Salvadorans Walk the Talk
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He Who Has Not Been to Moscow Has Not Seen Beauty
STRATEGIES FOR BUSINESS IN MOSCOW He who has not been to Moscow has not seen beauty A PROPOS “To Moscow, to Moscow, to Moscow!” Like a mantra, However, the majority of people who live abroad know this phrase is repeated by the sisters in Anton nothing about this. Old habits, as they say, die hard. Chekhov’s famous play “Three Sisters.” The play is Many foreigners still think that the sun never rises about three young women dreaming of escaping their in Moscow, that the city is always cold and that it boring small town and coming to the capital. Although snows year round. Not to mention the rumors of bears the play was written in 1900, people from all over roaming the streets at night. Disappointing as it may Russia, as well as people from CIS countries, still want be, these myths are still around. to move to Moscow. Of course, we are partially responsible for this – we Moscow has always been a magnet. At least this is the tell the world very little about ourselves. We need to way things have played out historically – all the best spend more resources on attracting tourists to Moscow things could be found in the capital: shops, libraries, by letting them know how convenient and comfortable clinics, schools, universities, theatres. At one point, the city has become. According to official statistics, coming to Moscow from Siberia was like taking a trip to over 5 million foreigners visited Moscow last year. This a foreign country. is obviously a small number – about 15 million tourists visit places like London and Paris every year. -
A Glance at Moscow
A GLANCE AT MOSCOW RUPS FIELD TRIP REPORT / 23-27 MARCH 2015 LONDON SCHOOL OF ECONOMICS AND POLITICAL SCIENCE The report “A Glance at Moscow” contains the record of views and impressions on the city of Moscow in Russia. These impressions were constructed from a field study conducted between the 23th and 27th March 2015 by students of MSc in Regional & Urban Planning Studies. The MSc Regional & Urban Planning Studies is a strongly focused and internationally based planning programme that has a long tradition in training both people seeking careers in urban and regional planning policy and mid-career professionals. Founded in 1966 by the departments of Economics, Geography and Government, the programme (now housed solely in the department of Geography & Environment) continues a strong interdisciplinary focus challenging students to understand cities and regions from an economic, social and environmental perspective. http://www.lse.ac.uk Facebook: LSE Regional and Urban Planning Studies We thank The Higher School of Economics, to Yuriy Milevskiy, Oleg Baevskiy, Petr Ivanov, Maria Sapharova, Michael Blinkin, Alexei Novikov, the Strelka Institute, to Kuba Snopeck and Mila Ilyu shina, the Moscow Chief Architect Sergei Kuznetsov and colleagues, to Irina Kuznetsova and all those who hosted and collaborated in the visits and workshops. Special thanks to Elena Kuskova, Flavien Menu, Alan Mace, Nancy Holman and all the members of the Planning Society. 2 A GLANCE AT MOSCOW A GLANCE AT MOSCOW 3 4 A GLANCE AT MOSCOW A GLANCE AT MOSCOW 5 CONTENTS Introduction -
Soviet Science Fiction Movies in the Mirror of Film Criticism and Viewers’ Opinions
Alexander Fedorov Soviet science fiction movies in the mirror of film criticism and viewers’ opinions Moscow, 2021 Fedorov A.V. Soviet science fiction movies in the mirror of film criticism and viewers’ opinions. Moscow: Information for all, 2021. 162 p. The monograph provides a wide panorama of the opinions of film critics and viewers about Soviet movies of the fantastic genre of different years. For university students, graduate students, teachers, teachers, a wide audience interested in science fiction. Reviewer: Professor M.P. Tselysh. © Alexander Fedorov, 2021. 1 Table of Contents Introduction …………………………………………………………………………………………………………………………3 1. Soviet science fiction in the mirror of the opinions of film critics and viewers ………………………… 4 2. "The Mystery of Two Oceans": a novel and its adaptation ………………………………………………….. 117 3. "Amphibian Man": a novel and its adaptation ………………………………………………………………….. 122 3. "Hyperboloid of Engineer Garin": a novel and its adaptation …………………………………………….. 126 4. Soviet science fiction at the turn of the 1950s — 1960s and its American screen transformations……………………………………………………………………………………………………………… 130 Conclusion …………………………………………………………………………………………………………………….… 136 Filmography (Soviet fiction Sc-Fi films: 1919—1991) ……………………………………………………………. 138 About the author …………………………………………………………………………………………………………….. 150 References……………………………………………………………….……………………………………………………….. 155 2 Introduction This monograph attempts to provide a broad panorama of Soviet science fiction films (including television ones) in the mirror of -
Cinema of Sergei Parajanov Parajanov Performs His Own Imprisonment for the Camera
The Cinema of Sergei Parajanov Parajanov performs his own imprisonment for the camera. Tbilisi, October 15, 1984. Courtesy of Yuri Mechitov. The Cinema of Sergei Parajanov James Steffen The University of Wisconsin Press Publication of this volume has been made possible, in part, through support from the Andrew W. Mellon Foundation. The University of Wisconsin Press 1930 Monroe Street, 3rd Floor Madison, Wisconsin 53711- 2059 uwpress.wisc .edu 3 Henrietta Street London WC2E 8LU, England eurospanbookstore .com Copyright © 2013 The Board of Regents of the University of Wisconsin System All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any format or by any means, digital, electronic, mechanical, photocopying, recording, or otherwise, or conveyed via the Internet or a website without written permission of the University of Wisconsin Press, except in the case of brief quotations embedded in critical articles and reviews. Printed in the United States of America Library of Congress Cataloging- in- Publication Data Steffen, James. The cinema of Sergei Parajanov / James Steffen. p. cm. — (Wisconsin fi lm studies) Includes bibliographical references and index. ISBN 978- 0- 299- 29654- 4 (pbk. : alk. paper) — ISBN 978- 0- 299- 29653- 7 (e- book) 1. Paradzhanov, Sergei, 1924–1990—Criticism and interpretation. 2. Motion pictures—Soviet Union. I. Title. II. Series: Wisconsin fi lm studies. PN1998.3.P356S74 2013 791.430947—dc23 2013010422 For my family. Contents List of Illustrations ix -
Rs .144900 Destinations Overview Itinerary
0484 4020030, 8129114245 [email protected] RUSSIAN CARNIVAL Rs .144900 7 Nights 8 Days Destinations Russia , Moscow, Saint Petersburg Overview Places Covered : Moscow -City Tour, Kremlin Fortress, Lenin's Tomb, Red Square & St.Basil's Cathedral, Moscow underground Metro, World War Museum, Space Museum of Cosmonautics, Moscow River Cruise, Russian Circus Show, Arbat Shopping Street, Grand Palace, Bullet Train Journey, St.Petersburg - City Tour, Hermitage Palace, Pushkin Palace, Petrhof Museum, Vodka Tour, Nocolas Palace, Russian Folk Show, Peter & Paul Fortress, Hydrofoil Cruise, Nevsky Prospect Itinerary Day 1 : COCHIN – MOSCOW ( Breakfast & Lunch in flight / Dinner at hotel. ) Assemble at Kochi International Airport at 01.00 hrs. Check in starts at 01.35 hrs. After emigration and customs formalities Gulf Air Flight GF271N depart to Bahrain at 04.35 hrs and arrive Bahrain International Airport at 06.45 hrs. Later connect Gulf Air Flight GF 14N to Moscow at 09.00 hrs and arrive Domodedovo International Airport, Moscow at 14.00 hrs. Welcome to Moscow, Russia. Moscow is the capital and most populous city of the Russian Federation with 12.2 million residents. According to Forbes 2013, Moscow has been ranked as the ninth most expensive city in the world. Upon arrival you will meet your airport assistant and transfer to hotel. Free time for leisure. Dinner and overnight stay at hotel. Overnight stay: Azimut Olympic Moscow Hotel or similar in Moscow Day 2 : MOSCOW TOUR ( Breakfast & Dinner at hotel and lunch at local/Indian restaurant ) SPACE MUSEUM OF COSMONAUTICS After breakfast meet the guide and you will visit the prestigious space museum of old USSR. -
Ezra Lebank and David Bridel, These Legends of Comedy Reveal the Origins, Inspirations, Techniques, and Philosophies That Underpin Their Remarkable Odysseys
Downloaded by [New York University] at 04:32 09 August 2016 Clowns Clowns: In Conversation with Modern Masters is a groundbreaking collection of conversations with 20 of the greatest clowns on earth. In discussion with clown aficionados Ezra LeBank and David Bridel, these legends of comedy reveal the origins, inspirations, techniques, and philosophies that underpin their remarkable odysseys. Featuring incomparable artists, including Slava Polunin, Bill Irwin, David Shiner, Oleg Popov, Dimitri, Nola Rae, and many more, Clowns is a unique and definitive study on the art of clowning. In Clowns, these 20 master artists speak candidly about their first encounters with clowning and circus, the crucial decisions that carved out the foundations of their style, and the role of teachers and mentors who shaped their development. Follow the twists and turns that changed the direction of their art and careers, explore the role of failure and originality in their lives and performances, and examine the development and evolution of the signature routines that became each clown’s trademark. The discussions culminate in meditations on the role of clowning in the modern world, as these great practitioners share their perspectives on the mysterious, elusive art of the clown. Ezra LeBank is the Head of Movement for the Department of Theatre Arts at California State University, Long Beach. He has published articles in the Journal for Laban Movement Studies and Total Theatre Magazine. He performs and teaches across North America and Europe. Downloaded by [New York University] at 04:32 09 August 2016 David Bridel is the Artistic Director of The Clown School in Los Angeles and the Director of the MFA in Acting in the School of Dramatic Arts at the Uni- versity of Southern California. -
Opinions of Film Critics and Viewers
Alexander Fedorov 100 most popular Soviet television movies and TV series: opinions of film critics and viewers Moscow, 2021 Fedorov A.V. 100 most popular Soviet television movies and TV series: opinions of film critics and viewers. Moscow: "Information for all", 2021. 144 p. What does the list of the hundred most popular Soviet television films and TV series look like? How did the press and viewers evaluate and rate these films? In this monograph, for the first time, an attempt is made to give a panorama of the hundred most popular Soviet television films and serials in the mirror of the opinions of film critics, film critics and viewers. The monograph is intended for high school teachers, students, graduate students, researchers, film critics, film experts, journalists, as well as for a circle of readers who are interested in the problems of cinema, film criticism and film sociology. Reviewer: Professor M.P. Thselyh. © Alexander Fedorov, 2021. 2 TABLE OF CONTENTS Introduction ………………………………….................................................................................... 4 100 most popular Soviet television movies and TV series: opinions of film critics and viewers ……………………………........................................................................................... 5 Interview on the release of the book "One Thousand and One Highest Grossing Soviet Movie: Opinions of Film Critics and Viewers"…………………………………………………………….. 119 List of "100 most popular Soviet television films and TV series.......................................... 125 About -
One Thousand and One Highest Grossing Soviet Movie: Opinions of Film Critics and Viewers" *
Interview on the release of the book "One Thousand and One Highest Grossing Soviet Movie: Opinions of Film Critics and Viewers" * * An extended version of the interview of Oleg Sulkin, a film critic and correspondent of the Russian service of the Voice of America in New York, with Professor Alexander Fedorov. Sulkin O. Leonid Gaidai named the absolute champion of the Soviet film distribution. Voice of America. 23.10.2020. https://www.golosameriki.com/a/interview–with–alexander–vedorov–on–soviet–cinema/5633107.html Oleg Sulkin: Why did you decide to make this book? Do you have any predecessors in this topic? Alexander Fedorov: Such a wide panorama of the opinions of Soviet and Russian film critics, film critics and viewers about a thousand of the highest–grossing Soviet films is given in this book for the first time. This panorama, in my opinion, helps to think about such, for example, important questions: Why exactly such Soviet films became the leaders of the box office? Which Soviet directors can be considered the highest grossing and why? How did the press and viewers assess and rate the highest–grossing Soviet films? Unfortunately, film distribution data are not available for all Soviet feature full–length films (and there were over seven thousand of them). There are, for example, serious gaps in the 1920s – 1930s. I wrote this book for a long time – I collected and analyzed data from film statistics, articles and reviews of Soviet and Russian film critics, audience reviews on Internet portals, I tested individual parts of my text on the Yandex platform (often receiving good corrections and comments there), on portals “ Kino–teater.ru", “Kinopressa.ru” and Facebook. -
Ru2.020-Vc Russian
University of Wisconsin - Madison Rev: November 15, 2019 Learning Support Services Room 274 Set Call Number: RU2.020-VC RUSSIAN FILMS ON VIDEO (Various distributors, 1990-present) TYPE OF PROGRAM: Russian culture and civilization; film DESCRIPTION: A series of films either produced in Russian, directed by Russian directors, or about Russian subjects: some films are subtitled in English. VIDEOTAPES ARE FOR RESERVE IN THE MEDIA LIBRARY ONLY! Instructors may check them out for up to 24 hours for preview purposes or to show in class. See the Media catalog or NLS for films in other languages. AUDIENCE: Students of Russian, Russian film, Russian literature. Advanced Russian needed for unsubtitled Films. FORMAT: VHS; NTSC CONTENT CALL NUMBER 9th Company RU2.020.206 USSR. 2005. DVD. In Russian w/English subtitles. Color. 140 min. Directed by Fyodor Bondarchuk. Based on real-life events, recounts a year in the shared lives of a group of young soldiers drafted to serve in Afghanistan during the final year of the Soviet conflict. 12 RU2.020.199 Russian 2009. DVD. In Russian w/English subtitles. Color. 160 min. Directed by Nikita Mikhalkov. When a Chechen youth is put on trial for the murder of his stepfather, it’s up to a room full of jurors divided by racism and prejudice to determine the boy’s ultimate fate. 211: Anna RU2.020.205 Italy. 2009. DVD. Color. 90 min. In Russian w/English subtitles. Directed by Paolo Serbadini & Giovanna Massimetti. A documentary of the 211th journalist to be murdered by the democratic government of Russia. Adam's Rib RU2.020.063 1992. -
Mayakovsky's Soviet Passport Your Russian Work Visa Russia Day 2008
JULY 2008 www.passportmagazine.ru Mayakovsky’s Soviet Passport Your Russian Work Visa Russia Day 2008 Contents 4 Vladimir Mayakovsky’s Soviet Passport 6 Calendar and Editor’s Choice What to do in Moscow in July 10 July in Russian History 12 Film, Books, and Music 4 Russian Film vs. Hollywood Movies ”Cyberpunk” Band Fakel Carriage Chats with Lev Tolstoy 14 Art History The Gulag Creativity of Boris Sveshnikov 16 Travel Summer in Mongolia: The Festival of Nadaam 18 Day Out 16 Mednoye 20 Weekend Getaway Odessa 22 Metro Feature The End of an Era 24 Crossing Borders Germans in Russia Peter Kropotkin 18 Russians in Cote d’Azur Scots in Russia 34 Russian Star The Designs of Viktoria Savvateeva 36 Business Visas: Quota Fulfi lled 38 Real Estate St. Petersburg’s Marine Facade 30 40 Wine & Dine Wine: Windows on the World; Canadian Ice Wine Dine: Carre Blanc Restaurant Listings 48 Columns Fred Flintstone Lipp Service Eva Lanska: Between Paris and Moscow The Legal Line 40 52 Out & About New Detective Fiction Mercedes-Benz Classic Day Summer Party at Marriott Courtyard Spotlight Singapore in Moscow Yachting Season Summer Block Party Diema’s Dream 56 The Last Word June 12: Russia Day 48 Letter from the Publisher Ack-ack…Ahem…Excuse me, just that last bit of pukh that fl ew down my throat. You know what I mean — all the fl uff and fuzz that comes out of nowhere to blanket the city in June as if we are pining away for some snow and crave a substitute. Now that it’s disappeared, we can get back to the issue at hand, or the issue in your hand, namely Passport. -
Russian Sociological Review. 2020. Volume 19. Issue 4
ISSN 1728-1938 RUSSIAN SOCIOLOGICAL REVIEW 2020 ✴ Volume 19 ✴ Issue 4 (Special Issue) СОЦИОЛОГИЧЕСКОЕ ОБОЗРЕНИЕ 2020 ✴ Том 19 ✴ № 4 (Тематический номер) NATIONAL RESEARCH UNIVERSITY HIGHER SCHOOL OF ECONOMICS CENTRE FOR FUNDAMENTAL SOCIOLOGY RUSSIAN SOCIOLOGICAL REVIEW ✴ 2020. Volume 19. Issue 4 Special Issue “Social Order and Art Sources of Imaginations” ISSN 1728-1938 E-mail: [email protected] Web-site: sociologica.hse.ru/en Address: Staraya Basmannaya str., 21/4, Room A205, Moscow, Russian Federation 105066 Phone: +7-(495)-772-95-90*12454 Editorial Board International Advisory Board Editor-in-Chief Jeffrey C. Alexander (Yale University, USA) Alexander F. Filippov Gary David (Bentley University, USA) Nicolas Hayoz (University of Fribourg, Switzerland) Deputy Editor Nikita Kharlamov (Aalborg University, Denmark) Marina Pugacheva Dmitry Kurakin (HSE, Russian Federation) Editorial Board Members Peter Manning (Northeastern University, USA) Svetlana Bankovskaya Albert Ogien (EHESS, France) Nail Farkhatdinov Anne W. Rawls (Bentley University, USA) Andrei Korbut Irina Saveliyeva (HSE, Russian Federation) Victor Vakhshtayn (RANEPA, Russian Federation) Internet-Editor Jaan Valsiner (Aalborg University, Denmark) Nail Farkhatdinov Special Issue Editorial Team Copy Editors Anastasia McMillan Editors Literary Editors Perry Franz Alexander F. Filippov Perry Franz Nail Farkhatdinov Maxim Fetisov Russian Proofreader Inna Krol Layout Designer Establishers Andrei Korbut • National Research University—Higher School of Economics • Alexander F. Filippov About the Journal The Russian Sociological Review is an academic peer-reviewed journal of theoretical, empirical and his- torical research in social sciences. TheRussian Sociological Review publishes four issues per year. Each issue includes original research papers, review articles and translations of contemporary and classical works in sociology, political theo- ry and social philosophy. -
31295018972116.Pdf (1.422Mb)
Leonid Gaidai and His Heroes by Jason Dickens A SENIOR THESIS for the UNIVERSITY HONORS COLLEGE Submitted to the University Honors College at Texas Tech University in partial fulfillment of the requirement for the degree designation of HIGHEST HONORS May 2005 Approved by: I -~-- 4- Joo 5 0 Dr. Q'8-cum l 1 Date Department of Classical and Modem Languages and Literatures s/to/or DR. G~Y M. BELL Date Dean, ~versity Honors College L/^** Acknowledgement s r^^ First of all, I would like to thank Dr. Qualin for his f ^L patience. He provided me with the initial idea for my thesis and a lot of help throughout the entire project. I would like to thank Dr. Collopy, Dr. Fisher and Dr. Sunseri for building my interest in the Russian language and culture. Next, I want to thank Kelton Thomas and the University Writing Center for proofreading my rough drafts. I want to thank my family, Claude, Donna, Jim, John, Jessie, Molly, and Jennifer for all of their help. Most importantly, I want to thank my wife Julie and my daughter Whitney for their loving support. They encouraged me to work when I did not want to. Table of Contents Acknowledgements i Table of Contents ii Abstract 1 Leonid Gaidai 2 F iImography 5 Carl Jung's Archetypes 6 Persona 9 Shadow 10 Joseph Campbell's Hero Cycle 12 The Hero's Call to Action 15 Crossing the Threshold 25 Road of Trials 3 0 Crossing the Return Threshold 38 Conclusion ^^ References 43 u Abstract Leonid Gaidai's films contain Jungian archetypes and patterns of Campbell's '^hero cycle." Stories that contain these elements inspire their audiences to live valiantly.