pigment Matisse Rose Madder PV19 TS Titanium White PW6 OO Bismuth Yellow PY184 OO loading in the paint system. These can all have an effect on Matisse Scarlet DPP PR255 OO Transparent Umber PR101 TT Brilliant Alizarin PR122 PR170 TS the resulting opacity of the paint. Metallic Bronze Mica titanate OO Transparent Red Oxide PR101 TT Burgundy PR122 PR170 PBk7 TS pigment In addition to this, some colours will be different in shade, Transparent Venetian Red PBr25 TT Burnt Sienna PBr7 PR101 TS Metallic Copper Mica titanate OO tone or even opacity even though they have the same name pigment Transparent Yellow Oxide PY42 TT or generic colour index name (i.e. PY74). This is because this Burnt Umber PBr7 TS Metallic Gold Mica titanate OO Ultramarine Blue PB29 TT index for pigments is an indication of chemical type and Cad Red Medium PR108 OO pigment Metallic Light Gold Mica titanate OO Unbleached Titanium PW6 PY42 PR101 OO basic shade only. The , tone, intensity (and opacity) can Cad Yellow Light PY35 OO pigment Van Dyke Brown PBr7 SO vary considerably between individual pigments classified Cad Yellow Medium PY35 OO Metallic Silver Mica titanate OO under this index. In addition, brands of paint with the same pigment Venetian Red PR101 SS Cadmium Orange PO20 OO pigment number can also vary due to the use of fillers and Midnight Blue PB29 PB15.3 PBk11 SO Vermilion (Azo) PO36 SO Cadmium Orange Deep PR108 PO20 OO other agents and the quality of the pigment used. Matisse Mineral Blue PB29 PW6 PB15.3 OO Yellow Deep PY83 TS paints use only the finest pigments available and limit Carbon Black PBk7 OO Nickel Titanate PY53 SS Yellow Light Hansa PY3 TT fillers - when they have to be used (for rheology, in-can Carbon Grey PW6, PBk7 OO Light PW6 PY42 PY83 OO Yellow Mid Azo PY74 TS stability, flow control etc) - to the bare minimum. Fillers are Cerulean Blue PB36 SS Naphthol Crimson PR170 TS Yellow Oxide PY42 TT never used to extend the colour, which generally results in Chrom. Green Oxide PG17 OO dirtier, less intense colours. Naphthol Scarlet PR112 PO36 TS Cobalt Blue PB28 OO Payne’s Grey PB29 PBk11 SS Cobalt Teal PG50 OO Permanent Green Lt PY3 PG7 TS Cobalt Turquoise PB36 OS L egend Derivan Pty Ltd Permanent Lt Violet PW6 PV23 OO A = Pigment Opacity ABN 36 003 273 925 Deep Rose Madder PR175 TT Permanent Orange PO36 PY74 S S B = Paint Opacity Unit 4/23 Leeds St, Rhodes NSW 2138 Dioxazine Purple PV23 TT Phthalocynine Blue PB15.3 TT T = Transparent Australian T: +61 2 9736 2022 F: +61 2 9736 3637 Graphite Grey PBk10 OO S = Semi-Transparent [email protected] Phthalocynine Green PG7 TT O = Opaque Made & Owned 04/14 www.derivan.com.au