A Review of Famous Songs of the Past
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Merchant, Jimmy Merchant, Jimmy
Fordham University Masthead Logo DigitalResearch@Fordham Oral Histories Bronx African American History Project 4-7-2006 Merchant, Jimmy Merchant, Jimmy. Interview: Bronx African American History Project Fordham University Follow this and additional works at: https://fordham.bepress.com/baahp_oralhist Part of the African American Studies Commons Recommended Citation Merchant, Jimmy. 7 April 2006. Interview with the Bronx African American History Project. BAAHP Digital Archive at Fordham. This Interview is brought to you for free and open access by the Bronx African American History Project at DigitalResearch@Fordham. It has been accepted for inclusion in Oral Histories by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Interviewee: Jimmy Merchant Interviewers: Alessandro Buffa, Loreta Dosorna, Dr. Brian Purnell, and Dr. Mark Naison Date: April 7, 2006 Transcriber: Samantha Alfrey Mark Naison (MN): This is the 154th interview of the Bronx African American History Project. We are here at Fordham University on April 7, 2006 with Jimmy Merchant, an original and founding member of Frankie Lymon and the Teenagers, who has also had a career as an artist. And with us today, doing the interviews, are Alessandro Buffa, Lorreta Dosorna, Brian Purnell, and Mark Naison. Jimmy, can you tell us a little about your family and where they came from originally? Jimmy Merchant (JM): My mom basically came from Philadelphia. My dad – his family is from the Bahamas. He – my dad – was shifted over to the south as a youngster. His mother was from the Bahamas and she moved into the South – South Carolina, something like that – and he grew up there. -
Race, Rape And, Media Portrayals of the Central Park Jogger Case
Bard College Bard Digital Commons Senior Projects Spring 2016 Bard Undergraduate Senior Projects Spring 2016 Saintly Victim(s), Savage Assailants: Race, Rape and, Media Portrayals of the Central Park Jogger Case Thomas Palacios Beddall Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2016 Part of the Arts and Humanities Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Beddall, Thomas Palacios, "Saintly Victim(s), Savage Assailants: Race, Rape and, Media Portrayals of the Central Park Jogger Case" (2016). Senior Projects Spring 2016. 194. https://digitalcommons.bard.edu/senproj_s2016/194 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Saintly Victim(s), Savage Assailants: Race, Rape and, Media Portrayals of the Central Park Jogger Case Senior Project Submitted to The Division of Languages and Literature of Bard College by Thomas Palacios Beddall Annandale-on-Hudson, New York May 2016 Acknowledgements Thank you to my advisor -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Song Title Artist Disc
Song Title Artist Disc # # 1 CRUSH GARBAGE 6639 # 9 DREAM LENNON, JOHN 6013 #1 NELLY 9406 (LOVE IS LIKE A) HEATWAVE MARTHA & THE VANDELLAS 7235 (YOU WANT TO) MAKE A MEMORY BON JOVI 14106 (YOU'VE GOT) THE MAGIC TOUCH PLATTERS, THE 1255 '03 BONNIE & CLYDE JAY-Z & BEYONCE 10971 1 THING AMERIE 13133 1, 2, 3 RED LIGHT 1910 FRUITGUM CO. 10237 1,2 STEP CIARA & MISSY ELLIOTT 12989 10 OUT OF 10 LOUCHIE LOU 7399 10 SECONDS DOWN SUGAR RAY 6418 10,000 PROMISES BACKSTREET BOYS 3350 100 YEARS FIVE FOR FIGHTING 12772 100% PURE LOVE WATERS, CRYSTAL 9306 1000 OCEANS AMOS, TORRIE 6711 10TH AVE. FREEZEOUT SPRINGSTEEN, BRUCE 11813 10TH AVENUE FREEZE OUT SPRINGSTEEN, BRUCE 2632 12:51 STROKES, THE 12520 1-2-3 BARRY, LEN 8210 ESTEFAN, GLORIA 13 18 & LIFE SKID ROW 2633 1969 STEGALL, KEITH 6712 1979 SMASHING PUMPKINS 6713 1982 TRAVIS, RANDY 3386 1985 BOWLING FOR SOUP 12880 1999 PRINCE 6714 19TH NERVOUS BREAKDOWN ROLLING STONES, THE 1032 2 BECOME 1 SPICE GIRLS 1427 2 STEP DJ UNK 14155 20 GOOD REASONS THIRSTY MERC 14107 2001 INTRO ELVIS 1604 20TH CENTURY FOX DOORS, THE 6715 21 QUESTIONS 50 CENT & NATE DOGG 11730 24 JEM 13169 24 HOURS AT A TIME TUCKER, MARSHALL, B 2634 24/7 EDMONDS, KEVON 6820 25 MILES STARR, EDWIN 9488 25 OR 6 TO 4 CHICAGO 4735 26 MILES FOUR PREPS, THE 10102 26 CENTS WILKINSONS, THE 6821 29 NIGHTS LEIGH, DANNI 6822 3 LIBRAS PERFECT CIRCLE, A 6824 3 LITTLE PIGS GREEN JELLY 2429 3:00 A.M. -
GOLD TRIED 550 TIMES in the FIRE Timothy Alborn
GOLD TRIED 550 TIMES IN THE FIRE Timothy Alborn Historians inevitably face the challenge of selecting a subset of primary sources to stand for a much larger body of research. This challenge is magnified in the case of the history of ideas, where the need to provide closer readings tends to diminish that already small sample size. My article, “The Greatest Metaphor Ever Mixed,” distilled hundreds of sources from numerous genres down to a few dozen. A section on the various uses of the metaphor of gold tried in the fire, for instance, quotes twenty-eight sources that employ that metaphor, or roughly five percent of the sources I consulted. To find all these sources, I pursued two parallel tracks. The first was part of a larger project on the cultural and economic history of gold in Britain from 1780 to 1850, which will soon be published by Oxford University Press. For this project, I spent the last eight years looking for references to gold wherever they showed up: in treatises, novels, sermons, speeches, and newspaper articles, among many other sources. The bulk of my research utilized such online databases as Eighteenth Century Collections Online, Making of the Modern World, and Google Books. After realizing, a few years into this research, that gold appeared frequently and with interesting variations in numerous religious contexts, I did more targeted search in these databases (see my full list of search terms below for “gold tried in the fire”). In a blog post accompanying a different article I published two years ago in the Journal of Victorian Culture, I made a first foray into providing access to the larger cultural world that historians must curtail in order to “see the forest for the trees.” (link). -
Chorverbandes Der Pfalz Chorverband 4/2018 Der Pfalz Jaugust · Nr
Juli /August 2018 Zeitschrift des Chorverbandes der Pfalz Chorverband 4/2018 der Pfalz JAugust · Nr. / Juli ChorChor Datenschutz im Chorverband Chorleiterfortbildung Die wichtigsten Infos anschaulich Hospitation beim Jugend- Pfalz Pfalz erklärt – Bericht von PfalzPfalzPfalzMusical-Festival 2018 Dieter Meyer in der Festhalle Herxheim Chor Chor 1 Foto: © Klaus Eichenlaub P 21615 · 1,60 EUR Chor 4/ 2018 Juli /August 2018 Pfalz Wo wende ich mich hin? Thema zuständig Ambulante Stimmbildung Gudrun Scherrer, Am Rauhen Weg 9, Die Carusos, und was damit zusam- 67722 Winnweiler, Tel. (0 63 02) 31 79, Fax Impressum menhängt (0 63 02) 98 33 55, [email protected] Die ChorPfalz ist die Zeitschrift des Chor- verbandes der Pfalz und erscheint alle zwei Begutachtungskonzerte / Seminar Verbandschorleiter Jürgen Schumacher, Monate mit sechs Ausgaben im Jahr. ISSN-Nr. 1614-2861 Chorleitung, musikalische Fragen, Erlenweg 16, 67269 Grünstadt, Tel./Fax Gedruckte Auflage: 2930 Chor-Akademie (musikalisch) u. a. (0 63 59) 86 07 04, [email protected] Verkaufte Auflage: 2 830 Beiträge, finanzielle Angelegenheiten Schatzmeister Eberhard Schwenck, Am weißen Herausgeber, Verlag und Anzeigen: Chorverband der Pfalz Haus 21a, 67435 Neustadt, Tel. (0 63 21) 6 89 26, im Deutschen Chorverband e.V. Fax (0 63 21) 6 67 74, [email protected] Geschäftsstelle: Am Turnplatz 7 76879 Essingen ChorAkademie (organisatorisch), Verbandsmanagement Fon: 0 63 47– 98 28 34 und 98 28 37 Fax: 0 63 47–98 28 77 OVERSO [OnlineVereinsOrgani- Katharina und Werner Mattern, E-Mail: [email protected] sation], Seminare Qualifizierung Neckarstraße 31, 67117 Limburgerhof, Internet: www.chorverband-der-pfalz.de von Chorsängern/-sängerinnen und Tel. -
Big Blast & the Party Masters
BIG BLAST & THE PARTY MASTERS 2019 Song List ● Aretha Franklin - Freeway of Love, Dr. Feelgood, Rock Steady, Chain of Fools, Respect, Hello CURRENT HITS Sunshine, Baby I Love You ● Average White Band - Pick Up the Pieces ● B-52's - Love Shack - KB & Valerie+A48 ● Beatles - I Want to Hold Your Hand, All You Need ● 5 Seconds of Summer - She Looks So Perfect is Love, Come Together, Birthday, In My Life, I ● Ariana Grande - Problem (feat. Iggy Azalea), Will Break Free ● Beyoncé & Destiny's Child - Crazy in Love, Déjà ● Aviici - Wake Me Up Vu, Survivor, Halo, Love On Top, Irreplaceable, ● Bruno Mars - Treasure, Locked Out of Heaven Single Ladies(Put a Ring On it) ● Capital Cities - Safe and Sound ● Black Eyed Peas - Let's Get it Started, Boom ● Ed Sheeran - Sing(feat. Pharrell Williams), Boom Pow, Hey Mama, Imma Be, I Gotta Feeling Thinking Out Loud ● The Bee Gees - Stayin' Alive, Emotions, How Deep ● Ellie Goulding - Burn Is You Love ● Fall Out Boy - Centuries ● Bill Withers - Use Me, Lovely Day ● J Lo - Dance Again (feat. Pitbull), On the Floor ● The Blues Brothers - Everybody Needs ● John Legend - All of Me Somebody, Minnie the Moocher, Jailhouse Rock, ● Iggy Azalea - I'm So Fancy Sweet Home Chicago, Gimme Some Lovin' ● Jessie J - Bang Bang(Ariana Grande, Nicki Minaj) ● Bobby Brown - My Prerogative ● Justin Timberlake - Suit and Tie ● Brass Construction - L-O-V-E - U ● Lil' Jon Z & DJ Snake - Turn Down for What ● The Brothers Johnson - Stomp! ● Lorde - Royals ● Brittany Spears - Slave 4 U, Till the World Ends, ● Macklemore and Ryan Lewis - Can't Hold Us Hit Me Baby One More Time ● Maroon 5 - Sugar, Animals ● Bruno Mars - Just the Way You Are ● Mark Ronson - Uptown Funk (feat. -
October 2011 a MESSAGE to OUR READERS Once Again We Are Grateful to Graham Davies for Securing Two Articles from Museum Staff
October 2011 A MESSAGE TO OUR READERS Once again we are grateful to Graham Davies for securing two articles from Museum staff. One is on folk healers This autumnal edition of the Newsletter has a distinctly and the remedies they had for treating medical problems biographical feel. All three of our main articles focus on until well into the twentieth century in rural Wales. The the history and achievements of individuals who may be other is on the employment of children in mines and this unknown to you. item is made all the more poignant by the inclusion of quotations from their own accounts of their experiences. The earliest of the three is Thomas Howell. He lived at the turn of the sixteenth century and acquired great wealth We are also pleased to have an article in Welsh. This one through trade links with Spain. The ledgers he kept have is a personal reflection on a coach trip in June which been preserved and now give a valuable insight into that visited the historic town of Abingdon and then the manor period. When he died his will took on a life of its own and house at Kingston Bagpuize. The inclusion of the article it took 400 years to finally sort out how to faithfully carry allows us once more to state our keenness to include items out his requests. It is because of his will that his name lives in both languages as often as possible. However, we can on because the money he left was eventually used to found only do so if you, our readers, write for us. -
Background Dates for Popular Music Studies
1 Background dates for Popular Music Studies Collected and prepared by Philip Tagg, Dave Harker and Matt Kelly -4000 to -1 c.4000 End of palaeolithic period in Mediterranean manism) and caste system. China: rational philoso- c.4000 Sumerians settle on site of Babylon phy of Chou dynasty gains over mysticism of earlier 3500-2800: King Menes the Fighter unites Upper and Shang (Yin) dynasty. Chinese textbook of maths Lower Egypt; 1st and 2nd dynasties and physics 3500-3000: Neolithic period in western Europe — Homer’s Iliad and Odyssey (ends 1700 BC) — Iron and steel production in Indo-Caucasian culture — Harps, flutes, lyres, double clarinets played in Egypt — Greeks settle in Spain, Southern Italy, Sicily. First 3000-2500: Old Kingdom of Egypt (3rd to 6th dynasty), Greek iron utensils including Cheops (4th dynasty: 2700-2675 BC), — Pentatonic and heptatonic scales in Babylonian mu- whose pyramid conforms in layout and dimension to sic. Earliest recorded music - hymn on a tablet in astronomical measurements. Sphinx built. Egyp- Sumeria (cuneiform). Greece: devel of choral and tians invade Palestine. Bronze Age in Bohemia. Sys- dramtic music. Rome founded (Ab urbe condita - tematic astronomical observations in Egypt, 753 BC) Babylonia, India and China — Kung Tu-tzu (Confucius, b. -551) dies 3000-2000 ‘Sage Kings’ in China, then the Yao, Shun and — Sappho of Lesbos. Lao-tse (Chinese philosopher). Hsai (-2000 to -1760) dynasties Israel in Babylon. Massilia (Marseille) founded 3000-2500: Chinese court musician Ling-Lun cuts first c 600 Shih Ching (Book of Songs) compiles material from bamboo pipe. Pentatonic scale formalised (2500- Hsia and Shang dynasties (2205-1122 BC) 2000). -
The Edge of Madness Free
FREE THE EDGE OF MADNESS PDF Michael Dobbs | 432 pages | 01 Oct 2012 | Simon & Schuster Ltd | 9781849835664 | English | London, United Kingdom Edge of Madness - Wikipedia Build up your Halloween Watchlist with our list of the most popular horror titles on Netflix in October. See the list. Title: Incident on the Edge of Madness 06 Feb The herd is stopped by high water at a river for a few days and Favor refuses to allow the men to go to The Edge of Madness. The half-crazed southern Colonel Millett who Favor served under in the war comes into Favor's camp one evening with a pretty woman Narcissa and announces he's hiring men to help him set up a new Confederate Empire of Panama. One dim-witted cowboy, Jesse, decides to leave as he believes Narcissa is The Edge of Madness love with him. In reality she hopes to use him to entice others to join. Favor sensing more men will leave decides to cross the river before the water has subsided. It fails and he loses one young drover who couldn't swim. The men, upset with Favor's admitted mistake, join Jesse. Narcissa and the Colonel know they need Favor to lead the men try to entice him to join them letting slip the Colonel plans to rob the Army payroll at a nearby fort the next day. The Edge of Madness turns them down leaving to rescue his men. At the same Written by The Edge of Madness. A few familiar names and faces from the big screen are in this Rawhide episode. -
Story Elements
Story elements Reading Comprehension Worksheet Practice A parent or tutor should read to the student and help the student to record their answers. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Stories have a beginning, a middle, and an ending. The beginning of a story tells you who the story is mostly about, and where the story mostly takes place. The characters are who the story is mostly about. The setting is where the story mostly takes place. The middle of a story tells you the things that happen in the story. The events are the things that happen in the story. The plot is all of the events in the story. The plot usually includes some kind of problem. The ending of a story tells how the problem is solved. The problem solution is how the problem is solved. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Think about these story elements as you listen to this story. The Littlest Dragon The littlest dragon on the mountain was called Sparkle, because his hide was pure white, and sparkly. Some of the dragons were blue, some were green, and some were red. But Sparkle was the only all-white dragon in their group. One sunny day, Sparkle climbed up to the top of the mountain. He sat down on a big rock and looked out at the ocean. The mountain was on an island with long sandy beaches. Sparkle shook his head. He was worried. It was almost time for their group of dragons to fly south for the winter, and Sparkle had not yet learned to fly. His mom had tried to teach him. His dad had tried to teach him.