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BOLOGNA 27 FEB > 1 MAR 2020 EUROPEAN ASSOCIATION FOR THE STUDY OF THEATRE AND PERFORMANCE BOLOGNA CURATORS 27 FEB > 1 MAR 2020 Claudio Longhi, Daniele Vianello ᐅ ARENA DEL SOLE THEATRE 2020 EASTAP ASSOCIATED ARTISTS ᐅ LA SOFFITTA - DAMSLab FC Bergman CURATORS Claudio Longhi, Daniele Vianello ADVISORY BOARD Antonio Araujo (University of São Paulo) Christopher Balme (Ludwig-Maximilians-University Munich) Maria João Brilhante (University of Lisbon) Chloé Déchery (University of Paris 8) Josette Féral (University of Quebec / “Sorbonne Nouvelle” University of Paris 3) Clare Finburgh Delijani (Goldsmiths – University of London) Gerardo Guccini (Alma Mater Studiorum – University of Bologna) Stefan Hulfeld (University of Vienna) Lorenzo Mango (University of Naples) Aldo Milohnić (University of Ljubljana) Elena Randi (University of Padua) Anneli Saro (University of Tartu) Diana Taylor (New York University) Gabriele Vacis (Catholic University of Sacred Heart of Milan) Piermario Vescovo (“Ca’ Foscari” University of Venice) ORGANIZING COMMITTEE Claudio Longhi - Daniele Vianello - Gerardo Guccini (Co-organizers) Silvia Cassanelli, Valentina Falorni, Licia Ferrari, Viviana Gardi, Stefania Lodi Rizzini, Giulia Maurigh, Rossella Mazzaglia, Debora Pietrobono, Martina Sottana, Francesco Vaira, Angelo Vassalli ADMINISTRATIVE OFFICE Angelo Vassalli (Director) Licia Ferrari, Francesco Vaira eastap.com emiliaromagnateatro.com/en/conference-eastap [email protected] Programme 26 FEBRUARY ᐅ RIDOTTO DEI PALCHI, STORCHI THEATRE, MODENA 19.30 – 21.00 SOCIAL APERITIF 27 FEBRUARY ᐅ ARENA DEL SOLE THEATRE 8.30 – 10.00 ᐅ FOYER Registration and Welcome Coffee 10.00 – 11.00 ᐅ SALA DE BERARDINIS OPENING SESSION Matteo Lepore - Councilor for Culture Chiara Elefante - Vice Rector for Human Resources, Alma Mater Studiorum - University of Bologna Giacomo Manzoli - Head of Department of the Arts, Alma Mater Studiorum - University of Bologna Josette Féral - EASTAP President Daniele Vianello - EASTAP Vice-President Claudio Longhi - Emilia Romagna Teatro Fondazione Artistic Director Gerardo Guccini - La Soffitta Scientific Coordinator Lorenzo Mango - CUT (Consulta Universitaria del Teatro) President 11.00 – 12.00 ᐅ SALA DE BERARDINIS / plenary session EASTAP AWARD CEREMONY Rustom Bharucha - Theatre Director and Dramaturg, India Between Intercultural Pasts and Futures: Potentialities of Theatre in the Present Chair: Josette Féral 12.00 – 13.00 ᐅ SALA DE BERARDINIS / plenary session FC Bergman - Theatre Company and 2020 EASTAP Associate Artists, Belgium The Form as Content Chair: Claudio Longhi 13.00 – 13.30 ᐅ SALA DE BERARDINIS / plenary session PRESENTATION OF YOUNG SCHOLARS’ FORUM 13.30 – 14.45 ᐅ FOYER Lunch A light lunch will be provided in the theatre foyer III EASTAP CONFERENCE / programme 27 FEBRUARY 14.45 > 16.00 PANELS ᐅ SALA DE BERARDINIS EXPERIENCES OF DOCUMENTARY THEATRE • Pierre Katuszewski Des théâtres documentés: écritures et pratiques, jeu, réception et traces • Erica Magris “Teatri nomadi”: forme teatrali documentarie e processi compositivi transnazionali • Varvara Sklez Performing Memories of The Distant Past: Between Practice and Research Chair: Gerardo Guccini ᐅ SALA SALMON ROUND TABLE CREATING A JOURNAL: THE ROLE OF THE EUROPEAN JOURNAL OF THEATRE AND PERFORMANCE WITHIN AND BEYOND EASTAP Josette Féral - Publishing Director Agata Łuksza and Luk Van den Dries - Editors-in-Chief Sophie Lucet - Co-editor Essays Section issue 2 Timmy De Laet - Managing Editor Lorenzo Mango, Aldo Milohnić and Daniele Vianello - Editorial Board Members ᐅ SALA ARCHI PRESENTATION OF PON-METRO PROJECT It Shall Be So! The City We Want: Social Inclusion through Theatre in the National Opera- tional Programme on Metropolitan Cities 2014-2020 Veronica Ceruti - Municipality of Bologna Luca Gadler - Emilia Romagna Teatro Fondazione Stefania Paolazzi - Urban Innovation Foundation It Shall Be So! The City We Want, a project by the Municipality of Bologna, produced by Emilia Romagna Teatro Fondazione, funded by the European Union - European Social Fund, in the context of the National Operational Programme on Metropolitan Cities 2014-2020 ᐅ SALA VETRI TEXTUALITY PRACTICES BEYOND THE THEATRICAL SPACE • Chloé Déchery Ce que la conférence fait à la performance: un état des lieux sur la conférence performée, essai d’écriture scénique hybride • Doriana Legge “La messa in ascolto”: forme e pratiche della scrittura teatrale per la radio • Marta Marchetti Il lettore in gioco. The Quiet Volume di Tim Etchells e Ant Hampton Chair: Martynas Petrikas III EASTAP CONFERENCE / programme 27 FEBRUARY ᐅ SALA BIANCA THE THEATRE OF ROBOTS • Matteo Casari Il nō dei robot: l’artificio e l’empatia • Izabella Pluta Lorsqu’un robot raconte une histoire. Texte et programmation dans La Vallée de l’étrange de Stefan Kaegi • Cinzia Toscano Riflessioni e pratiche: la multiforme varietà del teatro dei robot Chair: Gabriele Sofia 16.00 – 16.30 Coffee Break 16.30 – 17.45 PANELS ᐅ SALA DE BERARDINIS PARTICIPATORY PARADIGMS • Giacomo Pedini “Eppur si move”: Stage-Writings for Spectators or with Players? • Maria de Lourdes Rabetti The Dramaturg’s Mediation from Stage to City: Cariocas Experiments • Carmen Pedullà The Role of the Spectator in Participatory Theatre: A Proposal for a Theoretical Model Chair: Claudio Longhi ᐅ SALA SALMON THINKING DANCE • Elena Cervellati Testi da e per la danza. Pratica e teoria nel Manifesto 1992. Danza come arte contemporanea • Timmy De Laet The Textuality of Dance: From Movement to Document toward Historiography • Giulia Taddeo The Age of Anxiety? Choreographing Youthfulness at the Time of the Italian “Economic Miracle” Chair: Susanne Franco ᐅ SALA ARCHI THE TWENTIETH CENTURY AND BEYOND: INVESTIGATION INTO ITALIAN DRAMATURGY • Roberta Carpani La committenza e la composizione del testo nel XXI secolo: tre performances di Laura Curino sulla storia industriale italiana • Paolo Pizzimento La Divina Commedia dal testo alla pratica scenica: l’esperienza del “Teatro delle Albe” III EASTAP CONFERENCE / programme 27 FEBRUARY • Dario Tomasello “Micro-società”, “Intra-teatralità”, “Nuovo terzo mondo”: dinamiche creative nella drammaturgia italiana novecentesca Chair: Martina Sottana ᐅ SALA VETRI LANGUAGES OF COMPOSITION PRACTICE: TRANSLATING/”TRADERE” • Rosa Branca Figueiredo Creating for the Stage: How Translation Functions in Trans-porting Meaning across Cultures/Languages • Maddalena Giovannelli Un autore in sala prove: il traduttore • Margherita Laera Babel as Utopia? Practicing Multilingualism in the European Rehearsal Room Chair: Andy Lavender ᐅ SALA BIANCA HYBRID FORMS OF STAGE CREATION • Shintaro Fujii Spectacle japonais contemporain à l’heure de la «reprise» et du «reenactment» • Véronique Perruchon and Nadia Moroz Luciani Les concepts de Théâtralité et Performativité de la lumière dans le théâtre contemporain européen et brésilien • Filippo Romanello Theatrical Composition beyond Representation Chair: Marcela Moura ᐅFOYER 1ST FLOOR YOUNG SCHOLARS’ FORUM: POSTER PRESENTATION, 1ST SESSION CONTEMPORARY DRAMATURGIES & INTERMEDIAL PERSPECTIVES Curators: Jeroen Coppens and Stefania Lodi Rizzini 18.00 – 19.00 ᐅ SALA DE BERARDINIS / plenary session Lola Arias - Writer, Theatre and Film Director, Performer, Argentine Theatre as a Remake of the Past Chair: Josette Féral III EASTAP CONFERENCE / programme 28 FEBRUARY ᐅ ARENA DEL SOLE THEATRE 8.30 – 10.00 ᐅ FOYER Registration 9.15 – 10.30 PANELS ᐅ SALA DE BERARDINIS PERFORMANCE AND STAGE-WRITING: THREE LECTURES • Anna Barsotti Eracle di Euripide per Emma Dante: fra scrittura scenica e composizione drammaturgica • Piermario Vescovo Paradosso del performer • Lorenzo Mango On Analyzing Dramaturgy in the Era of “Stage-Writing” Chair: Daniele Vianello ᐅ SALA SALMON CHALLENGING THE PERFORMANCE • Mauricio Quevedo Pinto Under the Surface: Reading-Writing the Body in Performance whilst Seeing under the Performer’s Skin • The Two Gullivers Performography: The Creative Process of Performance Art through Preparatory Drawing • Maria Grazia Turri Attori Shakespeariani recitano la Commedia dell’Arte: scenario come spazio transizionale Chair: Enrico Pitozzi ᐅ SALA ARCHI THE SPECTATOR IN TIME • Agata Łuksza Not only Applause: Creative Spectators in Late Nineteenth-Century Theatre • Elisabeth Viain Vidéo, séries et théâtre contemporain: un nouveau moyen de séduire le public? • Carlo Fanelli Vedere oltre lo sguardo. Il ruolo dello spettatore nel teatro del Rinascimento Chair: Margherita Laera ᐅ SALA VETRI ACTING TRADITIONS • Anna Sica On “Ensemble”: The Norm of the Earliest Nineteenth-Century Italian Leading-Manager Actor Directing III EASTAP CONFERENCE / programme 28 FEBRUARY • Raffaella Di Tizio Vittorio Gassman come autore teatrale. Una pratica compositiva fra tradizione e innovazione • Raimund Rosarius Text-Trained Bodies at the Service of East and West? Chair: Armando Petrini ᐅ SALA BIANCA STAGE-WRITINGS FOR THE CITY • Mariagabriella Cambiaghi Da un osservatorio particolare: modalità di scrittura per la scena a Milano tra Otto e Novecento • Theresa Eisele Stage-Writing Social Realities: Urban Types on the Nineteenth-Century Viennese Stage and Beyond • Laura Peja Composizioni sceniche tra arte e meticciato culturale: esempi di “performance urbane” Chair: Silvia Mei 10.30 – 11.00 Coffee Break 11.00 – 12.00 ᐅ SALA DE BERARDINIS / plenary session Gabriele Vacis - Stage Director, Author and Founder of the Cooperativa Laboratorio Teatro Settimo, Italy Drammaturgia dell’interazione - Dramaturgy of Interaction Chair: Daniele Vianello 12.15 > 13.30 PANELS ᐅ SALA DE BERARDINIS
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