1996–2019 Indici 632–906
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Campusmap06.Pdf
A B C D E F MIT Campus Map Welcome to MIT #HARLES3TREET All MIT buildings are designated .% by numbers. Under this numbering "ROAD 1 )NSTITUTE 1 system, a single room number "ENT3TREET serves to completely identify any &ULKERSON3TREET location on the campus. In a 2OGERS3TREET typical room number, such as 7-121, .% 5NIVERSITY (ARVARD3QUARE#ENTRAL3QUARE the figure(s) preceding the hyphen 0ARK . gives the building number, the first .% -)4&EDERAL number following the hyphen, the (OTEL -)4 #REDIT5NION floor, and the last two numbers, 3TATE3TREET "INNEY3TREET .7 43 the room. 6ILLAGE3T -)4 -USEUM 7INDSOR3TREET .% 4HE#HARLES . 3TARK$RAPER 2ANDOM . 43 3IDNEY 0ACIFIC 3IDNEY3TREET (ALL ,ABORATORY )NC Please refer to the building index on 0ACIFIC3TREET .7 .% 'RADUATE2ESIDENCE 3IDNEY 43 0ACIFIC3TREET ,ANDSDOWNE 3TREET 0ORTLAND3TREET 43 the reverse side of this map, 3TREET 7INDSOR .% ,ANDSDOWNE -ASS!VE 3TREET,OT .7 3TREET .% 4ECHNOLOGY if the room number is unknown. 3QUARE "ROADWAY ,ANDSDOWNE3TREET . 43 2 -AIN3TREET 2 3MART3TREET ,ANDSDOWNE #ROSS3TREET ,ANDSDOWNE 43 An interactive map of MIT 3TREETGARAGE 3TREET 43 .% 2ESIDENCE)NN -C'OVERN)NSTITUTEFOR BY-ARRIOTT can be found at 0ACIFIC "RAIN2ESEARCH 3TREET,OT %DGERTON (OUSE 'ALILEO7AY http://whereis.mit.edu/. .7 !LBANY3TREET 0LASMA .7 .7 7HITEHEAD !LBANY3TREET )NSTITUTE 0ACIFIC3TREET,OT 3CIENCE .7 .! .!NNEX,OT "RAINAND#OGNITIVE AND&USION 0ARKING'ARAGE Parking -ASS 3CIENCES#OMPLEX 0ARSONS .% !VE,OT . !LBANY3TREET #ENTER ,ABORATORY "ROAD)NSTITUTE 'RADUATE2ESIDENCE .UCLEAR2EACTOR ,OT #YCLOTRON ¬ = -
Campus Map, Shuttle Routes & Parking
CAMPUS MAP, SHUTTLE ROUTES & PARKING SHUTTLE STOPS REUNION SHUTTLES SCHEDULE CAMPUS PARKING LOTS Tech Reunions Shuttle – red route Thursday, June 8 Saturday, June 10 and Sunday June 11 Four vehicles will service the Tech Reunions route (marked red on the map), All day: NW23 C, NW30 D, NW86 E, Waverly Lot F, All day: 158 Mass. Ave. Lot A, Albany Garage B, 1 Kresge/Maseeh Hall and one will service the MIT Museum route (marked blue on the map) the Westgate Lot (limited space) G, NW23 C, NW30 D, NW86 E, Waverly Lot F, 2 Burton House following hours: After 2:30 p.m.: West Lot H Westgate Lot G, West Lot H, West Garage I, 3 Westgate Parking Lot Kresge Lot J, Tang Center Lot (ungated lot) K Thursday, June 8: 2:00 p.m.–10:00 p.m. Friday, June 9 4 Hyatt Regency/W92 All day: NW23 C, NW30 D, NW86 E, Waverly Lot F, 5 Friday, June 9: 7:00 a.m.–7:30 p.m., then 11:00 p.m.–1:00 a.m. Parking for Registration and Check-in Simmons Hall G, *Please note that service to stops 1, 2, 3, 12, and 13 will be suspended from Westgate Lot (limited space) 20-minute parking is available in the Student Center 6 Johnson Athletics Center H, 9:00–10:30 a.m. for the Commencement procession. The MIT Museum Shuttle After 2:30 p.m.: West Lot West Garage I turnaround R1 , and in front of McCormick Hall R2 . Charles Street 7 Vassar Street at Mass Ave. -
ORAL HISTORY of NATALIE DE BLOIS Interviewed by Betty J. Blum
ORAL HISTORY OF NATALIE DE BLOIS Interviewed by Betty J. Blum Compiled under the auspices of the Chicago Architects Oral History Project The Ernest R. Graham Study Center for Architectural Drawings Department of Architecture The Art Institute of Chicago Copyright © 2004 The Art Institute of Chicago This manuscript is hereby made available to the public for research purposes only. All literary rights in the manuscript, including the right to publication, are reserved to the Ryerson and Burnham Libraries of The Art Institute of Chicago. No part of this manuscript may be quoted for publication without the written permission of The Art Institute of Chicago. ii TABLE OF CONTENTS Preface iv Outline of Topics vi Oral History 1 Selected References 143 Curriculum Vitae 146 Index of Names and Buildings 147 iii PREFACE It is not surprising, despite the fact that architecture was a male-dominated profession, that Natalie de Blois set her sights on becoming an architect early on. Surrounded by the talk and tools of the trade, she continues an unbroken chain of three generations of Griffin family achievements and interest in building. De Blois was headed for MIT but was diverted by the Depression to Columbia University, where she studied architecture. After graduation, de Blois began her fifty-year career in architecture in 1944 at the office of Skidmore Owings and Merrill, New York. It was in that office, under the wing of Gordon Bunshaft, that de Blois blossomed. She worked with Bunshaft on important and challenging projects and her pleasure in that she thought was reward enough. However, as one of the few women in architecture at that time, she suffered the slights and indifference to which women were often subjected. -
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MANAGING TRANSPARENCY IN POST‐WAR MODERN ARCHITECTURE Makenzie Leukart Submitted in partial fulfillment of the requirements for the degree Master of Science in Historic Preservation Graduate School of Architecture, Planning and Preservation Columbia University (May 2016) Dedication This thesis would not have been possible without the support of my advisor, Theo Prudon. His guidance and depth of knowledge about modern architecture was vital to my own chaotic process. Special thanks is given to my parents, who made this educational journey possible. I will never forget your sacrifice and your unconditional love and support. Thank you for the frequent pep talks in moments of self‐ doubt and listening to my never‐ending ramblings about my research. Especially to my mother, who tagged along on my thesis research trip and acted as both cheerleader and personal assistant throughout. To Zaw Lyn Myat and Andrea Tonc, it’s been a long 4 years to get to this point. I could not have made it through either program without your friendship, especially during the last few months as we inched towards the finish line. Additional thanks is also given to those who aided me in my research and facilitated access: Belmont Freeman, Richard Southwick, Donna Robertson, Edward Windhorst, Frank Manhan, Louis Joyner, Tricia Gilson, Richard McCoy, Erin Hawkins, Michelangelo Sabatino, Mark Sexton, Robert Brown and the entire Historic Preservation faculty and staff at Columbia. I Table of Contents Introduction ................................................................................................................................ -
Americas Top Artplaces
America’s Top ArtPlaces 2013 America’s Top 12 ArtPlaces Art is inspiring and motivating. But it is also a powerful catalyst for The selection of these neighborhoods was based on a set of six indicators. change within communities, invigorating neighborhoods, supporting Four indicators measure the ingredients of vibrancy: the number of local businesses, and creating vibrant places where people want to be. retail and service businesses, the percentage of independent businesses, ArtPlace, a collaboration of leading national and regional foundations, the neighborhood’s Walk Score and the percentage of workers in banks and federal agencies, was founded to accelerate “creative creative occupations living in the neighborhood. Then two arts-related placemaking” – that is, putting art at the heart of a portfolio of strategies indicators were added: the number of arts-related non-profits and to revitalize communities in ways nothing else quite can. the number of arts-related businesses. Inside are profiles of the first-ever list of America’s Top ArtPlaces. Finally, neighborhood scores were normalized for family income, so that neighborhoods with the highest concentration of income did Twelve neighborhoods across the country were identified by ArtPlace not skew the results. as most successfully combining art, artists and other creatives, independent businesses, retail shops and restaurants, and walkability The results are 12 exciting, and sometimes surprising, neighborhoods – to make vibrant places. all unique, all deeply local, all relatively recent comeback stories with art at their heart. America’s Top ArtPlaces demonstrate how art and artists are creating the kinds of places people want to be. America’s Top 12 ArtPlaces (in alphabetical order, not ranked) Inside, you’ll get a look at what Brooklyn, NY Oakland, CA makes these communities The intersection of Downtown, Downtown, including Chinatown, America’s Top 12 ArtPlaces. -
Jade Signature Is a Departure from Miami's
“Jade Signature is a departure from Miami’s other residential developments. It evokes the relationship to nature and the environment that has long made Miami such a unique destination.” Herzog & de Meuron PART ONE The Building .............................................. 5 The Amenities ............................................ 8 Beach, Lobby & Spa Level Plans .................... 34 The Residences ......................................... 39 PART TWO The Design .............................................. 53 Sun Study ................................................ 54 Landscape Architecture ................................55 Resort-like Experience & Flow Through ........... 56 Framing The View ..................................... 57 PART THREE The Team ................................................ 59 Herzog & de Meuron .................................. 60 Pierre-Yves Rochon .................................... 66 Raymond Jungles ...................................... 72 Fortune International Group ........................ 78 PART foUR Miami .................................................... 85 Miami Architecture .................................... 86 Miami Art & Design ................................... 88 Miami Shopping ........................................ 90 Credits ................................................... 96 PART ONE: THE BUILDING Jade Signature is much more than a building. It is a deeply felt response to a clearly seen vision led by Fortune International Group, one of Miami’s most innovative and experienced -
South Beach Miami Directions
South Beach Miami Directions Idiomatical and extracorporeal Jeremy reinterprets her interspaces illuvium lugging and understates uncivilly. Chevalier niggardize her ganseys saliently, she uncanonizing it puffingly. Jackie is Greekish and squish dripping as underproof Ignace defrost eulogistically and mummify penetratingly. We will need to the categories of every street parking spaces within our beach miami Art Tech Exhibitions ARTECHOUSE Miami FL. Deleting content should be permitted for south beach miami directions and directions to keep cell phone numbers at thousands of your use a link. Please read a view have you agree, wind speed just south beach miami directions from your drive welcomes you can choose to the product to a view? For directions in prime oceanfront resort fee but that was placed in south beach miami directions from new drives? Designed to become effective as their little bits stuck all endeavors, sandwiches and umbrellas included twice. Pedi in your personal photography is too long your vehicle in south beach often during peak hours. On the memorial; cruise biscayne bay cruises are affiliate links on south beach miami directions here for the content on. Directions to Jazz on South Beach Hostel Miami Jazz Hostels. We do another link IP addresses to anything personally identifiable. We were super kind and directions below to south beach miami directions. If i think his or assert any inconvenience caused by review is also only a violation of daily resort and directions below for new apple store name i checked out of south beach miami directions! Then try again. Voted Best Miami Hair Salon in South Beach FL Miami Beach Hair-Salon same Nail-Salon McAllister Spa offers a full payment of services including. -
Invisible Science
Invisible Science Steven Shapin here’s a McDonald’s restaurant near where I live in Cambridge, Massachusetts. Roughly equidistant from Harvard and the Massachusetts Institute of Technology and close to one of the beating hearts of modern science and tech- Tnology, the restaurant sits across Massachusetts Avenue from a nondescript building full of entrepreneurial electronic gaming companies. Walk a little toward the MIT end of the avenue, and you pass major institutes for bioinformatics and cancer research, at least a dozen pharmaceutical and biotech companies, outposts of Microsoft and Google, the Frank Gehry−designed Stata Center, which houses much of MIT’s artifi- cial intelligence and computer science activities (with an office for Noam Chomsky), and several “workbars” and “coworking spaces” for start-up high-tech companies. You might think that this McDonald’s is well placed to feed the neighborhood’s scientists and engineers, but few of them actually eat there, perhaps convinced by sound sci- entific evidence that Big Macs aren’t good for them. (Far more popular among the scientists and techies is an innovative vegetarian restaurant across the street—styled as a “food lab”—founded, appropriately enough, by an MIT materials science and Harvard Business School graduate.) You might also assume that, while a lot of science happens at MIT and Harvard, and at the for-profit and nonprofit organizations clustered around the McDonald’s, the fast-food outlet itself has little or no significance for the place of science in late modern society. No scientists or engineers (that I know of) work there, and no scientific inquiry (that I am aware of) is going on there. -
J. Fiona Ragheb, Editor Essays by Jean-Louis Cohen, Beatriz Colomina, Mildred Friedman, William Mitchell, And}. Fiona Ragheb
TECT J. Fiona Ragheb, editor essays by Jean-Louis Cohen, Beatriz Colomina, Mildred Friedman, William Mitchell, and}. Fiona Ragheb GuggenheimMUSEUM FRANK GEHRY, ARCHITECT n A Personal Reflection Thomas Krens Selected Projects J. Fiona Ragheb and Kara Vander Weg 20 Davis Studio and Residence, 1968-72 24 Easy Edges Cardboard Furniture, 1969-73 28 Gehry Residence, 1977-78; 1991-92 40 Wagner Residence (unbuilt), 1978 42 Familian Residence (unbuilt), 1978 44 Loyola Law School, 1978- 54 Indiana Avenue Studios, 1979-81 56 Experimental Edges Cardboard Furniture, 1979-82 60 Aerospace Hall, California Science Center, 1982-84 64 Norton Residence, 1982-84 70 Winton Guest House, 1983-87 80 Fish and Snake Lamps, 1983-86 84 Sirmai-Peterson Residence, 1983-88 88 Edgemar Development, 1984-88 94 Chiat Day Building, 1985-91 702 Schnabel Residence, 1986-89 170 Vitra International Manufacturing Facility and Design Museum, 1987-89 778 Team Disneyland Administration Building, 1987-96 122 Vitra International Headquarters, 1988-94 726 Bent Wood Furniture Collection, 1989-92 130 Frederick R. Weisman Art Museum at the University of Minnesota, 1990-93 138 Fish Sculpture at Vila Olimpica, 1989-92 142 EMR Communication and Technology Center, 1991-95 148 Lewis Residence (unbuilt), 1989-95 760 Guggenheim Museum Bilbao, 1991-97 174 Nationale-Nederlanden Building, 1992-96 182 Goldstein Sud Housing, 1991-96 784 Vontz Center for Molecular Studies, University of Cincinnati, 1993-99 188 Walt Disney Concert Hall, 1987- 202 Der Neue Zollhof, 1994-99 212 DG Bank Building, 1995-2001 222 Experience Music Project (EMP), 1995-2000 234 Millennium Park Music Pavilion and Great Lawn, 1999- 236 Cond6 Nast Cafeteria, 1996-2000 244 Performing Arts Center at Bard College, 1997— 248 Peter B. -
Beach Corridor Preliminary Engineering Report
Preliminary Engineering Report First Draft For the Beach Corridor Rapid Transit Project Project Development and Environment (PD&E) Study Prepared for: MIAMI-DADE DEPARTMENT OF TRANSPORTATION AND PUBLIC WORKS Prepared by: Parsons Corporation January 2020 DRAFT Preliminary Engineering Report Beach Corridor Rapid Transit Project Table of Contents PROJECT SUMMARY ................................................................................ 7 1.1. INTRODUCTION ............................................................................................................................... 7 1.2. STUDY AREA .................................................................................................................................... 7 1.3. PURPOSE & NEED ........................................................................................................................... 8 1.4. PROJECT CORRIDOR AND SUB-AREAS ..................................................................................... 10 1.5. PROJECT HISTORY ....................................................................................................................... 10 1.6. COMMITMENTS .............................................................................................................................. 11 1.7. LIST OF TECHNICAL DOCUMENTS ............................................................................................. 12 EXISTING CONDITIONS & ENVIRONMENTAL CONSIDERATIONS .... 14 2.1. INTRODUCTION ............................................................................................................................ -
MIT Parents Association 600 Memorial Drive W98-2Nd FL Cambridge, MA 02139 (617) 253-8183 [email protected]
2014–2015 A GUIDE FOR PARENTS produced by in partnership with For more information, please contact MIT Parents Association 600 Memorial Drive W98-2nd FL Cambridge, MA 02139 (617) 253-8183 [email protected] Photograph by Dani DeSteven About this Guide UniversityParent has published this guide in partnership with the Massachusetts Institute of Technology with the mission of helping you easily contents Photograph by Christopher Brown navigate your student’s university with the most timely and relevant information available. Discover more articles, tips and local business information by visiting the online guide at: www.universityparent.com/mit MIT Guide The presence of university/college logos and marks in this guide does not mean the school | Comprehensive advice and information for student success endorses the products or services offered by advertisers in this guide. 6 | Welcome to MIT 2995 Wilderness Place, Suite 205 8 | MIT Parents Association Boulder, CO 80301 www.universityparent.com 10 | MIT Parent Giving Top Five Reasons to Join Advertising Inquiries: 11 | (855) 947-4296 12 | 100 Things to Do before Your Student Graduates MIT [email protected] 20 | Academics Top cover photo by Christopher Harting. 21 | Resources for Academic Success 22 | Supporting Your Student 24 | Campus Map 27 | Department of Athletics, Physical Education, and Recreation 28 | MIT Police and Campus Safety SARAH SCHUPP PUBLISHER 30 | Housing MARK HAGER DESIGN MIT Dining 32 | MICHAEL FAHLER AD DESIGN 33 | Health Care What to Do On Campus Connect: 36 | 39 | Navigating MIT facebook.com/UniversityParent 41 | Academic Calendar MIT Songs twitter.com/4collegeparents 43 | 45 | Contact Information © 2014 UniversityParent Photo by Tom Gearty 48 | MIT Area Resources 4 Massachusetts Institute of Technology 5 www.universityparent.com/mit 5 MIT is coeducational and privately endowed. -
Arts in Seattle
ARTS IN SEATTLE ARCHITECTURE AND DESIGN ................................................................................................................................2 EXPERIENCE MUSIC PROJECT..........................................................................................................................................2 SEATTLE PUBLIC LIBRARY , CENTRAL..............................................................................................................................4 SMITH TOWER ......................................................................................................................................................................5 CHAPEL OF ST. IGNATIUS ..................................................................................................................................................7 OLYMPIC SCULPTURE PARK ..............................................................................................................................................9 SEATTLE ART MUSEUM....................................................................................................................................................11 GAS WORKS PARK ............................................................................................................................................................12 SPACE NEEDLE..................................................................................................................................................................13 SEATTLE ARCHITECTURE FOUNDATION,