Supply List for Watercolor Workshop Students

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SUPPLY LIST FOR WATERCOLOR WORKSHOP STUDENTS a 12 x 16 piece of Gatorbord, plexiglass, or marlite (temboard with a smooth white finish on one side) to use as a waterproof painting support an assortment of watercolor brushes: rounds size 4, 8, 12 and flats 1”, 1.5” a failed watercolor painting you can tear in pieces an assortment of tube watercolors: Aureolin yellow, Permanent Rose, Cobalt Blue and any others you like to use. I have comprehensive materials list that includes a long list of excellent pigments. I favor Daniel Smith pigments, but Winsor Newton is also excellent. Other excellent quality watercolors are DaVinci, Grumbacher. Stephen Quiller, Holbein, and American Journey (Cheap Joe’s). A bag of texturing materials such as Saran wrap, cellophane, cheesecloth, pieces of lace, gridded items such as pieces of rug hooking mesh, sink mats, plastic needlepoint mesh, pieces of screening, rickrack, plastic stencils, smaller bubble wrap, anything flat that can be placed in a wet wash! – YAA will put together a few things for you to use, but feel free to bring your own! Your sketchbook and/or a variety of clippings and photographs of subject matter that excites you. My recommendations for watercolor tube pigments: You do NOT need all of these, but my recommendations follow. Pigments with an * are a minimum palette: pigments with a + are my favorite additions DS=Daniel Smith, DV=DaVinci, WN=Winsor Newton, H= Holbein Tube pigments are available from Cheap Joe’s Art Stuff, 374 Industrial Park Drive, Boone, NC 28607, Phone 800.227.2788 or www.cheapjoes.com Gentle, non-staining pigments: (the first 3 are primary) *Cobalt Blue (WN or DS) *Aureolin Yellow (WN or DS) *Permanent Rose (WN) or Quinacridone Rose (DS) +Viridian (WN, DV, or DS) Strong, staining primary pigments: *Thalo, Phthalo, or Winsor Blue (DV, WN, DS) *Hansa Yellow Light (DV or DS) or Winsor Yellow (WN) *Red Rose Deep (Quinacridone)(DV) or Winsor Red (WN) or Permanent Red (DS) Secondary Colors with characteristics as noted: *Cadmium Orange (WN, DS) or Perinone Orange 9DS) granular, quite opaque *Cobalt teal Blue (DS)- granular, non staining, very opaque Peacock Blue (H)- brilliant, transparent, staining *Winsor Violet (WN), or Carbazole Violet (DS) – both are dark, staining, transparent Extra pigments I use a lot: +Quinacridone Burnt Orange (DS)- bright, transparent red/brown, low staining Burnt Sienna (WN, DS)- semi-transparent, granular, earthy red/brown, non-staining Anthraquinoid Red (DS)- staining, transparent dark red +Quinacridone Magenta (DS)- bright rose, staining, transparent Phthalo Turquois (DS)- dark blue green, staining, transparent Winsor Emerald (WN)- opaque, granular, non-staining +Quinacridone Gold (DS)- bright, brassy gold, transparent, low staining +French Ultramarine Blue (WN, DS)- granular, somewhat opaque Cadmium Yellow (WN)- very opaque, stains somewhat +Scarlet lake (WN)- vibrant orange-red, semi-opaque, but transparent in thin washes, staining Whitened/Blackened pigments: already neutralized by the addition of black pigments Neutral Tint (DS) Indianthrone Blue (DS) Permanent Brown (DS) .

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Watercolor Basics with Susan Donohoe
Watercolor Basics with Susan Donohoe BASICS SUPPLY LIST FOR - TECHNIQUES - Day 1 The lists are long, beginners should bring what they have. They SHOULD NOT go out and buy supplies just to have them. I will bring supplies that they can use to fill in the blanks. Better for them to learn in the workshop what is best for them to buy instead of wasting their money. Personal Needs for each day: Please bring any of these items that you will require. A cushion for your chair, the day can get long for your backside. Your lunch each day. There is a microwave and a small refrigerator for your use. Keep it simple. Hydration-bring plenty of liquid to stay hydrated. A sweater or work shirt to stay comfortable as the room temperature may fluctuate throughout the day. Brushes: Preferred brands: Escoda, Holbein, Cheap Joe’s, Loew-Cornell, Da Vinci, Halcyon One of each if you have them: Round: #6, #10, #14, #18+ (the biggest round brush you own - no need to buy one.) Flat: 1/2”, 1”, 2”, Hake (if you have one) Scrubber brushes: assorted sizes. (These brushes can be purchased at Michael’s or JoAnn’s. They are stiff brushes similar to oil painting brushes. They are sometimes called fabric brushes.) Paper: Arches #140 - Cold Press - 1 full sheet. If you know how and wish to do so prior to class, you can tear the full sheet into 4 equal 1/4 sheet pieces. Paint: Artist Grade Paint only!!!! Preferred Brands: Holbein, Daniel Smith, Mission, Aquarelle Sennelier, M.
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Watercolours: What´S Different in the New Assortment?
Product information Watercolours HORADAM® watercolours: What´s different in the new assortment? The following colours have got a new name: Art.-No. Old Name New Name 14 208 Aureolin modern Aureolin hue 14 209 Translucent yellow Transparent Yellow 14 211 Chrome yellow lemon Chromium yellow hue lemon 14 212 Chrome yellow light Chromium yellow hue light 14 213 Chrome yellow deep Chromium yellow hue deep 14 214 Chrome orange Chromium orange hue 14 218 Translucent orange Transparent orange 14 366 Deep red Perylene maroon 14 476 Mauve Schmincke violet 14 498 Dark blue indigo Dark blue 14 648 Sepia brown tone Sepia brown reddish 14 786 Charcoal grey Anthracite The following colours are completely omitted due to raw materials which aren’t available anymore: Art.-No. Old Name 14 652 Walnut brown This tone cannot be mixed out of other colours. 14 666 Pozzuoli earth This tone can be mixed using 14 649 English Venetian red and the slightly reddish 14 670 Madder brown. These colours are now produced using other pigments. Therefore they have got a new name and a new number: Old Art.-No. Old Name New Art.-No. New Name 14 345 Dark red 14 344 Perylene dark red 14 210 Gamboge gum modern 14 217 Quinacridone gold hue 14 478 Helio blue reddish 14 477 Phthalo sapphire blue 14 536 Green yellow 14 537 Transparent green gold - Discontinued colours The described product attributes and application examples have been tes- a warranty for product attributes and/or assume liability for damages that ted in the Schmincke laboratory.
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MODERN WATERCOLOR III Fair FR Fair G Granulating J Semi-Opaque NA Not Yet Tested H Opaque
ASTM LF GOLDEN LF STAIN OPACITY I Excellent EX Excellent Semi-Staining k Semi-Transparent II Very Good GD Good Staining i Transparent MODERN WATERCOLOR III Fair FR Fair G Granulating j Semi-Opaque NA Not Yet Tested h Opaque Item # Series Color Color Index Name Pigment Name ASTM Opacity Granulating Staining 1-4 Light-fastness 7000525 1 Ardoise Gray PBk19 Hydrated Aluminum Silicate I i G 7000135 1 Aureolin Modern PW6, PY150 Titanium Dioxide Rutile, Nickel Complex Azo I j 7000126 4 Benzimidazolone Yellow PY154 Benzimidazolone Yellow H3G I k 7000115 3 Bismuth Vanadate Yellow PY184 Bismuth Vanadate EX k 7000415 2 Bohemian Green Earth PBk7, PG7, PR101, PY42 Nearly Pure Amorphous Carbon, Chlorinated Copper I k G Phthalocyanine, Synthetic Iron Oxide, Synthetic Iron Oxide 7000470 1 Burnt Sienna (Natural) Pbr7 Calcined Natural Iron Oxide I j G 7000480 1 Burnt Umber (Natural) Pbr7 Calcined Natural Iron Oxide containing Manganese I j G 7000180 4 Cadmium Orange PO20 Cadmium (Sulfo-Selenide) - (CC) I j 7000220 4 Cadmium Red Deep PR108 Cadmium (Sulfo-Selenide) - (CC) I j G 7000195 4 Cadmium Red Light PR108 Cadmium (Sulfo-Selenide) - (CC) I j G 7000215 4 Cadmium Red Medium PR108 Cadmium (Sulfo-Selenide) - (CC) I j 7000170 4 Cadmium Yellow Deep PY35 Cadmium Zinc Sulfide - (CC) I k 7000120 4 Cadmium Yellow Light PY35 Cadmium Zinc Sulfide - (CC) I k 7000130 4 Cadmium Yellow Medium PY35 Cadmium Zinc Sulfide - (CC) I k 7000105 4 Cadmium Yellow Primrose PY35 Cadmium Zinc Sulfide - (CC) I k 7000500 1 Carbon Black PBk7 Nearly Pure Amorphous Carbon I h 7000330
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Matisse Structure & Flow Formula
MATISSE STRUCTURE & FLOW FORMULA STRUCTURE FORMULA: ALL COLOURS AVAILABLE IN 75ML & 150ML TUBES and 250ML & 500ML JARS C dolour Car WHERE APPEARS, COLOUR ALSO AVAILABLE IN 1LTR OR 4LT TUBS. FLOW FORMULA: ALL COLOURS AVAILABLE IN 75ML & 500ML JARS WHERE APPEARS, COLOUR ALSO AVAILABLE IN 1LTR TUBS. Titanium White ● Iridescent White ● Antique White ● ASTM 1 S1 NT S4 ASTM 1 S1 Pure Brilliance.Pure Quality Australian Ghost Gum ● Unbleached Titanium ● Naples Yellow Light ● ASTM 1 S1 ASTM 1 S1 ASTM 1 S1 Nickel Titanate ● Yellow Light Hansa Bismuth Yellow ● Cadmium Yellow Light ● Primary Yellow ● Yellow Mid Azo ● Cadmium Yellow Medium ● ASTM 1 S4 ASTM 2 S2 ASTM 1 S5 ASTM 1 S4 ASTM 2 S2 ASTM 1 S2 ASTM 1 S4 Aureolin Yellow Yellow Deep ● Iso Yellow ● Australian Salmon Gum ● Cadmium Orange ● Matisse Orange DPP ● Permanent Orange ● BWS 8 S7 ASTM 1 S2 ASTM 1 S6 ASTM 1 S2 ASTM 1 S4 BWS 8 S7 ASTM 1 S3 Vermillion (Azo) ● Cadmium Orange Deep ● Naphthol Scarlet ● Matisse Red Light ● Matisse Scarlet DPP ● Primary Red ● Cadmium Red Medium ● ASTM 1 S3 ASTM 1 S4 ASTM 2 S3 ASTM 1 S4 ASTM 1 S7 ASTM 1 S4 ASTM 1 S4 Quinacridone Red Naphthol Crimson ● Brilliant Alizarin (Crimson) ● Australian Red Violet ● Matisse Rose Madder ● Magenta Quin Violet Magenta Light ● ASTM 1 S4 ASTM 2 S3 ASTM 2 S3 ASTM 1 S6 ASTM 1 S7 ASTM 1 S3 BWS 8 S2 Ash Pink ● Venetian Red ● Transparent Venetian Red Permanent Maroon ● Deep Rose Madder (Perm) Burgundy ● Dioxazine Purple ASTM 1 S2 ASTM 1 S2 ASTM 1 S3 ASTM 1 S6 ASTM 1 S4 ASTM 2 S2 ASTM 2 S3 Permanent Light Violet ● Australian Sky Blue
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Art Groove 2018 Watercolor Unwrapped with Kathleen Scoggin
Art Groove 2018 Watercolor Unwrapped with Kathleen Scoggin My goal through this class is for artists to loosen up their paintings using the Wet into Wet method. We will explore painting in a loose juicy method and finish with negative painting. We will develop your subject matter with strong design and learn new twists to give your paintings the WOW factor. Subject choice is up to you, from abstract to more realistic. You do not need all of these supplies, it is a list of those I use. Helpful to have those with a * Materials List: • *PAPER: ARCHES watercolor paper (I use rough 140#) Quarter sheet size preferred • *BOARDS: Plexi & board (gater board), cut 1” larger than paper • *BRUSHES: #10 round, flats1” and 2” or 11/2” & 1 rigger • *MISC. ITEMS: Natural sponge, paper towels, water bucket, pencil, eraser, scissors, sketch book & felt tip pen. • OTHER MISC. ITEMS: Stabilo Pencil Aquarellable - mfg #8046, paper-glass-plastic-metal available at Art Supply Warehouse or Amazon ArtGraf Tailor-Shape Water-Soluble Graphite – Cheap Joes Derwent XL Charcoal – Amazon or Blick Art Materials Derwent Inktense Pencil Set – Cheap Joes • *PALLETE: I use two, but one will do. • *PAINTS: Below are the colors I use. You do not need all of these colors. Bring what you have! Paints below are either American Journey or DaVinci. Pallet #1: Yellow Ochre, Aureolin, Gamboge Hue, Benzimida Orange, Quinacridone Gold, Alizarin Crimson, Permanent. Red, Quinacridone Burnt Orange, Burnt Sienna, Olive Green, Phathalo Turquoise, Phathalo Green, Permanent Magenta, Phathalo Blue, Ultrama- rine Blue, Cobalt Blue, Cobalt Turquoise Pallet #2: Titanium White Gouache, Titanium Buff, French Gray, Coastal Fog, Pat’s Coastal Blue, Naples Yellow, Nickel Azo Yellow, Green Gold, Skip’s Green, Peachy Keen, Or- chid, Sky Blue, Periwinkle, Cerulean Blue, Blue Stone, Indigo, Lamp Black OTHER COLORS YOU MAY LIKE: Opus – Da Vinci, Mint Julep, Sag Harbor Grey, Raw Sienna – AJ, Under Sea Green, Moon Glow & Lunar Blue - Daniel Smith and Transparent Pyrrole Orange - Qor .
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Opaque Colors
When glazing, it helps to know which colors are transparent and which are opaque. Whether a particular color is transparent or opaque has to do simply with its inherent chemical makeup. An opaque color will offer more coverage than a transparent one; that much is obvious. But it is important to remember that opacity and transparency have nothing to do with color saturation/intensity or color permanence. Both groups contain fugitive colors as well as powerful ones (red can fade quickly in UV light; blue used in even small quantities will turn the mixture strongly blue). This list is provided to help you determine which colors are best used for underpainting, which are best for glazing right out of the tube, and which may require the use of a glazing medium. Opaque Oil Colors Transparent Oil Colors Whites Whites lead white zinc white titanium white transparent white Yellows Yellows cadmium yellow (all tones) aureolin (cobalt yellow) Naples yellow Indian yellow yellow ochre transparent gold ochre jaune brilliant transparent oxide yellow nickel titanate yellow stil de grain jaune Reds and Oranges Reds and Oranges cadmium red (light and dark) alizarin crimson cadmium orange rose madder (light and dark) English red ultramarine red Mars red quinacridone red Venetian red quinacridone burnt orange terra rosa transparent red oxide vermillion naphthol scarlet anthraquinoid red perinone orange Greens Greens chromium green oxide viridian permanent green phthalo green cadmium green phthalo turquoise green gold terre verte Browns Browns burnt umber burnt sienna raw umber raw sienna Pozzuoli earth brown madder alizarin transparent brown stil de grain brun Blues Blues cerulean blue ultramarine blue cobalt blue phthalo blue manganese blue indanthrone blue indigo Violets Violets cadmium purple cobalt violet Mars violet manganese violet caput mortuum violet carbazole violet quinacridone violet rose dore’ dioxazine purple Blacks and Neutrals Blacks and Neutrals lamp black ivory black peach black Davy’s gray Mars black Paynes gray .
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Colorant Colored Cocoa Butter
COLORANTCOLORANTWORLDCLASSCOLORANTWORLDCLASSCOLORED COCOA BUTTER ARTISAN COLLECTION OFTEN IMITATED, NEVER DUPLICATED! HERITAGE CARNIVAL ORANGE 302040 GREEN 302001 302005 302010 302015 302020 302022 302025 302030 302035 302045 SPRING MEDITERRANEAN INDIGO GREEN 302060 302065 302070 302080 302085 BLUE BLUE 302048 302050 302055 302075 302090 302095 IRIS BLUE PURPLE HEART NOBLE PURPLE LAVENDER HARVEST PURPLE VINTAGE “OH MY” DUSTY ROSE VICTORIA CRIMSON RED CARDINAL VIOLET 302097 302098 302099 302100 PURPLE MAGENTA 302105 PURPLE 302110 RED 302096 302101 302104 302109 302115 RETRO RED MOULIN ROUGE PRINCESS PINK LA VIE EN ROSE PASSION PINK CHERRY BLOSSOM CHOCOLATE TUSCAN SAHARA TAN ECLIPSE BLACK BATTLESHIP 302116 RED 302125 PINK 302130 PINK BROWN BROWN 302150 302155 GREY 302120 302126 302135 302140 302145 302160 Chef Rubber’s colored cocoa butter is the O.G., the product that started it all. With 23 years of experience in producing a consistently MOJAVE PLAIN superior product, you can trust that this colored cocoa butter will meet BEIGE 302170 302165 your stringent standards, time and time again. ARTISAN COCOA BUTTER KITS 8ct ASSORTMENT 302900 STARTER KIT 302910 50g BOTTLES ALABASTER WHITE 200g BOTTLES AUREOLIN YELLOW CRIMSON RED GILDED YELLOW CARDINAL RED SUNRISE ORANGE SUNRISE ORANGE JADE GREEN GILDED YELLOW INDIGO BLUE AUREOLIN YELLOW PURPLE HEART JADE GREEN LA VIE EN ROSE PINK INDIGO BLUE CARDINAL RED ALABASTER WHITE CRIMSON RED CHOCOLATE BROWN ECLIPSE BLACK Have a color in mind you don’t see here? You can create your own at chefrubber.com SKU# 302999 COLORANTCOLORANTWORLDCLASSCOLORANTWORLDCLASSCOLORED COCOA BUTTER SPRAYING & PAINTING KITS STARTER COCOA BUTTER SPRAYING KIT 801197 MICRO SPRAY GUN SET ARTISAN COCOA BUTTER RUBBAIRE 1/3HP AIRBRUSH 12PC STARTER KIT COMPRESSOR CLEANER PLAIN COCOA BUTTER Launch your creative journey spraying Chef Rubber colored cocoa butter today.
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Artists Watercolour Chart.Pdf
Artists’ Watercolour Colours 634***(o)A 637 ***(o)B 651***(t)A 611 ***(o)C 629***(o)(st)C 664***(t)(st)B 601**(t)(st)C 612***(o)C Naples Yellow Nickel Titanate Lemon Yellow Cadmium Yellow Bismuth Yellow Permanent Yellow Aureolin Cadmium Yellow Yellow Pale 620***(o)(st)B 613***(o)C 618***(o)(st)B 640***(t)(st)A 643***(t)(st)A 615***(o)C 619***(o)(st)B 633***(t)(st)B Cadmium Yellow Cadmium Yellow Cadmium Yellow Gamboge (Hue) Indian Yellow Cadmium Orange Cadmium Orange Warm Orange (Hue) Deep Deep (Hue) (Hue) 535***(t)(st)B 506***(o)(st)C 526***(o)(st)B 588***(t)(st)C 501***(o)(st)C 503***(o)(st)B 528***(t)C 502***(o)C Permanent Red Cadmium Red Pale Cadmium Red Pale Vermilion (Hue) Cadmium Red Cadmium Red Quinacridone Red Cadmium Red (Hue) (Hue) Deep 504***(o)(st)B 529***(t)(st)C 515***(t)(st)A 525***(t)(st)B 509***(t)(st)B 537***(t)(st)A 414***(t)B 409***(t)(st)B Cadmium Red Perylene Red Alizarin Crimson Alizarin Crimson Carmine Permanent Rose Quinacridone Permanent Deep (Hue) (Hue) Magenta Magenta 417***(t)(g)C 419***(o)(g)A 413***(t)(st)B 107***(t)B 135**(t)(st)A 127***(t)(st)A 139***(t)(st)A 140***(t)(st)A Cobalt Magenta Ultramarine Violet Permanent Mauve Indanthrene Blue Prussian Blue Indigo Phthalo Blue (Red Phthalo Blue Shade) (Green Shade) 121***(t)(st)A 111****(o)(g)B 109****(o)(g)C 116****(o)(g)C 137***(o)(g)A 123***(o)(g)A 155****(o)(g)C 156****(o)(g)C Manganese Blue Coeruleum Cobalt Blue Cobalt Blue Deep Permanent Blue French Cobalt Turquoise Cobalt Turquoise (Hue) Ultramarine (Red Shade) (Green Shade) 157***(t)(st)A 325****(o)(g)C
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150 Problem Set 4.Pdf
CS103 Handout 15 Fall 2020 October 9, 2020 Problem Set 4 This fourth problem set explores set cardinality and graph theory. It serves as tour of the infinite (through set theory) and the finite (through graphs and their properties) and will give you a better sense for how discrete mathematical structures connect across these domains. Plus, you’ll get to see some pretty pictures and learn about why all this matters in the first place. Some of the questions on this problem set will assume you’ve read the online Guide to Cantor’s The- orem, which goes into more detail about the mechanics of the proof of Cantor’s theorem as well as some auxiliary definitions. Good luck, and have fun! Due Friday, October 16th at 12:00PM noon Pacific 2 / 6 Problem One: Cartesian Products and Set Cardinalities If A and B are sets, the Cartesian product of A and B, denoted A × B, is the set { (x, y) | x ∈ A ∧ y ∈ B }. Intuitively, A × B is the set of all ordered pairs you can make by taking one element from A and one ele- ment from B, in that order. For example, the set {1, 2} × {u, v, w} is { (1, u), (1, v), (1, w), (2, u), (2, v), (2, w) }. For the purposes of this problem, let’s have ★ and ☺ denote two arbitrary objects where ★ ≠ ☺. Over the course of this problem, we’re going to ask you to prove that |ℕ × {★, ☺}| = |ℕ|. i. Define a bijection f : ℕ × {★, ☺} → ℕ. The inputs to this function are elements of ℕ × {★, ☺}, so you can define your function by writing f(n, x) = ________________________ where n ∈ ℕ and x ∈ {★, ☺}.
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Watercolor Substitution Cheat Sheet * = Lindsay Recommended Color
Watercolor Substitution Cheat Sheet * = Lindsay Recommended color *Phthalo Blue (Strong cool-green leaning-blue) Prussian Blue (also look for that pigment) AKA Pthalo blue GS Cyan Blue or green shade. Cerulean Blue (if it looks dark: Mission Gold) Helio Cerulean **This colors is great for mixing green when Winsor Blue (Winsor & Newton) paired with a cool yellow. Intense Blue (Winsor & Newton/Cotman) Azure (Yarka/White Nights) Turquoise Indigo (deep cool blue grey) Indanthrone Blue Payne's Grey+Prussian Blue *Ultramarine Blue (warm, purple bias red) Colbalt Blue Pthalo blue Red Shade (not my fave substitute) **This color is good for mixing violet with a cool Poland Blue red or gray with burnt sienna. ***This color granulates for textured washes. Cerulean Blue (Less intense cool blue) Manganese Blue Phthalo blue + white Cinerous Blue (Sennelier) *Quinacridone Rose (Cool red with violet Alizarian Crimson undertones) Carmine **This color makes lovely purples and mauve Crimson lake with blues. Rose Madder (weaker than AZ) *Cadmium Red or Cadmium red light Vermilion (Warm red with orange undertones) Scarlet Napthol Red **This color makes beautiful oranges when mixed Bright Red/ Brilliant Red with warm yellows. Pyrrole Red Permanent Rose Magenta *Cadmium Yellow (warm yellow) Gamboge Cadmium yellow medium/Cadmium yellow deep Indian Yellow Permanent yellow deep **This color makes beautiful oranges when mixed with warm reds or peach with cool reds *Hansa Yellow Light (cool yellow) Lemon Yellow (cool yellow) Cadmium yellow light, pale or Cadmium
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Colour Chart.Indd
The Paints, Past and Present Details and Descriptions of Colours This section gives assessments for certain determinable characteristics of all the colours presently in my range, as well as a few informal remarks on their qualities and idiosynchrasies when used. Following the pattern already laid out on all my tube and can labels, and on my more recent colour charts, I give: (1) The Colour Index Number: This is an international system for classifying and identifying pigments solely by their (often very complex) chemical formulae( e.g P(igment) R(ed) 106, Mercuric Sulphide known as Genuine Vermilion). The use of vague traditional or invented colour names is thus clariﬁ ed, and so, in theory at least, is the vexed matter of what pigments manufacturers actually put into their paints. If a colourman is honest, each constituent pigment in a paint can be speciﬁ ed precisely, and the practice of secretly adulterating or even completely substituting cheaper alternatives is made impossible. Assuming, that is, the colourman is honest…I can certainly state that there are no secret additions to any of the paints in my range. What you read as the C.I number on the label is what you get. (2) Estimated Relative Drying Speed: Bearing in mind that all drying speeds will be affected by temperature, humidity and light levels, these give a broad calibration of comparative speeds, from the Very Fast, such as the Umbers, many of which, if used neat, will be touch dry within a hot summer day, to the Very Slow, which in unmixed state, might take up to a week.
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Air Force Blue (Raf) {\Color{Airforceblueraf}\#5D8aa8
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