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Himalayan Journal of Education and Literature Macrocosm and Its Dark in Cherkess Women's Poetry Today

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Himalayan Journal of Education and Literature Macrocosm and Its Dark in Cherkess Women's Poetry Today Himalayan Journal of Education and Literature Open Access Research Article Macrocosm and Its Dark in Cherkess Women's Poetry Today Кhuako Fatimet Doctor of Philology, Professor, Maikop State Technological University, Russia *Corresponding Author Кhuako Fatimet Abstract: As revealed in the presented work, the Circassian literature of the post- Soviet period, based on the then newly emerged concept of the macrocosm and personality, exacerbated the layer of creative immersion in being. This was due to the Article History fact found in the work: the word-creation of poets, caused by the oppressive Received: 30.04.2021 destruction of perestroika, is often aimed at regulating ordinary issues, necessarily Accepted: 10.05.2021 saturated with black-and-white problems and its antipodes. Accordingly, the closeness Published: 20.05.2021 of the art authors considered in the article as research objects to the media environment that paints the realities of life is evident. The analyzed materials here are Citations: poetic works of female Circassian lyrics (in particular, Sanyat Gutova, Muliat Emizh). Кhuako Fatimet. (2021); Macrocosm and The rationale for this choice is given in the Introduction, and it allows us to assume Its Dark in Cherkess Women's Poetry Today. the relevance of the study. The methods involve textual comparison, analysis, Hmlyan Jr Edu Lte, 2(3) 9-14 commenting based on facts and personal experience. The direct and natural rhythmization of the century that has come with a peculiar, thorough reflection on the Copyright @ 2021: This is an open-access article distributed under the terms of the macrocosm has perceptibly determined, in particular, the literary texts of the Creative Commons Attribution license which Circassian poetesses who create today, and in various genres. The image of darkness permits unrestricted use, distribution, and within the modern macrocosm drawn by the Circassian poetesses, which is of interest reproduction in any medium for non to the author of the article, appears in the history of world literature as one of the most commercial use (NonCommercial, or CC-BY- mysterious figures. At the same time, as noted in the article, the preoccupation of NC) provided the original author and source ardent hopelessness, which is indispensable in women's texts by Circassian authors, are credited. enables the attentive reader to concentrate on shots of life radiating close by. As far as it is established in the work regarding the combination of the creative pen with the career processing of the word, more often the level of creative productivity is not at all predetermined by the degree of journalistic skill of the individual. And this thesis is proved in the article on the material of selected Circassian poetesses of the new era. Keywords: Macrocosm, modern Circassian poetry, gender, darkness . INTRODUCTION Circassian literature of the post-Soviet period, based on the then newly emerged concept of the macrocosm and personality, exacerbated the layer of creative immersion in being. The word-creation of poets, caused by the oppressive destruction of perestroika, is often aimed at regulating ordinary issues, necessarily saturated with black-and-white problems and its antipodes. Black gloom, not only in landscape decor, but also in character portraits, has intensively captured the postmodern manifestations of many planetary cultures. In particular, the basic text, which should be cited when talking about the forces of evil in the West cultures, is the "Bible" and its demonic characters. However, scientists today often emphasize the actual absence of really derived representatives of evil in the biblical text. In addition to the Serpent as the main character in the "Book of Genesis", carrying a free supply of information to man, there is only an abstract Beast, as the main character in the book "Revelations", predicting the end of life and acting as the last planetary ruler. This abruptly ends here the satanic series, and the evil deeds performed in the biblical psalms belong to the hand of a human or even divine. There is also no direct description of any particular kingdom of darkness. Only in the second half of the XIII - early XIV centuries. Dante Alighieri, a brilliant representative of Italian culture, being a worthy civilizational thinker, religious figure and native speaker, produces with his pen a "Comedy" that combines the late Middle Ages. It contains and outlines in detail a demonic character who builds and protects his own dark empire. According to scientists, directly through the works of Dante in Christian culture, specific hellish and heavenly pictures arose, sometimes occupied by the author in other civilizational models and converted to Christianity. Thus, the great and then unexpected "Divine Comedy" threw demonic pearls into the necklace of world culture, which at that time did not have clear artistic descriptions of the kingdom of evil. 9 Кhuako Fatimet; Hmlyan Jr Edu Lte; Vol-2, Iss- 3 (May-Jun, 2021): 9-14 Subsequently, only in the 17th century british poet say a much more permissible truth about the ethnos and John Milton, who belongs to the classics of English its history, which had previously been placed under an culture, its religious and political word-creator, thinking immutable ban. There is a conversation about the philosopher and revered orator, in his treatises and imperial wars in the Caucasus, about the tragic pamphlets launched the image of Lucifer as a expulsion from their native spaces, vivid episodes of the representative of evil that exists today in world thousand-year national fate of the Circassians arise, and civilization. The rise and fall of the protagonist-demon, the plots of their habitation in newly acquired by analogy with the alien myths borrowed by Dante, are conditions also become possible. At the same time, the outlined by J. Milton in Paradise Lost, attributed to the internal environment of both the individual and the genre of the poem. The most active representative ethnos, which can shine with an unfading ray, shine among the angels, light-creating and previously with abundant facets that feed the genres of art (word, gratuitous, ventured to ascend his own throne to the top dance, song, painting, etc.), becomes a very noticeable of the peak, despite the divine regalia. This could not object for modern authors. In reality, according to the but cause discontent of the Almighty, who, in his rage, book produced today by the Circassian poets, it is expelled the freedom-lover. Ultimately uttering the permissible to see and reasonably conclude: “to love, well-known phrase about the preference "to rule in hell" create and bear fruit – this is the core principle of every over serving in heaven, Lucifer triumphantly left the Adyghe word-creator” (Khuako F, 2015). Productivity Kingdom of God, building his own dark kingdom in is one of the basic lines in the ancient moral Aristotelian opposition to it. environment. At the same time, Aristotle unconditionally attributed such a personal line to the In Russian literature, current authors who have been number of personal qualities. As far as it is even today, creating science fiction already in the post-Soviet era it is permissible to call the position in which the speaker touch on the line of the dark kingdom and its develops the most effective work, which stipulates the representatives much more intensely in comparison reader's respect, sincere perception, by word-creative with their foreign colleagues. Apparently, they, who productivity. Such linearity in a literary text also lasts, acquired any religious canons only in the 90s. XX strengthens, intensifies from the carriers of today's century, a very young pro-Christian dogma is less lyrical space, which can develop an abundance. inherent. Domestic fantasy production in the field of According to one of the modern Circassian researchers, literary texts has not yet established itself in any word- Professor Shamset Erguk-Shazzo, at the moment of the creation standards. John Tolkien, who was in Western emergence of this lyrical stream “we are dealing with literature and carried postmodernism, is considered an an extremely complex phenomenon, with a continent, a artistic standard, a teacher, a classic for his followers. planet that live their own life, with their colors, sounds, Neither in the USSR nor in Russia there was anything smells, etc." (Shazzo-Erguk Sh, 2005). In addition, similar, and this made it possible today, already beyond according to her, at the moment, in a single move into the boundaries of atheistic prohibitions, to demonstrate poetry came "... interesting lyrics with a pronounced a considerable intention. So, for example, the intention epic bias, poets thinking, understanding life, able to see is noticeable not only in the text, but also in other its colors" (Shazzo-Erguk Sh, 2005). cultural formats. In particular, government-funded groups that sometimes discuss the image of light and In such word-creative productivity, mandatory darkness in Russian literature gather: on August 13, at personality traits, as well as talented author's donations, 17.00, 2008, a discussion club meeting on a relevant acquire manifestations. Scientists unanimously refer to topic was held in the library of world art culture of the such an ingenious system of the Circassians of the new Chitai-Gorod business center. According to the century, firstly, Nalbiy Kuek, after - the newer word- organizers, the discussion is based on the main works of creators who came later, in particular: Mugdin Tlekhas, art, bearing dark and light characters - God, the Devil, Shambiy Kuev, Muliat Emizh, Sanyat Gutova, Timur angels, devils and other ministers or representatives of Derbe, Mugdin Medzhashev, etc. For some of them, the dark or light forces. At the beginning of the discussion, productive borrowing of N. Kuek's mythopoetics is one the presentation of the problem of confrontation of the most effective ways of presenting in creativity.
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