Linguistic Comments on the Pyrgi Tablets
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A Near Eastern Ethnic Element Among the Etruscan Elite? Jodi Magness University of North Carolina at Chapel Hill
Etruscan Studies Journal of the Etruscan Foundation Volume 8 Article 4 2001 A Near Eastern Ethnic Element Among the Etruscan Elite? Jodi Magness University of North Carolina at Chapel Hill Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Magness, Jodi (2001) "A Near Eastern Ethnic Element Among the Etruscan Elite?," Etruscan Studies: Vol. 8 , Article 4. Available at: https://scholarworks.umass.edu/etruscan_studies/vol8/iss1/4 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A Near EasTern EThnic ElemenT Among The ETruscan EliTe? by Jodi Magness INTRODUCTION:THEPROBLEMOFETRUSCANORIGINS 1 “Virtually all archaeologists now agree that the evidence is overwhelmingly in favour of the “indigenous” theory of Etruscan origins: the development of Etruscan culture has to be understood within an evolutionary sequence of social elaboration in Etruria.” 2 “The archaeological evidence now available shows no sign of any invasion, migra- Tion, or colonisaTion in The eighTh cenTury... The formaTion of ETruscan civilisaTion occurred in ITaly by a gradual process, The final sTages of which can be documenTed in The archaeo- logical record from The ninTh To The sevenTh cenTuries BC... For This reason The problem of ETruscan origins is nowadays (righTly) relegaTed To a fooTnoTe in scholarly accounTs.” 3 he origins of the Etruscans have been the subject of debate since classical antiqui- Tty. There have traditionally been three schools of thought (or “models” or “the- ories”) regarding Etruscan origins, based on a combination of textual, archaeo- logical, and linguistic evidence.4 According to the first school of thought, the Etruscans (or Tyrrhenians = Tyrsenoi, Tyrrhenoi) originated in the eastern Mediterranean. -
Luce in Contesto. Rappresentazioni, Produzioni E Usi Della Luce Nello Spazio Antico / Light in Context
Light in Antiquity: Etruria and Greece in Comparison Laura Ambrosini Abstract This study discusses lighting devices in Etruria and the comparison with similar tools in Greece, focusing on social and cultural differences. Greeks did not use candlestick- holders; objects that have been improperly identified ascandelabra should more properly be classified as lamp/utensil stands. The Etruscans, on the other hand, preferred to use torchlight for illumination, and as a result, the candelabrum—an upright stand specifically designed to support candles — was developed in order to avoid burns to the hands, prevent fires or problems with smoke, and collect ash or melting substances. Otherwise they also used utensil stands similar to the Greek lamp holders, which were placed near the kylikeion at banquets. Kottaboi in Etruria were important utensils used in the context of banquets and symposia, while in Greece, they were interchangeable with lamp/utensil stands. Introduction Light in Etruria1 certainly had a great importance, as confirmed by the numerous gods connected with light in its various forms (the thunderbolt, the sun, the moon, the dawn, etc.).2 All the religious doctrines and practices concerning the thunderbolt, the light par excellence, are relevant in this concern. Tinia, the most important god of the Etruscan pantheon (the Greek Zeus), is often depicted with a thunderbolt. Sometimes also Menerva (the Greek Athena) uses the thunderbolt as weapon (fig. 1), which does not seem to be attested in Greece.3 Thesan was the Etruscan Goddess of the dawn identified with the Greek Eos; Cavtha is the name of the Etruscan god of the sun in the cult, while Usil is the sun as an appellative or mythological personality. -
Volume 16 Winter 2014
Volume 16 Winter 2014 Tomb 6423 At right, the Below is the A Digger’s View: lastra sealing chamber as The Tomb of the Hanging the chamber found at the The perspective of a field Aryballos, Tarquinia shown in situ. moment of archaeologist by Alessandro Mandolesi Above it is the opening, by Maria Rosa Lucidi another lastra on the back The University of Turin and the possibly reut- wall a little The discovery of the tomb of the Superintendency for the Archaeological ilzed spolia aryballos still “hanging aryballos" has aroused great Heritage of Southern Etruria have been interest among the public in both Italy taken from hangs on its investigating the Tumulus of the Queen and internationally. The integrity of the original nail. and the necropolis surrounding it, the the tumulus unviolated tomb is definitely one of the Doganaccia, since 2008. The excava- of the queen, (photographs reasons for the attention it has received. tions have brought forth many important which stands by Massimo The uniqueness is even more pro- and unexpected results, thanks to subse- nearby. Legni). nounced when one considers that since quent research, and the infor- the second half of the nine- mation relating to the differ- teenth century the English ent phases of its use has made traveler George Dennis it possible to clarify many blamed the inability to recov- obscure points about the great er the contexts from intact era of the monumental tumuli chamber tombs in Etruscan at Tarquinia. Tarquinia on repeated looting Archaeologists working since ancient times. The -
Fulminante-2012-Ethnicity-Chapter
- LANDSCAPE, ETHNICITY AND IDENTITY LANDSCAPE, ETHNICITY AND IDENTITY IN THE ARCHAIC MEDITERRANEAN AREA LANDSCAPE, ETHNICITY AND IDENTITY The main concern of this volume is the multi-layered IN THE ARCHAIC MEDITERRANEAN AREA concept of ethnicity. Contributors examine and contextualise contrasting definitions of ethnicity and identity as implicit in two perspectives, one from the classical tradition and another from the prehistoric and anthropological tradition. They look at the role of textual sources in reconstructing ethnicity and introduce fresh and innovative archaeological data, either from fieldwork or from new combinations of old data. Finally, in contrast to many traditional approaches to this subject, they examine the relative and interacting AREA MEDITERRANEAN ARCHAIC THE IN role of natural and cultural features in the landscape in the construction of ethnicity. The volume is headed by the contribution of Andrea Carandini whose work challenges the conceptions of many in the combination of text and archaeology. He begins by examining the mythology surrounding the founding of Rome, taking into consideration the recent archaeological evidence from the Palatine and the Forum. Here primacy is given to construction of place and mythological descent. Anthony Snodgrass, Robin Osborne, Tim Cornell and Christopher Smith offer replies to his arguments. Overall, the nineteen papers presented here show that a modern interdisciplinary and international archaeology that combines material data and textual evidence – critically – can provide a powerful lesson for the full understanding of the ideologies of ancient and modern societies G. G. C IFANI AND S. S TODDART EDITED BY ABRIELE IFANI AND IMON TODDART s G C S S Oxbow Books WITH THE SUPPORT OF SKYLAR NEIL www.oxbowbooks.com This pdf of your paper in Landscape, Ethnicity and Identity belongs to the publishers Oxbow Books and it is their copyright. -
Etruscan News 19
Volume 19 Winter 2017 Vulci - A year of excavation New treasures from the Necropolis of Poggio Mengarelli by Carlo Casi InnovativeInnovative TechnologiesTechnologies The inheritance of power: reveal the inscription King’s sceptres and the on the Stele di Vicchio infant princes of Spoleto, by P. Gregory Warden by P. Gregory Warden Umbria The Stele di Vicchio is beginning to by Joachim Weidig and Nicola Bruni reveal its secrets. Now securely identi- fied as a sacred text, it is the third 700 BC: Spoleto was the center of longest after the Liber Linteus and the Top, the “Tomba della Truccatrice,” her cosmetics still in jars at left. an Umbrian kingdom, as suggested by Capua Tile, and the earliest of the three, Bottom, a warrior’s iron and bronze short spear with a coiled handle. the new finds from the Orientalizing securely dated to the end of the 6th cen- necropolis of Piazza d’Armi that was tury BCE. It is also the only one of the It all started in January 2016 when even the heavy stone cap of the chamber partially excavated between 2008 and three with a precise archaeological con- the guards of the park, during the usual cover. The robbers were probably dis- 2011 by the Soprintendenza text, since it was placed in the founda- inspections, noticed a new hole made by turbed during their work by the frequent Archeologia dell’Umbria. The finds tions of the late Archaic temple at the grave robbers the night before. nightly rounds of the armed park guards, were processed and analysed by a team sanctuary of Poggio Colla (Vicchio di Strangely the clandestine excavation but they did have time to violate two of German and Italian researchers that Mugello, Firenze). -
A Short History of the Etruscans the Etruscan Non-Polis 4 the Etruscan Non-Polis Urban Growth in the Archaic Period Piazza
A Short History of the Etruscans The Etruscan Non-polis 4 The Etruscan Non-polis Urban Growth in the Archaic Period Piazza d’Armi at Veii and the earliest architectural terracottas Between the nineteenth and the beginning of the twentieth century, some archaeologists believed that the high terrace to the south of the main plateau of Veii known as Piazza d’Armi was the acropolis of the Etruscan city; George Dennis and eminent scholars Luigi Canina and Rodolfo Lanciani were of this opinion, but not everyone agreed. Its high position, naturally defended on three sides, was notable, but the terrace was separated from the plateau of the city by the gorge of the Fosso della Mola. To Ettore Gabrici, Neapolitan archaeologist then working at the Villa Giulia Museum, the area looked like an uncultivated patch with a few traces of ancient remains. In 1913, he went on to conduct the first ever stratigraphic excavation in the middle of the terrace, and brought to light painted tiles, parts of drystone walls and an elliptical structure dressed with tufa blocks, which he assumed belonged to a very early date prior to the flourishing of the Etruscans, but which we now know to be a cistern. Less than ten years later, field investigation in the area continued under the direction of Enrico Stefani who subsequently published the finds in 1944 (Stefani, 1944, p. 143). Among them were Iron Age huts, a series of buildings with stone blocks arranged according to an almost orthogonal plan, the remains of the ancient walls related to a large gate that, he saw, connected the terrace to the ancient city to the north (Figure 4.1). -
Work Notes on Bona Dea & the Goddess Uni-A Survey of Etruscan
Work notes on Bona Dea & the goddess Uni — a survey of Etruscan & Latin texts relating to the Pyrgi Gold Tablets By Mel Copeland (Relating to Etruscan Phrases texts) A work in progress November 15, 2014 The Etruscan goddess, Uni, Unia, has been identified with the Roman Juno and, on pottery and mirrors she is portrayed in mythological scenes involving the Greek goddess Hera. Although the Etruscans assigned their own peculiar names to the “Greek” pantheon, such as Tini, Tinia (L. Jupiter, Gr. Zeus), Uni, Unia (L. Juno, Gr. Hera), Turan (L. Venus, Gr. Aphrodite, and Thalna (Gr. Nemisis), many of the Greek characters are recorded with similar spelling in the Etruscan texts, such as Hercle, HerKle, (Gr. Herakles), These (Gr.Theseus), Akle (Gr. Achilles), Ektor (Gr. Hector), Aifas Telmonos (Gr. Ajax Telamonos), Elenei, Elinai (Gr. Helen [of Troy], Elchintre (Alexandar, Paris), Achmemon (Gr. Agememnon) Aeitheon (Gr. Jason) Aita (Gr. Hades) and Dis (Gr. another name of Hades: Dis) and his consort Phersipnei (Gr. Persephone). Because of the imagery used on vases and mirrors and the common Greek mythological themes, we can discern the names and grammatical conventions of Etruscan mythological characters. Because we know who the characters are for the most part and the context in which the Etruscans knew them, we can further understand pure textual documents of the Etruscans, such as the Pyrgi Gold tablets, which will be discussed later in this document, as it pertains to the Roman Feast of the 1st of May called Bona Dea. Uni was identified by the Romans as the Etruscan version of Juno, the consort of their supreme god, Jupiter (Etr. -
Funerary Ritual and Urban Development in Archaic Central Italy by Jennifer Marilyn Evans a Disser
Funerary Ritual and Urban Development in Archaic Central Italy By Jennifer Marilyn Evans A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classical Archaeology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor J. Theodore Peña, Chair Professor Christopher Hallett Professor Dylan Sailor Professor Nicola Terrenato Professor Carlos Noreña Spring 2014 Copyright 2014, Jennifer Marilyn Evans Abstract Funerary Ritual and Urban Development in Archaic Central Italy by Jennifer Marilyn Evans Doctor of Philosophy in Classical Archaeology University of California, Berkeley Professor J. Theodore Peña, Chair This dissertation examines the evidence for burial in archaic Rome and Latium with a view to understanding the nature of urban development in the region. In particular, I focus on identifying those social and political institutions that governed relations between city‐ states at a time when Rome was becoming the most influential urban center in the area. I examine the evidence for burial gathered primarily from the past four decades or so of archaeological excavation in order to present first, a systematic account of the data and second, an analysis of these materials. I reveal that a high degree of variation was observed in funerary ritual across sites, and suggest that this points to a complex system of regional networks that allowed for the widespread travel of people and ideas. I view this as evidence for the openness of archaic societies in Latium, whereby people and groups seem to have moved across regions with what seems to have been a fair degree of mobility. -
The Language of Etrusco-Italic Architecture: New Perspectives on Tuscan Temples Author(S): Ingrid Edlund-Berry Source: American Journal of Archaeology, Vol
The Language of Etrusco-Italic Architecture: New Perspectives on Tuscan Temples Author(s): Ingrid Edlund-Berry Source: American Journal of Archaeology, Vol. 112, No. 3 (Jul., 2008), pp. 441-447 Published by: Archaeological Institute of America Stable URL: http://www.jstor.org/stable/20627482 Accessed: 09-06-2015 17:52 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Archaeological Institute of America is collaborating with JSTOR to digitize, preserve and extend access to American Journal of Archaeology. http://www.jstor.org This content downloaded from 128.83.205.78 on Tue, 09 Jun 2015 17:52:08 UTC All use subject to JSTOR Terms and Conditions The Language of Etrusco-Italic Architecture: New Perspectives on Tuscan Temples INGRID EDLUND-BERRY Abstract tectura(4.7.1-5)1 and, inhis footsteps, by architectural historians and the centuries. One detail of the so-called Tuscan temple is the Etrus archaeologists through can monu I one round moulding, known from Etruria and Instead, address issue?seemingly minute?that ments in Rome. The earliest preserved example (sixth had a considerable role in determining the function century B.C.E.) comes from S. -
Getty Pompeian Identities Final
[Draft for Getty seminar, not for publication.] Pompeian identities: between Oscan, Samnite, Greek, Roman and Punic Andrew Wallace-Hadrill Pompeii is a welcoming place for thinking about the complexities of cultural identity: because it is a frontier zone (but then, what zone is not a frontier?). Of course, Pompeii has long had to do duty for some sort of standard ‘Roman’ city. That it was ‘Roman’ from its establishment as a colony, in a year not precisely known, but normally taken to be 80 BCE, is undeniable; the assumed corollary is that before that point, it was not Roman, but as Amedeo Maiuri put it, ‘pre-Roman’ (Maiuri 1973). Such contrasts do less than justice to the subtleties of cultural identity, and Pompeii was a good deal more ‘Roman’ before it became a colony than is generally allowed, and perhaps rather less ‘Roman’ than generally allowed thereafter. In what follows, I shall start by looking at Strabo’s account of the ethnic identities of Pompeii and the surrounding area; and then take two moments, of ‘Etruscan’ Pompeii in the sixth century, and ‘Hellenistic’ Pompeii in the second century, to illustrate the complexity of the town’s cultural identities. Strabo’s Pompeii The bay of Naples is familiar as a hinge zone between Greek colonists and local Italian powers, an enclave of non-Greekness (Etruscan, Samnite) caught between the solid block of colonized coast up to Posidonia, and the final bastion of colonial power represented by the northern coast from Neapolis to Cumae. From the sea, it is completely exposed to the Greek; but to the south it is shielded by the massive limestone outcrop of the Monti Lattari, which connects it strongly to the hinterland of Irpinia. -
Sea Level Rise Scenario for 2100 A.D. in the Heritage Site of Pyrgi (Santa Severa, Italy)
Journal of Marine Science and Engineering Article Sea Level Rise Scenario for 2100 A.D. in the Heritage Site of Pyrgi (Santa Severa, Italy) Marco Anzidei 1,*, Fawzi Doumaz 1 , Antonio Vecchio 2,3 , Enrico Serpelloni 1, Luca Pizzimenti 1, Riccardo Civico 1 , Michele Greco 4 , Giovanni Martino 4 and Flavio Enei 5 1 Istituto Nazionale di Geofisica e Vulcanologia, 56126 Pisa, Italy; [email protected] (F.D.); [email protected] (E.S.); [email protected] (L.P.); [email protected] (R.C.) 2 Radboud Radio Lab, Department of Astrophysics/IMAPP, Radboud University— Nijmegen, 6500GL Nijmegen, The Netherlands; [email protected] 3 Lesia Observatoire de Paris, Université PSL, CNRS, Sorbonne Université, Université de Paris, 92195 Meudon, France 4 School of Engineering, Università della Basilicata, 85100 Potenza, Italy; [email protected] (M.G.); [email protected] (G.M.) 5 Museo del Mare e della Navigazione Antica, 00058 Santa Severa, Italy; [email protected] * Correspondence: [email protected] Received: 29 November 2019; Accepted: 15 January 2020; Published: 21 January 2020 Abstract: Sea level rise is one of the main risk factors for the preservation of cultural heritage sites located along the coasts of the Mediterranean basin. Coastal retreat, erosion, and storm surges are posing serious threats to archaeological and historical structures built along the coastal zones of this region. In order to assess the coastal changes by the end of 2100 under the expected sea level rise of about 1 m, we need a detailed determination of the current coastline position based on high resolution Digital Surface Models (DSM). -
Etrusco Di Villa Giulia - Museo Nazionale Romano Piazzale Di Villa Giulia Square, 9 (00196) Metro A: Flaminio
Etrusco di Villa Giulia - Museo Nazionale Romano Piazzale di Villa Giulia Square, 9 (00196) Metro A: Flaminio. Tram: 2, 3, 19 8:30 AM - 7:30 PM (Closed Monday) Villa Giulia, located in Villa Borghese area, was built as a country retreat for Pope Julius III, at the time it hosted a collection of innumerable statues which were moved to the Vatican Museums after the Pope's death. Vignola, Vasari and the sculptor Ammannati planned the gardens (Michelangelo contributed as well). Since 1889 it has been the most important Etruscan museum in Italy. It exhibits handicrafts originating from the main excavations in Lazio and in Tuscany. The facade of the Villa Giulia, the pattern (1552) of which reminds a triumphal arch, the courtyard and the gardens, as well as the splendid Nymphaeum, a scenographic complex with stairs, caves, passages, four caryatids supporting a little balcony and, underneath, the Acqua Vergine Fountain, are particularly admirable. It decayed along the centuries and acquired its old splendour in 1889; ever since that year it has been the most important Etruscan museum in Italy (Villa Giulia National Museum) hosting handicrafts originating from the main excavations in Latium and Tuscany: We would like to recall the "Dawn Faliscan Krater" of the 4th century BC, the very famous "Couple Sarcophagus" from Cerveteri of the 6th century BC; the "Ficoroni Buckle" and the "Veio Apollo". The "Etruscan-Italic Temple from Alatri" can be considered as a sort of appendix of the museum: it was built in 1891 by Count Adolfo Cozza who based himself on the excavations made in the 19th century and on Vitruvium's description.