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ORAL HISTORY of NATALIE DE BLOIS Interviewed by Betty J. Blum
ORAL HISTORY OF NATALIE DE BLOIS Interviewed by Betty J. Blum Compiled under the auspices of the Chicago Architects Oral History Project The Ernest R. Graham Study Center for Architectural Drawings Department of Architecture The Art Institute of Chicago Copyright © 2004 The Art Institute of Chicago This manuscript is hereby made available to the public for research purposes only. All literary rights in the manuscript, including the right to publication, are reserved to the Ryerson and Burnham Libraries of The Art Institute of Chicago. No part of this manuscript may be quoted for publication without the written permission of The Art Institute of Chicago. ii TABLE OF CONTENTS Preface iv Outline of Topics vi Oral History 1 Selected References 143 Curriculum Vitae 146 Index of Names and Buildings 147 iii PREFACE It is not surprising, despite the fact that architecture was a male-dominated profession, that Natalie de Blois set her sights on becoming an architect early on. Surrounded by the talk and tools of the trade, she continues an unbroken chain of three generations of Griffin family achievements and interest in building. De Blois was headed for MIT but was diverted by the Depression to Columbia University, where she studied architecture. After graduation, de Blois began her fifty-year career in architecture in 1944 at the office of Skidmore Owings and Merrill, New York. It was in that office, under the wing of Gordon Bunshaft, that de Blois blossomed. She worked with Bunshaft on important and challenging projects and her pleasure in that she thought was reward enough. However, as one of the few women in architecture at that time, she suffered the slights and indifference to which women were often subjected. -
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MANAGING TRANSPARENCY IN POST‐WAR MODERN ARCHITECTURE Makenzie Leukart Submitted in partial fulfillment of the requirements for the degree Master of Science in Historic Preservation Graduate School of Architecture, Planning and Preservation Columbia University (May 2016) Dedication This thesis would not have been possible without the support of my advisor, Theo Prudon. His guidance and depth of knowledge about modern architecture was vital to my own chaotic process. Special thanks is given to my parents, who made this educational journey possible. I will never forget your sacrifice and your unconditional love and support. Thank you for the frequent pep talks in moments of self‐ doubt and listening to my never‐ending ramblings about my research. Especially to my mother, who tagged along on my thesis research trip and acted as both cheerleader and personal assistant throughout. To Zaw Lyn Myat and Andrea Tonc, it’s been a long 4 years to get to this point. I could not have made it through either program without your friendship, especially during the last few months as we inched towards the finish line. Additional thanks is also given to those who aided me in my research and facilitated access: Belmont Freeman, Richard Southwick, Donna Robertson, Edward Windhorst, Frank Manhan, Louis Joyner, Tricia Gilson, Richard McCoy, Erin Hawkins, Michelangelo Sabatino, Mark Sexton, Robert Brown and the entire Historic Preservation faculty and staff at Columbia. I Table of Contents Introduction ................................................................................................................................ -
Kalba Ir Kontekstai
LIETUVOS EDUKOLOGIJOS UNIVERSITETAS HUMANITARINIO UGDYMO FAKULTETAS KALBA IR KONTEKSTAI Mokslo darbai 2018 m. VIII (1) tomas Vilnius, 2018 1 ISSN 1822-5357 Mokslo darbų ,,Kalba ir kontekstai“ VIII (1) tomas apsvarstytas Lietuvos edukologijos universiteto Humanitarinio ugdymo fakulteto Tarybos posėdyje 2018 m. birželio 20 d. (protokolo Nr. 92) ir rekomenduotas spausdinti. Redaktorių kolegija / Editorial Board Atsakingasis redaktorius / Editor-in-Chief Prof. dr. Linas Selmistraitis Lietuvos edukologijos universitetas (Filologija, 04H) Lithuanian University of Educational Sciences (Philology, 04H) Atsakingojo redaktoriaus pavaduotoja / Vice-Editor-in-Chief Doc. dr. Daiva Verikaitė- Lietuvos edukologijos universitetas (Filologija, 04H) Gaigalienė Lithuanian University of Educational Sciences (Philology, 04H) Nariai / Members Doc. dr. Natalja Avina Lietuvos edukologijos universitetas (Filologija, 04H) Lithuanian University of Educational Sciences (Philology, 04H) Prof. dr. Martin Dalmas Paryžiaus Sorbonos IV universitetas, Prancūzija (Filologija, 04H) The University of Paris-Sorbonne Paris IV, France (Philology, 04H) Dr. Klaus Geyer Pietų Danijos universitetas, Danija (Filologija, 04H) The University of Southern Denmark, Denmark (Philology, 04H) Doc. dr. Rasa Matonienė Lietuvos edukologijos universitetas (Filologija, 04H) Lithuanian University of Educational Sciences (Philology, 04H) Prof. dr. Irena Aldona Kalifornijos valstybinis universitetas, JAV (Filologija, 04H) Praitis California State University, USA (Philology, 04H) Dr. Henrika Sokolovska -
2010 Vol. 54 No. 2
SAH News Newsletter of the Society of Architectural Historians June 2010 Volume LIV, No. 2 INSIDE 2 From the SAH Executive Director 7 Buildings of the United States 3 Recap of Annual Meeting in Chicago 10 Call for Papers SAH 2011 5 SAH Benefit, April 24, 2010 12 Gifts and Donor Support 5 Treasurer’s Report 14 Announcements 6 2010 SAH Book Awards and Citations 16 Booklist SAH News JUNE / 2010 executive director’s UPDATE 2012. With University of Virginia Press, SAH will develop two editions of BUS—a home edition that will be available for free via the Internet, and a more complex scholarly edition that will be available by subscription through University of Virginia Press. NEH has designated BUS online a We the People project for its role in strengthening the teaching, study and understanding of American history and culture. NEA Funds BUS Mississippi and Teacher Workshops At the end of the month, NEA notified SAH that it would fund the initial stages of research for Buildings of Mississippi by Jennifer Baughn and Michael Fazio. The grant also will support dissemination of that research to pre-collegiate teachers throughout the State. The grant signals a new concern on the part of the SAH Board that the Society can and should play a role in developing materials that pre- collegiate teachers can use to bring architectural history and historic preservation to the classroom. The humanities-based curriculum Pauline Saliga at SAH 70th Anniversary Photo: Anne Evans complements other STEM-based curricula that focus on Science, Technology, Engineering and Math. -
Lecture Handouts, 2013
Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #1 INTRODUCTION & OVERVIEW Introductions Expectations Textbooks Assignments Electronic reserves Research Project Sources History-Theory-Criticism Methods & questions of Architectural History Assignments: Initial Paper Topic form Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #2 ARCHITECTURE OF WWII The World at War (1939-45) Nazi War Machine - Rearming Germany after WWI Albert Speer, Hitler’s architect & responsible for Nazi armaments Autobahn & Volkswagen Air-raid Bunkers, the “Atlantic Wall”, “Sigfried Line”, by Fritz Todt, 1941ff Concentration Camps, Labor Camps, POW Camps Luftwaffe Industrial Research London Blitz, 1940-41 by Germany Bombing of Japan, 1944-45 by US Bombing of Germany, 1941-45 by Allies Europe after WWII: Reconstruction, Memory, the “Blank Slate” The American Scene: Pearl Harbor, Dec. 7, 1941 Pentagon, by Berman, DC, 1941-43 “German Village,” Utah, planned by US Army & Erich Mendelsohn Military production in Los Angeles, Pittsburgh, Detroit, Akron, Cleveland, Gary, KC, etc. Albert Kahn, Detroit, “Producer of Production Lines” * Willow Run B-24 Bomber Plant (Ford; then Kaiser Autos, now GM), Ypsilanti, MI, 1941 Oak Ridge, TN, K-25 uranium enrichment factory; town by S.O.M., 1943 Midwest City, OK, near Midwest Airfield, laid out by Seward Mott, Fed. Housing Authortiy, 1942ff Wartime Housing by Vernon Demars, Louis Kahn, Oscar Stonorov, William Wurster, Richard Neutra, Walter Gropius, Skidmore-Owings-Merrill, et al * Aluminum Terrace, Gropius, Natrona Heights, PA, 1941 Women’s role in the war production, “Rosie the Riverter” War time production transitions to peacetime: new materials, new design, new products Plywod Splint, Charles Eames, 1941 / Saran Wrap / Fiberglass, etc. -
Minimal Art and Body Politics in New York City, 1961-1975 By
Minimal Art and Body Politics in New York City, 1961-1975 by Christopher M. Ketcham M.A. Art History, Tufts University, 2009 B.A. Art History, The George Washington University, 1998 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ARCHITECTURE: HISTORY AND THEORY OF ART AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY SEPTEMBER 2018 © 2018 Christopher M. Ketcham. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author:__________________________________________________ Department of Architecture August 10, 2018 Certified by:________________________________________________________ Caroline A. Jones Professor of the History of Art Thesis Supervisor Accepted by:_______________________________________________________ Professor Sheila Kennedy Chair of the Committee on Graduate Students Department of Architecture 2 Dissertation Committee: Caroline A. Jones, PhD Professor of the History of Art Massachusetts Institute of Technology Chair Mark Jarzombek, PhD Professor of the History and Theory of Architecture Massachusetts Institute of Technology Tom McDonough, PhD Associate Professor of Art History Binghamton University 3 4 Minimal Art and Body Politics in New York City, 1961-1975 by Christopher M. Ketcham Submitted to the Department of Architecture on August 10, 2018 in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Architecture: History and Theory of Art ABSTRACT In the mid-1960s, the artists who would come to occupy the center of minimal art’s canon were engaged with the city as a site and source of work. -
The Definition of an Architect
06_709549_ch01.qxp 1/18/06 12:21 PM Page 1 Chapter One The Definition of an Architect He looked at the granite.To be cut, he thought, and made into walls. He looked at a tree.To be split and made into rafters. He looked at a streak of rust on the stone and thought of iron ore under the ground.To be melted and to emerge as girders against the sky.These rocks, he thought, are here for me; waiting for the drill, the dynamite and my voice; waiting to be split, ripped, pounded, reborn,COPYRIGHTED waiting for theMATERIAL shape of my hands will give to them. AYN RAND, THE FOUNTAINHEAD1 THE DEFINITION OF AN ARCHITECT 1 06_709549_ch01.qxp 1/18/06 12:21 PM Page 2 2 BECOMING AN ARCHITECT After reading the preceding text from The Of course, this definition simply scratch- Fountainhead by Ayn Rand, what are your es the surface. Becoming and being an archi- thoughts and feelings? Can you relate with tect is much more. It is not the intent of this the main character, Howard Roark, in this book to provide a complete overview of passage? Are you overcome with the possi- architecture or a full career profile; here, bilities of creating with the materials around however, is a brief introduction to what you? architects do. Do you want to be an architect? Do you wish to study architecture? If your answer is yes to any of these questions, this book is for you. What Do What is the definition of an architect? Architects Do? The American Heritage Dictionary2 defines architect as: People need places in which to live, work, 1. -
THE Ambrkian Arciiitectcrat' Fotjndatlon
THE AMBRKiAN ARCIIITECTCRAt' FOtJNDATlON "That Exceptional One: Women in American Architecture, 1888-1988" is organized and circulated by the American Architectural j Foundation and the AIA Women in Architecture Committee. The exhibition will premiere on • May 15,1988, at die AIA National Convention | and Design Exposition in New York City before traveling nationwide during its three-year tour. The American Institute of Architects, founded in 1857, is a voluntary not-for-profit member- i ship organization representing more than 54,000 architects and architectural profession- i als in nearly 300 state societies and local chapters stretching from Maine to Guam. The mission of the American Architectural ] Foundation, the publicly oriented arm of the ( AIA, is to advance the quality of American j architecture by stimulating the public's aware- ness and understanding of architecture and its related arts. "I cannot, in whole conscience, recommend architecture as a profession for girls. I know some women who have done well at it, but the obstacles are so great that it takes an exceptional girl to make a go of it. If she insisted on becoming an architect, I would try to dissuade her. If then, she was still determined, I would give her my blessing—she could be that exceptional one." Pietro Belluschi, EilA, 1972AIA Gold Medalist, from the 1955New York Life Insurance Company brochure, "Should You Be an Architect?" Contents 5 A Message from the President of The American Institute of Architects 6 A Message from the Chair of the AIA Women in Architecture Committee 7 Preface 9 "That Exceptional One: Women in American Architecture, 1888-1988" 27 AIA Archive of Women in Architecture 41 Selected Bibliography WHHW A Message from the President of The American Institute of Architects The American Institute of Architects is priv- past decade alone, reflecting the priority placed ileged to sponsor this major national exhibi- by the AIA to breaking down once and for all tion on the history of women in architecture. -
Pepsi-Cola Buildnig
Landmarks Preservation Commission June 20, 1995 ; Designation List 265 LP-1920 (Former) PEPSI-COLA BUILDING (now ABN-Amro Bank Building), 500 Park Avenue, a/k/a 62 East 59th Street, Manhattan. Built 1958-60. Skidmore, Owings & Merrill, architects; Gordon Bunshaft, design partner; Natalie de Blois, senior designer for project. Landmark Site: Borough of Manhattan Tax Map Block 1294, Lot 37. On June 15, 1993, the Landmarks Preservation Commission held a public hearing on the proposed designation of the (former) Pepsi-Cola Building and the proposed designation of the related Landmark Site (Item No. 16). The hearing had been duly advertised in accordance with the provisions of law. Three witnesses, including a representative of the Municipal Art Society, spoke in favor of designation and no witnesses spoke in opposition to designation. A representative of the owner expressed uncertainty about the proposed designation, but subsequently communicated support for it. The Commission subsequently received two written submissions in favor of designation. DESCRIPTION AND ANALYSIS Summary Located on a prominent comer site along Park Avenue , a thoroughfare associated since the 1950s with sleek, understated modem monuments to corporate America, the Pepsi-Cola Building is one of New York's seminal International Style landmarks. Its superb design, innovative technology, and production as a collaborative effort are all qualities for which the firm of Skidmore, Owings & Merrill was already famous: design partner Gordon Bunshaft guided the firm's New York office, and Natalie de Blois, among the very few women architects at that time, was the senior designer for the project. Throughout its existence, the building has been praised by architectural critics for its clever siting and gemlike treatment, and especially for its sophisticated curtain wall, a nearly smooth skin of gray-green glass and aluminum spandrels. -
Avery Architectural & Fine Arts Library Department of Drawings & Archives
Avery Architectural & Fine Arts Library Department of Drawings & Archives Columbia University FINDING AID FOR THE GORDON BUNSHAFT (1909‐1990) ARCHITECTURAL RECORDS AND PAPERS, 1909‐1990 (bulk 1950‐1979) Collection Dates: 1909‐1990 (bulk 1950‐1979) Size: 8 linear feet (including oversize material) 8 manuscript boxes, 5 print boxes, 4 postcard boxes 10 volumes of bound material 160 drawings 5 archives boxes of printed materials Preferred Gordon Bunshaft architectural records and papers, Department of Citation: Drawings & Archives, Avery Architectural & Fine Arts Library, Columbia University. Acquisition This collection was a gift to Avery Library from Gordon Bunshaft in Information: 1988. Accession No.: 1988.005. Terms of Access: This collection is available for use by qualified readers by appointment in the Department of Drawings & Archives Reading Room, Avery Architectural and Fine Arts Library at Columbia University. For further information and to make an appointment, please call (212) 854‐4110. Restrictions on Columbia University is providing access to the materials in the Use or Access: Libraryʹs collections solely for noncommercial educational and research purposes. The unauthorized use, including, but not limited to, publication of the materials without the prior written permission of Columbia University is strictly prohibited. All inquiries regarding permission to publish should be submitted in writing to the Director, Avery Architectural and Fine Arts Library, Columbia University. For additional guidance, see http://www.columbia.edu/cu/lweb/services/preservation/publicationsPolicy.html In addition to permission from Columbia University, permission of the copyright owner (if not Columbia University) and/or any holder of other rights (such as publicity and/or privacy rights) may also be required for reproduction, publication, distributions, and other uses. -
Tall Buildings
01/14 февраль/март атриумы в небоскребах Atria in Skyscrapers Ловушка дЛя ветра Wind Catcher короЛевский парк Park Royal ЧисЛенное модеЛирование нагрузок Loads Numerical ngs i Simulation ld i я» Tall bu я» Tall и Tall Buildings журнал высотных технологий 1/141/14 «Высотные здан ООО «ТРАКТЕЛЬ Руссиа» г. Москва, ул. Петровка, 27 Моб.: +7 915 00 222 45 Тел./Факс: +7 495 989 5135 [email protected] www.ТРАКТЕЛЬ.рф Предприятие группы компаний Tractel TRACTEL Secalt™ S.A. – TRACTEL® Group – мировой движущая сила в TRACTEL® Group. лидер по подвесным системам Уже более 50 лет здесь занимаются доступа благодаря собственной поиском нестандартных решений компании TRACTEL Secalt™ S.A., для подвесных систем как для расположенной в Люксембурге, имеет временного, так и для постоянного большой опыт в области доступа. перемещения и подъёма грузов, подвесных платформ и средств индивидуальной защиты от падения. международный обзор Журнал INTERNATIONAL«Высотные здания» OVERVIEW Tall buildings На обложке: отель PARKROYAL, построен по проекту архбюро WOHA On the cover: Hotel PARKROYAL, designed by WOHA Учредитель ООО «Скайлайн медиа» при участии ЗАО «Горпроект» Редакционная коллегия: Сергей Лахман Надежда Буркова Юрий Софронов Петр Крюков Татьяна Печеная Святослав Доценко Елена Зайцева Александр Борисов Содержание Главный редактор Татьяна Никулина contents Редактор Елена Домненко Коротко / In brief Исполнительный директор 8 События и факты Cтиль / Style Сергей Шелешнев 76 Бриллиант Алмазного квартала Events and Facts Редактор-переводчик Gem of the Diamond District -
Faster and Cleaner 2
Faster and Cleaner 2 KICK-STARTING GLOBAL DECARBONIZATION: IT ONLY TAKES A FEW ACTORS TO GET THE BALL ROLLING April 2017 SEBASTIAN STERL, Markus Hagemann, Hanna Fekete, Niklas Höhne - NewClimate Institute Jasmin Cantzler, Andrzej Ancygier, Matt Beer, Bill Hare - Climate Analytics Karlien Wouters, Yvonne Deng, Kornelis Blok - Ecofys Casey Cronin, Seth Monteith, Dan Plechaty, Surabi Menon - ClimateWorks Foundation Lead authors for the sector focus chapters Power sector: Andrzej Ancygier Transport sector: Sebastian Sterl Buildings sector: Karlien Wouters This technical report accompanies a shorter policy brief. AUTHORS NewClimate Institute: SEBASTIAN STERL, Markus Hagemann, Hanna Fekete, Niklas Höhne Ecofys: Karlien Wouters, Yvonne Deng, Kornelis Blok Climate Analytics: Jasmin Cantzler, Andrzej Ancygier, Matt Beer, Bill Hare ClimateWorks Foundation: Casey Cronin, Seth Monteith, Dan Plechaty, Surabi Menon ACKNOWLEDGEMENTS The Climate Action Tracker team and ClimateWorks Foundation sincerely thank the editors, designer, sectoral experts and reviewers, and data providers for their invaluable contributions to this report. For framing the report’s messaging and editing its content: Cindy Baxter and Melissa Edeburn For designing the final report: Nolan Haims For reviewing the content of our work with sector expertise: David de Jager (Ecofys), Sven Schimschar (Ecofys), Rob Winkel (Ecofys), Anthony Eggert (ClimateWorks), Jess Lam (ClimateWorks), Jan Mazurek (ClimateWorks), Charles McElwee (ClimateWorks) and Prodipto Roy (ClimateWorks). For providing