Downloaded from Brill.Com09/28/2021 06:24:01AM Via Free Access 488 Listing Four Thus Found in More Or Less Equal Distribution Among Its Types

Total Page:16

File Type:pdf, Size:1020Kb

Downloaded from Brill.Com09/28/2021 06:24:01AM Via Free Access 488 Listing Four Thus Found in More Or Less Equal Distribution Among Its Types LISTING FOUR TYPOLOGICAL MOTIFS OF PYRAMID TEXTS A typological motif is a recurring expression shared by at least two texts of the same cat- egory or one of a category’s types, an expression which serves to distinguish them from the members of the opposing category. Motifs comprise empirical connections in propositional content. To note that two or more texts share the same kind of statement is to observe that they are connected. It is to identify features of familial resemblance and to sketch out lines of difference. This listing organizes motifs in alphabetical order according to the English labels applied to them. The beneficiary as an entity is present in most, and so normally he is not explicitly mentioned in the labels. Usually pregnancy of subject or object indicates him. Thus, for example, the motif called ‘Adorned with Eye of Horus as Cloth’ means “the beneficiary is adorned with the eye of Horus in the form of cloth.” The labels should not be regarded as having much importance beyond the purpose of indexing similar statements under a single heading. The actual connections visible in the cited passages are what are important. In the case of ‘Adorned with Eye of Horus as Cloth,’ one finds the beneficiary donning or being adorned (wn, bA) with (m) the eye of Horus (ir.t rw) in the form of cloth (tAi.t, rnn-wt.it). If there is any doubt as to the connection, the cited text and section number give direction to the place of verification. This listing is not a sub- stitute for the texts but marks them. A few motifs—the most abundant—have been subdivided. For instance the motif ‘Object Direction’ covers a number of other motifs under its umbrella, and thus certain passages get listed twice for that reason. Also, frequently encountered phraseology can be approached from different angles. For instance the notion of ascending, very often indicated by the verb pri, is found in different combinations, and therefore the same passage of a text is sometimes cited under more than one motif. For instance the motif ‘Ascends, Descends as Morning God, Star’ twice overlaps with ‘Ascends to ( pri r) Sky.’ Thus the same passages from two texts sometimes figure under both. As argued in Chapter Three, different divisions of content are possible. But the argument is that, carried out globally, such differences in division will not yield a typological articula- tion substantially different from what has been yielded here. Superficially similar concepts and sentiments are excluded from a particular motif. As an example of such differentiations, there are some citations attached as a footnote to the example motif ‘Adorned with Eye of Horus as Cloth.’ The citations have to do with two motifs with some similar phraseology and ideas, but they also have important differences, so they are not included under the heading of ‘Adorned with Eye of Horus as Cloth.’ The tangentially related motifs indicated in that footnote are not attested in enough proportional difference to have qualified as typologically diagnostic. As explained in Chapter Three, about 1,500 motifs were isolated, and criteria were set up so as to identify those of particular rel- evance in making distinctions between the categories of personal and sacerdotal texts. As explained in the Coda and in the introduction to Listing One, the categories are subdivided by series and motifs. Thus offering and priestly motifs are still distinctive to the sacerdotal category, while apotropaic, transition, and provisioning motifs are distinctive to the personal. There are also a number of motifs which are more generic to the categories, Harold M. Hays - 9789004227491 Downloaded from Brill.com09/28/2021 06:24:01AM via free access 488 listing four thus found in more or less equal distribution among its types. The listing marks them simply as sacerdotal and personal motifs. The listing assembles 531 typological motifs, represented in 5,190 quoted passages of Pyra- mid Texts. Citations normally indicate just one specific source as representative. Action Instruction (Miscellaneous) Offering Motif Offering Texts with motif : PT 72 §50b (N): wr “Anoint.” PT 82 §58b (N): i pr.t-rw “Give the going-forth-of-the voice.” PT 93 §63b (N): wA r tA m-bA=f “Set down before him.” PT 94 §64a (N): i b “Give a meal.”1178 PT 99 §66b (N): hA (w) (i )r(i ) “Descend thus.”1179 PT 172 §101a (T): wdn .t n T. “Consecrating offerings for Teti.” PT 197 §113b (N): t dwA m-r=f “Morning bread beside him.” PT 244 §249b (W): s dr(.t)i “Breaking of two red pots.” sPT 1056 P/Ser/N 3: /// i [r] a=f r tp=f wr=f im[=s] “/// Take [to] his arm and to his head, that he may be anointed with [ it].” N 306+11 (N): d A “Put around.” Priestly Recitation with motif : sPT 1022 P/A/Ne IV 99: st.t tkA “Lighting a lamp.” Provisioning Text with motif : PT 340 §554d (T): wA “Set down.” Adores God Transition Motif Transition Texts with motif : PT 476 §951c (M): dwA=f nr “With him adoring the god.” PT 504 §1087d; sim. §1087e (P): dwA.n M. r iAb.ti “Merire has adored eastern Horus.” Adorn Throne in Bark Transition Motif Transition Texts with motif : PT 467 §889a (N): hAy Ne. m ns.t=f “Let Neferkare go on board to his throne (sc. in his bark).” PT 469 §906b (P): bA=f ns.t=f “Him adorning his throne (sc. in his bark).” PT 513 §1171a (P): bA ns.t=k m wiA ra “Adorn your throne in the bark of Re!” PT 539 §1325c (P): nr nb bA.t(i )=f(i ) ns.t=f m wiA=f “As for any god who will (cause that he) adorn his throne in his bark.” sPT 625A §1764c; sim. §1765a (Nt): zp=i ns.t=i imit dp.t-nr “Let me receive my throne which is in the god’s boat.” Adorned with Eye of Horus as Cloth1180 Offering Motif Offering Texts with motif : PT 414 §737c (M): wn m ir(.t) r imit tAi.t “Be clothed in the eye of Horus which is Tait!” PT 597 §1642 (M): m( y) wn=k n=k ir(.t) r (w)A.t imit tAi.t “Come and don the whole eye of Horus which is Tait!” 1178 Superscript to PT 94–96. 1179 Subscript to PT 97–99. 1180 This motif is in contrast to being adorned (bA) as a god (cf. PT 217 §157b; PT 365 §625b; PT 555 §1373b; PT 576 §1507a; PT 690 §2108a; sPT 1064 P/V/E 44), and it is in contrast to being adorned with or born by a crown (cf. PT 221 §198b–c; and PT 453 §844b and §845a). Harold M. Hays - 9789004227491 Downloaded from Brill.com09/28/2021 06:24:01AM via free access typological motifs of pyramid texts 489 PT 622 §1755a–b (N): bA.n(=i) kw m ir.t r rnn-wt.(i )t itn nr.t.n n=s nr.w “I have adorned you with the eye of Horus, this garment of which the gods are terrified.” sPT 1052 P/Ser/S 2–3: m( y) wn n=k ir.t r r=k imit tAi.t “Come and don the eye of Horus for yourself, that which is in Tait!” CT 862 VII 64a (L1Li): bA.n=i w m ir.t-r imit tAi.t bA.t.n=f it=f im=s bA.t.n=f wsir im=s “I have adorned you with the eye of Horus which is Tait, with which he adorned his father, with which he adorned Osiris.” Advances (nti) Transition Motif Transition Texts with motif : PT 268 §375b (W): nt W. pn nt.t spr kA=f r=f “Let Unas be truly advanced, his Ka reaching him.” PT 511 §1159b (P): nti=f r=f ir-nt itr.ti “Let him advance to the front of the two chapel rows.” PT 515 §1182c (P): nti P. pn ir-nt itr.ti “Let Pepi advance to the front of the two chapel rows.” PT 524 §1241b (P): nt M. pn r=s “With Merire advancing bearing it.” Priestly Recitation with motif : PT 535 §1285b; sim. §1288a (P): nt “Advance!” Akh before/more than Akhs Priestly Motif Priestly Recitations with motif : PT 365 §624a (T): A=k ir A.w nb.w “And be more an Akh than all the Akhs.” PT 450 §833b (P): i.A=k nti A.w “And be an Akh before the Akhs.” PT 457 §858b (N): A.t(i ) nti A.w “Be an Akh before the Akhs!” PT 460 §869a (M): A=f nt(i ) A.w “That he be an Akh before the Akhs.” PT 465 §880c (P): ri n=n A=f m-m A.w “Place his Akh among the Akhs!” PT 468 §899c; sim. §903b (N): i.A=k Ne. pw nt(i ) A.w “May you be an Akh, O Neferkare, before the Akhs.” Offering Text with motif : PT 637 §1804b (N): i.A=k im [i ]r A.w m w.t r s=f nb pa.t “Being an Akh thereby more than the Akhs, by the command of Horus himself, lord of princes.” Transition Text with motif : PT 439 §813d (P): wnn P. A ir A.w “That Pepi is more an Akh than the Akhs.” Akhs Given Priestly Motif Priestly Recitations with motif : PT 437 §795c; sim. §795d (P): zp=f A=f m-nt nr.w r is zA wsir “And he will receive his Akh before the gods, as Horus the son of Osiris.” PT 457 §857c (N): y n=f A=f im “His Akh being given to him thereby.” PT 536 §1294a–b (P): i.n=f n=k A.w=f zAb.(i )w r is imi pr=f nti is nt(i ) sm.w “He having given you his jackal Akhs, ( you being) as Horus who is in his house, as the foremost one, foremost of powers.” PT 553 §1354b (P): ri.n n=k wsir A.w “Osiris has given you Akh-ness.” PT 610 §1714b; sim.
Recommended publications
  • Who Was Who at Amarna
    1 Who was Who at Amarna Akhenaten’s predecessors Amenhotep III: Akhenaten’s father, who ruled for nearly 40 years during the peak of Egypt’s New Kingdom empire. One of ancient Egypt’s most prolific builders, he is also known for his interest in the solar cult and promotion of divine kingship. He was buried in WV22 at Thebes, his mummy later cached with other royal mummies in the Tomb of Amenhotep II (KV 35) in the Valley of the Kings. Tiye: Amenhotep III’s chief wife and the mother of Akhenaten. Her parents Yuya and Tjuyu were from the region of modern Akhmim in Egypt’s south. She may have lived out her later years at Akhetaten and died in the 14th year of Akhenaten’s reign. Funerary equipment found in the Amarna Royal Tomb suggests she was originally buried there, although her mummy was later moved to Luxor and is perhaps to be identified as the ‘elder lady’ from the KV35 cache. Akhenaten and his family Akhenaten: Son and successor of Amenhotep III, known for his belief in a single solar god, the Aten. He spent most of his reign at Akhetaten (modern Amarna), the sacred city he created for the Aten. Akhenaten died of causes now unknown in the 17th year of his reign and was buried in the Amarna Royal Tomb. His body was probably relocated to Thebes and may be the enigmatic mummy recovered in the early 20th century in tomb KV55 in the Valley of the Kings. Nefertiti: Akhenaten’s principal queen. Little is known of her background, although she may also have come from Akhmim.
    [Show full text]
  • Contents. the Tragedy of Cleopatra by Samuel Daniel. Edited by Lucy Knight Editing a Renaissance Play Module Code: 14-7139-00S
    Contents. The tragedy of Cleopatra By Samuel Daniel. Edited by Lucy Knight Editing a Renaissance Play Module Code: 14-7139-00S Submitted towards MA English Studies January 11th, 2011. 1 | P a g e The Tragedy of Cleopatra Front matter Aetas prima canat veneres, postrema tumultus.1 To the most noble Lady, the Lady Mary Countess of Pembroke.2 Behold the work which once thou didst impose3, Great sister of the Muses,4 glorious star5 Of female worth, who didst at first disclose Unto our times what noble powers there are In women’s hearts,6 and sent example far, 5 To call up others to like studious thoughts And me at first from out my low repose7 Didst raise to sing of state and tragic notes8, Whilst I contented with a humble song Made music to myself that pleased me best, 10 And only told of Delia9 and her wrong And praised her eyes, and plain’d10 mine own unrest, A text from whence [my]11 Muse had not digressed Had I not seen12 thy well graced Antony, Adorned by thy sweet style in our fair tongue 15 1 ‘Let first youth sing of Venus, last of civil strife’ (Propertius, 2.10.7). This quote is a reference to the Classical ‘Cursus,’ which state that you graduate from writing poetry to writing tragedy. Daniel is saying he wrote love poetry in his youth but now Mary Sidney has given him the courage to aspire to greater things, i.e. tragedy. 2 Mary Sidney. See Introduction, ‘Introductory dedication: Mary Sidney and family’.
    [Show full text]
  • Cwiek, Andrzej. Relief Decoration in the Royal
    Andrzej Ćwiek RELIEF DECORATION IN THE ROYAL FUNERARY COMPLEXES OF THE OLD KINGDOM STUDIES IN THE DEVELOPMENT, SCENE CONTENT AND ICONOGRAPHY PhD THESIS WRITTEN UNDER THE SUPERVISION OF PROF. KAROL MYŚLIWIEC INSTITUTE OF ARCHAEOLOGY FACULTY OF HISTORY WARSAW UNIVERSITY 2003 ACKNOWLEDGMENTS This work would have never appeared without help, support, advice and kindness of many people. I would like to express my sincerest thanks to: Professor Karol Myśliwiec, the supervisor of this thesis, for his incredible patience. Professor Zbigniew Szafrański, my first teacher of Egyptian archaeology and subsequently my boss at Deir el-Bahari, colleague and friend. It was his attitude towards science that influenced my decision to become an Egyptologist. Professor Lech Krzyżaniak, who offered to me really enormous possibilities of work in Poznań and helped me to survive during difficult years. It is due to him I have finished my thesis at last; he asked me about it every time he saw me. Professor Dietrich Wildung who encouraged me and kindly opened for me the inventories and photographic archives of the Ägyptisches Museum und Papyrussammlung, and Dr. Karla Kroeper who enabled my work in Berlin in perfect conditions. Professors and colleagues who offered to me their knowledge, unpublished material, and helped me in various ways. Many scholars contributed to this work, sometimes unconsciously, and I owe to them much, albeit all the mistakes and misinterpretations are certainly by myself. Let me list them in an alphabetical order, pleno titulo: Hartwig
    [Show full text]
  • Creativity and Innovation in the Reign of Hatshepsut
    iii OCCASIONAL PROCEEDINGS OF THE THEBAN WORKSHOP Creativity and Innovation in the Reign of Hatshepsut edited by José M. Galán, Betsy M. Bryan, and Peter F. Dorman Papers from the Theban Workshop 2010 2014 studies in ancient ORientaL civiLizatiOn • numbeR 69 THE ORIENTAL INSTITUTE of THE UNIVERSITY of CHICAgo chicagO • IllinOis v Table of Contents List of Abbreviations .............................................................................. vii Program of the Theban Workshop, 2010 Preface, José M. Galán, SCIC, Madrid ........................................................................... viii PAPERS FROM THE THEBAN WORKSHOP, 2010 1. Innovation at the Dawn of the New Kingdom. Peter F. Dorman, American University of Beirut...................................................... 1 2. The Paradigms of Innovation and Their Application to the Early New Kingdom of Egypt. Eberhard Dziobek, Heidelberg and Leverkusen....................................................... 7 3. Worldview and Royal Discourse in the Time of Hatshepsut. Susanne Bickel, University of Basel ............................................................... 21 4. Hatshepsut at Karnak: A Woman under God’s Commands. Luc Gabolde, CNRS (UMR 5140) .................................................................. 33 5. How and Why Did Hatshepsut Invent the Image of Her Royal Power? Dimitri Laboury, University of Liège .............................................................. 49 6. Hatshepsut and cultic Revelries in the new Kingdom. Betsy M. Bryan, The Johns Hopkins
    [Show full text]
  • In the Tomb of Nefertari: Conservation of the Wall Paintings
    IN THE TOMB OF NEFERTAR1 IN THE TOMB OF NEFERTARI OF CONSERVATION THE WALL PAINTINGS THE J.PAUL GETTY MUSEUM AND THE GETTY CONSERVATION INSTITUTTE 1992 © 1992 The j. Paul Getty Trust Photo Credits: Guillermo Aldana, figs. I, 2, 4, 8-17, 30, 34-36, 38, cover, 401 Wilshire Boulevard, Suite 900 endsheets, title page, copyright page, table of contents; Archives of Late Egyp­ Santa Monica, California 90401 -1455 tian Art, Robert S. Bianchi, New York, figs. 18, 20, 22-27, 31-33,37; Cleveland Museum of Art, fig. 29; Image processing by Earthsat, fig. 7; Metropolitan Kurt Hauser, Designer Museum of Art, New York, figs. 6, 19, 28; Museo Egizio, Turin, figs. 5, 21 (Lovera Elizabeth Burke Kahn, Production Coordinator Giacomo, photographer), half-title page. Eileen Delson, Production Artist Beverly Lazor-Bahr, Illustrator Cover: Queen Nefertari. Chamber C, south wall (detail), before treatment was completed. Endsheets: Ceiling pattern, yellow five-pointed stars on dark blue Typography by Wilsted & Taylor, Oakland, California ground. Half-title page: Stereo view of tomb entrance taken by Don Michele Printing by Westland Graphics, Burbank, California Piccio/Francesco Ballerini, circa 1904. Title page: View of Chamber K, looking Library of Congress Catalogmg-in-Publication Data north. Copyright page: Chamber C, south wall, after final treatment-Table of In the tomb of Nefertari : conservation of the wall paintings, Contents page: Chamber C, south wall (detail), after final treatment. Tomb of p. cm. Nefertari, Western Thebes, Egypt. "Published on the occasion of an exhibition at the J. Paul Getty Published on the occasion of an exhibition atthej.
    [Show full text]
  • Ancient Egypt: Amarna Period the British Museum the Amarna Period
    Ancient Egypt: Amarna Period The British Museum The Amarna period comprises the reigns of Akhenaten, Smenkhkare, Tutankhamun and Ay. The period is named after the capital city founded by Akhenaten, son of Amenhotep III. Akhenaten ascended the throne as Amenhotep IV, but changed his name when he rejected traditional religion in favour of the worship of the Aten or sun disc. He closed all the temples to other gods and obliterated their names from monuments. Akhenaten was succeeded by the short-lived Smenkhkare, then the famous Tutankhamun. Rejecting Akhenaten's religious beliefs, Tutankhamun restored the traditional gods and abandoned Tell el-Amarna. He died young and was succeeded by an elderly courtier, Ay. Subsequent kings did their best to remove all traces of the period from the record and the names of the Amarna period kings are not found on 'kinglists', various ancient texts that list the names and other details of the kings of Egypt in chronological order. The art of the Amarna period is very distinctive. The royal family were depicted with elongated heads, long necks and narrow chests. They generally had spindly limbs, but heavy hips and thighs, with a pronounced paunch. Literary developments of the period include a revision of the written script to more closely reflect the spoken language of the time, and the replacement of funerary texts with a hymn to the Aten. Source URL: http://www.britishmuseum.org/explore/highlights/article_index/a/ancient_egypt_amarna_period.aspx Saylor URL: http://www.saylor.org/courses/arth201 Saylor.org Reposted with permission for educational use by the British Museum.
    [Show full text]
  • Kanawati, Naguib. “Decoration of Burial Chambers, Sarcophagi and Coffins in the Old Kingdom.”
    LE U C HIE 034 STUD ES I HONO OF ALI ADWA PREFACE I ZAHI HAWASS EDITED BY KHALED DAOUD SHAFIA BEDIER SAWSAN ABD EL-FATAH SUPPLEMENT AUX ANNALES DU SERVICE'DES ANTIQUITES DE L'EGYPTE CAHIERN°34 Volume Cover Illustration: The statue of Kai and his son and daughter. STUDIES IN HONOR OF ALI RADWAN SUPPLEMENT AUX ANNALES DU SERVICE DES ANTIQUITES DE L'EGYPTE CAHIERN° 34 Volume LE CAIRE 2005 Graphic Designer Ezz el-Din, Magdy Director of Printing Safwat, Amal (CASAE 34) 2005 © CONSEIL SUPR~ME DES ANTIQUITES DE L'EGYPTE, LE CAIRE, 2005 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. DAR EL KUTUB NO. 11376/2005 ISBN. 977-305-826-3 ISSN. 1687-4951 IMPRIMERIE DU CONSEIL SUPR~ME DES ANTIQUITES TABLE DES MATIERES ------ TABLE DES MATIERES HAIKAL Fayza TWO SMALL OBJECTS FROM KING FAROUK'S COLLECTION IN THE CAIRO MUSEUM ....... 9 HANDOUSSA Tohfa STELA OF AMONMES, 17 HAWASSZahi UNIQUE STATUES FROM GIZA V THE EXCEPTIONAL STATUE OF THE PRIEST KAI AND HIS FAMILY , , " , , 25 HEMA Rehab A. INDIVIDUALISM BETWEEN IDEALISM AND REALISM 39 KAMELSalwa LES FORMES NON TRADITIONNELLES DE QUELQUES DIEUX EGYPTIENS 47 KANAWATI Naguib DECORATION OF BURIAL CHAMBERS, SARCOPHAGI AND COFFINS IN THE OLD KINGDOM 55 KAPLONY Peter DIE APOLOGIE DES SCHOPFERS (CT SPRUCH 1130)-NEUE ASPEKTE .. w 73 KESSLER Dieter ZUR FUNKTION DER HORUSSTELEN UNO HEILSTATUEN VOR DEN SANKTUAREN UNO KAPELLEN , 81 KLEMM Rosemarie and Dietrich FATIRA (ABU ZABAL) AND GHOZZA - TWO NEW KINGDOM AND PTOLEMAIC GOLD WORKING SITES IN THE EASTERN DESERT OF EGYPT 95 KRZYZANIAK Lech NEW ROCK ART SITES IN THE DAKHLEH OASIS 113 KURTH Dieter VISIONES TEMPLI 11 7 LESKO Barbara S.
    [Show full text]
  • Cleopatra I Am Fire and Air 1St Edition Pdf, Epub, Ebook
    CLEOPATRA I AM FIRE AND AIR 1ST EDITION PDF, EPUB, EBOOK Harold Bloom | 9781501164163 | | | | | Cleopatra I Am Fire and Air 1st edition PDF Book Just a moment while we sign you in to your Goodreads account. However, I don't think he sold me on this play being a tragicomedy. I love Cleopatra. From Wikipedia, the free encyclopedia. Thank you. Award-winning writer and beloved professor Harold Bloom investigates Macbeth's interiority and unthinkable actions with razor-sharp insight, agility, and compassion. Aug 06, Robert Stevenson rated it liked it. Since the publication of his first book in , Bloom has written more than forty books of literary criticism, several books discussing religion, and one novel. In Alexandria , Cleopatra I was called the Syrian. As an aging, tenacious Elizabeth I clung to power, a talented playwright probed the social causes, the psychological roots, and the twisted consequences of tyranny. Write a review See all reviews Write a review. Will will fulfil the treasure of thy love, Ay, fill it full with wills, and my will one. Audible Premium Plus. I was surprised in Chapter 15 by the look at the role of the Clown in the play. Cleopatra identifies herself with the Nile and with the earth of Egypt. That book was the last surviving manuscript of an ancient Roman philosophical epic by Lucretius—a beautiful poem containing the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles. Laodice 1.
    [Show full text]
  • Pharaohs, Pyramids, and the World of the Gods
    WORKSHEET PHARAOHS, PYRAMIDS AND THE WORLD OF THE GODS 2 1. THE PHARAOH The word ‘pharaoh’ comes from Egyptian and the pharaohs, who suc- means ‘great house‘. The term was used along ceeded each other over with the five royal names of the king. The phar- a series of 30 dynasties. aohs were the same as gods and were absolute Historians divide the history rulers over the country and its people. of Egypt into the Old, They were also responsible for maintaining the Middle, and New King- order of life on earth. At the same time, they had doms and the Late Period. to make sure that the people of Egypt honored Sovereignty over Egypt was the gods and that the gods were happy with the closely connected with be- people. So the pharaohs were responsible for the lief in various gods. Djoser temples, where they had to provide the furnish- (about 2700 B.C.) was the first pharaoh of all to ings and offerings. It was also the pharaoh‘s duty have a pyramid built as his tomb. to provide for his people‘s welfare in both this life Very little is known about Pharaoh Tutankhamun and the next. today. He was the son of Pharaoh Akhenaten Although the pharaoh‘s power was absolute, he and ruled over the Nile in the period of the New employed a state administration which included Kingdom (18th–20th Dynasties, 1550–1070 B.C.) officials, priests and governors. The rights and du- The 18th Dynasty began with Ahmose who ended ties of a ruler began with his coronation, when the domination of the ‘Hyksos‘ over Egypt.
    [Show full text]
  • Creativity and Innovation in the Reign of Hatshepsut
    iii OccasiOnal prOceedings Of the theban wOrkshOp creativity and innovation in the reign of hatshepsut edited by José M. Galán, Betsy M. Bryan, and Peter F. Dorman Papers from the Theban Workshop 2010 The OrienTal insTiTuTe OF The universiTy OF ChiCaGO iv The Oriental Institute, Chicago © 2014 by The university of Chicago. all rights reserved. Published 2014. Printed in the united states of america. series editors Leslie Schramer and Thomas G. Urban with the assistance of Rebecca Cain Series Editors’ Acknowledgment Brian Keenan assisted in the production of this volume. Cover Illustration The god amun in bed with Queen ahmes, conceiving the future hatshepsut. Traced by Pía rodríguez Frade (based on Édouard naville, The Temple of Deir el Bahari Printed by through Four Colour Imports, by Lifetouch, Loves Park, Illinois USA The paper used in this publication meets the minimum requirements of american national standard for information services — Permanence of Paper v table of contents Preface. José M. Galán, Spanish National Research Council, Madrid ........................................... vii list of abbreviations .............................................................................. xiii Bibliography..................................................................................... xv papers frOm the theban wOrkshOp, 2010 1. innovation at the Dawn of the new Kingdom. Peter F. Dorman, American University of Beirut...................................................... 1 2. The Paradigms of innovation and Their application
    [Show full text]
  • 1. INTERNAL DEVELOPMENTS Reign of Amenhotep III Background • Son of Thutmose IV and Mutemwia • Thutmose Died When He Was 12
    1. INTERNAL DEVELOPMENTS Reign of Amenhotep III Background • Son of Thutmose IV and Mutemwia • Thutmose died when he was 12 and Amenhotep was advised by his mother in the early years of his reign • Inherited a reign of great peace and prosperity from his father; had to maintain rather than expand or improve • Married to his Great Royal Wife Tiye by the second year of his reign • Promoted his eldest daughter, Sitamun, to Great Royal Wife • Entered into numerous of marriages with foreign princesses to ensure stable diplomatic relations These scarabs were issues throughout the Empire and boast about his hunting prowess. They promote the stereotypical image of the pharaoh as a great hunter, emphasising his strength and virility. Not always based in fact, but rather an artistic convention which symbolised the king’s fitness to rule and his triumph over the forces of L: Wild bull-hunt commemorative scarab chaos. R: Lion hunt commemorative scarab Building programs • Unprecedented, massive and ostentatious • Overseer or All the King’s Works, Amenhotep, son of Hapu, is behind most of it • Honoured the gods with building projects, but the nature and size of his projects may indicate that he was using the country’s resources to glorify himself Large and impressive. Contains relief showing Amun’s role in the divine birth and coronation of Amenhotep III. Temple of Amun at Luxor Pylons at Karnak Built a new pylon after demolishing the shrines and monuments of earlier pharaohs and using that rubble to fill his pylon. Lengthy inscription praises himself and Amen, and lists the gifts he had given to the temple.
    [Show full text]
  • ABSTRACT Carl Nicholas Reeves STUDIES in the ARCHAEOLOGY
    ABSTRACT Carl Nicholas Reeves STUDIES IN THE ARCHAEOLOGY OF THE VALLEY OF THE KINGS, with particular reference to tomb robbery and the caching of the royal mummies This study considers the physical evidence for tomb robbery on the Theban west bank, and its resultant effects, during the New Kingdom and Third Intermediate Period. Each tomb and deposit known from the Valley of the Kings is examined in detail, with the aims of establishing the archaeological context of each find and, wherever possible, isolating and comparing the evidence for post-interment activity. The archaeological and documentary evidence pertaining to the royal caches from Deir el-Bahri, the tomb of Amenophis II and elsewhere is drawn together, and from an analysis of this material it is possible to suggest the routes by which the mummies arrived at their final destinations. Large-scale tomb robbery is shown to have been a relatively uncommon phenomenon, confined to periods of political and economic instability. The caching of the royal mummies may be seen as a direct consequence of the tomb robberies of the late New Kingdom and the subsequent abandonment of the necropolis by Ramesses XI. Associated with the evacuation of the Valley tombs may be discerned an official dismantling of the burials and a re-absorption into the economy of the precious commodities there interred. STUDIES IN THE ARCHAEOLOGY OF THE VALLEY OF THE KINGS, with particular reference to tomb robbery and the caching of the royal mummies (Volumes I—II) Volume I: Text by Carl Nicholas Reeves Thesis submitted for the degree of Doctor of Philosophy School of Oriental Studies University of Durham 1984 The copyright of this thesis rests with the author.
    [Show full text]