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Watercolor Basics with Susan Donohoe
Watercolor Basics with Susan Donohoe BASICS SUPPLY LIST FOR - TECHNIQUES - Day 1 The lists are long, beginners should bring what they have. They SHOULD NOT go out and buy supplies just to have them. I will bring supplies that they can use to fill in the blanks. Better for them to learn in the workshop what is best for them to buy instead of wasting their money. Personal Needs for each day: Please bring any of these items that you will require. A cushion for your chair, the day can get long for your backside. Your lunch each day. There is a microwave and a small refrigerator for your use. Keep it simple. Hydration-bring plenty of liquid to stay hydrated. A sweater or work shirt to stay comfortable as the room temperature may fluctuate throughout the day. Brushes: Preferred brands: Escoda, Holbein, Cheap Joe’s, Loew-Cornell, Da Vinci, Halcyon One of each if you have them: Round: #6, #10, #14, #18+ (the biggest round brush you own - no need to buy one.) Flat: 1/2”, 1”, 2”, Hake (if you have one) Scrubber brushes: assorted sizes. (These brushes can be purchased at Michael’s or JoAnn’s. They are stiff brushes similar to oil painting brushes. They are sometimes called fabric brushes.) Paper: Arches #140 - Cold Press - 1 full sheet. If you know how and wish to do so prior to class, you can tear the full sheet into 4 equal 1/4 sheet pieces. Paint: Artist Grade Paint only!!!! Preferred Brands: Holbein, Daniel Smith, Mission, Aquarelle Sennelier, M. -
Ochre Art Supplies 101 White 134 Crimson 169 Caput Mortuum 223 Deep Red 102 Cream 135 Red Violet 170 May Gree
Ochre Art Supplies www.fluffymilk.com 101 White 134 Crimson 169 Caput Mortuum 223 Deep Red 102 Cream 135 Red Violet 170 May Green 225 Dark Red 103 Ivory 136 Purple Violet 171 Light Green 226 Alizarin Crimson 104 Light Yellow Glaze 137 Blue Violet 172 Earth Green 230 Cold Grey 105 Light Cad Yellow 138 Violet 173 Olive Green Yellowish 231 Cold Grey 106 Light Chrome Yellow 140 Light Ultramarine 174 Chrome Green Opaque 232 Cold Grey 107 Cad Yellow 141 Delft Blue 175 Dark Sepia 233 Cold Grey 1V 108 Dark Cad Yellow 142 Madder 176 VanDyck Brown 234 Cold Grey V 109 Dark Chrome Yellow 143 Cobalt Blue 177 Walnut Brown 235 Cold Grey V 110 Phthalo Blue 144 Cobalt Blue Greenish 178 Nougat 246 Prussian Blue 111 Cadmium Orange 145 Light Phthalo Blue 179 Bistre 247 Indanthrene Blue 112 Leaf Green 146 Sky Blue 180 Raw Umber 249 Mauve 113 Orange Glaze 149 Bluish Turquoise 181 Paynes Grey 250 Gold 115 Dark Cad Orange 151 Helio Blue-Reddish 182 Brown Ochre 251 Silver 117 Light Cad Red 152 Mid Phthalo Blue 183 Light Yellow Ochre 252 Copper 118 Scarlet Red 153 Cobalt Turquoise 184 Dark Naples Ochre 263 Caput Mortuum Violet 119 Light Magenta 154 Light Cobalt Turquoise 185 Naples Yellow 264 Dark Phthalo Green 120 Ultramarine 155 Helio Turquoise 186 Terracotta 266 Perm Green 121 Pale Geranium Lake 156 Cobalt Green 187 Burnt Ochre 267 Pine Green 123 Fuchsia 157 Dark Indigo 188 Sanguine 268 Green Gold 124 Rose Carmine 158 Deep Cobalt Green 189 Cinnamon 270 Warm Grey 125 Mid Purple Pink 159 Hookers Green 190 Venetian Red 271 Warm Grey 126 Perm Carmine 160 Manganese -
Art Spectrum® Dry Ground Pigments
Art Spectrum® Dry Ground Pigments Art Spectrum® has been collaborating with artists for over 50 We are continuously exploring new and exciting pigment colours to years to make professional artists’ colour with high performance enhance the artist’s modern palette. pigments discovered and developed through the ages. Art Spectrum® Dry Ground Pigments can be used in the Our selection of the highest grade modern and traditional preparation of your own hand-made formulated colours as the pigments are sourced from the world’s finest pigment houses. artist colourmen have done for centuries. All colours are ASTM rated, pure lightfast single pigments and are Art Spectrum® Dry Ground Pigment label’s comply with current included in the formulation to create our Professional Quality Artists’ Australian standards and legislation. Oil Colours, Watercolours, Gouache, Pastels and Primer ranges. NICKEL TITANATE YELLOW CADMIUM YELLOW LIGHT ARYLIDE LEMON S2 ASTM I PY53 S4 ASTM I PY35 S3 ASTM II PY3 DGP10 DGP20 DGP30 AUREOLIN ARYLIDE YELLOW CADMIUM YELLOW S4 ASTM II PY40 S3 ASTM I PY74 S4 ASTM I PY35 DGP510 DGP40 DGP50 DIARYLIDE YELLOW CADMIUM YELLOW DEEP CADMIUM ORANGE S2 ASTM I PY83 S4 ASTM I PY35 S4 ASTM I PO20 DGP60 DGP70 DGP80 Lightfastness: Transparent Colour American Society for Testing and Materials (ASTM), conforming to standard D4302-90. Semi-Transparent Colour ASTM I: Excellent Lightfastness Opaque Colour ASTM II: Very Good Lightfastness ASTM III: Good Lightfastness WARNING! Do not spray apply cadmium colours. If swallowed seek medical advice. Keep -
Siderotype Paper Survey
Siderotype Paper Survey November 2018 v1.0 Cyanotype, Vandyke Brownprint, Ziatype Prepared by Eric Anderson www.specialeditionartproject.com www.specialeditionartproject.com !1 Table of Contents" 1. Paper Introductions 4 2. Revere, Cartiere Magnani 6 Processes – Vandyke Brownprint 6 Vandyke Brownprint 7 3. Fluid HP Watercolor, Global Art Materials 9 Processes – Cyanotype, Vandyke Brownprint 9 Cyanotype 11 Vandyke Brownprint 15 4. Rising Stonehenge, Legion Paper 18 Processes – Vandyke Brownprint 18 Vandyke Brownprint 19 5. Arches Platine, Canson 21 Processes – Cyanotype, Vandyke Brownprint 21 Cyanotype 22 Vandyke Brownprint 25 6. Lana Aquarelle, Lana Paper Mill 28 Processes – Cyanotype, Vandyke Brownprint 28 Cyanotype 29 Vandyke Brownprint 32 7. Arches Aquarelle, Canson 35 Processes – Vandyke Brownprint 35 Vandyke Brownprint 36 8. COT 320, Bergger 39 Processes – Cyanotype, Vandyke Brownprint, Ziatype 39 Cyanotype 40 Vandyke Brownprint 43 Ziatype 46 9. Hahnemühle Platinum Rag, Hahnemühle 48 Processes – Cyanotype, Vandyke Brownprint, Ziatype 48 Cyanotype 49 Vandyke Brownprint 52 Ziatype 55 10. Canson 100 RGH/CP, Canson 58 www.specialeditionartproject.com !2 Processes – Vandyke Brownprint 58 Vandyke Brownprint 59 11. Canson Montval, Canson 63 12. Fabriano Aquarelle, Fabriano 63 Appendix A: Survey Collection by Process 64 Appendix B: Exposure Response Correction Curves 67 Appendix C: A Word About Negatives 68 Appendix D: OHP Material for Negatives 71 www.specialeditionartproject.com !3 1. Paper Introductions This paper survey is an e#ort to -
Writes of Spring
On 20 March 2019 we asked people across the UK to capture the arrival of the first official day of spring and help create a crowd-sourced nature diary. More than 400 people did just that from across the four corners of the UK – celebrating this season of colour and the natural world coming to life. The following pages are a selection of the entries curated by the writer Abi Andrews. Introduction n 2018, my spring was spent in a caravan, in a glade in view of Carningli mountain, Itopped by a rocky grey outcrop with purple heathers, confettied below with vivid yellow gorse. The caravan sat within the Pembrokeshire Coast National Park, in an area that saw an influx of ‘back-to-the-landers’ during the seventies. In it you will find covert, sympathetically built dwellings and cooperative human communities in repurposed farmhouses, lying between woods of bent, blackened oaks, their flamboyant colonies of lichens, and boulders covered with soft and ecstatic mosses. On the moors are strange, stunted Welsh horses, their silhouettes hunched like the simplified animals of Neolithic rock art. Clear spring water gurgles up and silvers everything, running brown through the taps after a heavy rain. At night, owls call to each other. In spring 2019, I was the most attentive to the living world that I have ever been, for the transition of a season. I grew up in suburbia, and moved soon after to a city. Living closer to the land has offered me an anchoring, in noticing the seasons more: the fatigue that comes with winter darkness, the processing of firewood for next year, the harvesting of food — being reminded all the time of the future by preparing for it. -
Brochure Colour Chart New Masters Classic Acrylics
New Master Classic Acryllic Colours NEW MASTERS C L S A I C S S L I C A C R Y Pigment Identification A601 TITANIUM WHITE PW6 B682 INDIGO EXTRA PB15:2 - PR177 - PBL7 B826 IRIDESCENT SILVER MICA - PBL7 - PW6 NEW MASTERS A602 ZINC WHITE PW4 B683 CYAN BLUE PW4 - PB15:2 - PB29 B827 IRIDESCENT PEWTER MICA - PBL7 - PB15:2 - PW6 C A603 TITANIUM WHITE EXTRA OPAQUE PW6 A684 OLD HOLLAND BLUE LIGHT PW6 - PB15:2 B828 IRIDESCENT BRIGHT GOLD MICA - PW6 L S A604 MIXED WHITE PW6-PW4 C685 MANGANESE BLUE EXTRA PB15 - PB35 - PG50 B829 IRIDESCENT ROYAL GOLD MICA - PW6 A C A605 OLD HOLLAND YELLOW LIGHT PW6-PY184 E686 CERULEAN BLUE PB35 B830 IRIDESCENT BRONZE MICA - PW6 S L I A606 TITANIUM BUFF LIGHT PW6-PY42 A687 OLD HOLLAND BLUE MEDIUM PW6 - PB29 - PB15:2 B831 IRIDESCENT LIGHT COPPER MICA - PW6 S Y A607 TITANIUM BUFF DEEP PW6-PY42-PBR7 B688 OLD HOLLAND BLUE-GREY PW6 - PB29 - PBL7 B832 IRIDESCENT DEEP COPPER MICA - PW6 I C C R B608 OLD HOLLAND YELLOW MEDIUM PW6-PY184 F689 CERULEAN BLUE DEEP PB36 A B609 OLD HOLLAND YELLOW DEEP PW6-PY43 B690 PHTHALO BLUE TURQUOISE PB15:6 - PG7 ‘EXTRA’ means: Traditional colour made from lightfast pigment B610 BRILLIANT YELLOW LIGHT PW6-PY53 C691 PHTHALO BLUE GREEN SHADE PB16 B611 BRILLIANT YELLOW PW6-PY53 D692 COBALT BLUE TURQUOISE PB36 Chemical Composition B612 BRILLIANT YELLOW REDDISH PW6-PY53-PR188 E693 COBALT BLUE TURQUOISE LIGHT PG50 B613 NAPLES YELLOW REDDISH EXTRA PW6-PO73-PY53 B694 PHTHALO GREEN TURQUOISE PG7 - PB15:2 PW 4 ZINC OXIDE B614 FLESH TINT PW6-PR122-PR101 B695 PHTHALO GREEN BLUE SHADE PG7 PW 6 TITANIUM DIOXIDE -
January 2020
SHERRILL FABRIC CATALOG January 2020 Fabric List Fabric Catalog January 2020 GENERAL INFORMATION (1) RAFT: It has been determined by the Joint Industry Fabric Standards Committee that various fabric treatment processes are detrimental to the performance of fabrics. Therefore, neither Sherrill Furniture Company nor the fabric mill can be responsible for any claims made involving fabrics that have Retail Applied Fabric Treatment. (2) The manufacturers of upholstered fabrics do not guarantee their products for wearability or colorfastness; whether "Teflon" treated or not; therefore, we cannot assume this responsibility. We also cannot guarantee match in color items ordered at separate times because of dye lot variations. (3) We do not in any way guarantee that Teflon finish will definitely improve cleaning quality of fabrics. (4) We buy the best quality covers available in each grade, consistent with the present day styles, and cannot guarantee fabric for cleanability, fastness of color, or wearing quality. (5) A number or letter opposite the colors in the different patterns indicate the color set in which you may locate the pattern. Example: P-PRINTS 4-BEIGE/WHITE 7-MELON/RED 2-GREEN 5-GOLD/YELLOW 8-BLUE/BLACK 3-TOAST/CAMEL 6-TURQUOISE Also, italicized numbers following the color set (example: Multi 7 - 17963) indicate the fabric's SKU number. (6) Special features of each (content, repeats, etc.) are listed directly under the pattern colors. (7) All current fabrics are 54 inches wide unless otherwise noted. (8) When "Railroaded" is noted on the list, this denotes that the fabric is shown railroaded in swatches and on furniture. -
MODERN WATERCOLOR III Fair FR Fair G Granulating J Semi-Opaque NA Not Yet Tested H Opaque
ASTM LF GOLDEN LF STAIN OPACITY I Excellent EX Excellent Semi-Staining k Semi-Transparent II Very Good GD Good Staining i Transparent MODERN WATERCOLOR III Fair FR Fair G Granulating j Semi-Opaque NA Not Yet Tested h Opaque Item # Series Color Color Index Name Pigment Name ASTM Opacity Granulating Staining 1-4 Light-fastness 7000525 1 Ardoise Gray PBk19 Hydrated Aluminum Silicate I i G 7000135 1 Aureolin Modern PW6, PY150 Titanium Dioxide Rutile, Nickel Complex Azo I j 7000126 4 Benzimidazolone Yellow PY154 Benzimidazolone Yellow H3G I k 7000115 3 Bismuth Vanadate Yellow PY184 Bismuth Vanadate EX k 7000415 2 Bohemian Green Earth PBk7, PG7, PR101, PY42 Nearly Pure Amorphous Carbon, Chlorinated Copper I k G Phthalocyanine, Synthetic Iron Oxide, Synthetic Iron Oxide 7000470 1 Burnt Sienna (Natural) Pbr7 Calcined Natural Iron Oxide I j G 7000480 1 Burnt Umber (Natural) Pbr7 Calcined Natural Iron Oxide containing Manganese I j G 7000180 4 Cadmium Orange PO20 Cadmium (Sulfo-Selenide) - (CC) I j 7000220 4 Cadmium Red Deep PR108 Cadmium (Sulfo-Selenide) - (CC) I j G 7000195 4 Cadmium Red Light PR108 Cadmium (Sulfo-Selenide) - (CC) I j G 7000215 4 Cadmium Red Medium PR108 Cadmium (Sulfo-Selenide) - (CC) I j 7000170 4 Cadmium Yellow Deep PY35 Cadmium Zinc Sulfide - (CC) I k 7000120 4 Cadmium Yellow Light PY35 Cadmium Zinc Sulfide - (CC) I k 7000130 4 Cadmium Yellow Medium PY35 Cadmium Zinc Sulfide - (CC) I k 7000105 4 Cadmium Yellow Primrose PY35 Cadmium Zinc Sulfide - (CC) I k 7000500 1 Carbon Black PBk7 Nearly Pure Amorphous Carbon I h 7000330 -
ICI Paint Reference
LOTUS Pinchin, Johnson ICI Paint Nexa PPG Glasuri DESCRIPTION DATES NOTE COLOUR Paint Reference Reference Autocolor Code t Code CODE (Lotus part (Lotus part Code NUMBER number below) number below) None NK ICI P0303192 3192 PPG NK Medici Blue ? An original S1 option, but had no Lotus code. Was a Standard CBG308 concept Triumph colour, ref 378TR. Ditzler 12163 PPG: Powder Blue formula 12163; Martin Senour: Powder Blue 25105; ICI: Powder Blue per pint: 8013. From workshop manual for the Lotus Elan 1600 (ie S1). DMC900 - Page A5 Body equipment Carpeting-Rubber press stud fixing 446.8 to floor. Trim-washable PVC. Colours interior trim-Atlas Grey DMC904 - and Light Tan, seats available in Black,Tan and Grey Body 83.5 colours Fiesta Yellow, Carmen Red, Medici Blue, Cirrus White DMC937 - and British Racing Green Ashtrays Indoor trim, both sides 40.9 DMC901 - None NK ICI P0303097 3097 NK NK Carmen Red ? An original S1 option, but had no Lotus code. Was a Jaguar GR227 colour None NK ICI P0303484 YL11 NK NK Fiesta Yellow ? An original S1 option, but had no Lotus code. Was an Austin colour None NK NK NK NK NK Ford Sunburst Yellow ? An original S1 option, but had no Lotus code. Also an Elite colour. Elite Colours were: Jan 62: Sunburst Yellow, Tartan Red, Cirrus White, SE Models had silver roof section. Earlier: Cobalt Blue, Lime Green, BRG, Deep Yellow, Silver None NK NK NK NK NK Spruce Green Early 70-Jan 73 A BMC colour (GN-13BMC), offered on some Federal Elans, per sales sheet records. -
French Artists' Watercolor 98 Shades Available in ½ Pots Pans , Full Pans and 10 and 21 Ml Tubes
French Artists' Watercolor 98 shades available in ½ pots pans , full pans and 10 and 21 ml tubes Titanium White Chinese White Nickel Yellow Lemon Yellow Aureoline Cadmium Lemon Yellow Primary Yellow Cad. Yellow Light Sennelier Yellow Light Indian Yellow Yellow Lake Naples Yellow Yellow Sophie Naples Yellow Deep 116 112 576 501 559 535 574 529 578 517 561 567 587 566 serie 1 I serie 1 I serie 4 I serie 1 II serie 4 II serie 4 I serie 1 n.r. serie 4 I serie 1 I serie 1 II serie 1 I serie 1 I serie 1 n.r. serie 1 I PW6 PW4 PY53 PY3 PY40 PY35 PY74 PY35 PY153 PY154, PY153 PY150 PY35, PW6, PW4 PY93 PBr24 *** *** *** *** *** *** *** *** *** *** *** *** *** *** Cad. Yellow Deep Sennelier Yellow Deep Cad. Yellow Orange Red Orange Sennelier Orange Chinese Orange French Vermilion Scarlet Laquer Rose Dore Madder Lake Bright Red Cadmium Red Light Sennelier Red Perylen Brown Cadmium Red Purple 533 579 537 640 641 645 675 612 691 619 605 636 499 611 serie 4 I serie 1 I serie 4 II serie 3 I serie 2 n.r. serie 3 I serie 2 I serie 2 II serie 2 I serie 2 n.r. serie 4 I serie 2 n.r. serie 3 II serie 4 I PY35 PY83, PY153 PY35, PO20 PO43, PY83 PO73 PY150, PR209, PBr23 PR242 PR188 PR255 nr PR108 PR254 PR209, PY83, PR179 PR108 *** *** *** *** *** *** *** *** *** *** *** *** *** *** Aliz Crimson Lake Venetian Red Alizarin Crimson Carmine Crimson Lake Quinacridone Red Rose Madder Lake Opera Rose Cobalt Violet Light Hue Perm. -
Colorweld® 500 Architectural Finishes the Performance You Demand
Colorweld® 500 Architectural Finishes The Performance You Demand Reynobond® aluminum composite material (ACM) and Reynolux® metal wall panels and flat sheet are protected and colored with enhanced, high-performance Colorweld® 500 and Colorweld 500XL coatings—allowing for color matching between products. These paint finishes feature 70% Kynar 500® / Hylar 5000® polyvinylidene fluoride (PVDF) resins with Fluoropolymer technology, coil coated to ensure the highest color uniformity and quality. They provide excellent flexibility and film adhesion for forming and offer superior resistance to humidity, impact, salt spray, pollution and abrasion. With a 30-year finish warranty, Colorweld 500 coatings exhibit outstanding color and gloss retention and improved hardness and durability, and they are considered the premier architectural coatings for metal. Buildings stay cleaner with our EcoClean™ coating. Our innovative EcoClean coating—specially formulated for our Reynobond ACM—keeps buildings cleaner. Thanks to an advanced titanium dioxide coating, Reynobond ACM with EcoClean coating reacts with nitrous oxides, a primary component of smog, breaking it down into harmless nitrates. This advanced coating is moisture-activated, only requiring a light rain or morning dew to wash off grime, keeping your building cleaner and helping to remove pollutants from the air. It’s an industry first and can be used in conjunction with many of our high-performing Colorweld 500 architectural coatings. For more information, visit ecoclean.com. Colorweld® 500 SERIES ONE Standard Finishes All Reynobond® panel colors are stocked in 62"-wide coil. Ask about 50"-wide coil availability. Call for availability of matching Reynolux® panel colors in 0.040" x 48" widths. Other gauges and widths available upon request with minimum quantities and charges. -
Color Chart Colorchart
Color Chart AMERICANA ACRYLICS Snow (Titanium) White White Wash Cool White Warm White Light Buttermilk Buttermilk Oyster Beige Antique White Desert Sand Bleached Sand Eggshell Pink Chiffon Baby Blush Cotton Candy Electric Pink Poodleskirt Pink Baby Pink Petal Pink Bubblegum Pink Carousel Pink Royal Fuchsia Wild Berry Peony Pink Boysenberry Pink Dragon Fruit Joyful Pink Razzle Berry Berry Cobbler French Mauve Vintage Pink Terra Coral Blush Pink Coral Scarlet Watermelon Slice Cadmium Red Red Alert Cinnamon Drop True Red Calico Red Cherry Red Tuscan Red Berry Red Santa Red Brilliant Red Primary Red Country Red Tomato Red Naphthol Red Oxblood Burgundy Wine Heritage Brick Alizarin Crimson Deep Burgundy Napa Red Rookwood Red Antique Maroon Mulberry Cranberry Wine Natural Buff Sugared Peach White Peach Warm Beige Coral Cloud Cactus Flower Melon Coral Blush Bright Salmon Peaches 'n Cream Coral Shell Tangerine Bright Orange Jack-O'-Lantern Orange Spiced Pumpkin Tangelo Orange Orange Flame Canyon Orange Warm Sunset Cadmium Orange Dried Clay Persimmon Burnt Orange Georgia Clay Banana Cream Sand Pineapple Sunny Day Lemon Yellow Summer Squash Bright Yellow Cadmium Yellow Yellow Light Golden Yellow Primary Yellow Saffron Yellow Moon Yellow Marigold Golden Straw Yellow Ochre Camel True Ochre Antique Gold Antique Gold Deep Citron Green Margarita Chartreuse Yellow Olive Green Yellow Green Matcha Green Wasabi Green Celery Shoot Antique Green Light Sage Light Lime Pistachio Mint Irish Moss Sweet Mint Sage Mint Mint Julep Green Jadeite Glass Green Tree Jade