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Watercolor Basics with Susan Donohoe
Watercolor Basics with Susan Donohoe BASICS SUPPLY LIST FOR - TECHNIQUES - Day 1 The lists are long, beginners should bring what they have. They SHOULD NOT go out and buy supplies just to have them. I will bring supplies that they can use to fill in the blanks. Better for them to learn in the workshop what is best for them to buy instead of wasting their money. Personal Needs for each day: Please bring any of these items that you will require. A cushion for your chair, the day can get long for your backside. Your lunch each day. There is a microwave and a small refrigerator for your use. Keep it simple. Hydration-bring plenty of liquid to stay hydrated. A sweater or work shirt to stay comfortable as the room temperature may fluctuate throughout the day. Brushes: Preferred brands: Escoda, Holbein, Cheap Joe’s, Loew-Cornell, Da Vinci, Halcyon One of each if you have them: Round: #6, #10, #14, #18+ (the biggest round brush you own - no need to buy one.) Flat: 1/2”, 1”, 2”, Hake (if you have one) Scrubber brushes: assorted sizes. (These brushes can be purchased at Michael’s or JoAnn’s. They are stiff brushes similar to oil painting brushes. They are sometimes called fabric brushes.) Paper: Arches #140 - Cold Press - 1 full sheet. If you know how and wish to do so prior to class, you can tear the full sheet into 4 equal 1/4 sheet pieces. Paint: Artist Grade Paint only!!!! Preferred Brands: Holbein, Daniel Smith, Mission, Aquarelle Sennelier, M. -
Cortinarius Caperatus (Pers.) Fr., a New Record for Turkish Mycobiota
Kastamonu Üni., Orman Fakültesi Dergisi, 2015, 15 (1): 86-89 Kastamonu Univ., Journal of Forestry Faculty Cortinarius caperatus (Pers.) Fr., A New Record For Turkish Mycobiota *Ilgaz AKATA1, Şanlı KABAKTEPE2, Hasan AKGÜL3 Ankara University, Faculty of Science, Department of Biology, 06100, Tandoğan, Ankara Turkey İnönü University, Battalgazi Vocational School, TR-44210 Battalgazi, Malatya, Turkey Gaziantep University, Department of Biology, Faculty of Science and Arts, 27310 Gaziantep, Turkey *Correspending author: [email protected] Received date: 03.02.2015 Abstract In this study, Cortinarius caperatus (Pers.) Fr. belonging to the family Cortinariaceae was recorded for the first time from Turkey. A short description, ecology, distribution and photographs related to macro and micromorphologies of the species are provided and discussed briefly. Keywords: Cortinarius caperatus, mycobiota, new record, Turkey Cortinarius caperatus (Pers.) Fr., Türkiye Mikobiyotası İçin Yeni Bir Kayıt Özet Bu çalışmada, Cortinariaceae familyasına mensup Cortinarius caperatus (Pers.) Fr. Türkiye’den ilk kez kaydedilmiştir. Türün kısa deskripsiyonu, ekolojisi, yayılışı ve makro ve mikro morfolojilerine ait fotoğrafları verilmiş ve kısaca tartışılmıştır. Anahtar Kelimeler: Cortinarius caperatus, Mikobiyota, Yeni kayıt, Türkiye Introduction lamellae edges (Arora, 1986; Hansen and Cortinarius is a large and complex genus Knudsen, 1992; Orton, 1984; Uzun et al., of family Cortinariaceae within the order 2013). Agaricales, The genus contains According to the literature (Sesli and approximately 2 000 species recognised Denchev, 2008, Uzun et al, 2013; Akata et worldwide. The most common features al; 2014), 98 species in the genus Cortinarius among the members of the genus are the have so far been recorded from Turkey but presence of cortina between the pileus and there is not any record of Cortinarius the stipe and cinnamon brown to rusty brown caperatus (Pers.) Fr. -
Watercolours: What´S Different in the New Assortment?
Product information Watercolours HORADAM® watercolours: What´s different in the new assortment? The following colours have got a new name: Art.-No. Old Name New Name 14 208 Aureolin modern Aureolin hue 14 209 Translucent yellow Transparent Yellow 14 211 Chrome yellow lemon Chromium yellow hue lemon 14 212 Chrome yellow light Chromium yellow hue light 14 213 Chrome yellow deep Chromium yellow hue deep 14 214 Chrome orange Chromium orange hue 14 218 Translucent orange Transparent orange 14 366 Deep red Perylene maroon 14 476 Mauve Schmincke violet 14 498 Dark blue indigo Dark blue 14 648 Sepia brown tone Sepia brown reddish 14 786 Charcoal grey Anthracite The following colours are completely omitted due to raw materials which aren’t available anymore: Art.-No. Old Name 14 652 Walnut brown This tone cannot be mixed out of other colours. 14 666 Pozzuoli earth This tone can be mixed using 14 649 English Venetian red and the slightly reddish 14 670 Madder brown. These colours are now produced using other pigments. Therefore they have got a new name and a new number: Old Art.-No. Old Name New Art.-No. New Name 14 345 Dark red 14 344 Perylene dark red 14 210 Gamboge gum modern 14 217 Quinacridone gold hue 14 478 Helio blue reddish 14 477 Phthalo sapphire blue 14 536 Green yellow 14 537 Transparent green gold - Discontinued colours The described product attributes and application examples have been tes- a warranty for product attributes and/or assume liability for damages that ted in the Schmincke laboratory. -
MODERN WATERCOLOR III Fair FR Fair G Granulating J Semi-Opaque NA Not Yet Tested H Opaque
ASTM LF GOLDEN LF STAIN OPACITY I Excellent EX Excellent Semi-Staining k Semi-Transparent II Very Good GD Good Staining i Transparent MODERN WATERCOLOR III Fair FR Fair G Granulating j Semi-Opaque NA Not Yet Tested h Opaque Item # Series Color Color Index Name Pigment Name ASTM Opacity Granulating Staining 1-4 Light-fastness 7000525 1 Ardoise Gray PBk19 Hydrated Aluminum Silicate I i G 7000135 1 Aureolin Modern PW6, PY150 Titanium Dioxide Rutile, Nickel Complex Azo I j 7000126 4 Benzimidazolone Yellow PY154 Benzimidazolone Yellow H3G I k 7000115 3 Bismuth Vanadate Yellow PY184 Bismuth Vanadate EX k 7000415 2 Bohemian Green Earth PBk7, PG7, PR101, PY42 Nearly Pure Amorphous Carbon, Chlorinated Copper I k G Phthalocyanine, Synthetic Iron Oxide, Synthetic Iron Oxide 7000470 1 Burnt Sienna (Natural) Pbr7 Calcined Natural Iron Oxide I j G 7000480 1 Burnt Umber (Natural) Pbr7 Calcined Natural Iron Oxide containing Manganese I j G 7000180 4 Cadmium Orange PO20 Cadmium (Sulfo-Selenide) - (CC) I j 7000220 4 Cadmium Red Deep PR108 Cadmium (Sulfo-Selenide) - (CC) I j G 7000195 4 Cadmium Red Light PR108 Cadmium (Sulfo-Selenide) - (CC) I j G 7000215 4 Cadmium Red Medium PR108 Cadmium (Sulfo-Selenide) - (CC) I j 7000170 4 Cadmium Yellow Deep PY35 Cadmium Zinc Sulfide - (CC) I k 7000120 4 Cadmium Yellow Light PY35 Cadmium Zinc Sulfide - (CC) I k 7000130 4 Cadmium Yellow Medium PY35 Cadmium Zinc Sulfide - (CC) I k 7000105 4 Cadmium Yellow Primrose PY35 Cadmium Zinc Sulfide - (CC) I k 7000500 1 Carbon Black PBk7 Nearly Pure Amorphous Carbon I h 7000330 -
Waterfowl in Iowa, Overview
STATE OF IOWA 1977 WATERFOWL IN IOWA By JACK W MUSGROVE Director DIVISION OF MUSEUM AND ARCHIVES STATE HISTORICAL DEPARTMENT and MARY R MUSGROVE Illustrated by MAYNARD F REECE Printed for STATE CONSERVATION COMMISSION DES MOINES, IOWA Copyright 1943 Copyright 1947 Copyright 1953 Copyright 1961 Copyright 1977 Published by the STATE OF IOWA Des Moines Fifth Edition FOREWORD Since the origin of man the migratory flight of waterfowl has fired his imagination. Undoubtedly the hungry caveman, as he watched wave after wave of ducks and geese pass overhead, felt a thrill, and his dull brain questioned, “Whither and why?” The same age - old attraction each spring and fall turns thousands of faces skyward when flocks of Canada geese fly over. In historic times Iowa was the nesting ground of countless flocks of ducks, geese, and swans. Much of the marshland that was their home has been tiled and has disappeared under the corn planter. However, this state is still the summer home of many species, and restoration of various areas is annually increasing the number. Iowa is more important as a cafeteria for the ducks on their semiannual flights than as a nesting ground, and multitudes of them stop in this state to feed and grow fat on waste grain. The interest in waterfowl may be observed each spring during the blue and snow goose flight along the Missouri River, where thousands of spectators gather to watch the flight. There are many bird study clubs in the state with large memberships, as well as hundreds of unaffiliated ornithologists who spend much of their leisure time observing birds. -
Bird Checklists of the World Country Or Region: Myanmar
Avibase Page 1of 30 Col Location Date Start time Duration Distance Avibase - Bird Checklists of the World 1 Country or region: Myanmar 2 Number of species: 1088 3 Number of endemics: 5 4 Number of breeding endemics: 0 5 Number of introduced species: 1 6 7 8 9 10 Recommended citation: Lepage, D. 2021. Checklist of the birds of Myanmar. Avibase, the world bird database. Retrieved from .https://avibase.bsc-eoc.org/checklist.jsp?lang=EN®ion=mm [23/09/2021]. Make your observations count! Submit your data to ebird. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
DMC-Color-Families-Listing.Pdf
Color Families DMC® Embroidery Floss Colors Color Description Color Description Color Description 3713 Very Light Salmon 225 Ultra Very Light Shell Pink 155 Medium Dark Blue Violet 761 Light Salmon 224 Very Light Shell Pink 3746 Dark Blue Violet 760 Salmon 152 Medium Light Shell Pink 333 Very Dark Blue Violet 3712 Medium Salmon 223 Light Shell Pink 157 Very Light Cornflower Blue 3328 Dark Salmon 3722 Medium Shell Pink 794 Light Cornflower Blue 347 Very Dark Salmon 3721 Dark Shell Pink 793 Medium Cornflower Blue 353 Peach 3880 Medium Very Dark Shell Pink 792 Dark Cornflower Blue 352 Light Coral 221 Very Dark Shell Pink 158 Medium Very Dark Cornflower Blue 351 Coral 778 Very Light Antique Mauve 791 Very Dark Cornflower Blue 350 Medium Coral 3727 Light Antique Mauve 3807 Cornflower Blue 349 Dark Coral 316 Medium Antique Mauve 3840 Light Lavender Blue 817 Very Dark Coral Red 3726 Dark Antique Mauve 3839 Medium Lavender Blue 3708 Light Melon 315 Medium Dark Antique Mauve 3838 Dark Lavender Blue 3706 Medium Melon 3802 Very Dark Antique Mauve 800 Pale Delft Blue 3705 Dark Melon 902 Very Dark Garnet 809 Delft Blue 3801 Very Dark Melon 3743 Very Light Antique Violet 799 Medium Delft Blue 666 Bright Red 3042 Light Antique Violet 798 Dark Delft Blue 321 Red 3041 Medium Antique Violet 797 Royal Blue 304 Medium Red 3888 Medium Dark Antique Violet 796 Dark Royal Blue 498 Dark Red 3740 Dark Antique Violet 820 Very Dark Royal Blue 816 Gamete 3836 Light Grape 828 Ultra Very Light Sky Blue 815 Medium Garnet 3835 Medium Grape 162 Ultra Very Light Blue 814 -
Indian Place-Names in Mississippi. Lea Leslie Seale Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1939 Indian Place-Names in Mississippi. Lea Leslie Seale Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Part of the English Language and Literature Commons Recommended Citation Seale, Lea Leslie, "Indian Place-Names in Mississippi." (1939). LSU Historical Dissertations and Theses. 7812. https://digitalcommons.lsu.edu/gradschool_disstheses/7812 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. MANUSCRIPT THESES Unpublished theses submitted for the master^ and doctorfs degrees and deposited in the Louisiana State University Library are available for inspection* Use of any thesis is limited by the rights of the author* Bibliographical references may be noted3 but passages may not be copied unless the author has given permission# Credit must be given in subsequent written or published work# A library which borrows this thesis for vise by its clientele is expected to make sure that the borrower is aware of the above restrictions, LOUISIANA. STATE UNIVERSITY LIBRARY 119-a INDIAN PLACE-NAMES IN MISSISSIPPI A Thesis Submitted to the Graduate Faculty of the Louisian© State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy In The Department of English By Lea L # Seale M* A*, Louisiana State University* 1933 1 9 3 9 UMi Number: DP69190 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Lizbeth” Cordonnet
® Great for Tatting, Knitting, Crocheting, Needlepoint, ”LIZBETH”Hand and Machine Quilting CORDONNET and Embroidery A high quality “Handy100% Egyptian Hands” Cotton 6-ply - 6-cordcotton cordonnet thread in 119 solids and varigated colors. Now choose from 164 colors. Super-combed and gas-singed for outstanding body, mercerized HH41 - CORDONNET #10 “LIZBETH” 122 YD, 25GR, Packaged as above. and color fast. Made to Handy Hands’ high standard of quality. HH31 - CORDONNET #20 “LIZBETH” 210 YD, 25GR, HH35 - CORDONNETHH10 - #40Size 10 “L -IZBET 116 Hyds” 300 - 25 YD grams, 25GR ,$3.95 each HH42 - CORDONNETHH20 - #80Size 20 “L -IZBET 210H yds” 184 - 25 YD grams, 10GR ,$3.95 each HH40 - Size 40 - 300 yds - 25 grams $4.25 each HH80 - Size 80 - 184 yds - 10 grams $2.95 each Added 2012 Matching solids and variegated colors is now EASY! The HH Lizbeth collection includes variegated colors that match solid colors, (refer to color numbers in pink). NOTE: Thread colors shown vary due to printing process. 100 - Falling Leaves 108 - Sherbet Delight Victorian red, orange spice med, Boysenberry dk, raspberry pink melon dk, canary dk. (670) lt, orange lt, yellow med. (623, 644) 101 - Spring Flower 109 - Wild Flower Golden yellow med, grape med, Turquoise lt, leaf green lt, dusty english rose lt, ocean turquoise rose lt, white. lt. (613, 643, 658) (621, 662, 683) 102 - Western Sunset 110 - Desert Bloom Christmas red, victorian red, Violet pink dk-lt, antique grape med, lilac med. turquoise lt, harvest orange (642, 643, 670, 671) med,-lt.(635, 660, 694) 103 - Tutti Frutti 111 - Cotton Candy Golden yellow med, royal blue Blue lt, pink lt, purple lt, peach dk, azalea pink med lt, white. -
Gilding with Kolner Burnishing Clay and Insta-Clay by Lauren Sepp
Gilding with Kolner Burnishing Clay and Insta-Clay By Lauren Sepp ’ve been asked many times by custom framing re- achieve different shades. The white Burnishing Clay tailers if there is an easier way to water gild and can be tinted with Mixol tinting agents up to 5 percent I burnish a surface, as it’s generally agreed upon that by weight to achieve any color you desire. traditional water gilding is a labor-intensive method. Both the Burnishing Clay and Insta-Clay can be Kolner products address that demand by streamlining applied to many different surfaces. Certain nonpo- the water gilding process, which would otherwise in- rous substrates require no sealing before application clude many more steps. of the clay: Plexiglas and other plastics, sealed woods, Kolner Products, based in Germany, formulated a nonporous paints, and lacquered metals. Unsealed water-based, single-layer, burnishable gilders’ clay for metals may require a primer. Smooth plastics and water gilding in 1985 called Kolner Burnishing Clay. metals may require a light sanding to promote good This product combines and replaces the glue size, ges- adhesion. Porous surfaces such as matboard, paper, so, and bole layers with a single product. The clay is parchment, raw wood, textiles, unglazed ceramics, premixed with an acrylic binder and only needs to be stone, plaster, traditional gesso and compo orna- thinned slightly and stirred. There is no heating, dis- ments require a sealer before applying the clays. In solving of glues, or straining. There is also a sprayable many applications, shellac is a good all-around sealer. -
Matisse Structure & Flow Formula
MATISSE STRUCTURE & FLOW FORMULA STRUCTURE FORMULA: ALL COLOURS AVAILABLE IN 75ML & 150ML TUBES and 250ML & 500ML JARS C dolour Car WHERE APPEARS, COLOUR ALSO AVAILABLE IN 1LTR OR 4LT TUBS. FLOW FORMULA: ALL COLOURS AVAILABLE IN 75ML & 500ML JARS WHERE APPEARS, COLOUR ALSO AVAILABLE IN 1LTR TUBS. Titanium White ● Iridescent White ● Antique White ● ASTM 1 S1 NT S4 ASTM 1 S1 Pure Brilliance.Pure Quality Australian Ghost Gum ● Unbleached Titanium ● Naples Yellow Light ● ASTM 1 S1 ASTM 1 S1 ASTM 1 S1 Nickel Titanate ● Yellow Light Hansa Bismuth Yellow ● Cadmium Yellow Light ● Primary Yellow ● Yellow Mid Azo ● Cadmium Yellow Medium ● ASTM 1 S4 ASTM 2 S2 ASTM 1 S5 ASTM 1 S4 ASTM 2 S2 ASTM 1 S2 ASTM 1 S4 Aureolin Yellow Yellow Deep ● Iso Yellow ● Australian Salmon Gum ● Cadmium Orange ● Matisse Orange DPP ● Permanent Orange ● BWS 8 S7 ASTM 1 S2 ASTM 1 S6 ASTM 1 S2 ASTM 1 S4 BWS 8 S7 ASTM 1 S3 Vermillion (Azo) ● Cadmium Orange Deep ● Naphthol Scarlet ● Matisse Red Light ● Matisse Scarlet DPP ● Primary Red ● Cadmium Red Medium ● ASTM 1 S3 ASTM 1 S4 ASTM 2 S3 ASTM 1 S4 ASTM 1 S7 ASTM 1 S4 ASTM 1 S4 Quinacridone Red Naphthol Crimson ● Brilliant Alizarin (Crimson) ● Australian Red Violet ● Matisse Rose Madder ● Magenta Quin Violet Magenta Light ● ASTM 1 S4 ASTM 2 S3 ASTM 2 S3 ASTM 1 S6 ASTM 1 S7 ASTM 1 S3 BWS 8 S2 Ash Pink ● Venetian Red ● Transparent Venetian Red Permanent Maroon ● Deep Rose Madder (Perm) Burgundy ● Dioxazine Purple ASTM 1 S2 ASTM 1 S2 ASTM 1 S3 ASTM 1 S6 ASTM 1 S4 ASTM 2 S2 ASTM 2 S3 Permanent Light Violet ● Australian Sky Blue