The Temple Murals: the Life of Malcolm X by Florian Jenkins
THE TEMPLE MURALS: THE LIFE OF MALCOLM X BY FLORIAN JENKINS HOOD MUSEUM OF ART | CUTTER-SHABAZZ ACADEMIC AFFINITY HOUSE | DARTMOUTH COLLEGE PREFACE The Temple Murals: The Life of Malcolm X by Florian Arts at Dartmouth on January 25, 1965, just one month a bed of grass, his head lifted in contemplation; across Jenkins has been a Dartmouth College treasure for before his tragic assassination. Seven years later, the room, above the fireplace, his face appears in many forty years, and we are excited to reintroduce it with the students in the College’s Afro-American Society invited angles and perspectives, with colors that are not absolute publication of this brochure, the research that went into Jenkins to create a mural in their affinity house, which but nuanced, suggesting the subject’s inner mysteries its contents, and the new photographs of the murals that they had just rededicated as the El Hajj Malik El Shabazz and anxieties, reflecting our own. illustrate it. Painted during a five-month period in 1972 Temple, after the name and title that Malcolm X had The murals also point out how starkly we differ from in the Cutter-Shabazz affinity house at Dartmouth, the adopted in 1964 after returning from his pilgrimage in Malcolm, who is rendered in contrasts in color, especially mural speaks to a potent moment in American history, Mecca. Now under the care of the Hood Museum of Art, above the door threshold. A white-masked specter one connected to events both in the life of civil rights The Temple Murals are powerful works that remind us of stands behind a black gunman, holding the gun toward leader Malcolm X and the moment of Dartmouth history the strength of individual activist voices, which Jenkins Malcolm as a horrified, blurred-face bystander watches in which the mural was created.
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