DOCSLIB.ORG

Auf Dem Weg Zur Kohärenz Untersuchungen Zum Wigalois Wirnts Von Grafenberg Und Seinen Retextualisierungen Im Späten Mittelalter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Auf Dem Weg Zur Kohärenz Untersuchungen Zum Wigalois Wirnts Von Grafenberg Und Seinen Retextualisierungen Im Späten Mittelalter Auf dem Weg zur Kohärenz Untersuchungen zum Wigalois Wirnts von Grafenberg und seinen Retextualisierungen im späten Mittelalter Inauguraldissertation zur Erlangung des Akademischen Grades eines Dr. phil., vorgelegt dem Fachbereich 05 – Philosophie und Philologie der Johannes Gutenberg-Universität Mainz von Sabrina Niederelz aus Koblenz Mainz 2018 Inhaltsverzeichnis Hinführung…...………………………………………………………………...…1 1 Forschungsüberblick ........................................................................... 4 1.1 Zum Wigalois Wirnts von Grafenberg – ein Strukturproblem? ............................ 4 1.2 Gawein und sein Sohn – Genealogie nur in Ansätzen ........................................... 9 2 Theoretische Grundlagen ................................................................. 22 2.1 Kohärenz ..................................................................................................................... 23 2.2 Rezeptionstheoretische Grundlagen der Kohärenzproblematik ........................ 30 2.3 Der Textbegriff ........................................................................................................... 36 2.4 Abgrenzung vom Intertextualitätsmodell ............................................................. 41 2.5 Resümee und weiteres Vorgehen: von Unbestimmtheit zu Unstimmigkeit .... 46 TEIL I: Vorbemerkungen zur Figur des Gawein- Sohnes………………………………………………………………….………….54 1 Die Gawein-Figur in den Texten des hohen und späten Mittelalters .......................................................................................... 54 1.1 Gawein in den Werken Hartmanns von Aue ........................................................ 54 1.2 Die Gawein-Figur im Parzival Wolframs von Eschenbach .................................. 57 1.3 Gawein im späteren Mittelalter: Diu Crône Heinrichs von dem Türlin ............. 64 1.4 Gaweins Erbe als figurenkonstituierendes Merkmal? ......................................... 68 I 2 Gauvains Sohn im altfranzösischen Bel Inconnu als Wegbereiter für die mittelhochdeutschen Erzählungen ................................... 71 2.1 Der Beginn des Bel Inconnu des Renaut de Beaujeu ............................................. 71 2.2 Bel Inconnu und Helie .............................................................................................. 73 2.2.1 Der Kampf gegen die Riesen im Bel Inconnu ................................................. 75 2.2.2 Das kleine Hündchen ........................................................................................ 76 2.2.3 Der Schönheitspreis .......................................................................................... 79 2.3 Das Hauptabenteuer im Bel Inconnu ....................................................................... 81 2.3.1 Der Schöne Unbekannte auf der Ile d’Or ....................................................... 81 2.3.2 Bel Inconnu gegen Lampars ............................................................................ 83 2.3.3 Die Schlangenkuss-Episode: die Enthüllung der Identität im Bel Inconnu 85 3 Kindheit und Jugend in den Chrétien-Fortsetzungen ............... 93 3.1 Einführendes .............................................................................................................. 93 3.2 Gauvain und das Fräulein ........................................................................................ 95 3.3 Gauvain und Bran de Lis.......................................................................................... 97 3.4 Gauvains Sohn ........................................................................................................... 99 3.5 Zeitsprung ................................................................................................................ 103 3.6 Der unerfahrene Ritter ............................................................................................ 104 3.7 Zusammentreffen von Vater und Sohn ................................................................ 106 3.8 Fazit ........................................................................................................................... 108 4 Identität in den Chrétien-Fortsetzungen .................................... 110 4.1 Perceval und der Biau Desconneü ........................................................................ 111 4.2 Gauvain und Guinglain .......................................................................................... 113 4.3 Fazit ........................................................................................................................... 116 II 5 Exkurs: Le Chevalier au papegeau ............................................... 119 5.1 Le Roy Bel Nain ....................................................................................................... 120 5.2 Die Abenteuer auf dem Weg zum Marschall ...................................................... 123 5.3 Chastel périlleux ...................................................................................................... 125 6 Folgerungen: Fragen an einen Roman um Gaweins Sohn ...... 127 TEIL II: Unstimmigkeitsstellen im Wigalois Wirnts von Grafenberg………………………………...…………………………………..129 1 Unstimmigkeiten auf der Ebene der Figurenkonzeption ....... 129 1.1 Die unstimmige Ausgestaltung der Gawein-Figur ............................................ 129 1.1.1 Der Kampf zwischen Gawein und Joram .................................................... 129 1.1.2 Wigalois’ Ankunft am Artushof .................................................................... 137 1.1.3 Erste Auffälligkeiten ....................................................................................... 141 1.2 Der Ritt mit der Botin: Unstimmigkeiten in der Ausgestaltung des Protago- nisten I ....................................................................................................................... 144 1.2.1 Der Kampf um das Nachtlager ..................................................................... 145 1.2.2 Die Jungfrau in Not ......................................................................................... 150 1.2.3 Wigalois’ Kampf um das kleine Hündchen ................................................ 154 1.2.4 Der Ritter mit dem Rad .................................................................................. 156 1.2.5 Das letzte Abenteuer: der Kampf gegen Schaffilun ................................... 159 1.2.6 Zwischenfazit: aus vier mach eins? .............................................................. 163 1.3 Wigalois in Korntin: Unstimmigkeiten in der Ausgestaltung des Protago- nisten II ..................................................................................................................... 165 1.3.1 Raub des Zaubergürtels ................................................................................. 165 III 1.3.2 Von Ruel überwältigt ...................................................................................... 171 1.3.3 Die Schwertrad-Episode ................................................................................. 176 1.3.4 Auffälligkeiten: aus fünf mach eins? ............................................................ 179 1.3.5 Der Kampf gegen Roaz ................................................................................... 183 2 Unstimmigkeiten auf der Ebene der Handlungsmotivation .. 194 2.1 Gawein und Wigalois: die langwierige Zusammenführung von Vater und Sohn .......................................................................................................................... 194 2.1.1 Die Vatersuche ................................................................................................. 194 2.1.2 Die Enthüllung der Identität .......................................................................... 198 2.1.3 Die Zusammenführung von Vater und Sohn .............................................. 203 2.2 Wigalois’ Kampf gegen den Truchsess ................................................................ 208 3 Unstimmigkeiten aufgrund von Gattungsinterferenzen ........ 210 3.1 Das Land Korntin – eine Reise ins Jenseits? ........................................................ 210 3.2 Der Kampf gegen den Drachen Pfetan – ritterliche Hilfeleistung oder religiös motivierte Befreiungstat? ....................................................................................... 218 3.2.1 Wigalois und Beleare ...................................................................................... 218 3.2.2 Der Drache ........................................................................................................ 220 3.3 Der Feldzug nach Namur ....................................................................................... 225 3.3.1 Der Tod von König Amire ............................................................................. 226 3.3.2 Der Sieg über Lion ........................................................................................... 228 4 Anschlussprobleme ......................................................................... 231 IV TEIL III: Die Nachfolger des Wigalois am Beginn der Frühen Neuzeit…………………………………………………………………………235 1 Einführendes ..................................................................................... 235 1.1 Die anonyme Prosafassung Wigoleis vom Rade .................................................... 238 1.2 Ulrich Fuetrers Übertragung im Buch der Abenteuer ........................................... 241 1.3 Der Wigelis Dietrichs von Hopfgarten .................................................................
Load more

Recommended publications
  • The Textual and Visual Uses of the Literary Motif of Cross-Dressing In
    The Textual and Visual Uses of the Literary Motif of Cross-Dressing in Medieval French Literature, 1200–1500 Vanessa Elizabeth Wright Submitted in accordance with the requirements for the degree of PhD in Medieval Studies University of Leeds Institute for Medieval Studies September 2019 2 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Vanessa Elizabeth Wright to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. 3 Acknowledgements I would like to thank my supervisors Rosalind Brown-Grant, Catherine Batt, and Melanie Brunner for their guidance, support, and for continually encouraging me to push my ideas further. They have been a wonderful team of supervisors and it has been a pleasure to work with them over the past four years. I would like to thank my examiners Emma Cayley and Helen Swift for their helpful comments and feedback on this thesis and for making my viva a positive and productive experience. I gratefully acknowledge the funding that allowed me to undertake this doctoral project. Without the School of History and the Institute for Medieval Studies Postgraduate Research Scholarship, I would not have been able to undertake this study. Trips to archives and academic conferences were made possible by additional bursaries and fellowships from Institute for Medieval Studies, the Royal Historical Society, the Society for the Study of Medieval Languages and Literatures, the Society for Medieval Feminist Scholarship’s Foremothers Fellowship (2018), and the Society for the Study of French History.
    [Show full text]
  • Databases and Ebook Collections 2012-2013
    SCHOLARSHIP PUBLISHER Databases and ebook collections 2012-2013 www.classiques-garnier.com Classiques Garnier Digital offers academic libraries, public and research centres access to databases in the fields of literature, the humanities and the social sciences.Teachers, academics, researchers, students, pupils and enthusiasts thus have at their disposal tens of thousands of reference works in text mode, easily searchable at simple or advanced levels thanks to a full data mark-up and a powerful search engine. On our website you will find a detailed explanation of our editorial work and how we produce the databases, as well as additional information and documents. We warmly invite you to make a visit. summary literature, art and history Corpus of Medieval Literature from Its Origins to the End of the Fifteenth Century 6 Corpus of Narrative Literature from the Middle Ages to the Twentieth Century 8 Corpus of Early French-Speaking Sub-Saharan African Literature, Written and Oral from Its Origins to Independence (End of the 18th Century-1960) 9 Corpus of Early Speaking Literature From the Indian Ocean, Written and Oral, from the Origins to Independence (18th Century-1960) 10 Great Corpus of French and French-Speaking Literatures from the Middle Ages to the twentieth Century 11 The French Library 12 Corpus of Montaigne’s Works forthcoming 13 Corpus of Bayle’s Works new 14 Patrologia Græco-Latina 15 grammars, dictionaries and encyclopediae Corpus of French Renaissance Grammars 16 Corpus of French seventeenth Century Grammars 17 Corpus of Remarks
    [Show full text]
  • Bibliographie Des Chansonniers Franã§Ais Des Xiiie Et Xive Siãšcles
    BIBLIOGRAPHIE CHANSONNIEH RANÇAI LE PU "t'. - 1~1PHBl1:HJ E MA HG!ŒSSOU FILS BIBLIOGRAPHIE DES CHANSONNIERS FRANCAIS. .. DES XIIIe ET XIVe SIÈCLES COMPRENANT LA DESCRIPTION DE TOUS LES MANUSCRITS LA TABLE DES CHANSONS CLASSÉES PAR ORDRE ALPHABÉTIQUE DE RIMES ET LA LISTE DES TROUVÈRES PAR GASTON RA YN A UD TOME PREMIER DESCRIPTION DES MANUSCRITS PARIS F. VIEWEG, LIBRAIRE- ÉDI TEUR 67, RUE RlCHELlllU. 67 1884 INTRODUCTION Les travaux préliminalres de l'édition des œuvres de Tiébaut de Champagne, que je prépare depuis plusieurs années et qui verra bientôt le jour, m'ont conduit à étu­ dier de près tous les manuscrits de chansons françaises du moyen âge; j'ai dû, à cette occasion, parcourir ces manuscrits, les dépouiller complètement et dresser pour mon usage une table générale, d'où je pusse extraire, dans son intégrité, la bibliographie des chansons du Roi de Navarre, qui trop souvent, dans certains manuscrits, sont anonymes ou ont de fausses attributions. C'est ce travail, complété et augmenté, que je présente aujour­ d'hui au public; il sera, je l'espère, utile, et évitera aux travailleurs bien des recherches et des tâtonnements, en leur permettant de prendre connaissance, à l'aide du premier vers d'une chanson, des manuscrits qui la con­ tiennent et des éditeurs qui l'ont publiée, et, d'autre part, de retrouver, sous le nom de chaque trouvère, les pièces qui lui sont attribuées, à tort ou à raison. L'idée, du reste, n'est pas absolument nouvelle: déjà, J:\ITnODUC'j au XVIIie siècle, La Borde, dans son Essai sur la musique (t.
    [Show full text]
  • Œuvres Complètes De Rutebeuf, Trouvère Du Xiiie Siècle, Recueillies Et Mises Au Jour Pour La Première Fois Par Achille Jubinal
    Œuvres complètes de Rutebeuf, trouvère du XIIIe siècle, recueillies et mises au jour pour la première fois par Achille Jubinal. Nouvelle édition revue et corrigée. Achille JUBINAL Paris : 1874, Paul Daffis. Œuvres complètes de Rutebeuf, trouvère du XIIIe siècle, recueillies et mises au jour pour la première fois par Achille Jubinal, Nouvelle édition revue et corrigée, A. JUBINAL, 1874 : Paris, Paul Daffis, vol. 1, pp. 1-4. C’est de la Povretei Rutebuef1 Ms. 7633. Je ne ſai par où je coumance Tant ai de matyere abondance Por parleir de ma povretei. Por Dieu vos pri, frans Rois de France, 5 Que me doneiz queilque chevance2 Si fereiz trop grant charitei. J’ai veſcu de l’autrui chatei3 Que hon m’a créu4 & preſtei ; Or me faut chacuns de créance, 10 C’om me ſeit povre & endetei : Vos r’aveiz hors dou reigne eſtei Où toute avoie m’atendance. Entre chier tens & ma mainie5 Qui n’eſt malade ni fainie, 15 Ne m’ont laiſſié deniers ne gage. Gent truis d’eſcondire6 arainie7 Et de doneir mal enseignie8 : 1 L’ensemble de cette pièce, son quatrième et surtout son onzième vers indiquent que la composition en remonte au temps très-court qui s’écoula entre le commencement et la fin de la seconde croisade, et qu’elle fut écrite pendant que Louis IX était occupé à combattre les infidèles. Le saint roi dut donc la rece- voir, si elle parvint jusqu’à lui, sur la plage de Tunis. 2 Chevance : voyez, pour ce mot, une des notes de la fin de la Paiz de Rutebueſ.
    [Show full text]
  • Jean Bodel : Des "Flabiaus" À La Chanson De Geste
    Jean Bodel : des "Flabiaus" à la chanson de geste Autor(en): Rossi, Luciano Objekttyp: Article Zeitschrift: Versants : revue suisse des littératures romanes = Rivista svizzera delle letterature romanze = Revista suiza de literaturas románicas Band (Jahr): 28 (1995) PDF erstellt am: 11.10.2021 Persistenter Link: http://doi.org/10.5169/seals-263566 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch JEAN BODEL: - DES FLABIAUS À LA CHANSON DE GESTE En guise d'introduction Pendant quelque six siècles (début du XIe - fin du XVIe), le spectacle des ménestrels1 a constitué le fondement d'une véritable «industrie de l'amusement médiéval»2.
    [Show full text]
  • Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-1992 Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance Leon Stratikis University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Modern Languages Commons Recommended Citation Stratikis, Leon, "Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance. " PhD diss., University of Tennessee, 1992. https://trace.tennessee.edu/utk_graddiss/2521 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Leon Stratikis entitled "Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Modern Foreign Languages. Paul Barrette, Major Professor We have read this dissertation and recommend its acceptance: James E. Shelton, Patrick Brady, Bryant Creel, Thomas Heffernan Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation by Leon Stratikis entitled Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance.
    [Show full text]
  • Post-Chrétien Verse Romance the Manuscript Context
    Cahiers de recherches médiévales et humanistes Journal of medieval and humanistic studies 14 | 2007 L’héritage de Chrétien de Troyes Post-Chrétien Verse Romance The Manuscript Context Keith Busby Electronic version URL: http://journals.openedition.org/crm/2646 DOI: 10.4000/crm.2646 ISSN: 2273-0893 Publisher Classiques Garnier Printed version Date of publication: 15 December 2007 Number of pages: 11-24 ISSN: 2115-6360 Electronic reference Keith Busby, « Post-Chrétien Verse Romance », Cahiers de recherches médiévales [Online], 14 | 2007, Online since 15 December 2010, connection on 13 October 2020. URL : http:// journals.openedition.org/crm/2646 ; DOI : https://doi.org/10.4000/crm.2646 © Cahiers de recherches médiévales et humanistes Post-Chrétien Verse Romance : The Manuscript Context1 The manuscripts in which the post-Chrétien (« epigonal ») verse romances are preserved can speak volumes about their transmission and reception. In some cases, these are intimately bound up with the works of the master, although the intertextuality of the whole corpus of verse romance transcends the codicological context. I shall review here selected manuscripts in which some epigonal romances have been transmitted and what they can tell us about ways in which these texts were read in the Middle Ages. The romances in question are : Renaut de Bâgé (Beaujeu), Le bel inconnu Paien de Maisières, La mule sans frein Le chevalier à l’épée Raoul de Houdenc, Meraugis de Portlesguez Raoul (de Houdenc ?), La vengeance Raguidel L’âtre périlleux Guillaume le Clerc, Fergus Hunbaut Yder Floriant et Florete Le chevalier aux deux épées Girard d’Amiens, Escanor Claris et Laris Jehan, Les merveilles de Rigomer Compared with Chrétien’s romances, themselves only preserved in half-a- dozen copies on average (but fifteen plus fragments of Perceval), these works are mainly codicological unica, with only Meraugis de Portlesguez, La vengeance Raguidel, L’âtre périlleux, and Fergus surviving in more than one complete exemplar.
    [Show full text]
  • The Church and Vernacular Literature in Medieval France Edited by Dorothea Kullmann
    00-frontmatter.qxd 28/07/2009 4:11 PM Page i Prologue | i The Church and Vernacular Literature in Medieval France edited by dorothea kullmann The rapid rise of vernacular literature in medieval France, within a culture which continued to acknowledge Latin as its vehicular language, is a fact that literary historians tend too easily to take for granted. Within a rela- tively short period, stretching roughly from the end of the eleventh century to the thirteenth century, French and Occitan literatures acquired an output and a level of sophistication that made them the leading models for other European literatures. New genres and new subject matters appear one after the other; new ideologies (such as the concept of love developed by the troubadours) are first expressed in vernacular creations; and even learned Latin authors soon feel obliged to take notice of these developments. Should we describe this astonishing chapter of cultural history as the development of a “lay”, or “profane”, literature alongside a Church- dominated learned and religious one, or as the emancipation of vernacular literature from the tutorship of the Church? Is the borderline between “lay” and “religious” texts and genres really as clear-cut as some literary histories would make us believe? How then did these new genres of written literature come into being in a culture in which the Church held the monopoly on education, including training in writing? Did the Church as an institution play any role in the birth and expansion of vernacular literature? In the present volume, specialists from the disciplines of linguistics, lit- erature, history and musicology address the various aspects of this complex of questions.
    [Show full text]
  • Authors and Other Persons Connected with the Songs Symbols: * Not Listed in SR L Lai , Mentioned in the Poem R Rondeau 7 Aseription by a Modern Seholar S
    74 Authors and Other Persons Connected with the Songs Symbols: * not listed in SR L lai , mentioned in the poem r rondeau 7 aseription by a modern seholar s. see (7)questionable aseription A * Abbé de Vieoigne 1021 ' * Abélard, Pierre L 1 Adam de Givenei 62(7),62',541,625,665,815,959,11 08--L2-1,3 * Adam de la Bassée 317-2,423-3,554-3, 669-3,960-2,1169-3,1206-6 L29-2,35-3--R35 Adam de la Halle 36,87-1 /2,89--147,66,93,96--207,50,85,86,90--354,366,384 410,20,42' ,95--520' ,27,62,95,99--615,19,32,72,75,700--704,21,79 812,15,22,26--916,23,60-1,71 ,87,89--1 018,33,44,51--1124,52,53,62 1219 * Adam de St.Vietor L92 * Adam de Wailli 26' * Adam Esturion Belemote 26' * Ade de Persan(Perçain) L38' * Adeline de Nanteuil L38' Adenarde, darne d'--s. Oudenarde, darne d' Aélis--s. also Alix * Aélis 742',786' * Aélis, eomtesse de Chartres 1079' ,1134'7 * Aélis, eomtesse de Clermont L38' * Aélis de Gallardon (Garlandon) L38' * Aélis de Moneeaux L38' * Aélis de Montmoreney et Montfort L38' * Aélis de Roleis(Reuilly) L38' * Aélis de Trie L38' * Agnès de Cresonsart L38' * Agnès de Trieot(Trieeoe) L38' * Agnes play 203-5 Alart de C(h)ans 220-1,298-1,394-1 * Albert(et) de Sestarto(Sisteron) 457,L4-3 * Alens de Challon, li 943-1 * Alix, eomtesse de Chartres 1079' * Alix, dame de Couti, wife of Raoull, seigneur de Couei L38' * Alix de Champagne, rO'ine 1 054-1' Alos, comte d'-s.
    [Show full text]
  • La Mise En Livre De Méraugis De Portlesguez Dans Le Manuscrit De Vienne ÖN 2599 Isabelle Arseneau
    Document généré le 27 sept. 2021 03:22 Études françaises Un roman dont il n’y a rien à dire La mise en livre de Méraugis de Portlesguez dans le manuscrit de Vienne ÖN 2599 Isabelle Arseneau Mettre en livre. Pour une approche de la littérature médiévale Résumé de l'article Volume 53, numéro 2, 2017 L’examen comparé des manuscrits qui ont conservé le roman de Méraugis de Portlesguez de Raoul de Houdenc (v. 1225-1235) tend à suggérer qu’il y aurait URI : https://id.erudit.org/iderudit/1040900ar autant de versions de cette oeuvre qu’il y a de copies. Dans le manuscrit de e DOI : https://doi.org/10.7202/1040900ar Vienne ÖN 2599 – un livre du second quart du xiv siècle qui se distingue fortement de la tradition manuscrite des romans arthuriens en vers par sa Aller au sommaire du numéro facture (un luxe rare) et sa composition (une oeuvre unique) –, les variantes sont à ce point nombreuses que leur collationnement semble témoigner de la volonté de proposer un roman différent de celui conservé dans les recueils du Vatican (Reg. Lat. 1725) et de Turin (BUN, L.IV 33). Les interventions du scribe Éditeur(s) visent autant le texte que le péritexte : s’il corrige le style, la thématique et le Les Presses de l’Université de Montréal dispositif narratologique disloqués que l’on associe à l’écriture de Raoul de Houdenc, il propose également un prologue et un programme iconographique qui réorientent le roman vers le didactisme plutôt que vers le divertissement, ISSN visée qui était classiquement la sienne.
    [Show full text]
  • The Cambridge Companion to Medieval French Literature Edited by Simon Gaunt and Sarah Kay Index More Information
    Cambridge University Press 978-0-521-67975-6 - The Cambridge Companion to Medieval French Literature Edited by Simon Gaunt and Sarah Kay Index More information INDEX Prefatory note It is difficult to index (and concomitantly to look up or cite) medieval names. Works are not always referred to by a consistent title, authors’ names can be spelled in more than one way, and conventions are not fixed as to whether an author is indexed (or catalogued, or cited) by first name or surname. As a general rule, authors up to the end of the thirteenth century are indexed by their first name (e.g. Chre´tien de Troyes under ‘C’), and referred to by either the full name or the first name alone (‘Chre´tien’ or ‘Chre´tien de Troyes’; not ‘de Troyes’ and certainly not ‘Troyes’). Authors from the fourteenth century onwards are standardly indexed by surname (e.g. Machaut, Guillaume de; Molinet, Jean) and referred to either by their full name or by the surname alone. However, Christine de Pizan (sometimes spelled Pisan) is here indexed under ‘C’ because she is usually referred to as ‘Christine’, and only rarely as ‘de Pizan/Pisan’ or ‘Pizan/ Pisan’. Although the form of reference adopted in this index reflects current norms and can be safely followed by readers, when using older books or library catalogues they should be advised that they may need to cast around before successfully locating the name or title they are seeking. Abbey of Saint Denis 200 Arthur 81–2, 84, 87, 199, 208 Adam de la Halle 101, 182, Vulgate cycle 35, 36, 37–43, 45 190, 192 Arts de seconde
    [Show full text]
  • Abbo of Fleury: 19, 122 Abbreviatio
    Cambridge University Press 052130007X - The Cambridge History of Literary Criticism: The Middle Ages, Volume 2 Edited by Alastair Minnis and Ian Johnson Index More information Index Abbo of Fleury: 19, 122 Adenet le Roi abbreviatio (abbreviation): 55, 57, Berte aus grans pies´ : 449 58, 64, 449 Cleomades´ : 438 methods of: 48, 55 Les Enfances Ogier: 449 and amplificatio: 48, 58 ‘Ad habendam materiam’: 88 Abelard, Peter: 4, 21, 22, 536, 651 adnominatio: 87 Historia calamitatum: 543 Ælfric: 19, 318–20, 322–3 Abrams, M. H.: 285 Catholic Homilies: 318–20 Abu¯ ‘Ubayd al-Bakri:¯ 380 Grammar: 316 Acallam no Senorach´ : 303–4 Latin Preface to Saints’ Lives: accentus: 52 318 accessus ad auctores: 2, 52, 53, 102, Old English Preface to Saint’s 119–20, 123–5, 126, 128, Lives: 319, 322 129, 136, 138–9, 146–7, 148, Æsir: 35 7 150–2, 154, 157, 161, 162, Aelred of Rievaulx: 441 165, 166, 170, 182, 187, 190, aemulatio: 568 191, 192, 193, 197, 199, 203, Aeschines Socraticus: 679 211, 225, 227, 285, 366–7, Aeschylus: 219 369, 375, 378, 385, 404–5, Aesop: 40, 104, 155, 173, 195, 409, 412–14, 417, 418, 419, 375–7, 426, 436 492–3, 505, 509, 522, 529, affectus: 259, 272, 286, 655 530, 566, 568, 578, 583, affective poetics: 157 586–7, 588, 594–8, 608, 609, principalis affectio: 257, 259 610, 677 Afonso Eanes do Coton: 497 accessus ad satiricos: 225, Africa: 108 228 agens (author): 595–8 Accolti, Benedetto: 657 Agli, Peregrino: 646 Accursius: 655 Agliotti, Girolamo: 641 Achilles: 444, 684 Aimeric, Ars lectoria: 122–3 Achilles Tatius: 673, 678, 685 Aiol: 440 Acro,
    [Show full text]