COOLWALL® Colors
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French Guiana, and Stamps International, Krakow
1 provisional overprints as old stocks were used up for different purposes from the FRENCH FRENCH ones originally intended. GUIANA GUIANA In 1946 Guyane and Inini were combined together as an Overseas Department of The French first established their presence FISCAL France. Some revenues of France continued in 1763. A Penal Colony was set up in 1854 to be overprinted GUYANE for use there, at St Laurent in the Province of Maroni. (GENERAL and several unoverprinted values of French Another penal camp on Devils Island off sets were only released in Guyane. the coast (which became nororious during DUTY) the Dreyfus Affair) gave the colony a bad Recently a satellite launching base was reputation. established in Guyane and economic activity has increased. The administrative centre was at Cayenne, and settlements for logging and for farming Thanks to the following collectors for tropical produce such as coffee, sugar, information and scans : cocoa, manioc and (most important of all) Andrew McClellan, sugar cane spread along the coast. Initially, Before 1934, regular "Fiscal" issues of Tony Hall, revenues of France were used when required France were used in French Guiana, and Stamps International, Krakow. on documents, and may be recognised only can only be distinguished by the cancel. _______________________________________ by the cancellation. 1934. Timbre Fiscal stamps of France of 1925, Type Daussy, ovpt GUYANE. Typo. No wmk. Perf 13½. 1. 1c red-brown, brown & blue ........... 2.50 A cancel "GF" in a roller of dots was used 2. 2c red-brown, brown & blue ........... 2.50 in Guiana. 3. 3c red-brown, brown & blue .......... -
January 2020
SHERRILL FABRIC CATALOG January 2020 Fabric List Fabric Catalog January 2020 GENERAL INFORMATION (1) RAFT: It has been determined by the Joint Industry Fabric Standards Committee that various fabric treatment processes are detrimental to the performance of fabrics. Therefore, neither Sherrill Furniture Company nor the fabric mill can be responsible for any claims made involving fabrics that have Retail Applied Fabric Treatment. (2) The manufacturers of upholstered fabrics do not guarantee their products for wearability or colorfastness; whether "Teflon" treated or not; therefore, we cannot assume this responsibility. We also cannot guarantee match in color items ordered at separate times because of dye lot variations. (3) We do not in any way guarantee that Teflon finish will definitely improve cleaning quality of fabrics. (4) We buy the best quality covers available in each grade, consistent with the present day styles, and cannot guarantee fabric for cleanability, fastness of color, or wearing quality. (5) A number or letter opposite the colors in the different patterns indicate the color set in which you may locate the pattern. Example: P-PRINTS 4-BEIGE/WHITE 7-MELON/RED 2-GREEN 5-GOLD/YELLOW 8-BLUE/BLACK 3-TOAST/CAMEL 6-TURQUOISE Also, italicized numbers following the color set (example: Multi 7 - 17963) indicate the fabric's SKU number. (6) Special features of each (content, repeats, etc.) are listed directly under the pattern colors. (7) All current fabrics are 54 inches wide unless otherwise noted. (8) When "Railroaded" is noted on the list, this denotes that the fabric is shown railroaded in swatches and on furniture. -
Fungal Systematics and Evolution PAGES 97–170
VOLUME 4 DECEMBER 2019 Fungal Systematics and Evolution PAGES 97–170 doi.org/10.3114/fuse.2019.04.08 A revision of the genus Psathyrella, with a focus on subsection Spadiceogriseae P. Voto1, F. Dovana2, M. Garbelotto3 1Via Garibaldi 173 45010 Villadose, Italy 2Department of Life Sciences and Systems Biology, University of Torino, Viale P.A. Mattioli 25, I-10125, Torino, Italy 3Department of Environmental Science, Policy, and Management; University of California, Berkeley, CA 94720 *Corresponding author: [email protected] Key words: Abstract: Specimens belonging to taxa traditionally assigned to the subsection Spadiceogriseae of the Genus key Psathyrella were analyzed both morphologically and molecularly. Samples included mainly European collections, molecular phylogenetics selected GenBank accessions, and specimens of various North American taxa described by Smith (1972) and new taxa deposited at the Herbarium of the University of Michigan (MICH). Three additional taxa from Africa and Central systematics America were also included. Bayesian and Maximum Likelihood analyses of two loci (ITS and Tef-1α) independently taxonomy and together supported the monophyletic nature of the subsectionSpadiceogriseae , and identified nine statistically supported clades within the subsection. North American and European species often fell within the same clade, suggesting a relatively recent origin of the subsection or human induced intercontinental movement. While this study determines for the first time that the presence of a white veil is diagnostic for the entire subsection, very few morphological traits were associated with individual clades, but clades were often distinctively different in terms of habitat association, suggesting that trophic interactions may have driven the evolution of this group of fungi. -
Color Chart Colorchart
Color Chart AMERICANA ACRYLICS Snow (Titanium) White White Wash Cool White Warm White Light Buttermilk Buttermilk Oyster Beige Antique White Desert Sand Bleached Sand Eggshell Pink Chiffon Baby Blush Cotton Candy Electric Pink Poodleskirt Pink Baby Pink Petal Pink Bubblegum Pink Carousel Pink Royal Fuchsia Wild Berry Peony Pink Boysenberry Pink Dragon Fruit Joyful Pink Razzle Berry Berry Cobbler French Mauve Vintage Pink Terra Coral Blush Pink Coral Scarlet Watermelon Slice Cadmium Red Red Alert Cinnamon Drop True Red Calico Red Cherry Red Tuscan Red Berry Red Santa Red Brilliant Red Primary Red Country Red Tomato Red Naphthol Red Oxblood Burgundy Wine Heritage Brick Alizarin Crimson Deep Burgundy Napa Red Rookwood Red Antique Maroon Mulberry Cranberry Wine Natural Buff Sugared Peach White Peach Warm Beige Coral Cloud Cactus Flower Melon Coral Blush Bright Salmon Peaches 'n Cream Coral Shell Tangerine Bright Orange Jack-O'-Lantern Orange Spiced Pumpkin Tangelo Orange Orange Flame Canyon Orange Warm Sunset Cadmium Orange Dried Clay Persimmon Burnt Orange Georgia Clay Banana Cream Sand Pineapple Sunny Day Lemon Yellow Summer Squash Bright Yellow Cadmium Yellow Yellow Light Golden Yellow Primary Yellow Saffron Yellow Moon Yellow Marigold Golden Straw Yellow Ochre Camel True Ochre Antique Gold Antique Gold Deep Citron Green Margarita Chartreuse Yellow Olive Green Yellow Green Matcha Green Wasabi Green Celery Shoot Antique Green Light Sage Light Lime Pistachio Mint Irish Moss Sweet Mint Sage Mint Mint Julep Green Jadeite Glass Green Tree Jade -
70 SOLID COLORS for All Rubber Tile and Tread Profiles (Excluding Smooth and Hammered R24); Rubber and Vinyl Wall Base; and Rubber Accessories)
70 SOLID COLORS For all rubber tile and tread profiles (excluding Smooth and Hammered R24); rubber and vinyl wall base; and rubber accessories) Q 100 177 Q 150 Q 193 Q 123 Q 114 Q 129 Q 178 black steel blue dark gray black brown charcoal lunar dust dolphin pewter Q 194 148 Q 175 Q 174 197 Q 110 burnt umber steel gray slate smoke iceberg brown Q 147 Q 182 Q 623 Q 624 Q 140 Q 191 Q 125 171 light brown toffee nutmeg chameleon fawn camel fig sandstone Q 130 Q 198 Q 632 Q 184 Q 170 Q 131 127 Q 631 buckskin ivory flax almond white bisque harvest yellow sahara Q 639 640 Q 122 Q 195 663 648 647 646 beigewood creekbed natural light gray aged fern pear green spring dill gecko 160 649 169 662 118 187 139 627 forest green sweet basil hunter green envy peacock blue deep navy mariner 618 665 664 656 654 638 637 655 aubergine horizon blue jay bluebell lagoon cadet night mist peaceful blue 657 658 621 659 186 137 188 617 sorbet berry ice merlin grape red cinnabar brick terracotta 660 661 643 644 642 645 Q 641 Q 161 citrus marmalade mimosa sunbeam jonquil blonde moonrise snow MARBLEIZED COLORS For all rubber tile and tread profiles (excluding Hammered R24). M100 M177 M150 M193 M123 M114 M129 M178 black steel blue dark gray black brown charcoal lunar dust dolphin pewter M194 M148 M175 M174 M197 M110 burnt umber steel gray slate smoke iceberg brown M147 M182 M623 M624 M140 M191 M125 M171 light brown toffee nutmeg chameleon fawn camel fig sandstone M130 M198 M632 M184 M170 M131 M127 M631 buckskin ivory flax almond white bisque harvest yellow sahara M639 M640 -
In the Land of Forgotten Colors on the Trail of Cranach, Dürer and Stradivari: Chemist Georg Kremer Studies and Reproduces the Paints Used by the Old Masters
PRINTING INKS AND COLORS In the land of forgotten colors On the trail of Cranach, Dürer and Stradivari: chemist Georg Kremer studies and reproduces the paints used by the old masters. 34 print process 22/03 TEXT: HELGE BENDL, PHOTOS: KURT HENSELER magician’s wares: dragon’s blood, their brushes in pigments; artists, archi- While Kremer’s wife stokes up the dried cuttlefish ink, red fermented tects and even violin-makers today prefer ceramic woodstove in the living room (lab A rice, charred ivory, curcuma pow- these rediscovered natural materials to workers later process the soot from the der, gallnuts, buckthorn bark and walnut mass-produced industrial paints. beechwood fire into bistre, an historical shells, plus bismuth, ink stone, Russian In the mid-Eighties, Kremer purchased pigment previously used to copy bibles), jade, Spanish ocher, rock crystal and dried the old mill at the southwestern tip of Georg Kremer describes his never-end- cochineal insects, as well as an extract from Bavaria. Today, the company and its mul- ing search for historical formulations, for a purple dye murex that costs 2,000 euros ti-million sales support not only Kremer’s natural substances old and new: “Just as a gram. The most valuable substances are family, but also some thirty employees. words have gone out of use in the course of more precious than gold. An alchemist in Although shops have been opened in time, pigments have also been forgotten. the heart of Bavaria, inhabiting an historic Munich, Stuttgart and New York, Kremer Lukas Cranach even had his own apothe- mill in the village of Aichstetten? continues to coordinate his worldwide cary and sold a variety of substances, mix- Georg Kremer laughs at the idea. -
Campus Approved Paint Colors
Texas A&M University-Corpus Christi Interior Color Schemes The following color schemes have been developed and adopted by TAMU-CC and are to be implemented, when applicable, during construction, renovations or repainting any space on campus. Please Note: 1. For a more accurate representation of paint color, please contact Planning & Construction. Colors may vary on indi- vidual computer screens. 2. Faculty and Staff may choose from the approved pallet; one field color for three walls, and one accent color for one wall in private offices and office suites. 3. The Dining Hall and University Center are not included in this binder. Once construction and renovations are complete, they will be added. 4. Classroom East, Classroom West, University Police Department Substation and Recreational Sports Buildings are not included. 5. All pallets shown are based on Glidden Professional Paints. 6. Given that each building cannot be completely repainted at once, the new pallets are based on existing colors for the most part, and show proposed accents and/or a more unified field color. In several cases, existing paint colors have been removed from the new pallet and simplified to one-two neutrals with optional accents. 7. All FMR’s and work orders for painting will follow these pallets only. If a new color is proposed at that time, it will be presented to the Space Committee Chair for approval prior to commencement of work, and then updated in each binder. Revised 04.09.14 Student Services Center SSC, Building 0103 Interior Color Schemes Lobby 1E. Field: White Lagoon #A1039 2E. Accent 1/Various Doors and Frames: Blue Crab #A1421 3E. -
Postage Stamp Collectors Curios, Coins and Kindred Sciences
5 fgs A D V A N C E COPY m Vol. I.. No. I The September, 1908 Canadian. Collector ■ Wt .'1 m m m DEVOTED TO THE INTERESTS OF Postage Stamp Collectors ■ Curios, Coins 1 $ and Kindred Sciences. & m f t S M I f : m TO SUBSCRIBERS As a Special Offer to new subscribers we offer for this month : 25 Canadian, including old jubilees, old map stamps, old 8c. K ing’s Head, 5c. and 7c., etc., and 5 Quebec Tercen tenary stamps, including #c. and 5c. values - $0 So1 ALL Packet of 50 differeut stam ps - - - - - 75 FOR 20 word exchange advt. ------- 20 Subscription to The Canadiaq Collector for one year - - 50 50c. $2.25 Canadian and American subscribers please send cash or money orders. Eng lish, Colonial, and all others send International Money Orders, or unused English or Canadian low value stamps, no others accepted. TO ADVERTISERS SPECIAL .—-ALL our pages are 8 1 /2 x 1112 inches, which is nearly twice as large as other collectors’ papers, considering this our rates are very reasonable. There will be 3000 extra copies of the October issue sent out, that is, 3000 copiesi besides the number we send out every month. This means that it will reach thousands of collectors* in every country where the English lan guage is spoken. Every advertiser knows that the next six months are THE months for advertising, and you will find our rates exceptionally reasonable consider ing our circulation, etc. The October issue will contain at least twenty-four pages of interesting matter. -
Precancels/Canada
PRECANCELS/ CANADA WHOLE NUMBER 1 • SPRING, 2000 GEOFF WALBURN 1902-1999 PRECANCELLED Henry Geoffrey Walburn was born in Bramhall, Cheshire, ADMIRAL England on September 21, 1902. He died in Kelowna, SHADES British Columbia on by Hans Reiche September 4, 1999, at age 96. Geoff was predeceased by The question that was raised his wife Bernice (nee by A. Ellwood about the lack Delaney) in 1995. of data of the Admiral shades that were precancelled During Geoff's lifetime, he originated from this writer. sold real estate, worked on Admirals are full of shades and farms, owned and operated partially listed in the Unitrade a large apple orchard, and, catalogue. prior to his retirement, owned and operated a purposes to be used and For example the 4 cents exists summer resort named Pixie enjoyed by advanced and in olive bistre, olive yellow, Beach which overlooks novice collectors throughout golden yellow and yellow Okanagan Lake just north of the stamp collecting ochre. The golden yellow is the the Okanagan Centre post community. best and often undervalued. office. During much of the Geoff was a founding member The 5 cents exists in dark blue, above, he was ably assisted of the Okanagan Mainline grey blue and indigo. The 5 by his wife Bernice. Philatelic Association which cents violet shades are not as Geoff was an accomplished recently celebrated its 40th pronounced. bridge player and belonged anniversary. He belonged to The 7 cents has some very nice to many clubs over the years. numerous stamp fraternities shades such as the straw, sage An avid reader, he was which included BNAPS, CPS of green, greenish yellow and constantly busy at a number GB, RPSC, PHS of Canada, and olive bistre. -
Sailing the Great Sand Sea
People and Place Curriculum Resources on Human-Environmental Interactions Hemispheres is a joint project of: Teresa Lozano Long Institute of Latin American Studies Center for Middle Eastern Studies Center for Russian, East European & Eurasian Studies South Asia Institute in the College of Liberal Arts at The University of Texas at Austin Hemispheres People and Place Curriculum Resources on Human-Environmental Interactions Primary Authors: Natalie Arsenault, Outreach Coordinator Teresa Lozano Long Institute of Latin American Studies Christopher Rose, Outreach Coordinator Center for Middle Eastern Studies Allegra Azulay, Outreach Coordinator Center for Russian, East European & Eurasian Studies Jordan Phillips, Outreach Coordinator South Asia Institute People and Place Curriculum Resources on Human-Environmental Interactions Final Version Original Compilation Date: June 2005 Final Publication Date: April 2007 Permission is granted to reproduce this unit for classroom use only. Please do not redistribute this unit without prior permission. For more information, please see: http://www.utexas.edu/cola/orgs/hemispheres/ Permission to include copyrighted materials in this unit is indicated in citations. sailing the great sand sea TEACHER NOTES GOALS In this unit, students will understand the ways in which North African traders were able to adapt to the harsh environment of the Sahara desert in order to extract natural resources and engage in trans-desert trade for economic gain. They will understand: (1) the factors that define a desert and the different types of deserts; (2) that the introduction of the camel to North Africa provided a solution that made trans-Saharan trade possible; and (3) the natural resources available in the desert and the advantages to be had from harnessing them. -
Color Coat and Sure-Coat Formulas for Color Coat Aerosol Colors
ACFN 0716 Page 1 of 5 COLOR COAT AND SURE-COAT FORMULAS FOR COLOR COAT AEROSOL COLORS COLOR COAT COLOR COAT SURE-COAT AEROSOL NUMBER FORMULA NO. FORMULA NO. MANUFACTURER YEAR OEM CODE 15003 PHANTOM WHITE 1500 SC1500 N/A N/A SEM COLOR 15013 LANDAU BLACK 1501 SC1501 CHRYSLER 1971 - 2008 X9 15023 CORDOVAN BROWN 1502 SC1502 N/A N/A SEM COLOR 15033 SADDLE TAN 1503 SC1503 N/A N/A SEM COLOR 15043 SHADOW BLUE 1504 SC1504 N/A N/A SEM COLOR 15053 GRANITE 1505 N/A N/A N/A SEM COLOR 15063 BURGUNDY 1506 SC1506 N/A N/A SEM COLOR 15083 SILVER MET. 1508 N/A N/A N/A SEM COLOR 15093 LT. BUCKSKIN 1509 SC1509 N/A N/A SEM COLOR 15103 SUPER WHITE 1510 SC1510 N/A N/A SEM COLOR 15113 FIRETHORN RED 1511 SC1511 N/A N/A SEM COLOR 15123 SANTA FE 4943 SC4943 GENERAL MOTORS 1995 TC16 15143 SANDSTONE 1708 SC1708 FORD 1978 V 15163 PRESIDIO 4171 SC1516 FORD 1986 P 15173 CAMEL 5944 SC1517 N/A N/A SEM COLOR 15183 WARM GRAY 4194 SC1518 CHRYSLER 1986 A3 15213 BLUEMIST 1521 SC1521 CHRYSLER 1986 FC5 15223 CASTELLA 4292 N/A FORD 1987 Z 15233 GLOSS BLACK 1501 & 1300 1601 & 1670 N/A N/A SEM COLOR 15243 SATIN BLACK 1501 & 1301 1601 & 1671 N/A N/A SEM COLOR 15253 TITANIUM MET. 4365 SC4365 FORD 1988 P 15273 NAPA RED 4302 SC4302 FORD 1987 D 15283 PESCADERO SAND 4287 N/A FORD 1987 Z 15303 GRAPHITE 4301 SC1530 FORD 1987 P 15313 WHITE 4323 SC4323 CHRYSLER 1988 W7 15323 PALOMINO 4735 SC5938 GENERAL MOTORS 1993 90 15353 LT. -
OIL PAINTING GLOSSARY Alkyd (Pronounced: Al-Kid)
OIL PAINTING GLOSSARY Alkyd (Pronounced: al-kid) An alkyd is a synthetic resin that can be added to oil paint to speed up the drying time of oil paints. You can buy an alkyd-based medium that you can mix in with your oils; the most commonly available is Liquin by Winsor & Newton. “Alla Prima” (Pronounced: ah-luh pree-ma) Alla Prima is an Italian oil painting technique, usually from life, in which the entire painting is completed in one session or while the paint is still wet. Usually, there isn’t any underpainting to the piece. Portraits, landscapes, and still life are common subject matter using alla prima. It translates as “at the first”. In past eras, it was used primarily as a means of sketching, but eventually, it became a means of producing finished works of art by the Impressionists. “Bistre” Bistre (“the wipe-out method”) is an underpainting using warm browns (usually raw umber or burnt umber). A thin wash of Raw umber is painted over the white canvas and then ‘wiped out’ to create a tonal underpainting. The shadows are built up using thin color, allowing the warmth of the brown to show through while the lights and midtones are applied as opaque color. You can also use Burnt Umber for an even warmer, darker underpainting. The Bistre method lends itself very well to chiaroscuro. Chiaroscuro (Pronounced: key-ARE-oh-SCURE-oh) Chiaroscuro is an Italian word literally meaning “light dark”, used to describe the skillful balance of light and dark in a painting with strong contrasts to create a dramatic effect.