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Cambridge University Press 052130007X - The Cambridge History of Literary Criticism: The Middle Ages, Volume 2 Edited by Alastair Minnis and Ian Johnson Index More information Index Abbo of Fleury: 19, 122 Adenet le Roi abbreviatio (abbreviation): 55, 57, Berte aus grans pies´ : 449 58, 64, 449 Cleomades´ : 438 methods of: 48, 55 Les Enfances Ogier: 449 and amplificatio: 48, 58 ‘Ad habendam materiam’: 88 Abelard, Peter: 4, 21, 22, 536, 651 adnominatio: 87 Historia calamitatum: 543 Ælfric: 19, 318–20, 322–3 Abrams, M. H.: 285 Catholic Homilies: 318–20 Abu¯ ‘Ubayd al-Bakri:¯ 380 Grammar: 316 Acallam no Senorach´ : 303–4 Latin Preface to Saints’ Lives: accentus: 52 318 accessus ad auctores: 2, 52, 53, 102, Old English Preface to Saint’s 119–20, 123–5, 126, 128, Lives: 319, 322 129, 136, 138–9, 146–7, 148, Æsir: 35 7 150–2, 154, 157, 161, 162, Aelred of Rievaulx: 441 165, 166, 170, 182, 187, 190, aemulatio: 568 191, 192, 193, 197, 199, 203, Aeschines Socraticus: 679 211, 225, 227, 285, 366–7, Aeschylus: 219 369, 375, 378, 385, 404–5, Aesop: 40, 104, 155, 173, 195, 409, 412–14, 417, 418, 419, 375–7, 426, 436 492–3, 505, 509, 522, 529, affectus: 259, 272, 286, 655 530, 566, 568, 578, 583, affective poetics: 157 586–7, 588, 594–8, 608, 609, principalis affectio: 257, 259 610, 677 Afonso Eanes do Coton: 497 accessus ad satiricos: 225, Africa: 108 228 agens (author): 595–8 Accolti, Benedetto: 657 Agli, Peregrino: 646 Accursius: 655 Agliotti, Girolamo: 641 Achilles: 444, 684 Aimeric, Ars lectoria: 122–3 Achilles Tatius: 673, 678, 685 Aiol: 440 Acro, Pseudo-: 127, 162 Airec menman Uraird maic Coise: Adalbert of Samaria: 70 306–8 Adam de Suel: 365 Alan of Lille: 39, 139, 143, 159 Adams, Hazard: 1 Anticlaudianus: 142–3, 144, 580, Adebon: 334 589 Adela of Blois: 129 Liber parabolarum (attrib.): 39, Ademar, Guilhem: 478 40, 158, 159 816 © Cambridge University Press www.cambridge.org Cambridge University Press 052130007X - The Cambridge History of Literary Criticism: The Middle Ages, Volume 2 Edited by Alastair Minnis and Ian Johnson Index More information Index 817 Old French translation of: Alfonso X, King of Castile: 364, 497, 370–1 498, 500–7, 518 De planctu naturae: 141–2 Cantigas de Santa Maria: 497 and Bernard Silvester: 140–4 See also: Estoria de Espana˜ , Alberic of London: 136–7, 140 General estoria Alberic of Montecassino: 70 Alfonso de Guzman:` 384 Brevarium de dictamine: 70 Alfonso of Jaen,´ Epistola solitarii ad Flores rhetorici: 70 reges: 246–7 Alberti, Leon Battista: 619–20, 621, Alfred, King of England: 317–18 622, 623, 624, 658, 663 Preface to translation of Cura Della famiglia: 619, 620 pastoralis: 319–20 Della pittura: 619 Proem to The Metres of Boethius: Grammatichetta: 619 323 Albert the Great, Saint: 269–70, 281, Translation of De consolatione 655, 657 philosophiae: 321, 364 De bono: 270 Algazel (Al-Ghasali): 249 Commentary on Aristotle, Alhazen (Al-Haytham), Perspectiva: Nicomachean Ethics: 281 241 Commentary on Aristotle, Politics: Alighieri, Dante: 1, 7, 8, 29, 40, 82, 383 127, 154, 204, 222, 234, 235, Summa de creaturis: 242 274, 286, 364, 385, 406, Albert the Great, Pseudo-: 26 415–16, 419–20, 432, 468, Albigensian Crusade: 473 469, 470, 472, 476, 485, 515, Alcaeus: 622 518, 528, 561–82, 590–611, Alcidus, Pseudo-: 652 612–25, 627, 630, 631, 646, Alcok, Simon: 88 648, 650, 651–3, 654, 662, Alcuin: 19, 111, 112, 113, 314, 324, 664 327 commentaries on: 3, 6, 7, 215, De grammatica: 15, 38 216, 232, 384, 508–11, 515, Aldhelm: 19, 35, 110, 111, 313, 517, 522, 590–609, 610–11, 320 615, 622, 623, 646, 650, 651, Epistola: 111 658 De metris: 111 self-exegesis: 561–82 Alegre, Francesc, Transformacions: works 390–2 Commedia: 187, 207, 214–16, Alexander of Ashby: 87 231–3, 251–2, 274, 376, 403, Alexander of Hales: 8, 557 406, 415, 430, 435, 465, 561, Alexander of Villa Dei: 27, 29, 153, 562, 563, 564, 571, 574–81, 193 583–9, 612–25, 651, 652 Doctrinale: 27, 37, 66, 358–9 figures in: Bacchus: 603; Alexander the Great: 212, 265, 334, Capaneus: 603; Jove: 603; 372, 382 Lucifer: 599; Minos: 599; Alexios Aristenos: 682 Narcissus: 599; Paolo and Alexios I Comnenos: 681 Francesca: 435; Vesta: 603; Al-Far¯ ab¯ ı:¯ 28, 167–71 Vulcan: 603 De scientiis: 168, 255 translation of: 384–7 © Cambridge University Press www.cambridge.org Cambridge University Press 052130007X - The Cambridge History of Literary Criticism: The Middle Ages, Volume 2 Edited by Alastair Minnis and Ian Johnson Index More information 818 Index works (cont.) Allra kappa kvæði: 534 Il Convivio: 6, 401–2, 415, 420, Almqvist, Bo: 345, 352 523, 562, 568–70, 571, 572, Alton, E. H.: 138 573–4, 580, 582, 590, 618, Altus prosator: 299 649 Alvarez de Villasandino, Alfonso: Egloghe: 561 509, 511, 518 Epistle to Can Grande della Scala: Ambrose, Saint: 100, 101 231, 563, 580, 583–9, 591, De Caın¨ et Abel: 101 594–611, 650 De excessu Satyri: 101 Monarchia: 562, 580, 650, 652 hymns of: 100 Rime: 561, 615 Ammanius, Alexandrinus: 637 Vita Nova: 274, 415, 419–20, 465, amplificatio (amplification): 64, 86, 494, 523, 562, 563–8, 569, 88, 90, 449 570, 571, 572, 573–4, 575, and abbreviatio: 48, 58 580, 582, 590 methods of: 48, 55, 57, 58 De vulgari eloquentia: 215, 231, modes of: 63–5 403–4, 416, 562, 570–4, 581, synonyms for: 64 648, 649, 650 amour courtois: 555 Alighieri, Jacopo: 216, 591 Amra Coluinm Cille: 308–9 Commentary on Inferno: 591, ‘Ananimo Fiorentino’: 590, 594 594–611 ‘Ananimo Latino’: 591 Alighieri, Pietro: 232, 587 Anderson, David: 177, 213, 404 Commentary on Commedia: 216, Anderson, William: 117 384, 508, 517, 593, 594–611 Andre´ de la Vigne: 460 Alithia: 155, 370 Andrea Lancia: 216, 592 allegory: 35, 36, 37, 51, 77, 108, 114, See also: Ottimo commento 129, 131, 136, 140, 142, 160, Andreas Capellanus, De amore: 77, 166, 195, 200, 205, 219, 320, 189 377–8, 391, 511, 517, 521, Andreas-poet: 322 522, 523, 535, 562, 569, Andromache: 437 579–81, 583, 585, 586–7, Adronikos, Kallimachos and 588–9, 591, 595, 597, Chrysorrhoe´: 691 598–611, 617, 627–8, 631, Andronikos II: 689 633, 634–47, 684–5 Aneirin: 334–8, 340, 341 figures and tropes as ‘transferred Angela of Foligno: 246, 260, 264 signs’ (Augustine): 36 angelology: 568 four levels of: 37 Angers, Cathedral School of: 80 of the poets: 204, 579–81, 586, Anglade, J.: 483 627, 630 Anglo-Saxon: 17, 19, 310–23 of the theologians: 204, 579–81, translation theory: 319–20 586, 589, 627 Anian II of St Asaph, Bishop: 557 (and metaphor), theories of: 33–7 ‘Annals of Tigernach’: 305 Allen, Judson B.: 3, 23, 147, 233, Anne of Bohemia: 432 285, 586 Anonymus ad Cuimnanum: 19, alliterative verse: 310–23, 325–7, 300 348 Anonymous of St Gall: 115 © Cambridge University Press www.cambridge.org Cambridge University Press 052130007X - The Cambridge History of Literary Criticism: The Middle Ages, Volume 2 Edited by Alastair Minnis and Ian Johnson Index More information Index 819 Anselm of Laon: 126 ‘Aristotelian Prologue’: 52, 408, 415, Anselm, Pseudo- 568 Imago mundi: 524, 528 Aristotle: 1, 2, 7, 8, 10, 20, 24, 34, Antaeus: 367, 379, 389 52, 63, 90, 119, 146, 167–78, antethema: 86 217, 240–5, 255, 270, 284, Antiovidianus: 187 324, 332, 389, 417, 459, 500, Antiphon: 674 506, 520, 569, 600, 653, 654, Antonio da Rho: 653, 655 659, 662, 678, 687, 688, 689 Apologia: 653 De anima: 24, 240 De numero oratorio: 653 commentaries on: 240, 242 Aphthonius: 677 De divinatione per somnum: 243 Apollo: 320, 377, 460, 537 De interpretatione: 34 Appollonius of Tyre: 440 De memoria et reminiscentia: 269 Old English translation of: 322 Metaphysics: 270, 508, 627, 689 Apuleius: 649, 655, 664 Nichomachean Ethics: 170, Aquinas, Saint Thomas: 1, 174, 242, 280–2, 520, 656 247, 268, 269–70, 474, 631, commentaries on: 281 657 Organon: 168, 175, 223, 506 Catena aurea: 268, 394 Poetics: 2, 34, 51, 163, 167–78, Commentary on Aristotle’s De 209, 252–5 anima: 240, 242 commentaries on: 162, 171, Commentary on Aristotle’s 252–5 Nicomachean Ethics: 281 translation of: 252, 403 Quaestiones de veritate: 247 Politics: 655, 656 Summa theologica: 242, 247, 270 Prior Analytics: 659 Aquinas, Pseudo-: 87, 271, 272, Rhetoric: 34, 168, 171, 241, 255, 373 677 Commentary on Boethius: 367 De somniis: 243, 247, 248 Arator: 39, 328 De sophisticis elenchis: 506 arbitrium lectoris: 182, 186 armas y letras: 507, 515, 522 The Archpoet: 226 Armes Prydein: 337 Arethas of Caesaraea: 676–7, Armory, Frederic: 354 678 Arnaud de Mareuil: 81 Arezzo: 593, 641 Arnaut Daniel: 475, 476, 477, 478, argumentum: 56, 130, 198, 199, 517 206 Arnaut de Tintignac: 493 Argonauts: 35, 380 Arnulf of Orleans:´ 44, 131, 138–9, Argyropoulos, John: 657, 658 188, 192, 193, 199, 203, Arion: 439 213–14, 501 Ariosto, Ludovico, Orlando furioso: Commentary on Lucan: 138 10 Commentary on Metamorphoses: Aristides: 669–70, 674, 676, 679, 138–9, 140, 194–8 689 and Copenhagen commentary: 139 Aristophanes: 685 ars (art): 9, 16, 19, 663 Aristotelianism: 145, 163, 218, 591, definition of: 42, 84 630, 644 Ars ambrosiana: 19 © Cambridge University Press www.cambridge.org Cambridge University Press 052130007X - The Cambridge History of Literary Criticism: The Middle Ages, Volume 2 Edited by Alastair Minnis and Ian Johnson Index More information 820 Index Ars aregandi: 78 Arsenios, Patriarch: 690 Ars asporii: 19 L’Art d’amours: 375 ars dictaminis: 24, 42, 43, 48, 50, 52, Arte de trovar: 499–500 60, 64, 68, 144, 521, 648, Arte mayor: 371–3 649, 650, 654, 664 Arte menor: 372–3 dictamen: 68 Arthur, mythical king of Britain: dictator(es): 68, 71, 72, 73, 74 212, 441, 443, 464, 555, 556 and humanism: 82–3 artificial music: 454–5 in Bohemia: 79 Arundel, Thomas: 395 in England: 79–80 Ascensius, Josse Badius: 368 in France and the Italian Golden Ascoli, Albert R.: 585, 587 Age: 73–8 Asporius: 38 at Orleans:´ 73 Ars Asporii: 38 in Germany: 79 assimilatio: 167–78, 214, 252–4 in Italy astronomy: 568, 688–9 early Italian development of: Athanasian Creed: 344 69–70 Athelstan, King: 351 Bolognese: 77–8, 79 Athis et Prophilias: 375 twelfth-century Italian: 70–2 Atkins, J.
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    Aeneid 7 Page 1 the BIRTH of WAR -- a Reading of Aeneid 7 Sara Mack

    Birth of War – Aeneid 7 page 1 THE BIRTH OF WAR -- A Reading of Aeneid 7 Sara Mack In this essay I will touch on aspects of Book 7 that readers are likely either to have trouble with (the Muse Erato, for one) or not to notice at all (the founding of Ardea is a prime example), rather than on major elements of plot. I will also look at some of the intertexts suggested by Virgil's allusions to other poets and to his own poetry. We know that Virgil wrote with immense care, finishing fewer than three verses a day over a ten-year period, and we know that he is one of the most allusive (and elusive) of Roman poets, all of whom wrote with an eye and an ear on their Greek and Roman predecessors. We twentieth-century readers do not have in our heads what Virgil seems to have expected his Augustan readers to have in theirs (Homer, Aeschylus, Euripides, Apollonius, Lucretius, and Catullus, to name just a few); reading the Aeneid with an eye to what Virgil has "stolen" from others can enhance our enjoyment of the poem. Book 7 is a new beginning. So the Erato invocation, parallel to the invocation of the Muse in Book 1, seems to indicate. I shall begin my discussion of the book with an extended look at some of the implications of the Erato passage. These difficult lines make a good introduction to the themes of the book as a whole (to the themes of the whole second half of the poem, in fact).
  • Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G

    Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G

    Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag.
  • This Is Canterbury Cathedral. in Today's Lesson You Are Going To

    This Is Canterbury Cathedral. in Today's Lesson You Are Going To

    This is Canterbury Cathedral. In today’s lesson you are going to learn about something very SHOCKING that took place here in the Medieval Period. On 29 December 1170, a very important man called Thomas Becket was murdered in this very holy place. A monk called Edward Grim watched the murder. “One of the knights raised his sword and wounded Becket in the head. That same blow almost cut off my arm as I held the archbishop. Then Becket received a second blow, but still he managed to stand. At the third blow he fell. He said, “For the name of Jesus and the protection of his Church I am prepared to die”. Then the third knight struck Becket so hard that his sword broke. The top was cut off the archbishop’s head so that blood stained the cathedral floor. Another man put his foot on Becket’s neck and scattered his brains all over the floor. He called out: “Let us away, knights. He will trouble us no more”. I am Henry II. I am Thomas I had an Becket. argument Unfortunately with my for me, King friend, Henry II’s Thomas knights Becket, who thought that was the the King Archbishop wanted to get of rid of me. So Canterbury. I that is what told my they did. knights ‘will Today you will no one rid use sources to me of this learn about troublesome what priest?’ happened. What can you learn from Source A about Thomas Becket? The monks tried to bolt the doors TASK 1: Copy & Complete to protect Becket, but he ordered these three sentences in them to open the doors.