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General Info.Indd
General Information • Landmarks Beyond the obvious crowd-pleasers, New York City landmarks Guggenheim (Map 17) is one of New York’s most unique are super-subjective. One person’s favorite cobblestoned and distinctive buildings (apparently there’s some art alley is some developer’s idea of prime real estate. Bits of old inside, too). The Cathedral of St. John the Divine (Map New York disappear to differing amounts of fanfare and 18) has a very medieval vibe and is the world’s largest make room for whatever it is we’ll be romanticizing in the unfinished cathedral—a much cooler destination than the future. Ain’t that the circle of life? The landmarks discussed eternally crowded St. Patrick’s Cathedral (Map 12). are highly idiosyncratic choices, and this list is by no means complete or even logical, but we’ve included an array of places, from world famous to little known, all worth visiting. Great Public Buildings Once upon a time, the city felt that public buildings should inspire civic pride through great architecture. Coolest Skyscrapers Head downtown to view City Hall (Map 3) (1812), Most visitors to New York go to the top of the Empire State Tweed Courthouse (Map 3) (1881), Jefferson Market Building (Map 9), but it’s far more familiar to New Yorkers Courthouse (Map 5) (1877—now a library), the Municipal from afar—as a directional guide, or as a tip-off to obscure Building (Map 3) (1914), and a host of other court- holidays (orange & white means it’s time to celebrate houses built in the early 20th century. -
CITY of HOUSTON Archaeological & Historical Commission Planning and Development Department
CITY OF HOUSTON Archaeological & Historical Commission Planning and Development Department LANDMARK DESIGNATION REPORT LANDMARK NAME: Melrose Building AGENDA ITEM: C OWNERS: Wang Investments Networks, Inc. HPO FILE NO.: 15L305 APPLICANT: Anna Mod, SWCA DATE ACCEPTED: Mar-02-2015 LOCATION: 1121 Walker Street HAHC HEARING DATE: Mar-26-2015 SITE INFORMATION Tracts 1, 2, 3A & 16, Block 94, SSBB, City of Houston, Harris County, Texas. The site includes a 21- story skyscraper. TYPE OF APPROVAL REQUESTED: Landmark Designation HISTORY AND SIGNIFICANCE SUMMARY The Melrose Building is a twenty-one story office tower located at 1121 Walker Street in downtown Houston. It was designed by prolific Houston architecture firm Lloyd & Morgan in 1952. The building is Houston’s first International Style skyscraper and the first to incorporate cast concrete cantilevered sunshades shielding rows of grouped windows. The asymmetrical building is clad with buff colored brick and has a projecting, concrete sunshade that frames the window walls. The Melrose Building retains a high degree of integrity on the exterior, ground floor lobby and upper floor elevator lobbies. The Melrose Building meets Criteria 1, 4, 5, and 6 for Landmark designation of Section 33-224 of the Houston Historic Preservation Ordinance. HISTORY AND SIGNIFICANCE Location and Site The Melrose Building is located at 1121 Walker Street in downtown Houston. The property includes only the office tower located on the southeastern corner of Block 94. The block is bounded by Walker Street to the south, San Jacinto Street to the east, Rusk Street to the north, and Fannin Street to the west. The surrounding area is an urban commercial neighborhood with surface parking lots, skyscrapers, and multi-story parking garages typical of downtown Houston. -
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March 26, 2015 By Anthony Paletta Rafael Viñoly’s 432 Park Ave., one of the tallest residential towers in the world and the third-tallest building in the U.S. PHOTO: STEVE REMICH FOR THE WALL STREET JOURNAL Manhattan’s skyline is making yet another historical surge upward, though this time with a new crop of super-tall, strikingly narrow apartment buildings that in some cases seem to defy gravity. To see for yourself, walk by SHoP Architects’ 111 W. 57 St., Christian de Portzamparc ’s One57, Jean Nouvel ’s 53 W. 53rd St. or Rafael Viñoly ’s 432 Park Ave. http://www.wsj.com/articles/manhattans-stalagmite-architecture-1427330737 What’s arresting about these structures is their eccentric dimensions. SHoP’s 111 W. 57th St., for example, will boast a width-to-height ratio of 1-to-23. (A standard No. 2 pencil has about a 1-to-30 ratio, and the original World Trade Center towers were a gouty 1-to-7.) Some of these new structures, especially on the upper reaches, are only one unit per floor. It’s partly technology that explains these stalagmite structures. Architects and engineers have tailored improvements in steel and reinforced concrete that facilitate developers’ perennial search for height on an island notoriously short of real estate. What we are witnessing, says SHoP Architects founding partner Gregg Pasquarelli, is a “wonderful golden age of the tall, slender building.” These innovations mark just the latest chapter in the evolving history of the skyscraper. Over the past century, technological breakthroughs have enabled builders to steadily reduce the proportion of structural elements—mainly steel and concrete—in the area where we live, work and play, savings usually given over to glass. -
THE CORPORATE PLAZA and the OFFICE TOWER : the Potential for a Mutualistic Space-Form Relationship
THE CORPORATE PLAZA AND THE OFFICE TOWER : The potential for a mutualistic space-form relationship NANDAGOPAL VADAKUPALAYAM RAGHUNATHAN Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in Partial fulfillment of the requirements for the degree of Masters in Landscape Architecture _______________ Dean Bork, Chair _______________ Benjamin Johnson _______________ Brian Katen May 21, 2004, Blacksburg, VA Keywords: pittsburgh, landscape architecture, architecture, spatial relationship, downtown, urban design, corporate plaza, skyscraper THE CORPORATE PLAZA AND THE OFFICE TOWER : The potential for a mutualistic space-form relationship NANDAGOPAL VADAKUPALAYAM RAGHUNATHAN abstract Within the context of a site/place on which a skyscraper is developed, the role of the corporate plaza is usually limited to providing a base to glorify the unique form of the skyscraper (the office tower). In such cases, the potential for a symbiotic relationship between the skyscraper and the plaza is not realized. In exploring the possibilities of a symbiotic relationship the first step was to research the skyscraper and its evolution. This analysis based on existing literature revealed the ‘motive’ behind the design and construction of skyscrapers and the reason for its strong physical image - “the corporations desire for an attention drawing device”. This desire has resulted in the design of the skyscraper as an object in the urban landscape with a high degree of ‘recognizability’. Although the skyscraper’s character of recognizability plays an important role in the perception of the site it fails to provide for the development of ‘experiential meaning’. This experiential meaning which is a critical component for the environmental image of the site/place can be provided for in the plaza space. -
240 Central Park South Apartments
Landmarks Preservation Commission June 25, 2002, Designation List 337 LP-2116 240 CENTRAL PARK SOUTH APARTMENTS, 240 Central Park South (aka 232-246 Central Park South (West 59th Street), 233-241West58th Street, and 1792-1810Broadway), Manhattan. Built 1939-40; [Albert] Mayer & [Julian H.] Whittlesey, architects; J.H. Taylor Construction Co., builders. Landmark Site: Borough of Manhattan Tax Map Block 1030, Lot 58. On April 30, 2002, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of 240 Central Park South Apartments and the proposed designation of the related Landmark Site (Item No. 1). The hearing had been duly advertised in accordance with the provisions of law. Nineteen people spoke in favor of designation, including representatives of Central Park South Associates (the property's owners), Manhattan Borough President C. Virginia Fields, CityCouncilmember Eva Moskowitz, New York Assemblyman Richard N. Gottfried, Municipal Art Society, New York Landmarks Conservancy, Historic Districts Council, Landmark West!, DOCOMOMO New York Tri-State, Modern Architecture Working Group, and architect-historian Robert A.M. Stern. One speaker opposed designation. In addition, the Commission received numerous letters and postcards in support of designation, including a resolution from Community Board 5 and letters from City Councilmember Christine C. Quinn, former Councilmember Ronnie M. Eldridge, Friends of Terra Cotta, National Society of Mural Painters, and Art Deco Society of New York. Summary 240 Central Park South Apartments, built in 1939-40 to the design of Mayer & Whittlesey, is a significant and innovative complex that represents the transition between 1930s Art Deco style apartment towers with courtyards (characteristic of Central Park West) and post-World War II "modernist" apartment houses. -
Bfm:978-1-56898-652-4/1.Pdf
Manhattan Skyscrapers Manhattan Skyscrapers REVISED AND EXPANDED EDITION Eric P. Nash PHOTOGRAPHS BY Norman McGrath INTRODUCTION BY Carol Willis PRINCETON ARCHITECTURAL PRESS NEW YORK PUBLISHED BY Princeton Architectural Press 37 East 7th Street New York, NY 10003 For a free catalog of books, call 1.800.722.6657 Visit our website at www.papress.com © 2005 Princeton Architectural Press All rights reserved Printed and bound in China 08 07 06 05 4 3 2 1 No part of this book may be used or reproduced in any manner without written permission from the publisher, except in the context of reviews. The publisher gratefully acknowledges all of the individuals and organizations that provided photographs for this publi- cation. Every effort has been made to contact the owners of copyright for the photographs herein. Any omissions will be corrected in subsequent printings. FIRST EDITION DESIGNER: Sara E. Stemen PROJECT EDITOR: Beth Harrison PHOTO RESEARCHERS: Eugenia Bell and Beth Harrison REVISED AND UPDATED EDITION PROJECT EDITOR: Clare Jacobson ASSISTANTS: John McGill, Lauren Nelson, and Dorothy Ball SPECIAL THANKS TO: Nettie Aljian, Nicola Bednarek, Janet Behning, Penny (Yuen Pik) Chu, Russell Fernandez, Jan Haux, Clare Jacobson, John King, Mark Lamster, Nancy Eklund Later, Linda Lee, Katharine Myers, Jane Sheinman, Scott Tennent, Jennifer Thompson, Paul G. Wagner, Joe Weston, and Deb Wood of Princeton Architectural Press —Kevin Lippert, Publisher LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Nash, Eric Peter. Manhattan skyscrapers / Eric P. Nash ; photographs by Norman McGrath ; introduction by Carol Willis.—Rev. and expanded ed. p. cm. Includes bibliographical references. ISBN 1-56898-545-2 (alk. -
“The 1961 New York City Zoning Resolution, Privately Owned Public
“The 1961 New York City Zoning Resolution, Privately Owned Public Space and the Question of Spatial Quality - The Pedestrian Through-Block Connections Forming the Sixth-and-a-Half Avenue as Examples of the Concept” University of Helsinki Faculty of Arts Department of Philosophy, History, Culture and Art Studies Art History Master’s thesis Essi Rautiola April 2016 Tiedekunta/Osasto Fakultet/Sektion – Faculty Laitos/Institution– Department Humanistinen tiedekunta Filosofian, historian, kulttuurin ja taiteiden tutkimuksen laitos Tekijä/Författare – Author Essi Rautiola Työn nimi / Arbetets titel – Title The 1961 New York City Zoning Resolution, Privately Owned Public Space and the Question of Spatial Quality - The Pedestrian Through-Block Connections Forming the Sixth-and-a-Half Avenue as Examples of the Concept Oppiaine /Läroämne – Subject Taidehistoria Työn laji/Arbetets art – Level Aika/Datum – Month and year Sivumäärä/ Sidoantal – Number of pages Pro gradu Huhtikuu 2016 104 + 9 Tiivistelmä/Referat – Abstract Tutkielma käsittelee New Yorkin kaupungin kaavoituslainsäädännön kerrosneliöbonusjärjestelmää sekä sen synnyttämiä yksityisomisteisia julkisia tiloja ja niiden tilallista laatua nykyisten ihanteiden valossa. Esimerkkitiloina käytetään Manhattanin keskikaupungille kuuden korttelin alueelle sijoittuvaa kymmenen sisä- ja ulkotilan sarjaa. Kerrosneliöbonusjärjestelmä on ollut osa kaupungin kaavoituslainsäädäntöä vuodesta 1961 alkaen ja liittyy olennaisesti New Yorkin kaupungin korkean rakentamisen perinteisiin. Se on mahdollistanut ylimääräisten -
Pepsi-Cola Buildnig
Landmarks Preservation Commission June 20, 1995 ; Designation List 265 LP-1920 (Former) PEPSI-COLA BUILDING (now ABN-Amro Bank Building), 500 Park Avenue, a/k/a 62 East 59th Street, Manhattan. Built 1958-60. Skidmore, Owings & Merrill, architects; Gordon Bunshaft, design partner; Natalie de Blois, senior designer for project. Landmark Site: Borough of Manhattan Tax Map Block 1294, Lot 37. On June 15, 1993, the Landmarks Preservation Commission held a public hearing on the proposed designation of the (former) Pepsi-Cola Building and the proposed designation of the related Landmark Site (Item No. 16). The hearing had been duly advertised in accordance with the provisions of law. Three witnesses, including a representative of the Municipal Art Society, spoke in favor of designation and no witnesses spoke in opposition to designation. A representative of the owner expressed uncertainty about the proposed designation, but subsequently communicated support for it. The Commission subsequently received two written submissions in favor of designation. DESCRIPTION AND ANALYSIS Summary Located on a prominent comer site along Park Avenue , a thoroughfare associated since the 1950s with sleek, understated modem monuments to corporate America, the Pepsi-Cola Building is one of New York's seminal International Style landmarks. Its superb design, innovative technology, and production as a collaborative effort are all qualities for which the firm of Skidmore, Owings & Merrill was already famous: design partner Gordon Bunshaft guided the firm's New York office, and Natalie de Blois, among the very few women architects at that time, was the senior designer for the project. Throughout its existence, the building has been praised by architectural critics for its clever siting and gemlike treatment, and especially for its sophisticated curtain wall, a nearly smooth skin of gray-green glass and aluminum spandrels. -
100E53 Brochure.Pdf
Prologue The prospective homeowner of One Hundred East Fifty Third Street resists easy categorization. I have personally fielded inquiries from businesspeople who touch down across the planet to long- established couples who are writing the next chapter of their lives in the city. Yet what they all have in common is an eye for detail, an appreciation for cultural experience, and overall sophistication. RFR shares that perspective, which our development projects have proven time and again. The company is held to increasingly rigorous standards as a result of these past achievements, and to that end One Hundred East Fifty Third Street will be the highest- quality residential building we have ever sponsored. Site, as much as our reputation, demands such an effort. One Hundred East Fifty Third Street’s location next to the Seagram Building is in fact an obligation to produce a tower of similar Cover: A detail of One Hundred creative perfection. In the hands of architect Norman Foster, we East Fifty Third’s east elevation are realizing a structure that both honors its important setting and shows the harmony between the faceted curtain wall and custom propels it forward. pleated curtains, which are installed throughout the interiors. One Hundred East Fifty Third Street’s progressive spirit will be Right: The tower ascends to 711 feet. most apparent to future homeowners. The design of individual residences stands out in the crowded New York marketplace. Much more space is allocated to entertaining and art display than comparable properties offer, in particular, and each unit’s systems and finishes are keenly tuned to contemporary living. -
Modern Skyline
MODERN SKYLINE Architecture and Development in the Financial District and Bunker Hill area Docent Reference Manual Revised February 2016 Original manual by intern Heather Rigby, 2001. Subsequent revisions by LA Conservancy staff and volunteers. All rights reserved Table of Contents About the tour 3 Gas Company Building 4 Building on the Past: The Architecture of Additions 5 One Bunker Hill (Southern California Edison) 6 Biltmore Tower 7 Tom Bradley Wing, Central Library 8 Maguire Gardens, Central Library 10 US Bank Tower (Library Tower) 11 Bunker Hill Steps 13 Citigroup Center 14 Cultural Landscapes 14 550 South Hope Street (California Bank and Trust) 16 611 Place (Crocker Citizens-Plaza/AT&T) 17 Aon Center (UCB Building/First Interstate Tower) 18 Modern Building and Preservation 19 A Visual Timeline 19 Adaptive Reuse 20 Downtown Standard (Superior Oil Building) 21 Tax Credits 22 The Pegasus (General Petroleum Building) 23 AC Martin and Contemporary Downtown 24 Figueroa at Wilshire (Sanwa Bank Plaza) 24 Destruction and Development 25 City National Plaza (ARCO Plaza) 26 Richfield Tower 28 Manulife Plaza 29 Union Bank Plaza 30 Westin Bonaventure Hotel 31 History of Bunker Hill 33 Four Hundred South Hope (Mellon Bank/O’Melveny and Myers) 34 Bank of America Plaza (Security Pacific Plaza) 35 Stuart M. Ketchum Downtown Y.M.C.A 37 Wells Fargo Plaza (Crocker Center) 38 California Plaza 39 Uptown Rocker 40 Untitled or Bell Communications Across the Globe 40 Appendix A: A Short Summary of Modern Architectural Styles 41 Appendix B: Los Angeles Building Height Limits 42 Appendix C: A Short History of Los Angeles 43 Updated February 2016 Page 2 ABOUT THE TOUR This tour covers some of the newer portions of the downtown Los Angeles skyline. -
NY Skyscrapers : Über Den Dächern Von New York City
Dirk Stichweh Fotografien von Jörg Machirus Scott Murphy SKYSCRAPERS ÜBER DEN DÄCHERN VON NEW YORK CITY PRESTEL München London New York INHALTSVERZEICHNIS 5 Vorwort 6 Die Geschichte der New Yorker Wolkenkratzer - Eine kleine Zeitreise DOWNTOWN SKYSCRAPERS 14 Einleitung 28 60 Wall Street 48 30 Park Place 16 Trump Building 30 70 Pine Street 50 Barclay-Vesey Building 18 Bankers Trust Company 32 One Chase Manhattan Plaza 52 World Trade Center Building 34 120 Wall Street (Twin Towers) 19 Bank of New York Building 35 Park Row Building 54 One World Trade Center 22 Standard Oil Building 36 New York by Gehry 60 World Financial Center 23 One New York Plaza 38 Municipal Building 62 West Street Building 24 55 Water Street 42 56 Leonard Street 63 One Liberty Plaza 26 20 Exchange Place 44 Woolworth Building 64 Equitable Building MIDTOWN SKYSCRAPERS 68 Einleitung 116 General Electric Building 157 Time-Life Building 70 Flatiron Building 118 Helmsley Building 158 XYZ Buildings 72 Metropolitan Life Tower 120 383 Madison Avenue 160 WR. Grace Building 74 Metropolitan Life North Building 122 JPMorgan Chase World 161 Fred F. French Building 78 New York Life Building Headquarters 162 500 Fifth Avenue 79 One Penn Plaza 124 Waldorf Astoria Hotel 164 Bank of America Tower 80 Empire State Building 126 Seagram Building 166 4 Times Square 86 American Radiator Building 130 Lever House 168 New York Times Tower 88 Lincoln Building 132 432 Park Avenue 170 McGraw-Hill Building 89 Chanin Building 134 Four Seasons Hotel 172 Paramount Building 90 MetLife Building 135 IBM -
Despite Record Prices, RFR Goes on a Manhattan Buying Spree
September 16, 2014 Despite Record Prices, RFR Goes on a Manhattan Buying Spree By Julie Satow Walking into Aby Rosen’s office on the third floor of the Lever House in Midtown, guests are greeted by several light installations hung above the elevator banks. They feature impish phrases like “You Forgot to Kiss My Soul” by the artist Tracey Emin, but also more provocative ones, including two pieces with vulgar language. It is, perhaps, the first indication that Mr. Rosen is not your typical, staid office landlord. Mr. Rosen, a co-founder and principal of RFR Holdings, is one of the city’s busiest developers, buying buildings across Manhattan at a time when many other players are sitting on the sidelines, waiting for prices to come down. In the past year, the developer has been on a Manhattan acquisition spree, buying a graffiti-covered building in SoHo, a low-rise building at 11 Bond Street, a Holiday Inn hotel near Canal Street, a mansion on the Upper East Side, and the six-story Church Missions House, a Flemish-Renaissance landmark building in the Flatiron district. And that is just the beginning. RFR plans to spend $250 million on Manhattan land purchases, up to $500 million on office building deals and $100 million to $150 million more on retailing properties — all before the end of the year. “It is a good time to buy great buildings — it is a bad time to buy cheap buildings,” Mr. Rosen said recently, his shock of white hair shaking as he nodded for emphasis. “We are searching for The most under-the-radar purchase was 190 properties that are unique, with beautiful Bowery, a building at Spring Street that was architecture, where we can take our brand originally built in 1898 as a location for the and add value.” Germania Bank.