2 Romance LANGUAGES II
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The Textual and Visual Uses of the Literary Motif of Cross-Dressing In
The Textual and Visual Uses of the Literary Motif of Cross-Dressing in Medieval French Literature, 1200–1500 Vanessa Elizabeth Wright Submitted in accordance with the requirements for the degree of PhD in Medieval Studies University of Leeds Institute for Medieval Studies September 2019 2 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Vanessa Elizabeth Wright to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. 3 Acknowledgements I would like to thank my supervisors Rosalind Brown-Grant, Catherine Batt, and Melanie Brunner for their guidance, support, and for continually encouraging me to push my ideas further. They have been a wonderful team of supervisors and it has been a pleasure to work with them over the past four years. I would like to thank my examiners Emma Cayley and Helen Swift for their helpful comments and feedback on this thesis and for making my viva a positive and productive experience. I gratefully acknowledge the funding that allowed me to undertake this doctoral project. Without the School of History and the Institute for Medieval Studies Postgraduate Research Scholarship, I would not have been able to undertake this study. Trips to archives and academic conferences were made possible by additional bursaries and fellowships from Institute for Medieval Studies, the Royal Historical Society, the Society for the Study of Medieval Languages and Literatures, the Society for Medieval Feminist Scholarship’s Foremothers Fellowship (2018), and the Society for the Study of French History. -
Auf Dem Weg Zur Kohärenz Untersuchungen Zum Wigalois Wirnts Von Grafenberg Und Seinen Retextualisierungen Im Späten Mittelalter
Auf dem Weg zur Kohärenz Untersuchungen zum Wigalois Wirnts von Grafenberg und seinen Retextualisierungen im späten Mittelalter Inauguraldissertation zur Erlangung des Akademischen Grades eines Dr. phil., vorgelegt dem Fachbereich 05 – Philosophie und Philologie der Johannes Gutenberg-Universität Mainz von Sabrina Niederelz aus Koblenz Mainz 2018 Inhaltsverzeichnis Hinführung…...………………………………………………………………...…1 1 Forschungsüberblick ........................................................................... 4 1.1 Zum Wigalois Wirnts von Grafenberg – ein Strukturproblem? ............................ 4 1.2 Gawein und sein Sohn – Genealogie nur in Ansätzen ........................................... 9 2 Theoretische Grundlagen ................................................................. 22 2.1 Kohärenz ..................................................................................................................... 23 2.2 Rezeptionstheoretische Grundlagen der Kohärenzproblematik ........................ 30 2.3 Der Textbegriff ........................................................................................................... 36 2.4 Abgrenzung vom Intertextualitätsmodell ............................................................. 41 2.5 Resümee und weiteres Vorgehen: von Unbestimmtheit zu Unstimmigkeit .... 46 TEIL I: Vorbemerkungen zur Figur des Gawein- Sohnes………………………………………………………………….………….54 1 Die Gawein-Figur in den Texten des hohen und späten Mittelalters ......................................................................................... -
Databases and Ebook Collections 2012-2013
SCHOLARSHIP PUBLISHER Databases and ebook collections 2012-2013 www.classiques-garnier.com Classiques Garnier Digital offers academic libraries, public and research centres access to databases in the fields of literature, the humanities and the social sciences.Teachers, academics, researchers, students, pupils and enthusiasts thus have at their disposal tens of thousands of reference works in text mode, easily searchable at simple or advanced levels thanks to a full data mark-up and a powerful search engine. On our website you will find a detailed explanation of our editorial work and how we produce the databases, as well as additional information and documents. We warmly invite you to make a visit. summary literature, art and history Corpus of Medieval Literature from Its Origins to the End of the Fifteenth Century 6 Corpus of Narrative Literature from the Middle Ages to the Twentieth Century 8 Corpus of Early French-Speaking Sub-Saharan African Literature, Written and Oral from Its Origins to Independence (End of the 18th Century-1960) 9 Corpus of Early Speaking Literature From the Indian Ocean, Written and Oral, from the Origins to Independence (18th Century-1960) 10 Great Corpus of French and French-Speaking Literatures from the Middle Ages to the twentieth Century 11 The French Library 12 Corpus of Montaigne’s Works forthcoming 13 Corpus of Bayle’s Works new 14 Patrologia Græco-Latina 15 grammars, dictionaries and encyclopediae Corpus of French Renaissance Grammars 16 Corpus of French seventeenth Century Grammars 17 Corpus of Remarks -
Jean Bodel : Des "Flabiaus" À La Chanson De Geste
Jean Bodel : des "Flabiaus" à la chanson de geste Autor(en): Rossi, Luciano Objekttyp: Article Zeitschrift: Versants : revue suisse des littératures romanes = Rivista svizzera delle letterature romanze = Revista suiza de literaturas románicas Band (Jahr): 28 (1995) PDF erstellt am: 11.10.2021 Persistenter Link: http://doi.org/10.5169/seals-263566 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch JEAN BODEL: - DES FLABIAUS À LA CHANSON DE GESTE En guise d'introduction Pendant quelque six siècles (début du XIe - fin du XVIe), le spectacle des ménestrels1 a constitué le fondement d'une véritable «industrie de l'amusement médiéval»2. -
Post-Chrétien Verse Romance the Manuscript Context
Cahiers de recherches médiévales et humanistes Journal of medieval and humanistic studies 14 | 2007 L’héritage de Chrétien de Troyes Post-Chrétien Verse Romance The Manuscript Context Keith Busby Electronic version URL: http://journals.openedition.org/crm/2646 DOI: 10.4000/crm.2646 ISSN: 2273-0893 Publisher Classiques Garnier Printed version Date of publication: 15 December 2007 Number of pages: 11-24 ISSN: 2115-6360 Electronic reference Keith Busby, « Post-Chrétien Verse Romance », Cahiers de recherches médiévales [Online], 14 | 2007, Online since 15 December 2010, connection on 13 October 2020. URL : http:// journals.openedition.org/crm/2646 ; DOI : https://doi.org/10.4000/crm.2646 © Cahiers de recherches médiévales et humanistes Post-Chrétien Verse Romance : The Manuscript Context1 The manuscripts in which the post-Chrétien (« epigonal ») verse romances are preserved can speak volumes about their transmission and reception. In some cases, these are intimately bound up with the works of the master, although the intertextuality of the whole corpus of verse romance transcends the codicological context. I shall review here selected manuscripts in which some epigonal romances have been transmitted and what they can tell us about ways in which these texts were read in the Middle Ages. The romances in question are : Renaut de Bâgé (Beaujeu), Le bel inconnu Paien de Maisières, La mule sans frein Le chevalier à l’épée Raoul de Houdenc, Meraugis de Portlesguez Raoul (de Houdenc ?), La vengeance Raguidel L’âtre périlleux Guillaume le Clerc, Fergus Hunbaut Yder Floriant et Florete Le chevalier aux deux épées Girard d’Amiens, Escanor Claris et Laris Jehan, Les merveilles de Rigomer Compared with Chrétien’s romances, themselves only preserved in half-a- dozen copies on average (but fifteen plus fragments of Perceval), these works are mainly codicological unica, with only Meraugis de Portlesguez, La vengeance Raguidel, L’âtre périlleux, and Fergus surviving in more than one complete exemplar. -
La Mise En Livre De Méraugis De Portlesguez Dans Le Manuscrit De Vienne ÖN 2599 Isabelle Arseneau
Document généré le 27 sept. 2021 03:22 Études françaises Un roman dont il n’y a rien à dire La mise en livre de Méraugis de Portlesguez dans le manuscrit de Vienne ÖN 2599 Isabelle Arseneau Mettre en livre. Pour une approche de la littérature médiévale Résumé de l'article Volume 53, numéro 2, 2017 L’examen comparé des manuscrits qui ont conservé le roman de Méraugis de Portlesguez de Raoul de Houdenc (v. 1225-1235) tend à suggérer qu’il y aurait URI : https://id.erudit.org/iderudit/1040900ar autant de versions de cette oeuvre qu’il y a de copies. Dans le manuscrit de e DOI : https://doi.org/10.7202/1040900ar Vienne ÖN 2599 – un livre du second quart du xiv siècle qui se distingue fortement de la tradition manuscrite des romans arthuriens en vers par sa Aller au sommaire du numéro facture (un luxe rare) et sa composition (une oeuvre unique) –, les variantes sont à ce point nombreuses que leur collationnement semble témoigner de la volonté de proposer un roman différent de celui conservé dans les recueils du Vatican (Reg. Lat. 1725) et de Turin (BUN, L.IV 33). Les interventions du scribe Éditeur(s) visent autant le texte que le péritexte : s’il corrige le style, la thématique et le Les Presses de l’Université de Montréal dispositif narratologique disloqués que l’on associe à l’écriture de Raoul de Houdenc, il propose également un prologue et un programme iconographique qui réorientent le roman vers le didactisme plutôt que vers le divertissement, ISSN visée qui était classiquement la sienne. -
The Cambridge Companion to Medieval French Literature Edited by Simon Gaunt and Sarah Kay Index More Information
Cambridge University Press 978-0-521-67975-6 - The Cambridge Companion to Medieval French Literature Edited by Simon Gaunt and Sarah Kay Index More information INDEX Prefatory note It is difficult to index (and concomitantly to look up or cite) medieval names. Works are not always referred to by a consistent title, authors’ names can be spelled in more than one way, and conventions are not fixed as to whether an author is indexed (or catalogued, or cited) by first name or surname. As a general rule, authors up to the end of the thirteenth century are indexed by their first name (e.g. Chre´tien de Troyes under ‘C’), and referred to by either the full name or the first name alone (‘Chre´tien’ or ‘Chre´tien de Troyes’; not ‘de Troyes’ and certainly not ‘Troyes’). Authors from the fourteenth century onwards are standardly indexed by surname (e.g. Machaut, Guillaume de; Molinet, Jean) and referred to either by their full name or by the surname alone. However, Christine de Pizan (sometimes spelled Pisan) is here indexed under ‘C’ because she is usually referred to as ‘Christine’, and only rarely as ‘de Pizan/Pisan’ or ‘Pizan/ Pisan’. Although the form of reference adopted in this index reflects current norms and can be safely followed by readers, when using older books or library catalogues they should be advised that they may need to cast around before successfully locating the name or title they are seeking. Abbey of Saint Denis 200 Arthur 81–2, 84, 87, 199, 208 Adam de la Halle 101, 182, Vulgate cycle 35, 36, 37–43, 45 190, 192 Arts de seconde -
Abbo of Fleury: 19, 122 Abbreviatio
Cambridge University Press 052130007X - The Cambridge History of Literary Criticism: The Middle Ages, Volume 2 Edited by Alastair Minnis and Ian Johnson Index More information Index Abbo of Fleury: 19, 122 Adenet le Roi abbreviatio (abbreviation): 55, 57, Berte aus grans pies´ : 449 58, 64, 449 Cleomades´ : 438 methods of: 48, 55 Les Enfances Ogier: 449 and amplificatio: 48, 58 ‘Ad habendam materiam’: 88 Abelard, Peter: 4, 21, 22, 536, 651 adnominatio: 87 Historia calamitatum: 543 Ælfric: 19, 318–20, 322–3 Abrams, M. H.: 285 Catholic Homilies: 318–20 Abu¯ ‘Ubayd al-Bakri:¯ 380 Grammar: 316 Acallam no Senorach´ : 303–4 Latin Preface to Saints’ Lives: accentus: 52 318 accessus ad auctores: 2, 52, 53, 102, Old English Preface to Saint’s 119–20, 123–5, 126, 128, Lives: 319, 322 129, 136, 138–9, 146–7, 148, Æsir: 35 7 150–2, 154, 157, 161, 162, Aelred of Rievaulx: 441 165, 166, 170, 182, 187, 190, aemulatio: 568 191, 192, 193, 197, 199, 203, Aeschines Socraticus: 679 211, 225, 227, 285, 366–7, Aeschylus: 219 369, 375, 378, 385, 404–5, Aesop: 40, 104, 155, 173, 195, 409, 412–14, 417, 418, 419, 375–7, 426, 436 492–3, 505, 509, 522, 529, affectus: 259, 272, 286, 655 530, 566, 568, 578, 583, affective poetics: 157 586–7, 588, 594–8, 608, 609, principalis affectio: 257, 259 610, 677 Afonso Eanes do Coton: 497 accessus ad satiricos: 225, Africa: 108 228 agens (author): 595–8 Accolti, Benedetto: 657 Agli, Peregrino: 646 Accursius: 655 Agliotti, Girolamo: 641 Achilles: 444, 684 Aimeric, Ars lectoria: 122–3 Achilles Tatius: 673, 678, 685 Aiol: 440 Acro, -
Repertorio Delle Attribuzioni Discordanti Nella Lirica Trovierica
Studi e Ricerche Studi umanistici – Philologica Repertorio delle attribuzioni discordanti nella lirica trovierica Luca Gatti Prefazione di Luciano Formisano University Press Collana Studi e Ricerche 79 Studi umanistici Serie Philologica Repertorio delle attribuzioni discordanti nella lirica trovierica Luca Gatti Prefazione di Luciano Formisano 2019 Studi umanistici Serie Philologica Repertorio delle attribuzioni discordanti nella lirica trovierica Luca Gatti Prefazione di Luciano Formisano 2019 Il volume è pubblicato con il contributo di Sapienza Università di Roma (Fondi di Avvio alla Ricerca 2015). Copyright © 2019 Sapienza Università Editrice Piazzale Aldo Moro 5 – 00185 Roma www.editricesapienza.it [email protected] Iscrizione Registro Operatori Comunicazione n. 11420 ISBN 978-88-9377-113-9 DOI 10.13133/9788893771139 Pubblicato ad agosto 2019 Quest’opera è distribuita con licenza Creative Commons 3.0 diffusa in modalitàopen access. In copertina: opera di Benedetta Moracchioli. Ai miei nonni Indice Prefazione ix 1. Introduzione 1 1.1. Le bibliografie della lirica trovierica 1 1.2. Ragioni di un Repertorio delle attribuzioni discordanti 5 nella lirica trovierica 1.3. Esami statistici 9 1.4. Discordanza fra testo e rubrica 13 1.4.1. Esempi di tradizione passiva 13 1.4.2. Esempi di tradizione attiva 18 1.4.3. Difformità attributive nei jeux-partis 22 1.5. I confini delle attribuzioni 24 1.6. Ragioni delle discordanze 26 1.6.1. Ragioni codicologiche 29 1.6.2. Ragioni analogiche 35 2. Descrizione dei codici 43 3. Corpus degli autori privi di scheda Linker 87 IL REPERTORIO Il Repertorio: istruzioni per l’uso 95 4. Repertorio per manoscritti 105 5. -
Claude Fauchet Historien De La Littérature Médiévale Dans Le Recueil De L’Origine De La Langue Et Poesie Françoise (1581)
Cahiers de recherches médiévales et humanistes Journal of medieval and humanistic studies 35 | 2018 La chanson de geste au XIVe siècle Claude Fauchet historien de la littérature médiévale dans le Recueil de l’origine de la langue et poesie françoise (1581) Silvère Menegaldo Édition électronique URL : https://journals.openedition.org/crm/15561 DOI : 10.4000/crm.15561 ISSN : 2273-0893 Éditeur Classiques Garnier Édition imprimée Date de publication : 29 août 2018 Pagination : 495-523 ISBN : 9782406083214 ISSN : 2115-6360 Référence électronique Silvère Menegaldo, « Claude Fauchet historien de la littérature médiévale dans le Recueil de l’origine de la langue et poesie françoise (1581) », Cahiers de recherches médiévales et humanistes [En ligne], 35 | 2018, mis en ligne le 29 août 2021, consulté le 03 septembre 2021. URL : http:// journals.openedition.org/crm/15561 ; DOI : https://doi.org/10.4000/crm.15561 © Cahiers de recherches médiévales et humanistes CLAUDE FAUCHET HISTORIEN DE LA LITTÉRATURE MÉDIÉVALE DANS LE RECUEIL DE L’ORIGINE DE LA LANGUE ET POESIE FRANÇOISE (1581) Comme l’a montré en dernier lieu Nicolas Lombart, Claude Fauchet s’est livré dans son Recueil de l’origine de la langue et poesie françoise, ryme et romans. Plus les noms et sommaire des œuvres de CXXVII poetes François, vivans avant l’an MCCC (dorénavant Recueil1) à une véritable « défense et illustration » de la littérature médiévale fran- çaise : c’est-à-dire, en l’occurrence, qu’il ne s’est pas seulement livré – par la recherche assidue de documents, par le contact direct avec le manuscrit, par la lecture, la citation et le commentaire des textes – à un travail d’« antiquaire », comme d’autres à son époque et comme lui-même dans d’autres œuvres, mais aussi à celui d’un « poéticien médiéviste dont les remarques et les jugements, même hâtifs et décousus, constituent autant d’éléments d’une sorte d’introduction à la lecture des poètes médiévaux2 ». -
Poetry and Music in Medieval France from Jean Renart to Guillaume De Machaut
Poetry and Music in Medieval France From Jean Renart to Guillaume de Machaut ARDIS BUTTERFIELD published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, uk 40 West 20th Street, New York, ny 10011-4211, usa 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Ardis Butterfield 2002 This book is in copyright. Subject to statutory exception and to the provisions ofrelevant collective licensing agreements, no reproduction ofany part may take place without the written permission ofCambridge University Press. First published 2002 Printed in the United Kingdom at the University Press, Cambridge Typeface Adobe Garamond 11.5 /14 pt System LATEX 2ε [TB] A catalogue record for this book is available from the British Library isbn 0 521 62219 0 hardback Contents List of illustrations page ix List of musical examples xii Acknowledgements xv Bibliographical note xviii List of abbreviations xix Prologue 1 I Text and performance 1 Song and written record in the early thirteenth century 13 2 The sources ofsong: chansonniers, narratives, dance-song 25 3 The performance of song in Jean Renart’s Rose 64 II The boundaries of genre 4 The refrain 75 5 Refrains in context: a case study 87 6 Contrafacta: from secular to sacred in Gautier de Coinci and later thirteenth-century writing 103 III The location of culture 7 ‘Courtly’ and ‘popular’ in the thirteenth century 125 8 Urban culture: Arras and the puys 133 vii Contents 9 The cultural contexts ofAdam de la Halle: Le Jeu de Robin et de Marion 151 IV Modes of inscription 10 Songs in writing: the evidence ofthe manuscripts 171 11 Chant/fable: Aucassin et Nicolette 191 12 Writing music, writing poetry: Le Roman de Fauvel in Paris BN fr. -
Les Titres Des Œuvres Dans Le Corpus De Littérature Médiévale.Pdf
Les titres des œuvres dans le Corpus de Littérature médiévale • Œuvres narratives de fiction - Recueil général et complet des fabliaux des XIIIe et XIVe siècles imprimés ou inédits (Anatole de Montaiglon) - Choix de fabliaux (Guy Raynaud de Lage) - Eneas (J.-J. Salverda de Grave) - Male Honte, Huon le Roi de Cambrai (Arthur Langfors) - Vair Palefroi, Huon le Roi de Cambrai (Arthur Langfors) - Le Roman de Thèbes (Guy Raynaud de Lage) - Philomena (C. de Boer); Erec et Enide (Mario Roques) - Cligès (Alexandre Micha) - Le Chevalier de la charrette (Lancelot) [Mario Roques - traduction: Jean Frappier] - Le Chevalier au lion (Yvain) [Mario Roques - traduction: Jean Dufournet] - Le Conte du Graal (Perceval) [Félix Lecoy - traduction: Jacques Ribard] de Chrétien de Troyes - Le Roman de Tristan de Béroul (Ernest Muret) - Les Deux poèmes de La Folie Tristan (Félix Lecoy) - Eracle, Ille et Galéron de Gautier d’Arras (Guy Raynaud de Lage/Yves Lefèvre) - Fabliaux de Jean Bodel (Pierre Nardin) - Lais, Fables, Le Livre de l'Espurgatoire S. Patriz de Marie de France (Jean Rychner/Karl Warnke) - Lai d’Haveloc (Alexander Bell) - Le Lay de l'espervier, Le Lay d'amours (Gaston Paris) - Lai du Conseil (Albert Barth) - Pyrame et Thisbé (W.G. Van Emden) - Donnei des amanz (Paul Meyer et Gaston Paris) - Aucassin et Nicolette (Mario Roques) - Roman de Renart (Ernest Martin) - Des Trois Avugles de Compigne de Cortebarbe (Georges Gougenheim) - Roman de la Rose de Guillaume de Lorris et Jean de Meun (Félix Lecoy) - Le Roman de Tristan (Renée L. Curtis) - La Continuation