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TOC Page 1 TABLE of CONTENTS
Back to TOC Page 1 TABLE OF CONTENTS *** CLICK A TOPIC TO GO DIRECTLY TO THE PAGE *** DAYANG GROUP MEASUREMENT OPTIONS PARENT COMPANY 3 M4U - MADE FOR YOU 25 INTERNATIONAL PARTNERS 4 FIT TOOLS 26 PROPRIETARY FACTORIES 5 GARMENT MEASUREMENTS 27 PRODUCTION 6 POSTURE / BALANCE 28 CAPACITY 7 STYYLcart TAILORING QUALITY IMAGES ON DEMAND 29 UNPARALLELED VALUE 8 SELL WITH CONFIDENCE 30 CONSTRUCTION 9 CREATE SALES 31 GARMENT MAKES 10 SALES HISTORY 32 INTERIOR COMPONENTS 11 CUSTOM LINING FIT / PATTERN ULTIMATE PERSONALIZATION 33 MODERN FIT 12 SPECIAL OCCASIONS 34 RANGE OF FITS 13 CORPORATE SALES 35 JACKET 14 ART EXPRESSION 36 TROUSER 15 OVERCOAT 16 FABRICS IN STOCK 37 QUICK DELIVERY ITALIAN MILLS 38 IN STOCK / CMT FABRIC 17 ONLINE TRACKING 18 CMT WORK WITH THE FINEST 39 DESIGN DETAILS SELECTION 19 PRIVATE LABEL CATEGORY DETAILS 20 BRAND IDENTITY 40 MATERIALS PACKAGE 21 COMPETE 41 PRESET MODELS PRIVATE INVENTORY INCLUDED TEMPLATES 22 IMPROVED MARGIN 42 SAVE YOUR OWN 23 QUICK SAVE 24 WOMEN’S M4U NOT JUST FOR MEN 43 PRODUCTS 44 Back to TOC Page 2 DAYANG GROUP PARENT COMPANY Dayang Group is the Global Leader of MTM garment production. Founded in 1979 by Madam Li Giulian. Dayang now has 24 branch compa- nies. Back to TOC Page 3 DAYANG GROUP INTERNATIONAL PARTNERS Successful brands around the world choose Dayang as their manufacturing partner. Reliable, trustworthy and competent. Stability your business can count on. Back to TOC Page 4 DAYANG GROUP PROPRIETARY FACTORIES All factories are company-owned and operated. Garments are made to the company’s strict production standards. -
Mitchell Brothers – Vaudeville and Western
Vaudeville and the Last Encore By Marlene Mitchell February, 1992 William Mitchell, his wife Pearl Mitchell, and John Mitchell 1 Vaudeville and the Last Encore By Marlene Mitchell February, 1992 Vaudeville was a favorite pastime for individuals seeking clean entertainment during the early part of the 20th century. The era of vaudeville was relatively short because of the creation of new technology. Vaudeville began around 1881 and began to fade in the early 1930s.1 The term vaudeville originated in France.2 It is thought that the term vaudeville was from “Old French vaudevire, short for chanson du Vaux de Vire, which meant popular satirical songs that were composed and presented during the 15th century in the valleys or vaux near the French town of Vire in the province of Normandy.”3 How did vaudeville begin? What was vaude- ville’s purpose and what caused its eventual collapse? This paper addresses the phenomenon of vaudeville — its rise, its stable but short lifetime, and its demise. Vaudeville was an outgrowth of the Industrial Revolution, which provided jobs for peo- ple and put money in their pockets.4 Because of increased incomes, individuals began to desire and seek clean, family entertainment.5 This desire was first satisfied by Tony Pastor, who is known as the “father of vaudeville.”6 In 1881 Pastor opened “Tony Pastor’s New Fourteenth Street Theatre” and began offering what he called variety entertainment.7 Later B. F. Keith, who is called the “founder of vaudeville,” opened a theater in Boston and expanded on Pastor’s original variety concept.8 Keith was the first to use the term “vaudeville” when he opened his theater in Boston in 1894.9 Keith later joined with E. -
Pianta Della Fiera | Elenco Espositori 30^ Milano Unica
PIANTA DELLA FIERA | ELENCO ESPOSITORI General Map | List of exhibitors 30^ MILANO UNICA Primavera - Estate | Spring - Summer 2021 Febbraio / February 4.5.6, 2020 20 16 12 8 Porta Ovest Porta Est West Gate East Gate TIM Auditorium Centro Servizi Service Center Porta Sud South Gate TIM milanounica.it IDEABIELLA 20 16 12 8 Pad. Hall 20 D C B A C 20 C 15 C 13 A 18 A 17 MU RESTAURANT C 18 C 11 A 16 C 16 E B 07 A 14 A 15 D 09 C 09 C 14 MU Cafè LOUNGE D 07 B 06 A 13 C 12 A 12 E 15 D 10 A 11 E 18 C 10 C 07 B 05 A 10 E 16 E 14 E 13 D 08 A 08 A 09 E 12 E 11 D 06 LOUNGE IDEABIELLA E 10 / E 08 E 09 LOUNGE LOUNGE A 07 MU E 06 E 07 MEETING C 08 IDEABIELLA SECRETARIAT ROOM C 05 B 04 A 05 E 05 D 04 D 05 C 03 A 03 C 06 A 06 E 04 B 03 E 03 D 03 C 01 A 04 C 04 B 02 A 01 E 02 E 01 D 02 D 01 A 02 C 02 B 01 E D C B A Milano Unica 30^ edizione / 2 IDEABIELLA 20 16 12 8 ABRAHAM MOON D10 MARLANE - MARZOTTO GROUP A11 LANERIE AGNONA C15 MARLING & EVANS B02 ALFRED BROWN D06 GMF MARZOTTO FABRICS - MARZOTTO GROUP A15 ANGELICO B01 MILIOR A04 LANIFICIO FRATELLI BACCI A16 LANIFICIO MOESSMER A08 LANIFICIO CARLO BARBERA D02 PAULO DE OLIVEIRA C04 CARLO BONOMI 1860 - DIV. -
Historical Sketches of Savage Life in Polynesia; with Illustrative Clan Songs
LIFE 11 r \ V ^VY THE .W.W.GILL.B.A. s^i*v iHilNiiaiHiliA -^ V:»-y*Vi .^^Mtfwjjtooiffn., !'#:j,;_>_'-i3S*!ii.ilEit«St-»4f J»»,J vriL-«r--r the estf.te of the late William Edward Kelley / HISTORICAL SKETCHES OF SAVAGE LIFE IN POLYNESIA. : HISTORICAL SKETCHES OP SAVAGE LIFE IN POLYNESIA: WITH ILLUSTRATIVE CLAN SONGS. BY THB REV. WILLIAM WYATT GILL, BA., AUTHOR OF "MYTHS AND SONGS FEOM THE SOUTH PACIFIC. WELLINGTON GEORGE DIDSBURY, GOVERNMENT PRINTER. 1880. LIBRARY 731325 UNIVERSITY OF TORONTO — INTRODUCTORY REMARKS. The flattering reception accorded to a former^ volume has induced me to collect and publish a series of Historical Sketches with Illustrative Songs, which may not be without interest to students of ethnology and others. Some of them have already appeared in a serial publication. During a long residence on Mangaia, shut out to a great extent from the civilized world, I enjoyed great facilities for the study of the natives themselves and their traditions. I soon found that they had two sets of traditions — one referring to their gods, and to the supposed experiences of men after death; another relating veritable history. The natives themselves carefully distinguish the two. Thus, historical songs are called '^ pe^e ;^' the others, ^^ kapa,'^ &c. In the native mind the series now presented to the English public is a natural sequence to " Myths and Songs ;" the mythical, or, as they would say, the spiritual, necessarily taking precedence of the historical or human. In such researches we cannot be too careful to distinguish history from myth. But when we find hostile clans, in their epics, giving substantially the same account of the historical past, the most sceptical must yield to the force of evidence. -
Volume 38, Number 09 (September 1920) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1920 Volume 38, Number 09 (September 1920) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 38, Number 09 (September 1920)." , (1920). https://digitalcommons.gardner-webb.edu/etude/672 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE Presser’s Musical Magazine MUSIC COMPOSITION FOR WOMEN BY CARRE JACOBS-BOND ULTRA-MODERN MUSIC EXPLAINED BY PROFESSOR CHARLES QUEF KEYBOARD MASTERY BY CONSTANTIN STERNBERG WHY UNDERPAY THE MUSIC TEACHER? BY CHARLES E. WATT HOW HAYDN SUCCEEDED BY COMMENDATORE E. di PIRANI $2.00 A YEAR THE EjTUDE SEPTEMBER 1920 Page 577 This TRADE MARK 'Represenhs Lhe BEST Lhere is in Beautiful Balladv Smil/nThittOUGH ( Sacred - Secular ) Solos - Duets - Quartete r%gj THEY SONGS G;i? C / I* *V>* ' CAN AND MORE 5°*G „ / ARE I/S , BE OtWllTTltBOYQfMlNf S«S£„. &-*£? AT T: °A iJjev*. ri»e* '**». /PLAYED CONG «««** ON A>f 9 ■0 2-4, , PIANO Evening Brings Rest DjARD/ ' G^f„ And you /or ORGAN *e ' 50 Wes Tb*^tefi each like *5'”' / IDEAL FOR THIS IT I^^SSCE?* 'the HOME ACTUAL SIZE / 6 by 9 Inches CONCERT MAUMUSUNfUWaS-fiOOON'OHl SENT /and CHURCH on requeshy IF YOU LOVE A GOOD enclosej BALLAD 5 cents i H°WONETm in stan ( SACRED or SECULAR) . -
Billboard-1997-07-19
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) IN MUSIC NEWS IBXNCCVR **** * ** -DIGIT 908 *90807GEE374EM002V BLBD 589 001 032198 2 126 1200 GREENLY 3774Y40ELMAVEAPT t LONG BEACH CA 90E 07 Debris Expects Sweet Success For Honeydogs PAGE 11 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT ADVERTISEMENTS RIAA's Berman JAMAICAN MUSIC SPAWNS Hit Singles Is Expected To DRAMATIC `ALTERNATIVES' Catapult Take IFPI Helm BY ELENA OUMANO Kingston -based label owner /artist manager Steve Wilson, former A &R/ Colvin, Robyn This story was prepared by Ad f , Mention "Jamaica" and most people promotion manager for Island White in London and Bill Holland i, think "reggae," the signature sound of Jamaica. "It means alternative to BY CHUCK TAYLOR Washington, D.C. that island nation. what's traditionally Jamaicans are jus- known as Jamaican NEW YORK -One is a seasoned tifiably proud of music. There's still veteran and the other a relative their music's a Jamaican stamp Put r ag top down, charismatic appeal on the music. The light p the barbet Je and its widespread basslines and drum or just enjoy the sunset influence on other beats sound famil- cultures and iar. But that's it. featuring: tfri musics. These days, We're using a lot of Coen Bais, Abrazas N all though, more and GIBBY FAHRENHEIT blues, funk, jazz, Paul Ventimiglia, LVX Nava BERMAN more Jamaicans folk, Latin, and a and Jaquin.liévaao are refusing to subsume their individ- lot of rock." ROBYN COLVIN BILLBOARD EXCLUSIVE ual identities under the reggae banner. -
Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption. -
Biography of Pir-O-Murshid Inayat Khan
Biography of Pir-o-Murshid Inayat Khan Part I. Biography (1st part) Part I. Biography (2nd part) Part II. Autobiography Part III. Journal Anecdotes & Epilogue Biographical Sketches of Principal Workers Notes and Glossary (Notes are indicated by asterisk: *) Please note: This ebook does not include any of the reference materials or illustrations of the original paper edition. Biography of Pir-o-Murshid Inayat Khan Part I. Biography India in 1882 Towards the middle of the latter half of the 19th century, a desire for religious and social reform was awakening in India among Hindus and Moslims alike. Centuries earlier, Shankaracharya * had turned the tide of religious feeling towards a greater spirituality. Both Nanak *, the great Guru * of the Sikhs *, and Kabir *, the poet, had created and left in the land a living spirit of tolerance in religion and of spiritual purity. A fresh fire was given to religious life by the great sages Dadu * and Sundar *. More recently the religious association Arya Samaj * had been founded by Dayananda Saraswati *, the religious reform of Swami Narayan * had been made, Devendranath Tagore * had lighted a new flame of religion in Brahmo Samj *. Then Mirza Ghulam Hussein Qadiani [The full name is Mirza Ghulam Hussein Ahmad Qadiani] had set on foot the Ahmadia Movement *, the Christian missionaries were endeavouring to propagate Christianity and the Theosophical Society * had established itself as The Hindu College at Benares. The dark clouds that had hung over the land in the years following the Mutiny *, were breaking. on the one hand Sir Sayyed Ahmad * was working to induce the Moslims to make the best of existing conditions, in particular by the foundation of Aligarh College * and to arouse in the Moslim youth a spirit of enterprise, energy and self-dependence and on the other hand the British Government was setting to work at reform in law, education and administration. -
SIXTY YEARS of AUSTRALIAN UNION SONGS the Australian Folk Revival and the Australian Labour Movement Since the Second World War
SIXTY YEARS OF AUSTRALIAN UNION SONGS The Australian Folk Revival and The Australian Labour Movement Since The Second World War Mark Gregory Books, magazines, concerts and recordings !is book was made available with the generous support of CFMEU (Mining and Energy Division) Maritime Union of Australia NSW Teachers Federation Peter Neilson CONTENTS Summary i Acknowledgements ii Introduction 1 Chapter One 5 The Australian Folk Revival and the Union Movement Chapter Two 23 Folk Song and Unions - Political Songs Chapter Three 37 Art and Working Life Program Chapter Four 48 MUA centenary CD and the Union Songs website Chapter Five 61 Rights at Work: Contemporary Song and Poetry Chapter Six 71 Conclusion Bibliography 76 Discography 80 Websites cited 82 Listen to MUA centenary CD tracks online at http://unionsong.com/wtatracks.html SUMMARY This thesis, Sixty Years of Australian Union Songs, comprises three parts: a CD - With These Arms, a website – Union Songs, and a critical review of union songs written in Australia over the past sixty years. The thesis explores the relationship between the Australian folk revival and Australian Trade Unions. It provides a detailed study of events in the post war history of the union movement and the folk revival as evidence of a long relationship between them. Through a series of interviews with songwriters, and a discussion of folk revival magazines and folk song books, the thesis investigates the details of the connections between the two movements, and the social and political effects of these movements on changes that have occurred in Australia since the end of World War 2. -
Assembly Beats Polish Move Ban Economic
Vf' V r P ■' r / V“ ■* ■ ■•• / ’■ *1 V WEDNESDAY, NOVEMBER 24, 1W8 , A V*- rA Q E S m E B K iKattrbfstfr lEnfinins IfrraUi Average DaBy Wet Preas Ran Far the Meutb sT Oeteber. t t t t stor Rsymimd B. Baldarla. Rsuel The PoUah-Amerlcan Club la The M ary Cheney and WWton St. Mary’s Churcli Kalghn, chslrmsn of the Greater holding a Thankaglvlng Bve dance Memetial Ubrarlea will be closed Hartford Inter-Church Canvass, 9,594 A bout Tow n ttle evening at Ita clubrooma at all day tomorrow., Thankaglvlng No Herald and the Rev. Arthur H. Richard day. Annual Breakfast Florence and Clinton etreeta. son, Headmaster o f Brent School, b rm lB ( Onaniat tad Choir Director tlvttlea w ill get under way at 8t80 Tomorrow BegUlo, Philippine Islands, have NEWLYt BUILT HOME IProdarlc Werner hw • re- Mre. J«din Shea o f Benton atreet The annual Advent Men’s Cor been among the speakers. Manehester—^A City o f Vtttage Charm p. m. and Mra. Milton Wagner of Camp- liMreel oC the eomblned choire at porate Oomnninion win be held In This year’s committee for the 120 HAW lUORf^ STREET Center church fo r tomorrow mom- field rcMul are co^nairmen of a Advent Men’s Communion and The Emanuel Choir wiD have a large committee from OlbboM SL Mary's Bpiacopal church this AdvevtWag ea Page U ) MANCHESTER, CONN„ FRIDAY, NOVEMBER 29, 1948 (TWENTY PAGES) j Inc at t o’clock, proeedlnf the Joint rebearaal thla evening at tte There will be no Issue of breakfast consists of Austin H. -
Milano Unica Banks on Stretch Fabrics, Sustainability, Digital
12/2/2019 Milano Unica Spotlights Performance, Sustainability, Digital Services – WWD FASHION / TEXTILES Milano Unica Banks on Stretch Fabrics, Sustainability, Digital Services to Gain Traction Despite rising prices for raw materials and market instability, the Italian textile industry closed 2018 with sales of 7.86 billion euros and exhibitors at the trade show were optimistic about future prospects. By Martino Carrera on February 11, 2019 ESSENTIALIST TODAY'S MUST READ Sale of Sears Complete — Eddie Lampert Owns Sears LATEST GALLERIES The trend area at the 28th edition of textile trade show Milano Unica. Courtesy Photo. MILAN — A breeze of cautious optimism ran through the hallways of the Milano-Rho fairgrounds during the 28th edition of the Milano Unica textile trade show, which closed here on Feb. 7. The 467 exhibitors at the fair presented their collections for spring 2020 focusing on high-tech performance fabrics, sustainable innovations, as well as on the implementation of https://wwd.com/fashion-news/textiles/milano-unica-banks-stretch-fabrics-sustainability-digital-services-1203011496/ Privacy setti1ng/9s 12/2/2019digital services. Milano Unica Spotlights Performance, Sustainability, Digital Services – WWD Despite soaring prices for raw materials — especially wool — currency fluctuations and uneven trade performances, the textile sector held momentum in 2018, with sales expected to close at 7.86 billion euros, substantially in line with the previous year, according to preliminary data released by Confindustria Moda for the January-to-October period. Exports to China, Hong Kong and Japan were up 3 percent, 6.1 percent and 8.6 percent, respectively, while the U.S. lagged behind, down 12.6 percent compared to 2017. -
A History of Morgan County, Utah Centennial County History Series
610 square miles, more than 90 percent of which is privately owned. Situated within the Wasatch Mountains, its boundaries defined by mountain ridges, Morgan Countyhas been celebrated for its alpine setting. Weber Can- yon and the Weber River traverse the fertile Morgan Valley; and it was the lush vegetation of the pristine valley that prompted the first white settlers in 1855 to carve a road to it through Devils Gate in lower Weber Canyon. Morgan has a rich historical legacy. It has served as a corridor in the West, used by both Native Americans and early trappers. Indian tribes often camped in the valley, even long after it was settled by Mormon pioneers. The southern part of the county was part of the famed Hastings Cutoff, made notorious by the Donner party but also used by Mormon pioneers, Johnston's Army, California gold seekers, and other early travelers. Morgan is still part of main routes of traffic, including the railroad and utility lines that provide service throughout the West. Long known as an agricultural county, the area now also serves residents who commute to employment in Wasatch Front cities. Two state parks-Lost Creek Reservoir and East A HISTORY OF Morgan COUY~Y Linda M. Smith 1999 Utah State Historical Society Morgan County Commission Copyright O 1999 by Morgan County Commission All rights reserved ISBN 0-913738-36-0 Library of Congress Catalog Card Number 98-61320 Map by Automated Geographic Reference Center-State of Utah Printed in the United States of America Utah State Historical Society 300 Rio Grande Salt Lake City, Utah 84 101 - 1182 Dedicated to Joseph H.