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Studies in Early Mediterranean Poetics and Cosmology
The Ruins of Paradise: Studies in Early Mediterranean Poetics and Cosmology by Matthew M. Newman A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Professor Richard Janko, Chair Professor Sara L. Ahbel-Rappe Professor Gary M. Beckman Associate Professor Benjamin W. Fortson Professor Ruth S. Scodel Bind us in time, O Seasons clear, and awe. O minstrel galleons of Carib fire, Bequeath us to no earthly shore until Is answered in the vortex of our grave The seal’s wide spindrift gaze toward paradise. (from Hart Crane’s Voyages, II) For Mom and Dad ii Acknowledgments I fear that what follows this preface will appear quite like one of the disorderly monsters it investigates. But should you find anything in this work compelling on account of its being lucid, know that I am not responsible. Not long ago, you see, I was brought up on charges of obscurantisme, although the only “terroristic” aspects of it were self- directed—“Vous avez mal compris; vous êtes idiot.”1 But I’ve been rehabilitated, or perhaps, like Aphrodite in Iliad 5 (if you buy my reading), habilitated for the first time, to the joys of clearer prose. My committee is responsible for this, especially my chair Richard Janko and he who first intervened, Benjamin Fortson. I thank them. If something in here should appear refined, again this is likely owing to the good taste of my committee. And if something should appear peculiarly sensitive, empathic even, then it was the humanity of my committee that enabled, or at least amplified, this, too. -
Senecan Epigrams and the Genre of Exile Poetry
Senecan Epigrams and the Genre of Exile Poetry Amelia Ruth Stout Department of Greek and Roman Studies Rhodes College Memphis, TN 2015 Submitted in partial fulfillment of the requirements for the Bachelor of Arts degree with Honors in Greek and Roman Studies iii This Honors Paper by Amelia Stout has been read and approved for Honors in Greek and Roman Studies. Dr. David H. Sick Project Advisor and Department Chair ______________________________________ Dr. Geoffrey W. Bakewell Second Reader ________________________________________ Dr. Clara Pascual-Argente Extra-Departmental Reader ________________________________________ iv Table of Contents Signature Page iii Table of Contents iv Abstract v Introduction 1 Politics of Exile 2 Ovid and Seneca's Exiles and Works 3 Manuscript Tradition of the Epigrams 7 Defining the Genre 13 Topoi of Exile 16 Eternity of Poetry 17 Description of Landscape 26 Exile and Death 32 Linguistic and Cultural Isolation 38 Mythologizing of Exile 42 Conclusion 52 Appendix: Text & Translation of Epigrams 54 Bibliography 70 v ABSTRACT Senecan Epigrams and the Genre of Exile Poetry by Amelia Ruth Stout In discourses on Roman exile, several names inevitably must be brought up, with Ovid and Seneca the Younger looming large over the discussions. Ovid's exilic poems, far from simply manifesting his situation and personal feelings, were part of a literary tradition that grew over time. Ovid was aware of the previous conventions of writings from exile, and molded those concepts into a genre of exile poetry, with set tropes and guidelines to be followed by later exiles. The well-known philosopher and politician L. Annaeus Seneca was exiled on the island of Corsica by the emperor Claudius from 41 to 48 CE. -
Martial Epigrams
LIBRARY UNIVERSITY OF SAN DIEGO THE LOEB CLASSICAL LIBRARY EDITED BY E.CAPPS, PH.D., LL.D. T. E. PAGE, LiTT.D. W. H. D. ROUSE, Lrrr.U. MARTIAL EPIGRAMS II MARTIAL EPIGRAMS WITH AN ENGLISH TRANSLATION BY WALTER C. A. KER, M.A. SOMETIME SCHOLAR OF TRINITY COLLEGE, CAMBRIDGE OF THE INNER TEMI'LK, BARR1STER-AT-LAW IN TWO VOLUMES II LONDON : WILLIAM HEINEMANN NEW YORK : G. P. PUTNAM'S SONS MCMXX CONTENTS PAGE BOOK VIII I BOOK IX 67 BOOK X 151 BOOK xi 235 BOOK XII 315 BOOK xin 389 BOOK xiv 439 EPIGRAMS ASCRIBED TO MARTIAL 519 INDEX OF PROPER NAMES 535 INDEX OF FIRST LINES . 545 THE EPIGRAMS OF MARTIAL VOL. II. M. VALERI MARTIALIS EPIGRAMMATON LIBER OCTAVUS IMPERATORI DOMITIANO CAESARI AUGUSTO GERMANICO DACICO VALERIUS MARTIALIS S. OMNES quidem libelli mei, domine, quibus tu famam, id est vitam, dedisti, tibi supplicant; et, puto propter hoc legentur. hie tamen, qui operis nostri octavus in- fruitur minus scribitur, occasione pietatis frequentius ; itaque ingenio laborandum fuit, in cuius locum mate- ria successerat: quam quidem subinde aliqua iocorum mixtura variare temptavimus, ne caelesti verecundiae tuae laudes suas, quae facilius te fatigare possint quam nos satiare, omnis versus ingereret. quamvis autem epigrammata a severissimis quoque et summae fortunae viris ita scripta sint ut mimicam verborum licentiam adfectasse videantur, ego tamen illis non permisi tam lascive loqui quam solent. cum pars libri et maior et melior ad maiestatem sacri nominis tui alligata sit, meminerit non nisi religiosa purifica- tione lustratos accedere ad templa debere. quod 1 This book appears by internal evidence to have been published towards the end of A.D. -
Sit Tibi Terra Levis. Eine Grabinschriftenformel in Den Epigrammbüchern Martials
Hartmut Wulfram Sit tibi terra levis. Eine Grabinschriftenformel in den Epigrammbüchern Martials Der genialisch-verschrobene österreichische Kulturhistoriker Egon Friedell (1878‒1938) fällt in seiner bis heute viel gelesenen Kulturgeschichte Griechenlands ein harsches Urteil über die lateinische Sprache und Literatur: Bis zum heutigen Tage können alle Völker der Erde, wenn sie etwas mit der letzten Konzision, Präzision und Prägnanz sagen wollen (auch diese drei Wörter sind unübersetzbar), es nur latei- nisch sagen. Für alles andere als Dünnschliff, Schärfe und Schwergewicht eignet sich das Latei- nische gar nicht: Es ist eine Sprache für Devisen und Donnerworte, Invektiven und Paragraphen, Kommandos und Grabinschriften.1 Diese sehr zeitbehaftete, von antirömischem Philhellenismus geprägte Verdammung, die den Latinisten von heute provozieren muss, kann grundsätzlich auf zweifache Weise widerlegt werden. Entweder man weist nach, dass sich Latein für sehr viel mehr eignet beziehungsweise geeignet hat als hier von Friedell behauptet, oder man zeigt auf, dass es im zugestandenen, halb schriftlichen, halb mündlichen Verwendungsbereich weit mehr gibt beziehungsweise gegeben hat als nur „Dünnschliff, Schärfe und Schwergewicht“. Der folgende Beitrag möchte den zweiten Weg einschlagen und sich dabei ganz auf die zuletzt genannten Grabinschriften konzentrieren, ja er zieht den Fokus sogar noch enger, indem er gewissermaßen mikroskopisch untersucht, wie Roms bedeu- tendster Epigrammatiker Martial (ca. 40‒104 n. Chr.) eine einzige Inschriftenformel, sit tibi terra levis („die Erde möge dir leicht sein“), in seiner Dichtung verwertet hat. Wenn es unter den erschwerten Bedingungen des Versatzstücks gelingt, Friedells Ver- dikt zu falsifizieren, dann darf mit einem argumentum a fortiori oder genauer: a minore ad maius getrost die ganze lateinische Sprache und Literatur als rehabilitiert gelten. -
Apollonius Rhodius, the Argonautica
i EB CLASSICA BRAR 1 1 APOLLONIUS RHODIUS ARGONAUTICA Translated by R. C. SEATON mmmmm]mmm\m[mmmm[^[r^\[f^\[r^\i7^\[?^\[?D\[fD\\o] Complete list of Loeb titles can be found at the end of each volume APOLLONIUS Of Rhodes' was a Greek grammarian and epic poet of Alexandria in Egypt and lived late in the 3rd century and early in the 2nd century [ES B.C. While still young he composed his extant epic poem of four books on the story of the Argonauts. When this work failed to win acceptance he went to Rhodes where he not only did well as a rhetorician but also made a success of his epic in a revised form, for which the Rhodians gave him the 'freedom' of their city; hence his surname. On returning to Alexandria he recited his poem again, with applause. In 196 Ptolemy Epiphanes made him the librarian of the Museum (the University) at Alexandria. His Argonautica is one oi the better minor epics, remarkable for originality, powers of observation, sincere feeling, and de- piction of romantic love. His Jason and Medea are natural and interesting, and did much to inspire Virgil (in a very different setting) in the fourth book of the Aeneid. L• ^' % Sb ^" ^ Ak- THE LOEB CLASSICAL LIBRARY EDITED BY li. CAPPS, Ph.D., LL.D. T. E. PAGE, Litt.D. W. II. D. ROUSE, Lirr.D. APOLLONTUS RHODIUS Digitized by tine Internet Arciiive in 2011 witii funding from University of Toronto littp://www.arcliive.org/details/apolloniusrliodiuOOapol APOLLONIUS RHODIUS THE ARGONAUTICA WITH AN ENGLISH TRANSLATION BY 11. -
Discourse Studies
Herald of KNLU. Series in Philology, vol. 23(1), 2020 DISCOURSE STUDIES UDC 81'22:81'42-025.13:82-193.6 DOI: https://doi.org/10.32589/2311-0821.1.2020.207232 A SEMIOSIS-BASED APPROACH TO DISCOURSE INTERPRETATION Nadiia Andreichuk Ivan Franko National University of Lviv, Ukraine e-mail: [email protected] ORCID: https://www.orcid.org/0000-0002-9592-3187 The recommended citation for this publication is: Andreichuk, N. (2020). A semiosis-based approach to discourse interpretation. Herald of Kyiv National Linguistic University. Series in Philology, 23(1), 60-70. ISSN 2415-7333 (online), ISSN 2311-0821 (print) Abstract The article seeks to examine the largely unexplored potential of the dimensions of semiosis for discourse studies. The proposed argumentation refers to the process by which semiosic theoretical principles were selected and refined into a model of discourse analysis. The propounded methodology is exemplified by the genre of epitaphs and provides the platform for examining interactions among code, informational and cultural components of semiotic entity. Key words: semiotics, semiosis, interpretant, discourse, semiosic approach, epitaph. The sign defines its spread and signifying extension in and through the interpretant toward which it looks for its essential clarification and for its ultimate grounding as a significant utterance within human discourse (Garth Gillan) 1. Introduction Semiotics today is quite a broad field with much variety in it. A lot of existing definitions of semiotics only complement one another, and commonly, the shortest version – the science of signs – is considered to be sufficient (Seif, 2019a; Seif, 2019b, p. 94). This laconism, on the one hand, speaks of the methodological clarity of semiotics, and on the other hand, the complexity of the object has transformed semiotics into the "science of sciences". -
Reading Death in Ancient Rome
Reading Death in Ancient Rome Reading Death in Ancient Rome Mario Erasmo The Ohio State University Press • Columbus Copyright © 2008 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Erasmo, Mario. Reading death in ancient Rome / Mario Erasmo. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8142-1092-5 (cloth : alk. paper) ISBN-10: 0-8142-1092-9 (cloth : alk. paper) 1. Death in literature. 2. Funeral rites and ceremonies—Rome. 3. Mourning cus- toms—Rome. 4. Latin literature—History and criticism. I. Title. PA6029.D43E73 2008 870.9'3548—dc22 2008002873 This book is available in the following editions: Cloth (ISBN 978-0-8142-1092-5) CD-ROM (978-0-8142-9172-6) Cover design by DesignSmith Type set in Adobe Garamond Pro by Juliet Williams Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI 39.48-1992. 9 8 7 6 5 4 3 2 1 Contents List of Figures vii Preface and Acknowledgments ix INTRODUCTION Reading Death CHAPTER 1 Playing Dead CHAPTER 2 Staging Death CHAPTER 3 Disposing the Dead 5 CHAPTER 4 Disposing the Dead? CHAPTER 5 Animating the Dead 5 CONCLUSION 205 Notes 29 Works Cited 24 Index 25 List of Figures 1. Funerary altar of Cornelia Glyce. Vatican Museums. Rome. 2. Sarcophagus of Scipio Barbatus. Vatican Museums. Rome. 7 3. Sarcophagus of Scipio Barbatus (background). Vatican Museums. Rome. 68 4. Epitaph of Rufus. -
Vox Tua Nempe Mea Est. Dialogues with the Dead in Roman Funerary Commemoration
This is a repository copy of Vox tua nempe mea est. Dialogues with the dead in Roman funerary commemoration. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/167118/ Article: Carroll, Maureen (2008) Vox tua nempe mea est. Dialogues with the dead in Roman funerary commemoration. Accordia Research Papers. pp. 37-80. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ ‘Vox tua nempe mea est’ Dialogues with the dead in Roman funerary commemoration Maureen Carroll I, who speak without a voice by means of the inscribed marble, was born in wonderful Tralles, travelled often from Asia via all the houses of Baiae for the hot springs and the joys of the sea. This honourable and unforgotten life of mine was commemorated with this monument by my heir with 50,000, according to my wishes, setting up the last temple to my Manes, for my ashes and for the obsequies. -
Parnassus, Delphi, and the Thyiades Mcinerney, Jeremy Greek, Roman and Byzantine Studies; Fall 1997; 38, 3; Proquest Pg
Parnassus, Delphi, and the Thyiades McInerney, Jeremy Greek, Roman and Byzantine Studies; Fall 1997; 38, 3; ProQuest pg. 263 Parnassus, Delphi, and the Thyiades Jeremy McInerney AN INTERNATIONAL SANCTUARY, Delphi helped bring a bout the transition within the emerging poleis of the ~ Archaic period to what Fran~ois de Polignac has called a "more finished, <adult' stage of society and institutions. "1 Delphi's business was international in scope: the sanctuary was involved in colonization, arbitration, and panhellenism.2 Yet one important aspect of Delphi's emergence as a panhellenic sanc tuary rarely studied is the impact of this extraordinary status on the community of Delphi and its surrounding region. In this paper I propose that, as the sanctuary of Delphi came to repre sent order, conciliation, and mediation to the Greeks, the local topography of the region was made to reflect these same themes. Delphi and Mt Parnassus became, through myth and ritual, a landscape in which tensions between wildness and civilization-a polarity at the heart of the culture of the polis could be narrated, enacted, and organized. Delphi and Parnas sus stood for the polarities from which the polis was construc ted. On the one side was Delphi, representing the triumph of order over chaos, as expressed in the myth of the sanctuary's foundation, when Apollo destroys Pytho and brings culture to the original inhabitants of Parnassus (Strab. 9.3.12). On the other side was Mt Parnassus, the wilderness tamed by Apollo. These 1 F. de Polignac, UMediation, Competition, and Sovereignty: The Evolution of Rural Sanctuaries in Geometric Greece,» in S. -
Greek Mythology / Apollodorus; Translated by Robin Hard
Great Clarendon Street, Oxford 0X2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Robin Hard 1997 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published as a World’s Classics paperback 1997 Reissued as an Oxford World’s Classics paperback 1998 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Apollodorus. [Bibliotheca. English] The library of Greek mythology / Apollodorus; translated by Robin Hard. -
Pudicitia: the Construction and Application of Female Morality in the Roman Republic and Early Empire
Pudicitia: The Construction and Application of Female Morality in the Roman Republic and Early Empire Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Graduate Program in Ancient Greek and Roman Studies Professor Cheryl Walker, Advisor In Partial Fulfillment of the Requirements for the Degree Master of Arts in Ancient Greek and Roman Studies by Kathryn Joseph May 2018 Copyright by Kathryn Elizabeth Spillman Joseph © 2018 ACKNOWLEDGEMENTS I would like to thank my advisors for their patience and advice as well as my cohort in the Graduate Program in Ancient Greek and Roman Studies. Y’all know what you did. iii ABSTRACT Pudicitia: The Construction and Application of Female Morality in the Roman Republic and Early Empire A thesis presented to the Graduate Program in Ancient Greek and Roman Studies Graduate School of Arts and Sciences Brandeis University Waltham, Massachusetts By Kathryn Joseph In the Roman Republic and early Empire, pudicitia, a woman’s sexual modesty, was an important part of the traditional concept of female morality. This thesis strives to explain how traditional Roman morals, derived from the foundational myths in Livy’s History of Rome, were applied to women and how women functioned within these moral constructs. The traditional constructs could be manipulated under the right circumstances and for the right reasons, allowing women to act outside of traditional gender roles. By examining literary examples of women who were able to step outside of traditional gender roles, it becomes possible to understand the difference between projected male ideas on ideal female morality, primarily pudicitia, and actuality. -
The Idea of the Dragon Among the Greeks and the Zulu
http://akroterion.journals.ac.za DRAGONOLOGY: THE IDEA OF THE DRAGON AMONG THE GREEKS AND THE ZULU M Kirby-Hirst (UNISA) The dragon is one of the most ubiquitous of images — from its appearance in the dreams of individuals to the legendary works of men like J R R Tolkien — it is known across the world but never viewed in the same way. This article takes a Jungian psychoanalytic approach to the dragon as symbol, and juxtaposes two distinct perspectives on the dragon, that of the ancient Greeks (the mythic dragons Typhon and Python in particular) and the Zulu people of South Africa (with special attention given to the place of the python as a possible “dragon” in the practice of divination), in an effort to better understand the creature’s significance to these two cultures and to the world at large. Then a second sign appeared in the sky: there was a huge red dragon with seven heads and ten horns, and each of the seven heads crowned with a coronet. Its tail swept a third of the stars from the sky and hurled them to the ground … (Rev. 12:3-4). In the western world the dragon most often occurs as the perfect expression of malefic and destructive capacity — the dragon of St. John’s vision or the feared Leviathan of Hebrew myth — while in the east dragons can be representative of good fortune. Yet wherever one is in the world, almost every society, past and present, often expresses some concept of the dragon: images of dagger-toothed reptilian beasts abound, with great bat-like wings, poisonous spines, sharp claws, and fiery breath the optional extras filled in by the individual imagination.