2010 Vol. 54 No. 2
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Today's News - Monday, March 10, 2008 Arcspace Brings Us OMA in Berlin
Home Yesterday's News Calendar Contact Us Subscribe Advertise Today's News - Monday, March 10, 2008 ArcSpace brings us OMA in Berlin. -- We lose a master/inventor of Earth Architecture and Super Adobe; and an author/critic "known for his unsentimental, sometimes cantankerous demeanor." -- Sudjic on his/Burdett's "The Endless City": it's "a powerful affirmation of the city as mankind's greatest single invention." -- Hume on the "apostle of sprawl" (could O'Toole have a point?) -- Plan to spend some time with one of the most comprehensive overviews of development in Abu Dhabi. -- And an eyeful of about 60 of the fantastic (and sometimes phantasmagorical) buildings in Dubai (some are only proposed - whew!). -- An in-depth look at the infrastructure project that's making it all possible. -- Request for Qualifications (RFQ) for phase one of the redevelopment of the New Orleans Riverfront. -- Waterfront Toronto about to issue its own RFQ for two sites. -- Finding the balance between openness and security remains an ongoing challenge. -- It certainly will be with plans to bring a slice of Poundbury to a Jamaican ghetto. -- Seattle should not start genuflecting to its new skyscrapers just yet: the eco-density coalition is beginning to feel some internal splits. -- Heathcote gives a (mostly) hearty thumbs-up to NYC's New Museum. -- Finding the balance between openness and security remains an ongoing challenge. -- There may be a silver lining for Pei's Silver Towers if NYU does the right thing. -- It's a shame that architecture students "learn the best practices of their discipline in some of the worst buildings on their campuses." -- Parsons step in the right direction with an "adroit makeover" combining "style and even wit." -- Kolkata Airport taps RMJM. -
ORAL HISTORY of NATALIE DE BLOIS Interviewed by Betty J. Blum
ORAL HISTORY OF NATALIE DE BLOIS Interviewed by Betty J. Blum Compiled under the auspices of the Chicago Architects Oral History Project The Ernest R. Graham Study Center for Architectural Drawings Department of Architecture The Art Institute of Chicago Copyright © 2004 The Art Institute of Chicago This manuscript is hereby made available to the public for research purposes only. All literary rights in the manuscript, including the right to publication, are reserved to the Ryerson and Burnham Libraries of The Art Institute of Chicago. No part of this manuscript may be quoted for publication without the written permission of The Art Institute of Chicago. ii TABLE OF CONTENTS Preface iv Outline of Topics vi Oral History 1 Selected References 143 Curriculum Vitae 146 Index of Names and Buildings 147 iii PREFACE It is not surprising, despite the fact that architecture was a male-dominated profession, that Natalie de Blois set her sights on becoming an architect early on. Surrounded by the talk and tools of the trade, she continues an unbroken chain of three generations of Griffin family achievements and interest in building. De Blois was headed for MIT but was diverted by the Depression to Columbia University, where she studied architecture. After graduation, de Blois began her fifty-year career in architecture in 1944 at the office of Skidmore Owings and Merrill, New York. It was in that office, under the wing of Gordon Bunshaft, that de Blois blossomed. She worked with Bunshaft on important and challenging projects and her pleasure in that she thought was reward enough. However, as one of the few women in architecture at that time, she suffered the slights and indifference to which women were often subjected. -
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MANAGING TRANSPARENCY IN POST‐WAR MODERN ARCHITECTURE Makenzie Leukart Submitted in partial fulfillment of the requirements for the degree Master of Science in Historic Preservation Graduate School of Architecture, Planning and Preservation Columbia University (May 2016) Dedication This thesis would not have been possible without the support of my advisor, Theo Prudon. His guidance and depth of knowledge about modern architecture was vital to my own chaotic process. Special thanks is given to my parents, who made this educational journey possible. I will never forget your sacrifice and your unconditional love and support. Thank you for the frequent pep talks in moments of self‐ doubt and listening to my never‐ending ramblings about my research. Especially to my mother, who tagged along on my thesis research trip and acted as both cheerleader and personal assistant throughout. To Zaw Lyn Myat and Andrea Tonc, it’s been a long 4 years to get to this point. I could not have made it through either program without your friendship, especially during the last few months as we inched towards the finish line. Additional thanks is also given to those who aided me in my research and facilitated access: Belmont Freeman, Richard Southwick, Donna Robertson, Edward Windhorst, Frank Manhan, Louis Joyner, Tricia Gilson, Richard McCoy, Erin Hawkins, Michelangelo Sabatino, Mark Sexton, Robert Brown and the entire Historic Preservation faculty and staff at Columbia. I Table of Contents Introduction ................................................................................................................................ -
Galen D. Newman
GALEN D. NEWMAN Associate Professor, Department of Landscape Architecture and Urban Planning Texas A&M University, 3137 TAMU, Langford A, Office 304 College Station, TX 77843-3137 979-862-4320 (office) 979-862-1784 (fax) [email protected] (email) EDUCATION Doctor of Philosophy in Planning, Design, and the Built Environment, May 2010 College of Architecture, Arts and Humanities Clemson University – Clemson, SC Research Focus: Urbanization, Abandonment and Growth Management, Dissertation: An Exogenous Approach to Circumventing Demolition by Neglect: The Impact of Peripheral Agricultural Preservation on Historic Urbanized Boroughs Advisor: Mickey Lauria Master of Landscape Architecture, May 2006 College of Architecture, Design, and Construction Auburn University – Auburn, AL Concentration Area: Community Design/Human Settlement Master of Community Planning: Urban Design Track, May 2006 College of Architecture, Design, and Construction Auburn University – Auburn, AL Concentration Area: Urban Design and Regional Planning Bachelor of Science in Environmental Design, May 2003 College of Architecture, Design, and Construction Auburn University – Auburn, AL ACADEMIC Associate Professor, Department of Landscape Architecture and Urban Planning, APPOINTMENTS Texas A&M University, August, 2017-Present Associate Department Head, Department of Landscape Architecture and Urban Planning, Texas A&M University, August, 2017-Present Director, Center for Housing and Urban Development (CHUD). Texas A&M University, August, 2018-present Vice President for Research and Creative Scholarship, Council of Educators in Landscape Architecture (CELA), 2018-present Program Coordinator, Bachelor Landscape Architecture (BLA) Program. Department of Landscape Architecture and Urban Planning, Texas A&M University. Aug., 2019- present 1.5.2020 Page | 1 Nicole and Kevin Youngblood Professorship in Residential Land Development, College of Architecture, Texas A&M University. -
Campus/Community Relationships: an Annotated Bibliography Volume 2. INSTITUTION Society for Coll
DOCUMENT RESUME ED 072 720 HE 003 716 AUTHOR Fink, Ira Stephen, Comp.; Cooke, Joan, Comp. TITLE Campus/Community Relationships: An Annotated Bibliography Volume 2. INSTITUTION Society for Coll. and Univ. Planning, New York, N.Y. PUB DATE Apr 72 NOTE 103p. EDRS PRICE MF-$0.65 HC-$6.58 DESCRIPTORS *Annotated Bibliographies; *Bibliographies; *Educational Sociology; *Higher Education; *School Community Relationship ABSTRACT This annotated bibliography on campus/community relationships deals almost exclusively with the secondary effects of colleges and universities on their surrounding environs. The bibliography provides detailed and objective descriptions of the contents of the articles, monographs and books that deal with the effects of campus growth and expansion, circulation and transportation, commercial services, research parks and zoningon the community. (HS) CAMPUS-COMMUNITY RELATIONSHIPS: AN ANNOTATED BIBLIOGRAPHY VOLUME 2 Society for College and University Planning SOCIETY FOR COLLEGE 1ND UNIVERSITY PLANNING 101 \RI)01 DI RI ( "MRS l'ra.ident Ilan Id 1(ws citeDirector ot Platunng Ilarsard l nilrsit I X ILL Pr, sise nt oulson 1 wig!' \ Ise PrssidentI ,iiles Planring and Operation.I nner.11% ol llou.ton SesretarsI riasnrer NaphtaliII Knox. Duet tor.Pity sisalPlanning andI onstrra tion,I heI 111%4A-sitsot ( Imago Immediate Past President klbert R. \1.igner. Planner1. nn ersity otalitorma i1 1.0.er,:t% %%ids I ucutile I 'ire,. tor JohnI).I alterVise President forI asilities Planning. StateI nit ersitsot New f ork But t alo Regional Representatives North Xtlantis Richard I'Dober, Prim. trail. I))ber and A.soilate.. Inc. Boston Ma...IL 111,,ett \lid Atlantis James 1Doi, Dean. -
The Climate of Urban Design: Speaker Biographies
The Climate of Urban Design: Speaker Biographies Edgar Adams, AIA Professor, Roger Williams University Edgar Adams has been a faculty member at the Roger Williams University School of Architecture, Art and Historic Preservation since 1992. He is a past coordinator of the Architecture Program and the current coordinator of the Urban Studies Program. He has a BArch and a MArch in Urban Design from Cornell University. Before commencing his graduate studies, he received an Eidlitz Traveling Fellowship to explore housing and town planning in England and the Netherlands and worked in Philadelphia at WRT. Since relocating to Rhode Island in 1994 he has practiced independently and with Andrea Homolacova Adams. Since joining Roger Williams University, he has taught a range of courses at all levels of the design curriculum, while maintaining his focus on urban issues. In 1994 he initiated the Prague Summer Study Abroad Program and in 1999 helped establish the RWU Rome Program, now based in Florence. His research interests include: smart growth, transit oriented development, regenerative urbanism, coastal resilience, housing and the role of place and the public realm in contemporary society. He has been a critic at the Harvard GSD, MIT, RISD, BAC, Wentworth Institute of Technology, Yale, Northeastern, Kent State and Waterloo (Rome) Universities. Dean J. Almy III, AIA Director, Graduate Program in Urban Design, The University of Texas at Austin Dean J. Almy III is Associate Professor of Architecture and Fellow of the Sinclair Black Endowed Chair in the Architecture of Urbanism. He is Director of the Graduate Program in Urban Design and The Texas Urban Futures Laboratory at The University of Texas at Austin. -
Career Fair U-Soa
University of Miami // 2020 School of Architecture // 2020 U-SoA Career Fair U-SoA Career Fair 1 Table of Contents Message from the Dean 05 Graduating Students 08 Current Students 120 Participating Firms 220 Contact Info 242 U-SoA Design/Build Program 2 3 Caption Placeholder Graduate Thesis Reviews Message from Dean Rodolphe el-Khoury I am proud to welcome you to the University of Miami School of Architecture’s 2020 Career Fair! At our School, the Career Fair represents a critical component of our students’ future successes and is part of a multi-pronged strategy for joining the classroom with the workplace. The Career Fair aligns our students with internships, immersing them into real-world situations that complement their coursework with the invaluable lessons of professional experience. For graduating students, the Career Fair optimizes the transition to the profession by offering opportunities in some of the leading offices nationwide -- trusted partners whose exceptional capacity to extend and intensify the learning process is sought and valued. U-SoA’s commitment to link academic excellence to professional relevance is implicit in the students’ profiles featured in this booklet. They evocatively communicate the career aspirations of future professionals preparing for the next stage of their journey. The profiles also demonstrate the diversity in backgrounds, orientation, ideas and skills that characterize our student body. This diversity is in the school’s DNA. It empowers our students in addressing current environmental and social challenges and in creating a more beautiful, equitable, and environmentally responsible world. We thank you for your support in considering our students for employment and in bridging real-world practice with academia. -
Changing Shape
Cashen and Katz Skidmore, Owings & Merrill CHAPTER 312 WhiteSkidmore, chapter Owings title & Integrated networks Merrillpractice: culture of white Architects Building on the legacy of technological and architectural Fredrik Nilsson, aldj kasdjf lsdkjf sdfk sdlfj sdlkfj sdlfj innovation sdlfj dsdsdsj sdjf lsad Daniel Cashen and Neil Katz Since its foundation in 1936, Skidmore, Owings & Merrill (SOM) inform key aspects of SOM’s current culture and practice. In recent has pushed the idea that architectural production thrives on years, the firm has leveraged the speed and flexibility afforded by collaboration. The firm has incubated historic alliances among technologically enhanced methods of communication, practitioners of varied expertise, leveraging the creative energy of experimenting with new combinations of software that allow for these interactions to keep the firm at the forefront of the industry. studio members of different disciplines to visualize and respond Over the decades, these moments of synchrony among SOM studio to each others’ workflows. In its search for new opportunities for members have yielded prolific results, from the development of the exchange and collaboration, the firm has consistently turned to glass curtain wall, the structural tube, and computer-aided design, fields and discourses adjacent to architecture – such as structural to iconic built works such as the Lever House in New York City, the engineering, computer science, information science, sustainability Sears Tower and Hancock Center in Chicago, and the Hajj Terminal engineering, and urban planning – to generate and guide at King Abdulaziz International Airport. With a more than 80-year architectural invention. legacy of innovation, SOM continues to strive to establish and improve industry standards and shape the twenty-first-century With its size and reputation, SOM is uniquely positioned to cityscape. -
College of Architecture Summer Newsletter 2002
College of Architecture summer newsletter 2002 elementsl viroen nment menvironment ents Letter from the Dean Second, we are at the closing stages of two critically important leadership searches: ■ the new director of the Georgia Tech Music Department ■ development of plans for the expansion ■ and the new director of our Center for of the College’s instructional and research Assistive Technology and Environmental space in a nearby building, with a Access (formerly the Center for particular emphasis on studio space Rehabilitation Technology). for the Architecture and Industrial A number of new and exciting changes are We are planning on announcing these Design programs; and emerging within the College as it prepares for appointments very shortly with the expectation ■ the completion of the capital campaigns the 2002-2003 academic year. First, with the of having them on board at the beginning of for the Center for Quality Growth and retirement of a distinguished colleague and this coming academic year. Regional Development and for the friend, Associate Dean Tom Debo (City and In addition to these changes, we also will first endowed chair in Architecture, Regional Planning), Professor Doug Allen be initiating during the coming year several the Thomas W. Ventulett III Professorship (Architecture) and Associate Professor Sabir important new appointments and events. in Architectural Design. Khan (Architecture) will be assisting me in These include: These projects obviously will be in addition leading the College as Associate Dean for ■ the extension of the search for the director to the continued development of a variety Academic and Student Affairs and Associate of the new Center for Quality Growth of new developments within our programs Dean for Undergraduate Studies and Creative and Regional Development and the Harry and centers. -
Lecture Handouts, 2013
Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #1 INTRODUCTION & OVERVIEW Introductions Expectations Textbooks Assignments Electronic reserves Research Project Sources History-Theory-Criticism Methods & questions of Architectural History Assignments: Initial Paper Topic form Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #2 ARCHITECTURE OF WWII The World at War (1939-45) Nazi War Machine - Rearming Germany after WWI Albert Speer, Hitler’s architect & responsible for Nazi armaments Autobahn & Volkswagen Air-raid Bunkers, the “Atlantic Wall”, “Sigfried Line”, by Fritz Todt, 1941ff Concentration Camps, Labor Camps, POW Camps Luftwaffe Industrial Research London Blitz, 1940-41 by Germany Bombing of Japan, 1944-45 by US Bombing of Germany, 1941-45 by Allies Europe after WWII: Reconstruction, Memory, the “Blank Slate” The American Scene: Pearl Harbor, Dec. 7, 1941 Pentagon, by Berman, DC, 1941-43 “German Village,” Utah, planned by US Army & Erich Mendelsohn Military production in Los Angeles, Pittsburgh, Detroit, Akron, Cleveland, Gary, KC, etc. Albert Kahn, Detroit, “Producer of Production Lines” * Willow Run B-24 Bomber Plant (Ford; then Kaiser Autos, now GM), Ypsilanti, MI, 1941 Oak Ridge, TN, K-25 uranium enrichment factory; town by S.O.M., 1943 Midwest City, OK, near Midwest Airfield, laid out by Seward Mott, Fed. Housing Authortiy, 1942ff Wartime Housing by Vernon Demars, Louis Kahn, Oscar Stonorov, William Wurster, Richard Neutra, Walter Gropius, Skidmore-Owings-Merrill, et al * Aluminum Terrace, Gropius, Natrona Heights, PA, 1941 Women’s role in the war production, “Rosie the Riverter” War time production transitions to peacetime: new materials, new design, new products Plywod Splint, Charles Eames, 1941 / Saran Wrap / Fiberglass, etc. -
Minimal Art and Body Politics in New York City, 1961-1975 By
Minimal Art and Body Politics in New York City, 1961-1975 by Christopher M. Ketcham M.A. Art History, Tufts University, 2009 B.A. Art History, The George Washington University, 1998 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ARCHITECTURE: HISTORY AND THEORY OF ART AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY SEPTEMBER 2018 © 2018 Christopher M. Ketcham. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author:__________________________________________________ Department of Architecture August 10, 2018 Certified by:________________________________________________________ Caroline A. Jones Professor of the History of Art Thesis Supervisor Accepted by:_______________________________________________________ Professor Sheila Kennedy Chair of the Committee on Graduate Students Department of Architecture 2 Dissertation Committee: Caroline A. Jones, PhD Professor of the History of Art Massachusetts Institute of Technology Chair Mark Jarzombek, PhD Professor of the History and Theory of Architecture Massachusetts Institute of Technology Tom McDonough, PhD Associate Professor of Art History Binghamton University 3 4 Minimal Art and Body Politics in New York City, 1961-1975 by Christopher M. Ketcham Submitted to the Department of Architecture on August 10, 2018 in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Architecture: History and Theory of Art ABSTRACT In the mid-1960s, the artists who would come to occupy the center of minimal art’s canon were engaged with the city as a site and source of work. -
The Definition of an Architect
06_709549_ch01.qxp 1/18/06 12:21 PM Page 1 Chapter One The Definition of an Architect He looked at the granite.To be cut, he thought, and made into walls. He looked at a tree.To be split and made into rafters. He looked at a streak of rust on the stone and thought of iron ore under the ground.To be melted and to emerge as girders against the sky.These rocks, he thought, are here for me; waiting for the drill, the dynamite and my voice; waiting to be split, ripped, pounded, reborn,COPYRIGHTED waiting for theMATERIAL shape of my hands will give to them. AYN RAND, THE FOUNTAINHEAD1 THE DEFINITION OF AN ARCHITECT 1 06_709549_ch01.qxp 1/18/06 12:21 PM Page 2 2 BECOMING AN ARCHITECT After reading the preceding text from The Of course, this definition simply scratch- Fountainhead by Ayn Rand, what are your es the surface. Becoming and being an archi- thoughts and feelings? Can you relate with tect is much more. It is not the intent of this the main character, Howard Roark, in this book to provide a complete overview of passage? Are you overcome with the possi- architecture or a full career profile; here, bilities of creating with the materials around however, is a brief introduction to what you? architects do. Do you want to be an architect? Do you wish to study architecture? If your answer is yes to any of these questions, this book is for you. What Do What is the definition of an architect? Architects Do? The American Heritage Dictionary2 defines architect as: People need places in which to live, work, 1.