Italian American Crime Fighters a Brief Survey
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Immigrant Fiction, Religious Ritual, and the Politics of Liminality, 1899-1939
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2008 Rights of Passage: Immigrant Fiction, Religious Ritual, and the Politics of Liminality, 1899-1939 Laura Patton Samal University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the English Language and Literature Commons Recommended Citation Samal, Laura Patton, "Rights of Passage: Immigrant Fiction, Religious Ritual, and the Politics of Liminality, 1899-1939. " PhD diss., University of Tennessee, 2008. https://trace.tennessee.edu/utk_graddiss/343 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Laura Patton Samal entitled "Rights of Passage: Immigrant Fiction, Religious Ritual, and the Politics of Liminality, 1899-1939." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. Mary E. Papke, Major Professor We have read this dissertation and recommend its acceptance: Thomas Haddox, Carolyn R. Hodges, Charles Maland Accepted for -
Mafia Linguaggio Identità.Pdf
EDIZIONI MAFIA LINGUAGGIO IDENTITÁ di Salvatore Di Piazza Di Piazza, Salvatore <1977-> Mafia, linguaggio, identità / Salvatore Di Piazza – Palermo : Centro di studi ed iniziative culturali Pio La Torre, 2010. (Collana studio e ricerca) 1. Mafia - Linguaggio. 364.10609458 CDD-21 SBN Pal0224463 CIP – Biblioteca centrale della Regione siciliana “Alberto Bombace” 5 Nota editoriale di Vito Lo Monaco, Presidente Centro Pio La Torre 7 Prefazione di Alessandra Dino, sociologa 13 Introduzione Parte Prima 15 Il linguaggio dei mafiosi 15 Un linguaggio o tanti linguaggi? Problemi metodologici 17 Critica al linguaggio-strumento 18 Critica al modello del codice 19 Critica alla specificità tipologica del linguaggio dei mafiosi 19 Mafia e linguaggio 20 La riforma linguistica 21 Le regole linguistiche: omertà o verità 22 La nascita linguistica: performatività del giuramento 23 Caratteristiche del linguaggio dei mafiosi 23 Un gergo mafioso? 26 Un denominatore comune: l’“obliquità semantica” 30 Impliciti, non detti, espressioni metaforiche 36 Un problema concreto: l’esplicitazione dell’implicito Parte Seconda 41 Linguaggio e identità mafiosa 41 Sulla nozione di identità 42 Linguaggio e identità mafiosa tra forma e contenuto 43 Prove tecniche di appartenenza: così parla un mafioso 44 La comunicazione interna 45 La comunicazione esterna 49 La rappresentazione linguistica: un movimento duplice 49 Dall’interno verso l’esterno 51 Dall’esterno verso l’interno 52 Un caso emblematico: i soprannomi 54 Conclusioni 57 Bibliografia di Vito Lo Monaco Il presente lavoro di Salvatore Di Piazza fa parte delle ricerche promosse dal Centro Studi La Torre grazie alla collaborazione volontaria di autorevoli comitati scientifici e al contributo finanziario della Regione Sicilia. -
Mafia Motifs in Andrea Camilleri's Detective
MAFIA MOTIFS IN ANDREA CAMILLERI’S DETECTIVE MONTALBANO NOVELS: FROM THE CULTURE AND BREAKDOWN OF OMERTÀ TO MAFIA AS A SCAPEGOAT FOR THE FAILURE OF STATE Adriana Nicole Cerami A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Languages and Literatures (Italian). Chapel Hill 2015 Approved by: Dino S. Cervigni Amy Chambless Roberto Dainotto Federico Luisetti Ennio I. Rao © 2015 Adriana Nicole Cerami ALL RIGHTS RESERVED ii ABSTRACT Adriana Nicole Cerami: Mafia Motifs in Andrea Camilleri’s Detective Montalbano Novels: From the Culture and Breakdown of Omertà to Mafia as a Scapegoat for the Failure of State (Under the direction of Ennio I. Rao) Twenty out of twenty-six of Andrea Camilleri’s detective Montalbano novels feature three motifs related to the mafia. First, although the mafia is not necessarily the main subject of the narratives, mafioso behavior and communication are present in all novels through both mafia and non-mafia-affiliated characters and dialogue. Second, within the narratives there is a distinction between the old and the new generations of the mafia, and a preference for the old mafia ways. Last, the mafia is illustrated as the usual suspect in everyday crime, consequentially diverting attention and accountability away from government authorities. Few critics have focused on Camilleri’s representations of the mafia and their literary significance in mafia and detective fiction. The purpose of the present study is to cast light on these three motifs through a close reading and analysis of the detective Montalbano novels, lending a new twist to the genre of detective fiction. -
Fire Escapes in Urban America: History and Preservation
FIRE ESCAPES IN URBAN AMERICA: HISTORY AND PRESERVATION A Thesis Presented by Elizabeth Mary André to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements for the Degree of Master of Science Specializing in Historic Preservation February, 2006 Abstract For roughly seventy years, iron balcony fire escapes played a major role in shaping urban areas in the United States. However, we continually take these features for granted. In their presence, we fail to care for them, they deteriorate, and become unsafe. When they disappear, we hardly miss them. Too often, building owners, developers, architects, and historic preservationists consider the fire escape a rusty iron eyesore obstructing beautiful building façades. Although the number is growing, not enough people have interest in saving these white elephants of urban America. Back in 1860, however, when the Department of Buildings first ordered the erection of fire escapes on tenement houses in New York City, these now-forgotten contrivances captivated public attention and fueled a debate that would rage well into the twentieth century. By the end of their seventy-year heyday, rarely a building in New York City, and many other major American cities, could be found that did not have at least one small fire escape. Arguably, no other form of emergency egress has impacted the architectural, social, and political context in metropolitan America more than the balcony fire escape. Lining building façades in urban streetscapes, the fire escape is still a predominant feature in major American cities, and one has difficulty strolling through historic city streets without spotting an entire neighborhood hidden behind these iron contraptions. -
STRUTTURE Cosa Nostra E 'Ndrangheta a Confronto
STRUTTURE Cosa Nostra e ‘ndrangheta a confronto Francesco Gaetano Moiraghi Andrea Zolea WikiMafia – Libera Enciclopedia sulle Mafie www.wikimafia.it Strutture: Cosa Nostra e ‘ndrangheta a confronto, di Francesco Gaetano Moiraghi e Andrea Zolea La mafia dura da decenni: un motivo ci deve essere. Non si può andare contro i missili con arco e frecce: in queste vicende certe intemperanze si pagano duramente. Con il terrorismo, con il consenso sociale, potevi permettertele: con la mafia non è così. Nella società c’è un consenso distorto. Altro che bubbone in un tessuto sociale sano. Il tessuto non è affatto sano. Noi estirperemo Michele Greco, poi arriverà il secondo, poi il terzo, poi il quarto. Giovanni Falcone 1 www.wikimafia.it Strutture: Cosa Nostra e ‘ndrangheta a confronto, di Francesco Gaetano Moiraghi e Andrea Zolea PREMESSA Questo lavoro ha lo scopo di offrire uno sguardo d’insieme sulle articolazioni strutturali delle organizzazioni mafiose denominate Cosa nostra e ‘ndrangheta . La prima sezione, curata da Francesco Gaetano Moiraghi, si concentra sull’analisi di Cosa nostra. La seconda sezione, che sposta il focus sulla ‘ndrangheta, è curata da Andrea Zolea. Come si potrà notare, le due sezioni non sono state realizzate secondo uno stesso modello, ma analizzano le due organizzazioni con un approccio differente. Ad esempio, la parte su Cosa nostra avrà un orientamento maggiormente diacronico, diversamente da quella sulla ‘ndrangheta, basata su un approccio sincronico. Il presente testo ha infatti l’obiettivo di offrire due proposte di analisi differenti che riescano a mettere in luce le analogie e le differenze delle strutture delle due organizzazioni mafiose. -
An Investigation Into the Rise of the Organized Crime Syndicate in Naples, Italy
THE FIRST RULE OF CAMORRA IS YOU DO NOT TALK ABOUT CAMORRA: AN INVESTIGATION INTO THE RISE OF THE ORGANIZED CRIME SYNDICATE IN NAPLES, ITALY by DALTON MARK B.A., The University of Georgia, tbr 2013 Mark 1 In Naples, Italy, an underground society has a hand in every aspect of civilian life. This organization controls the government. This organization has been the police force. This organization has been a judicial board. This organization has maintained order in the jails. This organization is involved in almost every murder, every drug sale, every fixed election. This organization even takes out the garbage. But the first rule of Camorra is you do not talk about Camorra. The success of this crime syndicate, and others like it, is predicated on a principle of omertà – a strict silence that demands non-compliance with authority and non-interference in rival jobs. Presumably birthed out of the desperation of impoverished citizens, the Camorra has grown over the last three centuries to become the most powerful force in southern Italy. The Camorra’s influence in Naples was affirmed when various local governments commissioned the them to work in law enforcement because no other group (including the official police) had the means to maintain order. Since the Camorra took control of the city, they have been impossible to extirpate. This resilience is based on their size, their depravity, their decentralization, and perhaps most importantly, the corruption of the government attempting to supplant them. Nonetheless, in 1911, the Camorra was brought to a mass trial, resulting in the conviction of twenty-seven leaders. -
Omar Ronda Paolo Vegas
OMAR RONDA & PAOLO VEGAS COSA NOSTRA SACRO SANTO NOSTRA COSA MUSEO DELLA MAFIA CITTA’ DI SALEMI DAL 7 DI AGOSTO 2011 COSA NOSTRA – SACRO SANTO – NOSTRA COSA Nel repertorio iconografico della Storia dell’arte dell’Occidente i malfattori più rappresentati sono, senza dubbio, i due ladroni crocifissi sul Golgota insieme a Gesù Cristo. Nell’arte antica non mancano esempi di trasgressori delle leggi, divine o umane che siano, scelti come soggetto per dipinti o sculture. Pensiamo al ladro Prometeo che rubò il fuoco sull’Olimpo per portarlo agli uomini, oppure ai tirannicidi Armodio e Aristogitone, ma anche a Zeus fedifrago rapitore di fanciulli (Ganimede) o belle donne (Europa, Io, Leda). Questi personaggi, tuttavia, sono figure storiche, mitiche o leggendarie, che non possiamo definire delinquenti o fuorilegge secondo la piena accezione dei due termini. Nell’età medievale, non di rado, le figure dei malviventi erano inserite nelle raffigurazioni per educare all’obbedienza e come monito per incutere timore nei riguardanti, come nel caso delle truculente scene di giudizi universali o delle rappresentazioni ispirate all’inferno dantesco, dove ogni manigoldo era punito aspramente secondo l’inflessibile legge del contrappasso. Lo stesso avviene, ad esempio, nell’affresco di San Giorgio e la principessa (1433-35) dipinto da Pisanello per la Cappella Pellegrini nella chiesa di sant’Anastasia a Verona, nel quale campeggia in bella vista l’immagine di due impiccati penzolanti dalla forca. Nella Cappella degli Scrovegni a Padova (1303-05) Giotto ha affrescato nei riquadri dei Vizi e delle Virtù la personificazione allegorica dell’Ingiustizia con scene di delitti e misfatti. Ma anche nel ritratto del donatore, ovvero di Enrico degli Scrovegni raffigurato mentre consegna agli angeli il modello della cappella che dovrebbe fargli meritare il regno dei cieli, Giotto ci ha fornito il ritratto di un fuorilegge, poiché è risaputo che costui esercitava l’usura. -
New York's Mulberry Street and the Redefinition of the Italian
FRUNZA, BOGDANA SIMINA., M.S. Streetscape and Ethnicity: New York’s Mulberry Street and the Redefinition of the Italian American Ethnic Identity. (2008) Directed by Prof. Jo R. Leimenstoll. 161 pp. The current research looked at ways in which the built environment of an ethnic enclave contributes to the definition and redefinition of the ethnic identity of its inhabitants. Assuming a dynamic component of the built environment, the study advanced the idea of the streetscape as an active agent of change in the definition and redefinition of ethnic identity. Throughout a century of existence, Little Italy – New York’s most prominent Italian enclave – changed its demographics, appearance and significance; these changes resonated with changes in the ethnic identity of its inhabitants. From its beginnings at the end of the nineteenth century until the present, Little Italy’s Mulberry Street has maintained its privileged status as the core of the enclave, but changed its symbolic role radically. Over three generations of Italian immigrants, Mulberry Street changed its role from a space of trade to a space of leisure, from a place of providing to a place of consuming, and from a social arena to a tourist tract. The photographic analysis employed in this study revealed that changes in the streetscape of Mulberry Street connected with changes in the ethnic identity of its inhabitants, from regional Southern Italian to Italian American. Moreover, the photographic evidence demonstrates the active role of the street in the permanent redefinition of -
Società E Cultura 65
Società e Cultura Collana promossa dalla Fondazione di studi storici “Filippo Turati” diretta da Maurizio Degl’Innocenti 65 1 Manica.indd 1 19-11-2010 12:16:48 2 Manica.indd 2 19-11-2010 12:16:48 Giustina Manica 3 Manica.indd 3 19-11-2010 12:16:53 Questo volume è stato pubblicato grazie al contributo di fondi di ricerca del Dipartimento di studi sullo stato dell’Università de- gli Studi di Firenze. © Piero Lacaita Editore - Manduria-Bari-Roma - 2010 Sede legale: Manduria - Vico degli Albanesi, 4 - Tel.-Fax 099/9711124 www.lacaita.com - [email protected] 4 Manica.indd 4 19-11-2010 12:16:54 La mafia non è affatto invincibile; è un fatto uma- no e come tutti i fatti umani ha un inizio e avrà anche una fine. Piuttosto, bisogna rendersi conto che è un fe- nomeno terribilmente serio e molto grave; e che si può vincere non pretendendo l’eroismo da inermi cittadini, ma impegnando in questa battaglia tutte le forze mi- gliori delle istituzioni. Giovanni Falcone La lotta alla mafia deve essere innanzitutto un mo- vimento culturale che abitui tutti a sentire la bellezza del fresco profumo della libertà che si oppone al puzzo del compromesso, dell’indifferenza, della contiguità e quindi della complicità… Paolo Borsellino 5 Manica.indd 5 19-11-2010 12:16:54 6 Manica.indd 6 19-11-2010 12:16:54 Alla mia famiglia 7 Manica.indd 7 19-11-2010 12:16:54 Leggenda Archivio centrale dello stato: Acs Archivio di stato di Palermo: Asp Public record office, Foreign office: Pro, Fo Gabinetto prefettura: Gab. -
Man Is Indestructible: Legend and Legitimacy in the Worlds of Jaroslav Hašek
Man Is Indestructible: Legend and Legitimacy in the Worlds of Jaroslav Hašek The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Weil, Abigail. 2019. Man Is Indestructible: Legend and Legitimacy in the Worlds of Jaroslav Hašek. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42013078 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use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
Online Instructor's Manual with Testbank
Online Instructor’s Manual with Testbank for Organized Crime Seventh Edition Michael D. Lyman Columbia College of Missouri Test Bank Chapter 1 Understanding Organized Crime 1.1 Multiple Choice Questions 1) In many ways the image and impression we have of organized crime, whether accurate or not, have been shaped by American “________” culture. A) bebop B) rap C) pop D) country Answer: C Page Ref: 2 Objective: Understand the numerous definitions of organized crime. Level: Basic 2) The 1972 movie ________, starring Marlon Brando, depicted organized crime. A) The Underworld B) The Black Dahlia C) The Choir Boys D) The Godfather Answer: D Page Ref: 3 Objective: Understand the numerous definitions of organized crime. Level: Intermediate 3) Donald Liddick (2004) suggests that organized crime is “the provision of illegal goods and services, various forms of theft and fraud, and the restraint of trade in both licit and illicit market sectors, perpetuated by informal and changing networks of ‘upper-world’ and ‘under-world’ societal participants who are bound together in complex webs of ________ relationships.” A) seller-user B) boss-subordinate C) patron-client D) power-patron Answer: C Page Ref: 8-9 Objective: Understand the numerous definitions of organized crime. Level: Intermediate 126 Copyright © 2019 Pearson Education, Inc. 4) The National Criminal Intelligence Service (2005) describes organized crime as having four salient attributes, which include all of the following EXCEPT ________. A) an organized crime group contains at least three people B) the group, or at least one member, commits murder or aggravated assault C) the group is motivated by a desire for profit or power D) the group commits serious criminal offenses Answer: B Page Ref: 12 Objective: Understand the numerous definitions of organized crime. -
La Mafia Siciliana, Cosa Nostra Uno Studio Sulle Origini, La Storia, L’Attualità
Hugvísindasvið La mafia siciliana, Cosa Nostra Uno studio sulle origini, la storia, l’attualità Ritgerð til BA-prófs í ítölsku Kristín Sveina Bjarnadóttir Júní 2013 Háskóli Íslands Hugvísindasvið Ítalska La mafia siciliana, Cosa Nostra Uno studio sulle origini, la storia, l’attualità Ritgerð til BA-prófs í ítölsku Kristín Sveina Bjarnadóttir Kt.: 240388-3249 Leiðbeinandi: Stefano Rosatti Júní 2013 Ritgerð þessi er lokaverkefni til BA-gráðu í ítölsku og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Kristín Sveina Bjarnadóttir 2013 Reykjavík, Ísland 2013 Ágrip Uppruna mafíunnar má rekja til Sikileyjar. Á Sikiley notar mafían heitið Cosa Nostra sem merkir „okkar mál“. Sikileyska mafían hefur haft ítök í efnahag og stjórnmálum eyjarinnar í hundruði ára en hún hefur einnig haslað sér völl á meginlandi Ítalíu og erlendis. Í lok 19. aldar var mikil kreppa á Ítalíu og fluttust margir íbúar Sikileyjar til Bandaríkjanna í leit að betra lífi og í kjölfarið mynduðust þar mafíuklíkur. Mafía er skipulögð glæpastarfsemi og stunda meðlimir hennar meðal annars fjárkúgun, peningaþvætti og eiturlyfja- og vopnasmygl. Á 10. áratug síðustu aldar náði baráttan gegn mafíunni hápunkti og voru dómararnir Giovanni Falcone og Paolo Borsellino þar fremstir í flokki. Giovanni og Borsellino helguðu lífi sínu baráttunni gegn mafíunni og urði þeir heimsfrægir fyrir harðfylgni sína gegn henni. Baráttan skilaði töluverðum árangri en nokkrir af helstu mafíuforingjum Sikileyjar voru handsamaðir. Tilgangur þessarar rigerðar er að greina frá megin einkennum sikileysku mafíunnar, sögu hennar og vinnubrögðum. Í fyrri hluta ritgerðarinnar er greint frá uppruna mafíunnar og þróun hennar í tímanna rás. Einnig er fjallað um hugtakið mafía og merkingu þess.