Sustainability Report 2017-2018 Content
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TOC Page 1 TABLE of CONTENTS
Back to TOC Page 1 TABLE OF CONTENTS *** CLICK A TOPIC TO GO DIRECTLY TO THE PAGE *** DAYANG GROUP MEASUREMENT OPTIONS PARENT COMPANY 3 M4U - MADE FOR YOU 25 INTERNATIONAL PARTNERS 4 FIT TOOLS 26 PROPRIETARY FACTORIES 5 GARMENT MEASUREMENTS 27 PRODUCTION 6 POSTURE / BALANCE 28 CAPACITY 7 STYYLcart TAILORING QUALITY IMAGES ON DEMAND 29 UNPARALLELED VALUE 8 SELL WITH CONFIDENCE 30 CONSTRUCTION 9 CREATE SALES 31 GARMENT MAKES 10 SALES HISTORY 32 INTERIOR COMPONENTS 11 CUSTOM LINING FIT / PATTERN ULTIMATE PERSONALIZATION 33 MODERN FIT 12 SPECIAL OCCASIONS 34 RANGE OF FITS 13 CORPORATE SALES 35 JACKET 14 ART EXPRESSION 36 TROUSER 15 OVERCOAT 16 FABRICS IN STOCK 37 QUICK DELIVERY ITALIAN MILLS 38 IN STOCK / CMT FABRIC 17 ONLINE TRACKING 18 CMT WORK WITH THE FINEST 39 DESIGN DETAILS SELECTION 19 PRIVATE LABEL CATEGORY DETAILS 20 BRAND IDENTITY 40 MATERIALS PACKAGE 21 COMPETE 41 PRESET MODELS PRIVATE INVENTORY INCLUDED TEMPLATES 22 IMPROVED MARGIN 42 SAVE YOUR OWN 23 QUICK SAVE 24 WOMEN’S M4U NOT JUST FOR MEN 43 PRODUCTS 44 Back to TOC Page 2 DAYANG GROUP PARENT COMPANY Dayang Group is the Global Leader of MTM garment production. Founded in 1979 by Madam Li Giulian. Dayang now has 24 branch compa- nies. Back to TOC Page 3 DAYANG GROUP INTERNATIONAL PARTNERS Successful brands around the world choose Dayang as their manufacturing partner. Reliable, trustworthy and competent. Stability your business can count on. Back to TOC Page 4 DAYANG GROUP PROPRIETARY FACTORIES All factories are company-owned and operated. Garments are made to the company’s strict production standards. -
Kilts & Tartan
Kilts & Tartan Made Easy An expert insider’s frank views and simple tips Dr Nicholas J. Fiddes Founder, Scotweb Governor, Why YOU should wear a kilt, & what kind of kilt to get How to source true quality & avoid the swindlers Find your own tartans & get the best materials Know the outfit for any event & understand accessories This e-book is my gift to you. Please copy & send it to friends! But it was a lot of work, so no plagiarism please. Note my copyright terms below. Version 2.1 – 7 November 2006 This document is copyright Dr Nicholas J. Fiddes (c) 2006. It may be freely copied and circulated only in its entirety and in its original digital format. Individual copies may be printed for personal use only. Internet links should reference the original hosting address, and not host it locally - see back page. It may not otherwise be shared, quoted or reproduced without written permission of the author. Use of any part in any other format without written permission will constitute acceptance of a legal contract for paid licensing of the entire document, at a charge of £20 UK per copy in resultant circulation, including all consequent third party copies. This will be governed by the laws of Scotland. Kilts & Tartan - Made Easy www.clan.com/kiltsandtartan (c) See copyright notice at front Page 1 Why Wear a Kilt? 4 Celebrating Celtic Heritage.................................................................................................. 4 Dressing for Special Occasions.......................................................................................... -
In the High Court of New Zealand Wellington Registry Civ 485-2003-2724
IN THE HIGH COURT OF NEW ZEALAND WELLINGTON REGISTRY CIV 485-2003-2724 UNDER Part 1 of the Judicature Amendment Act 1972 IN THE MATTER OF an application under the Wool Act 1997 and the Wool Board Disestablishment Act 2003 BETWEEN SAXMERE COMPANY LIMITED First Plaintiff AND THE ESCORIAL COMPANY LIMITED Second Plaintiff AND RICHARD KING AS REPRESENTATIVE Third Plaintiff AND RUSSELL STEWART EMMERSON & FOREST RANGE LIMITED AS REPRESENTATIVES Fourth Plaintiff AND THE WOOL BOARD DISESTABLISHMENT COMPANY LIMITED Defendant Hearing: 8-19 August 2005 3-4 November 2005 Appearances: F M R Cooke QC & L Theron & S Grey for Plaintiffs R Dobson QC & J Bates for Defendant Judgment: 6 December 2005 RESERVED JUDGMENT OF MILLER J SAXMERE COMPANY LIMITED AND OTHERS V THE WOOL BOARD DISESTABLISHMENT COMPANY LIMITED HC WN CIV 485-2003-2724 6 December 2005 TABLE OF CONTENTS The Saxon story The parties The pleadings Impetus for reform of the New Zealand Wool Industry in the 1990s The Wool Board Act 1997 The 1998 joint venture with MNZI The Saxmere business plan The state of Saxmere’s business in December 1997 Meeting of 17 December 1997 The Saxmere business plan The Board meeting of 5-6 May 1998 The Board’s reasons for declining the application: discussion The 2001 settlement and retrospective funding of Saxmere Failure of negotiations with MNZL and non-payment of levies Negotiations with the Board The Board’s decision to invite MNZL to fund Saxmere The settlement agreement Significance of the Board’s acknowledgement that Saxmere was an efficient and effective -
Tartans: Scotland’S National Emblem
ESTABLISHED IN 1863 Volume 149, No. 3 November 2011 TARTANS: SCOTLAND’S NATIONAL EMBLEM Tartan has without doubt become one of the most important sym- Inside this Issue bols of Scotland and Scottish Heritage and with the Scots National Feature Article…….….....1 identity probably greater than at any time in recent centuries, the po- Message from our tency of Tartan as a symbol cannot be understated. However, it has President….......................2 also created a great deal of romantic fabrication, controversy and Upcoming Events…….....3 speculation into its origins! name, history and usage as a Clan or Family form of identification. The Chicago Fire and The Celebration of St. An‐ drewʹs Day .……….……4 Gifts to the Society……...8 Flowers of the For‐ est……………..…..…….9 BBC Alba Scottish Tradi‐ tional Music Awards…..10 Banquet & Ball….….12‐15 Tartan is a woven material, generally of wool, having stripes of different colors and varying in breadth. The arrangement of colors is alike in warp and weft ‐ that is, in length and width ‐ and when woven, has the appearance of being a number of squares intersected by stripes which cross each other; this is called a ‘sett’. By changing the colors; varying the width; depth; number of stripes, differenc‐ (Continued on page 4) November 2011 www.saintandrewssociety‐sf.org Page 1 A Message from Our President The Saint Andrew's Dear Members and Society Society of San Francisco Friends: 1088 Green Street San Francisco, CA The nominating committee met to 94133‐3604 (415) 885‐6644 select Society Officers to serve for Editor: William Jaggers 2012. -
January 2020
SHERRILL FABRIC CATALOG January 2020 Fabric List Fabric Catalog January 2020 GENERAL INFORMATION (1) RAFT: It has been determined by the Joint Industry Fabric Standards Committee that various fabric treatment processes are detrimental to the performance of fabrics. Therefore, neither Sherrill Furniture Company nor the fabric mill can be responsible for any claims made involving fabrics that have Retail Applied Fabric Treatment. (2) The manufacturers of upholstered fabrics do not guarantee their products for wearability or colorfastness; whether "Teflon" treated or not; therefore, we cannot assume this responsibility. We also cannot guarantee match in color items ordered at separate times because of dye lot variations. (3) We do not in any way guarantee that Teflon finish will definitely improve cleaning quality of fabrics. (4) We buy the best quality covers available in each grade, consistent with the present day styles, and cannot guarantee fabric for cleanability, fastness of color, or wearing quality. (5) A number or letter opposite the colors in the different patterns indicate the color set in which you may locate the pattern. Example: P-PRINTS 4-BEIGE/WHITE 7-MELON/RED 2-GREEN 5-GOLD/YELLOW 8-BLUE/BLACK 3-TOAST/CAMEL 6-TURQUOISE Also, italicized numbers following the color set (example: Multi 7 - 17963) indicate the fabric's SKU number. (6) Special features of each (content, repeats, etc.) are listed directly under the pattern colors. (7) All current fabrics are 54 inches wide unless otherwise noted. (8) When "Railroaded" is noted on the list, this denotes that the fabric is shown railroaded in swatches and on furniture. -
Put It in the Books
AMERICAN GROWN | SUPERIOR | RARE | AUTHENTIC NOVEMBER 2020 In This Edition PAGE 1-2 Put It In The Books Supima Harvest Symposium ---------------------------- PAGES 3-4 Supima Holiday Shopping Guide ---------------------------- PAGE 5 Memoriam: Supima Photographer William Helburn Market Update ---------------------------- PAGE 6 Put It In The Books Licensing Update STAY CONNECTED or the past 15 years, SUPIMA® has been inviting brands and retailers to the cotton fields for an experience like no other. With a worldwide pandemic and strict social distancing measures in place, this year’s harvest celebration looked a 66TH SUPIMA little different. ® ANNUAL MEETING FSUPIMA just wrapped up its first-ever virtual Supima Harvest Symposium. The three-day event was an immersive experience that saw over 150 viewers from Supima’s family of licensed Please join us for the 66th Supima Annual brands and retailers across the world participating in a comprehensive workshop chronicling the Meeting. Given the current challenges we all Supima growing and processing cycle from seed to bale. face with the pandemic and social distancing, With Supima’s President & CEO, Marc Lewkowitz opening the symposium with a keynote ad- Supima will be holding this year’s meeting via dress, the overriding themes of this year’s program were authenticity, partnership and change. Zoom on Tuesday, December 8 from 1 p.m. Lewkowitz recognized the challenges the industry faces and reinforced the company’s commit- to 3 p.m. PST. Members and all segments of ment to working with its partners across the supply chain to help drive the conversation to fair the industry will have the opportunity to learn about Supima’s current and future activities. -
Judging Wool and Mohair
AS3‐4.058 Judging Wool and Mohair Contents WOOL ........................................................................................ 3 Shrinkage and Yield .................................................................... 4 Scoring ........................................................................................ 4 Bulkiness ............................................................................ 5 Length ................................................................................ 5 Soundness and Purity ......................................................... 5 Quality ................................................................................ 7 Character ............................................................................ 7 Color ................................................................................... 7 MOHAIR .................................................................................... 7 Grading ....................................................................................... 7 Scoring ........................................................................................ 7 Fineness and Uniformity .................................................... 7 Staple Length.................................................................... 10 Character .......................................................................... 10 Softness ............................................................................ 10 Luster .............................................................................. -
Advanced Silk Shading
ROYAL SCHOOL OF NEEDLEWORK 2019-2020 ACADEMIC YEAR DIPLOMA ADVANCED SILK SHADING Traditionally worked with silk thread on silk or linen fabric, but now more usually worked in stranded cotton thread. Silk is still the most usual background fabric but a variety of other fabrics may be used. For Advanced Silk Shading you may work EITHER an animal, bird, fish or reptile; OR a tapestry shaded human figure. SILK SHADED ANIMAL OR BIRD AIM – To demonstrate an advanced level of technical skill by working a realistic and naturally shaded embroidery of an animal, fish, reptile or bird using Long and Short Stitch with one strand of stranded cotton (or fine silk thread). To utilise shading and stitch direction to accurately depict musculature, fur, scales and clearly defined feathers as appropriate. Please note: All preparatory work (e.g. outlines, drawings, stitch plans, original source material) MUST be handed in for assessment or the work will not be marked. DESIGN Try to come with some ideas for a design and bring along some photographs. The photograph must be printed a similar size to the embroidery size otherwise it is very difficult to work. It is essential to work from a crisp, clear, well-focused photograph where you can see the individual colours and changes from dark to light. Illustrations can sometimes be harder to follow, and you should be wary of images from the Internet, which are often poor quality and may not print sufficiently well. However there are many places online from which you can purchase high quality images. The tutor will be able to make suggestions and help you bring your ideas together. -
Baseball Caps
HILLS HATS WINTER LOOKBOOK 2019 TWEED HATS Eske Donegal English Luton Check English Tweed Cheesecutter Tweed Cheesecutter 2540 2541 Navy, Black, Olive Brown, Grey S, M, L, XL, XXL S, M, L, XL, XXL Herefordshire Check English Wiltshire Houndstooth English Tweed Cheesecutter Tweed Cheesecutter 2542 2544 Blue, Green Brown, Grey, Beige, Blue, Fawn S, M, L, XL, XXL S, M, L, XL, XXL Devon Houndstooth Swindon Houndstooth Lambswool Tweed Cheesecutter Lambswool English Tweed Cheesecutter 2552 2573 Blue, Rust Blue, Green, Wine, Fawn S, M, L, XL, XXL S, M, L, XL, XXL 1 Chester Overcheck Hunston Overcheck Lambswool English Tweed Cheesecutter English Tweed Cheesecutter 2574 2554 Blue, Olive, Brown Black, Blue, Brown, Green S, M, L, XL, XXL S, M, L, XL, XXL Saxilby Overcheck English Glencoe Overcheck Lambswool Tweed Cheesecutter Tweed Cheesecutter 2567 2537 Brown, Green Green, Mustard S, M, L, XL, XXL S, M, L, XL, XXL Bingley Check Lambswool Bramford Houndstooth English Tweed Cheesecutter Tweed Cheesecutter 2551 2556 Olive, Blue Blue, Green S, M, L, XL, XXL S, M, L, XL, XXL 2 TWEED HATS Warrington Herringbone English Tweed Cheesecutter 2576 Charcoal, Brown, Khaki S, M, L, XL, XXL English Wool Tweed Patchwork Cheesecutter 300 Blue, Green, Brown S, M, L, XL, XXL Eske Donegal English Tweed 4 Piece Cheesecutter 2570 Black, Navy, Olive S, M, L, XL, XXL 3 Dartford Herringbone English Tweed 4 Piece Cheesecutter 2570 Black, Brown, Blue, Green S, M, L, XL, XXL Bingley Check English Tweed 7 Piece Cheesecutter 2571 Blue, Olive S, M, L, XL, XXL Warrington Herringbone -
Australian Superfine Wool Growers Association Inc
AustrAliAn superfine Wool Growers’ Association inc. AustrAliAn superfine Wool Growers Association inc. AnnuAl 2015-2016 www.aswga.com 1 | Annual 2015/2016 Australian Wool Innovation On-farm tools for woolgrowers Get involved in key initiatives such as: • Join an AWI-funded Lifetime Ewe Management group to lift production - www.wool.com/ltem • Join your state’s AWI extension network - www.wool.com/networks • Benchmark your genetic progress with MERINOSELECT - www.wool.com/merinoselect • Reducing wild dog predation through coordinated action - www.wool.com/wilddogs • Training shearers and woolhandlers - www.wool.com/shearertraining • Enhanced worm control through planning - www.wool.com/wormboss • Getting up to scratch with lice control - www.wool.com/lice • Flystrike protection and prevention - www.wool.com/fl ystrike VR2224295 www.wool.com | AWI Helpline 1800 070 099 Disclaimer: Whilst Australian Wool Innovation Limited and its employees, offi cers and contractors and any contributor to this material (“us” or “we”) have used reasonable efforts to ensure that the information contained in this material is correct and current at the time of its publication, it is your responsibility to confi rm its accuracy, reliability, suitability, currency and completeness for use for your purposes. To the extent permitted by law, we exclude all conditions, warranties, guarantees, terms and obligations expressed, implied or imposed by law or otherwise relating to the information contained in this material or your use of it and will have no liability to you, however arising and under any cause of action or theory of liability, in respect of any loss or damage (including indirect, special or consequential loss or damage, loss of profi t or loss of business opportunity), arising out of or in connection with this material or your use of it. -
ANCIENT TERRACOTTAS from SOUTH ITALY and SICILY in the J
ANCIENT TERRACOTTAS FROM SOUTH ITALY AND SICILY in the j. paul getty museum The free, online edition of this catalogue, available at http://www.getty.edu/publications/terracottas, includes zoomable high-resolution photography and a select number of 360° rotations; the ability to filter the catalogue by location, typology, and date; and an interactive map drawn from the Ancient World Mapping Center and linked to the Getty’s Thesaurus of Geographic Names and Pleiades. Also available are free PDF, EPUB, and MOBI downloads of the book; CSV and JSON downloads of the object data from the catalogue and the accompanying Guide to the Collection; and JPG and PPT downloads of the main catalogue images. © 2016 J. Paul Getty Trust This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042. First edition, 2016 Last updated, December 19, 2017 https://www.github.com/gettypubs/terracottas Published by the J. Paul Getty Museum, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu/publications Ruth Evans Lane, Benedicte Gilman, and Marina Belozerskaya, Project Editors Robin H. Ray and Mary Christian, Copy Editors Antony Shugaar, Translator Elizabeth Chapin Kahn, Production Stephanie Grimes, Digital Researcher Eric Gardner, Designer & Developer Greg Albers, Project Manager Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: J. -
Pianta Della Fiera | Elenco Espositori 30^ Milano Unica
PIANTA DELLA FIERA | ELENCO ESPOSITORI General Map | List of exhibitors 30^ MILANO UNICA Primavera - Estate | Spring - Summer 2021 Febbraio / February 4.5.6, 2020 20 16 12 8 Porta Ovest Porta Est West Gate East Gate TIM Auditorium Centro Servizi Service Center Porta Sud South Gate TIM milanounica.it IDEABIELLA 20 16 12 8 Pad. Hall 20 D C B A C 20 C 15 C 13 A 18 A 17 MU RESTAURANT C 18 C 11 A 16 C 16 E B 07 A 14 A 15 D 09 C 09 C 14 MU Cafè LOUNGE D 07 B 06 A 13 C 12 A 12 E 15 D 10 A 11 E 18 C 10 C 07 B 05 A 10 E 16 E 14 E 13 D 08 A 08 A 09 E 12 E 11 D 06 LOUNGE IDEABIELLA E 10 / E 08 E 09 LOUNGE LOUNGE A 07 MU E 06 E 07 MEETING C 08 IDEABIELLA SECRETARIAT ROOM C 05 B 04 A 05 E 05 D 04 D 05 C 03 A 03 C 06 A 06 E 04 B 03 E 03 D 03 C 01 A 04 C 04 B 02 A 01 E 02 E 01 D 02 D 01 A 02 C 02 B 01 E D C B A Milano Unica 30^ edizione / 2 IDEABIELLA 20 16 12 8 ABRAHAM MOON D10 MARLANE - MARZOTTO GROUP A11 LANERIE AGNONA C15 MARLING & EVANS B02 ALFRED BROWN D06 GMF MARZOTTO FABRICS - MARZOTTO GROUP A15 ANGELICO B01 MILIOR A04 LANIFICIO FRATELLI BACCI A16 LANIFICIO MOESSMER A08 LANIFICIO CARLO BARBERA D02 PAULO DE OLIVEIRA C04 CARLO BONOMI 1860 - DIV.