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General Info.Indd
General Information • Landmarks Beyond the obvious crowd-pleasers, New York City landmarks Guggenheim (Map 17) is one of New York’s most unique are super-subjective. One person’s favorite cobblestoned and distinctive buildings (apparently there’s some art alley is some developer’s idea of prime real estate. Bits of old inside, too). The Cathedral of St. John the Divine (Map New York disappear to differing amounts of fanfare and 18) has a very medieval vibe and is the world’s largest make room for whatever it is we’ll be romanticizing in the unfinished cathedral—a much cooler destination than the future. Ain’t that the circle of life? The landmarks discussed eternally crowded St. Patrick’s Cathedral (Map 12). are highly idiosyncratic choices, and this list is by no means complete or even logical, but we’ve included an array of places, from world famous to little known, all worth visiting. Great Public Buildings Once upon a time, the city felt that public buildings should inspire civic pride through great architecture. Coolest Skyscrapers Head downtown to view City Hall (Map 3) (1812), Most visitors to New York go to the top of the Empire State Tweed Courthouse (Map 3) (1881), Jefferson Market Building (Map 9), but it’s far more familiar to New Yorkers Courthouse (Map 5) (1877—now a library), the Municipal from afar—as a directional guide, or as a tip-off to obscure Building (Map 3) (1914), and a host of other court- holidays (orange & white means it’s time to celebrate houses built in the early 20th century. -
Assessment Actions
Assessment Actions Borough Code Block Number Lot Number Tax Year Remission Code 1 1883 57 2018 1 385 56 2018 2 2690 1001 2017 3 1156 62 2018 4 72614 11 2018 2 5560 1 2018 4 1342 9 2017 1 1390 56 2018 2 5643 188 2018 1 386 36 2018 1 787 65 2018 4 9578 3 2018 4 3829 44 2018 3 3495 40 2018 1 2122 100 2018 3 1383 64 2017 2 2938 14 2018 Page 1 of 604 09/27/2021 Assessment Actions Owner Name Property Address Granted Reduction Amount Tax Class Code THE TRUSTEES OF 540 WEST 112 STREET 105850 2 COLUM 226-8 EAST 2ND STREET 228 EAST 2 STREET 240500 2 PROSPECT TRIANGLE 890 PROSPECT AVENUE 76750 4 COM CRESPA, LLC 597 PROSPECT PLACE 23500 2 CELLCO PARTNERSHIP 6935500 4 d/ CIMINELLO PROPERTY 775 BRUSH AVENUE 329300 4 AS 4305 65 REALTY LLC 43-05 65 STREET 118900 2 PHOENIX MADISON 962 MADISON AVENUE 584850 4 AVENU CELILY C. SWETT 277 FORDHAM PLACE 3132 1 300 EAST 4TH STREET H 300 EAST 4 STREET 316200 2 242 WEST 38TH STREET 242 WEST 38 STREET 483950 4 124-469 LIBERTY LLC 124-04 LIBERTY AVENUE 70850 4 JOHN GAUDINO 79-27 MYRTLE AVENUE 35100 4 PITKIN BLUE LLC 1575 PITKIN AVENUE 49200 4 GVS PROPERTIES LLC 559 WEST 164 STREET 233748 2 EP78 LLC 1231 LINCOLN PLACE 24500 2 CROTONA PARK 1432 CROTONA PARK EAS 68500 2 Page 2 of 604 09/27/2021 Assessment Actions 1 1231 59 2018 3 7435 38 2018 3 1034 39 2018 3 7947 17 2018 4 370 1 2018 4 397 7 2017 1 389 22 2018 4 3239 1001 2018 3 140 1103 2018 3 1412 50 2017 1 1543 1001 2018 4 659 79 2018 1 822 1301 2018 1 2091 22 2018 3 7949 223 2018 1 471 25 2018 3 1429 17 2018 Page 3 of 604 09/27/2021 Assessment Actions DEVELOPM 268 WEST 84TH STREET 268 WEST 84 STREET 85350 2 BANK OF AMERICA 1415 AVENUE Z 291950 4 4710 REALTY CORP. -
CITY of HOUSTON Archaeological & Historical Commission Planning and Development Department
CITY OF HOUSTON Archaeological & Historical Commission Planning and Development Department LANDMARK DESIGNATION REPORT LANDMARK NAME: Melrose Building AGENDA ITEM: C OWNERS: Wang Investments Networks, Inc. HPO FILE NO.: 15L305 APPLICANT: Anna Mod, SWCA DATE ACCEPTED: Mar-02-2015 LOCATION: 1121 Walker Street HAHC HEARING DATE: Mar-26-2015 SITE INFORMATION Tracts 1, 2, 3A & 16, Block 94, SSBB, City of Houston, Harris County, Texas. The site includes a 21- story skyscraper. TYPE OF APPROVAL REQUESTED: Landmark Designation HISTORY AND SIGNIFICANCE SUMMARY The Melrose Building is a twenty-one story office tower located at 1121 Walker Street in downtown Houston. It was designed by prolific Houston architecture firm Lloyd & Morgan in 1952. The building is Houston’s first International Style skyscraper and the first to incorporate cast concrete cantilevered sunshades shielding rows of grouped windows. The asymmetrical building is clad with buff colored brick and has a projecting, concrete sunshade that frames the window walls. The Melrose Building retains a high degree of integrity on the exterior, ground floor lobby and upper floor elevator lobbies. The Melrose Building meets Criteria 1, 4, 5, and 6 for Landmark designation of Section 33-224 of the Houston Historic Preservation Ordinance. HISTORY AND SIGNIFICANCE Location and Site The Melrose Building is located at 1121 Walker Street in downtown Houston. The property includes only the office tower located on the southeastern corner of Block 94. The block is bounded by Walker Street to the south, San Jacinto Street to the east, Rusk Street to the north, and Fannin Street to the west. The surrounding area is an urban commercial neighborhood with surface parking lots, skyscrapers, and multi-story parking garages typical of downtown Houston. -
ORAL HISTORY of NATALIE DE BLOIS Interviewed by Betty J. Blum
ORAL HISTORY OF NATALIE DE BLOIS Interviewed by Betty J. Blum Compiled under the auspices of the Chicago Architects Oral History Project The Ernest R. Graham Study Center for Architectural Drawings Department of Architecture The Art Institute of Chicago Copyright © 2004 The Art Institute of Chicago This manuscript is hereby made available to the public for research purposes only. All literary rights in the manuscript, including the right to publication, are reserved to the Ryerson and Burnham Libraries of The Art Institute of Chicago. No part of this manuscript may be quoted for publication without the written permission of The Art Institute of Chicago. ii TABLE OF CONTENTS Preface iv Outline of Topics vi Oral History 1 Selected References 143 Curriculum Vitae 146 Index of Names and Buildings 147 iii PREFACE It is not surprising, despite the fact that architecture was a male-dominated profession, that Natalie de Blois set her sights on becoming an architect early on. Surrounded by the talk and tools of the trade, she continues an unbroken chain of three generations of Griffin family achievements and interest in building. De Blois was headed for MIT but was diverted by the Depression to Columbia University, where she studied architecture. After graduation, de Blois began her fifty-year career in architecture in 1944 at the office of Skidmore Owings and Merrill, New York. It was in that office, under the wing of Gordon Bunshaft, that de Blois blossomed. She worked with Bunshaft on important and challenging projects and her pleasure in that she thought was reward enough. However, as one of the few women in architecture at that time, she suffered the slights and indifference to which women were often subjected. -
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MANAGING TRANSPARENCY IN POST‐WAR MODERN ARCHITECTURE Makenzie Leukart Submitted in partial fulfillment of the requirements for the degree Master of Science in Historic Preservation Graduate School of Architecture, Planning and Preservation Columbia University (May 2016) Dedication This thesis would not have been possible without the support of my advisor, Theo Prudon. His guidance and depth of knowledge about modern architecture was vital to my own chaotic process. Special thanks is given to my parents, who made this educational journey possible. I will never forget your sacrifice and your unconditional love and support. Thank you for the frequent pep talks in moments of self‐ doubt and listening to my never‐ending ramblings about my research. Especially to my mother, who tagged along on my thesis research trip and acted as both cheerleader and personal assistant throughout. To Zaw Lyn Myat and Andrea Tonc, it’s been a long 4 years to get to this point. I could not have made it through either program without your friendship, especially during the last few months as we inched towards the finish line. Additional thanks is also given to those who aided me in my research and facilitated access: Belmont Freeman, Richard Southwick, Donna Robertson, Edward Windhorst, Frank Manhan, Louis Joyner, Tricia Gilson, Richard McCoy, Erin Hawkins, Michelangelo Sabatino, Mark Sexton, Robert Brown and the entire Historic Preservation faculty and staff at Columbia. I Table of Contents Introduction ................................................................................................................................ -
Central III III Synagogue
Central ttIII III Synagogue Vol. 44. NO.7 March 1990 • Adar/Nlsan 5750 In From The You are cordially Invited to our Rabbi's SOCIAL ACTION SABBATH Study Friday. March 2 Elie Wiesel was speaking. The occasion was a full 8:15 PM plenary session of the Global Forum on the Environment, meeting in Moscow. As Resa and I along with some 800 others list~med, Rabbi Stanley M. Davids Wiesel wove a message uniquely his own, a will speak on message of hope and of pain. He wanted all of us Human Survival: Religion and to know that before the environment can be saved, before we can truly begin to hear the Science Preserving the anguished cries of Mother Earth, we must Global Environment radically change the nature of education. We are forbidden to forget, we were told, that it was the best-educated nation on earth which had Rabbi DavIds recently retumed from a conceived and implemented the Holocaust. week-long conference In Moscow on Education must be freed from all imposed the environment and economic ideologies; education must be open to development sponsored by the Global ambiguities as well as to certainties; education Forum of Spiritual and Partlamentary must open our minds to truths which flow from Leaders. He was one of only seven multiple sources. By remembering, we can avoid rabbis In attendance from around the yesterday's errors. Without our memories, we can World. never expect to redeem our world from human evil. In the Sanctuary Wiesel's comments touched off a firestorm of response from the floor, some warmly supportive Please see the enclosed announcement. -
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March 26, 2015 By Anthony Paletta Rafael Viñoly’s 432 Park Ave., one of the tallest residential towers in the world and the third-tallest building in the U.S. PHOTO: STEVE REMICH FOR THE WALL STREET JOURNAL Manhattan’s skyline is making yet another historical surge upward, though this time with a new crop of super-tall, strikingly narrow apartment buildings that in some cases seem to defy gravity. To see for yourself, walk by SHoP Architects’ 111 W. 57 St., Christian de Portzamparc ’s One57, Jean Nouvel ’s 53 W. 53rd St. or Rafael Viñoly ’s 432 Park Ave. http://www.wsj.com/articles/manhattans-stalagmite-architecture-1427330737 What’s arresting about these structures is their eccentric dimensions. SHoP’s 111 W. 57th St., for example, will boast a width-to-height ratio of 1-to-23. (A standard No. 2 pencil has about a 1-to-30 ratio, and the original World Trade Center towers were a gouty 1-to-7.) Some of these new structures, especially on the upper reaches, are only one unit per floor. It’s partly technology that explains these stalagmite structures. Architects and engineers have tailored improvements in steel and reinforced concrete that facilitate developers’ perennial search for height on an island notoriously short of real estate. What we are witnessing, says SHoP Architects founding partner Gregg Pasquarelli, is a “wonderful golden age of the tall, slender building.” These innovations mark just the latest chapter in the evolving history of the skyscraper. Over the past century, technological breakthroughs have enabled builders to steadily reduce the proportion of structural elements—mainly steel and concrete—in the area where we live, work and play, savings usually given over to glass. -
TM 3.1 Inventory of Affected Businesses
N E W Y O R K M E T R O P O L I T A N T R A N S P O R T A T I O N C O U N C I L D E M O G R A P H I C A N D S O C I O E C O N O M I C F O R E C A S T I N G POST SEPTEMBER 11TH IMPACTS T E C H N I C A L M E M O R A N D U M NO. 3.1 INVENTORY OF AFFECTED BUSINESSES: THEIR CHARACTERISTICS AND AFTERMATH This study is funded by a matching grant from the Federal Highway Administration, under NYSDOT PIN PT 1949911. PRIME CONSULTANT: URBANOMICS 115 5TH AVENUE 3RD FLOOR NEW YORK, NEW YORK 10003 The preparation of this report was financed in part through funds from the Federal Highway Administration and FTA. This document is disseminated under the sponsorship of the U.S. Department of Transportation in the interest of information exchange. The contents of this report reflect the views of the author who is responsible for the facts and the accuracy of the data presented herein. The contents do no necessarily reflect the official views or policies of the Federal Highway Administration, FTA, nor of the New York Metropolitan Transportation Council. This report does not constitute a standard, specification or regulation. T E C H N I C A L M E M O R A N D U M NO. -
THE CORPORATE PLAZA and the OFFICE TOWER : the Potential for a Mutualistic Space-Form Relationship
THE CORPORATE PLAZA AND THE OFFICE TOWER : The potential for a mutualistic space-form relationship NANDAGOPAL VADAKUPALAYAM RAGHUNATHAN Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in Partial fulfillment of the requirements for the degree of Masters in Landscape Architecture _______________ Dean Bork, Chair _______________ Benjamin Johnson _______________ Brian Katen May 21, 2004, Blacksburg, VA Keywords: pittsburgh, landscape architecture, architecture, spatial relationship, downtown, urban design, corporate plaza, skyscraper THE CORPORATE PLAZA AND THE OFFICE TOWER : The potential for a mutualistic space-form relationship NANDAGOPAL VADAKUPALAYAM RAGHUNATHAN abstract Within the context of a site/place on which a skyscraper is developed, the role of the corporate plaza is usually limited to providing a base to glorify the unique form of the skyscraper (the office tower). In such cases, the potential for a symbiotic relationship between the skyscraper and the plaza is not realized. In exploring the possibilities of a symbiotic relationship the first step was to research the skyscraper and its evolution. This analysis based on existing literature revealed the ‘motive’ behind the design and construction of skyscrapers and the reason for its strong physical image - “the corporations desire for an attention drawing device”. This desire has resulted in the design of the skyscraper as an object in the urban landscape with a high degree of ‘recognizability’. Although the skyscraper’s character of recognizability plays an important role in the perception of the site it fails to provide for the development of ‘experiential meaning’. This experiential meaning which is a critical component for the environmental image of the site/place can be provided for in the plaza space. -
Assessment Actions
Assessment Actions Borough Code Block Number Lot Number Tax Year Remission Code 1 1883 57 2018 1 385 56 2018 2 2690 1001 2017 3 1156 62 2018 4 72614 11 2018 2 5560 1 2018 4 1342 9 2017 1 1390 56 2018 2 5643 188 2018 1 386 36 2018 1 787 65 2018 4 9578 3 2018 4 3829 44 2018 3 3495 40 2018 1 2122 100 2018 3 1383 64 2017 2 2938 14 2018 Page 1 of 604 09/27/2021 Assessment Actions Owner Name Property Address Granted Reduction Amount Tax Class Code THE TRUSTEES OF 540 WEST 112 STREET 105850 2 COLUM 226-8 EAST 2ND STREET 228 EAST 2 STREET 240500 2 PROSPECT TRIANGLE 890 PROSPECT AVENUE 76750 4 COM CRESPA, LLC 597 PROSPECT PLACE 23500 2 CELLCO PARTNERSHIP 6935500 4 d/ CIMINELLO PROPERTY 775 BRUSH AVENUE 329300 4 AS 4305 65 REALTY LLC 43-05 65 STREET 118900 2 PHOENIX MADISON 962 MADISON AVENUE 584850 4 AVENU CELILY C. SWETT 277 FORDHAM PLACE 3132 1 300 EAST 4TH STREET H 300 EAST 4 STREET 316200 2 242 WEST 38TH STREET 242 WEST 38 STREET 483950 4 124-469 LIBERTY LLC 124-04 LIBERTY AVENUE 70850 4 JOHN GAUDINO 79-27 MYRTLE AVENUE 35100 4 PITKIN BLUE LLC 1575 PITKIN AVENUE 49200 4 GVS PROPERTIES LLC 559 WEST 164 STREET 233748 2 EP78 LLC 1231 LINCOLN PLACE 24500 2 CROTONA PARK 1432 CROTONA PARK EAS 68500 2 Page 2 of 604 09/27/2021 Assessment Actions 1 1231 59 2018 3 7435 38 2018 3 1034 39 2018 3 7947 17 2018 4 370 1 2018 4 397 7 2017 1 389 22 2018 4 3239 1001 2018 3 140 1103 2018 3 1412 50 2017 1 1543 1001 2018 4 659 79 2018 1 822 1301 2018 1 2091 22 2018 3 7949 223 2018 1 471 25 2018 3 1429 17 2018 Page 3 of 604 09/27/2021 Assessment Actions DEVELOPM 268 WEST 84TH STREET 268 WEST 84 STREET 85350 2 BANK OF AMERICA 1415 AVENUE Z 291950 4 4710 REALTY CORP. -
Changing Shape
Cashen and Katz Skidmore, Owings & Merrill CHAPTER 312 WhiteSkidmore, chapter Owings title & Integrated networks Merrillpractice: culture of white Architects Building on the legacy of technological and architectural Fredrik Nilsson, aldj kasdjf lsdkjf sdfk sdlfj sdlkfj sdlfj innovation sdlfj dsdsdsj sdjf lsad Daniel Cashen and Neil Katz Since its foundation in 1936, Skidmore, Owings & Merrill (SOM) inform key aspects of SOM’s current culture and practice. In recent has pushed the idea that architectural production thrives on years, the firm has leveraged the speed and flexibility afforded by collaboration. The firm has incubated historic alliances among technologically enhanced methods of communication, practitioners of varied expertise, leveraging the creative energy of experimenting with new combinations of software that allow for these interactions to keep the firm at the forefront of the industry. studio members of different disciplines to visualize and respond Over the decades, these moments of synchrony among SOM studio to each others’ workflows. In its search for new opportunities for members have yielded prolific results, from the development of the exchange and collaboration, the firm has consistently turned to glass curtain wall, the structural tube, and computer-aided design, fields and discourses adjacent to architecture – such as structural to iconic built works such as the Lever House in New York City, the engineering, computer science, information science, sustainability Sears Tower and Hancock Center in Chicago, and the Hajj Terminal engineering, and urban planning – to generate and guide at King Abdulaziz International Airport. With a more than 80-year architectural invention. legacy of innovation, SOM continues to strive to establish and improve industry standards and shape the twenty-first-century With its size and reputation, SOM is uniquely positioned to cityscape. -
240 Central Park South Apartments
Landmarks Preservation Commission June 25, 2002, Designation List 337 LP-2116 240 CENTRAL PARK SOUTH APARTMENTS, 240 Central Park South (aka 232-246 Central Park South (West 59th Street), 233-241West58th Street, and 1792-1810Broadway), Manhattan. Built 1939-40; [Albert] Mayer & [Julian H.] Whittlesey, architects; J.H. Taylor Construction Co., builders. Landmark Site: Borough of Manhattan Tax Map Block 1030, Lot 58. On April 30, 2002, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of 240 Central Park South Apartments and the proposed designation of the related Landmark Site (Item No. 1). The hearing had been duly advertised in accordance with the provisions of law. Nineteen people spoke in favor of designation, including representatives of Central Park South Associates (the property's owners), Manhattan Borough President C. Virginia Fields, CityCouncilmember Eva Moskowitz, New York Assemblyman Richard N. Gottfried, Municipal Art Society, New York Landmarks Conservancy, Historic Districts Council, Landmark West!, DOCOMOMO New York Tri-State, Modern Architecture Working Group, and architect-historian Robert A.M. Stern. One speaker opposed designation. In addition, the Commission received numerous letters and postcards in support of designation, including a resolution from Community Board 5 and letters from City Councilmember Christine C. Quinn, former Councilmember Ronnie M. Eldridge, Friends of Terra Cotta, National Society of Mural Painters, and Art Deco Society of New York. Summary 240 Central Park South Apartments, built in 1939-40 to the design of Mayer & Whittlesey, is a significant and innovative complex that represents the transition between 1930s Art Deco style apartment towers with courtyards (characteristic of Central Park West) and post-World War II "modernist" apartment houses.