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2012 Virginia Senior Classical League State Finals Certamen Level III NOTE to MODERATORS: in Answers, Information in Parentheses Is Optional Extra Information
2012 Virginia Senior Classical League State Finals Certamen Level III NOTE TO MODERATORS: in answers, information in parentheses is optional extra information. A slash ( / ) indicates an alternate answer. Underlined portions of a longer, narrative answer indicate required information. ROUND ONE 1. TOSSUP: Salvēte, omnēs! I am sorry to tell you that this is the beginning of the end of the certamen season. I hope you enjoy every moment of this certamen, but ēheu! I can’t seem to remember the Latin phrase that basically means, “from beginning to end,” and has the literal meaning "from egg to apples.” What is this phrase? ANS: AB OVŌ USQUE AD MĀLA BONUS: The Roman poet Horace used this phrase in one of his Satires. What other well- known phrase from Horace’s poetry is preceded by the words “dum loquimur, fūgerit invīda aetās”? ANS: CARPĒ DIEM (QUAM MINIMUM CRĒDULA POSTERŌ) 2. TOSSUP: What vegetable was highly recommended by Cato for its many healing properties? ANS: CABBAGE BONUS: Who is the author of one of our earliest cookbooks? ANS: (LUCIUS) APICIUS 3. TOSSUP: Born to Gaia in a cave, what horrible creature had one hundred burning snakeheads and was attacked by Zeus’s lightning bolts and later to be imprisoned under Mt. Aetna? ANS: TYPHON / TYPHOEUS BONUS: Typhon cut Zeus’s sinews with a sickle and carried them to a cave. What dragon did Typhon have guard the sinews of Zeus? DELPHYNE 4. TOSSUP: For the impersonal verb taedet, what case is used for the person who is tired? ANS: ACCUSATIVE BONUS: For the impersonal verb libet, what case is used for the person who is pleased? ANS: DATIVE 5. -
Senecan Epigrams and the Genre of Exile Poetry
Senecan Epigrams and the Genre of Exile Poetry Amelia Ruth Stout Department of Greek and Roman Studies Rhodes College Memphis, TN 2015 Submitted in partial fulfillment of the requirements for the Bachelor of Arts degree with Honors in Greek and Roman Studies iii This Honors Paper by Amelia Stout has been read and approved for Honors in Greek and Roman Studies. Dr. David H. Sick Project Advisor and Department Chair ______________________________________ Dr. Geoffrey W. Bakewell Second Reader ________________________________________ Dr. Clara Pascual-Argente Extra-Departmental Reader ________________________________________ iv Table of Contents Signature Page iii Table of Contents iv Abstract v Introduction 1 Politics of Exile 2 Ovid and Seneca's Exiles and Works 3 Manuscript Tradition of the Epigrams 7 Defining the Genre 13 Topoi of Exile 16 Eternity of Poetry 17 Description of Landscape 26 Exile and Death 32 Linguistic and Cultural Isolation 38 Mythologizing of Exile 42 Conclusion 52 Appendix: Text & Translation of Epigrams 54 Bibliography 70 v ABSTRACT Senecan Epigrams and the Genre of Exile Poetry by Amelia Ruth Stout In discourses on Roman exile, several names inevitably must be brought up, with Ovid and Seneca the Younger looming large over the discussions. Ovid's exilic poems, far from simply manifesting his situation and personal feelings, were part of a literary tradition that grew over time. Ovid was aware of the previous conventions of writings from exile, and molded those concepts into a genre of exile poetry, with set tropes and guidelines to be followed by later exiles. The well-known philosopher and politician L. Annaeus Seneca was exiled on the island of Corsica by the emperor Claudius from 41 to 48 CE. -
Martial Epigrams
LIBRARY UNIVERSITY OF SAN DIEGO THE LOEB CLASSICAL LIBRARY EDITED BY E.CAPPS, PH.D., LL.D. T. E. PAGE, LiTT.D. W. H. D. ROUSE, Lrrr.U. MARTIAL EPIGRAMS II MARTIAL EPIGRAMS WITH AN ENGLISH TRANSLATION BY WALTER C. A. KER, M.A. SOMETIME SCHOLAR OF TRINITY COLLEGE, CAMBRIDGE OF THE INNER TEMI'LK, BARR1STER-AT-LAW IN TWO VOLUMES II LONDON : WILLIAM HEINEMANN NEW YORK : G. P. PUTNAM'S SONS MCMXX CONTENTS PAGE BOOK VIII I BOOK IX 67 BOOK X 151 BOOK xi 235 BOOK XII 315 BOOK xin 389 BOOK xiv 439 EPIGRAMS ASCRIBED TO MARTIAL 519 INDEX OF PROPER NAMES 535 INDEX OF FIRST LINES . 545 THE EPIGRAMS OF MARTIAL VOL. II. M. VALERI MARTIALIS EPIGRAMMATON LIBER OCTAVUS IMPERATORI DOMITIANO CAESARI AUGUSTO GERMANICO DACICO VALERIUS MARTIALIS S. OMNES quidem libelli mei, domine, quibus tu famam, id est vitam, dedisti, tibi supplicant; et, puto propter hoc legentur. hie tamen, qui operis nostri octavus in- fruitur minus scribitur, occasione pietatis frequentius ; itaque ingenio laborandum fuit, in cuius locum mate- ria successerat: quam quidem subinde aliqua iocorum mixtura variare temptavimus, ne caelesti verecundiae tuae laudes suas, quae facilius te fatigare possint quam nos satiare, omnis versus ingereret. quamvis autem epigrammata a severissimis quoque et summae fortunae viris ita scripta sint ut mimicam verborum licentiam adfectasse videantur, ego tamen illis non permisi tam lascive loqui quam solent. cum pars libri et maior et melior ad maiestatem sacri nominis tui alligata sit, meminerit non nisi religiosa purifica- tione lustratos accedere ad templa debere. quod 1 This book appears by internal evidence to have been published towards the end of A.D. -
Sit Tibi Terra Levis. Eine Grabinschriftenformel in Den Epigrammbüchern Martials
Hartmut Wulfram Sit tibi terra levis. Eine Grabinschriftenformel in den Epigrammbüchern Martials Der genialisch-verschrobene österreichische Kulturhistoriker Egon Friedell (1878‒1938) fällt in seiner bis heute viel gelesenen Kulturgeschichte Griechenlands ein harsches Urteil über die lateinische Sprache und Literatur: Bis zum heutigen Tage können alle Völker der Erde, wenn sie etwas mit der letzten Konzision, Präzision und Prägnanz sagen wollen (auch diese drei Wörter sind unübersetzbar), es nur latei- nisch sagen. Für alles andere als Dünnschliff, Schärfe und Schwergewicht eignet sich das Latei- nische gar nicht: Es ist eine Sprache für Devisen und Donnerworte, Invektiven und Paragraphen, Kommandos und Grabinschriften.1 Diese sehr zeitbehaftete, von antirömischem Philhellenismus geprägte Verdammung, die den Latinisten von heute provozieren muss, kann grundsätzlich auf zweifache Weise widerlegt werden. Entweder man weist nach, dass sich Latein für sehr viel mehr eignet beziehungsweise geeignet hat als hier von Friedell behauptet, oder man zeigt auf, dass es im zugestandenen, halb schriftlichen, halb mündlichen Verwendungsbereich weit mehr gibt beziehungsweise gegeben hat als nur „Dünnschliff, Schärfe und Schwergewicht“. Der folgende Beitrag möchte den zweiten Weg einschlagen und sich dabei ganz auf die zuletzt genannten Grabinschriften konzentrieren, ja er zieht den Fokus sogar noch enger, indem er gewissermaßen mikroskopisch untersucht, wie Roms bedeu- tendster Epigrammatiker Martial (ca. 40‒104 n. Chr.) eine einzige Inschriftenformel, sit tibi terra levis („die Erde möge dir leicht sein“), in seiner Dichtung verwertet hat. Wenn es unter den erschwerten Bedingungen des Versatzstücks gelingt, Friedells Ver- dikt zu falsifizieren, dann darf mit einem argumentum a fortiori oder genauer: a minore ad maius getrost die ganze lateinische Sprache und Literatur als rehabilitiert gelten. -
Reading Death in Ancient Rome
Reading Death in Ancient Rome Reading Death in Ancient Rome Mario Erasmo The Ohio State University Press • Columbus Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Erasmo, Mario. Reading death in ancient Rome / Mario Erasmo. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1092-5 (cloth : alk. paper) ISBN-10: 0-8142-1092-9 (cloth : alk. paper) 1. Death in literature. 2. Funeral rites and ceremonies—Rome. 3. Mourning cus- toms—Rome. 4. Latin literature—History and criticism. I. Title. PA6029.D43E73 2008 870.9'3548—dc22 2008002873 This book is available in the following editions: Cloth (ISBN 978-0-8142-1092-5) CD-ROM (978-0-8142-9172-6) Cover design by DesignSmith Type set in Adobe Garamond Pro by Juliet Williams Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI 39.48-1992. 9 8 7 6 5 4 3 2 1 Contents List of Figures vii Preface and Acknowledgments ix INTRODUCTION Reading Death CHAPTER 1 Playing Dead CHAPTER 2 Staging Death CHAPTER 3 Disposing the Dead 5 CHAPTER 4 Disposing the Dead? CHAPTER 5 Animating the Dead 5 CONCLUSION 205 Notes 29 Works Cited 24 Index 25 List of Figures 1. Funerary altar of Cornelia Glyce. Vatican Museums. Rome. 2. Sarcophagus of Scipio Barbatus. Vatican Museums. Rome. 7 3. Sarcophagus of Scipio Barbatus (background). Vatican Museums. Rome. 68 4. Epitaph of Rufus. -
Vox Tua Nempe Mea Est. Dialogues with the Dead in Roman Funerary Commemoration
This is a repository copy of Vox tua nempe mea est. Dialogues with the dead in Roman funerary commemoration. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/167118/ Article: Carroll, Maureen (2008) Vox tua nempe mea est. Dialogues with the dead in Roman funerary commemoration. Accordia Research Papers. pp. 37-80. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ ‘Vox tua nempe mea est’ Dialogues with the dead in Roman funerary commemoration Maureen Carroll I, who speak without a voice by means of the inscribed marble, was born in wonderful Tralles, travelled often from Asia via all the houses of Baiae for the hot springs and the joys of the sea. This honourable and unforgotten life of mine was commemorated with this monument by my heir with 50,000, according to my wishes, setting up the last temple to my Manes, for my ashes and for the obsequies. -
Pudicitia: the Construction and Application of Female Morality in the Roman Republic and Early Empire
Pudicitia: The Construction and Application of Female Morality in the Roman Republic and Early Empire Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Graduate Program in Ancient Greek and Roman Studies Professor Cheryl Walker, Advisor In Partial Fulfillment of the Requirements for the Degree Master of Arts in Ancient Greek and Roman Studies by Kathryn Joseph May 2018 Copyright by Kathryn Elizabeth Spillman Joseph © 2018 ACKNOWLEDGEMENTS I would like to thank my advisors for their patience and advice as well as my cohort in the Graduate Program in Ancient Greek and Roman Studies. Y’all know what you did. iii ABSTRACT Pudicitia: The Construction and Application of Female Morality in the Roman Republic and Early Empire A thesis presented to the Graduate Program in Ancient Greek and Roman Studies Graduate School of Arts and Sciences Brandeis University Waltham, Massachusetts By Kathryn Joseph In the Roman Republic and early Empire, pudicitia, a woman’s sexual modesty, was an important part of the traditional concept of female morality. This thesis strives to explain how traditional Roman morals, derived from the foundational myths in Livy’s History of Rome, were applied to women and how women functioned within these moral constructs. The traditional constructs could be manipulated under the right circumstances and for the right reasons, allowing women to act outside of traditional gender roles. By examining literary examples of women who were able to step outside of traditional gender roles, it becomes possible to understand the difference between projected male ideas on ideal female morality, primarily pudicitia, and actuality. -
Information to Users
INFORMATION TO USERS While the most advanced technology has been used to photograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. For example: • Manuscript pages may have indistinct print. In such cases, the best available copy has been filmed. • Manuscripts may not always be complete. In such cases, a note will indicate that it is not possible to obtain missing pages. • Copyrighted material may have been removed from the manuscript. In such cases, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, and charts) are photographed by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or as a 17”x 23” black and white photographic print. Most photographs reproduce acceptably on positive microfilm or microfiche but lack the clarity on xerographic copies made from the microfilm. For an additional charge, 35mm slides of 6”x 9” black and white photographic prints are available for any photographs or illustrations that cannot be reproduced satisfactorily by xerography. Order Number 8726644 The relationship of love and death: Metaphor as a unifying device in the Elegies of Propertius Gruber, John Charles, Ph.D. The Ohio State University, 1987 Copyright ©1987 by Gruber, John Charles. All rights reserved. UMI 300 N. Zecb Rd. Ann Arbor, Ml 48106 PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. -
List of Latin Phrases (Full) 1 List of Latin Phrases (Full)
List of Latin phrases (full) 1 List of Latin phrases (full) This page lists direct English translations of common Latin phrases. Some of the phrases are themselves translations of Greek phrases, as Greek rhetoric and literature reached its peak centuries before that of ancient Rome. This list is a combination of the twenty divided "List of Latin phrases" pages, for users who have no trouble loading large pages and prefer a single page to scroll or search through. The content of the list cannot be edited here, and is kept automatically in sync with the separate lists through the use of transclusion. A B C D E F G H I L M N O P Q R S T U V References A Latin Translation Notes a bene placito from one well Or "at will", "at one's pleasure". This phrase, and its Italian (beneplacito) and Spanish (beneplácito) pleased derivatives, are synonymous with the more common ad libitum (at pleasure). a caelo usque ad from the sky to the Or "from heaven all the way to the center of the earth". In law, can refer to the obsolete cuius est solum centrum center eius est usque ad coelum et ad inferos maxim of property ownership ("for whoever owns the soil, it is theirs up to the sky and down to the depths"). a capite ad calcem from head to heel From top to bottom; all the way through (colloquially "from head to toe"). Equally a pedibus usque ad caput. a contrario from the opposite Equivalent to "on the contrary" or "au contraire". -
Juvenalpersiuswi00juveuoft Bw.Pdf
THE LOEB CLASSICAL LIBRARY EDITED BY T. E. PAGE, LITT.D. E. CAPPS, ph.d., ll.d. W. H. D. ROUSE, litt.d. JUVENAL AND PERSIUS JUVENAL AND PERSIUS WITH AN ENGLISH TRANSLATION BY G. G. RAMSAY, LL.D., Lirr.D. LATE PROFESSOR OF LATIN IN TUB UNIVERSITY OF GLASGOW LONDON : WILLIAM HEINEMANN NEW YORK ; G. P. PUTNAM'S SONS MCMXXVIII PA PREFACE the It is a work of some hardihood to attempt who is at translation into English prose of an author a once a unique master of style, splendid versifier, and one of the moralists, the greatest satirist, greatest of the world. Yet it is a task that has appealed to a fascination scholars of every age, and has special of this for one who is called upon hy the conditions be at once series to produce a version which shall literal and idiomatic. who In the case of a great writer like Juvenal, writes for all time, each generation seems to demand a translation of its own, in accordance with the changes in its own point of view and the shifting and each translator desires to usages of language ; the which bring out in his own way special meaning the author has conveyed to him. I have consulted all the better-known translations, of Mr. S. G. Mr. J. D. Lewis, especially those Owen, and Messrs. Strong and Leeper; and there are many of short to be found good idiomatic renderings phrases PREFACE But in Mr. J. D. Duff's excellent edition of Juvenal. is a collection of MS. -
Hidden in Plain Sight: Martial and the Greek Epigrammatic Tradition
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 Hidden in Plain Sight: Martial and the Greek Epigrammatic Tradition Joseph M. Lucci University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Classical Literature and Philology Commons Recommended Citation Lucci, Joseph M., "Hidden in Plain Sight: Martial and the Greek Epigrammatic Tradition" (2015). Publicly Accessible Penn Dissertations. 1864. https://repository.upenn.edu/edissertations/1864 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1864 For more information, please contact [email protected]. Hidden in Plain Sight: Martial and the Greek Epigrammatic Tradition Abstract Martial, perhaps the best-known author of Latin epigram, has enjoyed a resurgence of scholarly attention over the past two decades, and much has been made of his self-professed debt to earlier Latin epigrammatists, especially Catullus. Less prevalent, however, has been discussion of how he relates to authors of Greek epigram, which may not be surprising given that Martial passes over the Greek epigrammatic tradition in nearly total silence. This dissertation seeks to explain the silence. Through close readings of specific poems yb Martial, both in themselves and alongside epigrams by his Greek predecessors, I argue that he has fashioned an intentionally ambivalent attitude toward the Greek tradition. Martial contends with a fundamentally Roman literary condundrum – he must negotiate the inevitable and irreconcilable tension between acknowledging the importance of his Greek predecessors and asserting his own claim to superiority over them. But Martial, I suggest, relishes such tensions, depicting Greece and Greek epigram as inconsistent and even bipolar entities which he can then exploit as sources of humor or self-aggrandizement. -
Elements of Roman Religion in the Fourth Book of Propertius
1852 ELEMENTS OF ROMAN RELIGION IN THE FOURTH BOOK OF PROPERTIUS by E. C. Marquis Thesis presented to the Faculty of Arts of the University of Ottawa as partial fulfillment of the requirements for the degree of Doctor j^f Philosophy Ottawa, Canada, 1973 £ME.C. Marquis, Ottawa, 1974. UMI Number: DC53619 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform DC53619 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 CURRICULUM STUDIORUM E. C. Marquis was born May 20, 1940, in Sarnia, Ontario. He received the Bachelor of Arts degree in English and Latin from University College, The University of Western Ontario, London, Ontario, in 1963 and the Master of Arts degree in Latin from The University of Ottawa, Ottawa, Ontario, in 1969. ACKNOWLEDGEMENTS A dissertation such as this is the result of the fruit of many labours; there is a debt owed to the many scholars, past and present, without whose painstaking and diligent efforts this modest contribution of mine might never have been and whose inspiration may be hinted at by a glance at the Bibliography.