Panorama, Guide to Boston
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Dog Lane Café @ Storrs Center Og Lane Café Is Scheduled to Open in the Menu at Dog Lane Café Will Be Modeled Storrs, CT Later This Year
Entertainment & Stuff Pomfret, Connecticut ® “To Bean or not to Bean...?” #63 Volume 16 Number 2 April - June 2012 Free* More News About - Dog Lane Café @ Storrs Center og Lane Café is scheduled to open in The menu at Dog Lane Café will be modeled Storrs, CT later this year. Currently, we are after The Vanilla Bean Café, drawing on influ- D actively engaged in the design and devel- ences from Panera Bread, Starbucks and Au Bon opment of our newest sister restaurant. Our Pain. Dog Lane Café will not be a second VBC kitchen layout and logo graphic design are final- but will have much of the same appeal. The ized. One Dog Lane is a brand new build- breakfast menu will consist of made to ing and our corner location has order omelets and breakfast sand- plenty of windows and a southwest- wiches as well as fresh fruit, ern exposure. Patios on both sides muffins, bagels, croissants, yogurt will offer additional outdoor seating. and other healthy selections to go. Our interior design incorporates Regular menu items served through- wood tones and warm hues for the out the day will include sandwiches, creation of a warm and inviting salads, and soups. Grilled chicken, atmosphere. Artistic style will be the hamburgers, hot dogs and vegetarian highlight of our interior space with options will be served daily along with design and installation by JP Jacquet. His art- chili, chowder and a variety of soups, work is also featured in The Vanilla Bean Café - a desserts and bakery items. Beverage choices will four panel installation in the main dining room - include smoothies, Hosmer Mountain Soda, cof- and in 85 Main throughout the design of the bar fee and tea. -
Southgate Bites Dust by Peter Hanson There Isn't Much to See Across the Street from Glenmont Elemen '~ '
MAY 06 1998 ~~ Spring swing Southgate bites dust By Peter Hanson There isn't much to see across the street from Glenmont Elemen '~ ' . tarySchoolonRoute9W. Past a pockmarked dirt shoulder and a gleam ing "for sale" sign, .there's a thicket of trees and vines turned ugly by cans and bottles drivers have tossed out of their cars. Deeper into the woods,there'sapathand then a huge clearing that stretches to the near ho rizon. A 'lor sale' sign can be seen through the woods at the Glenmont Rife with tall, wild site where Southgate Commons was to be built. Peter Hanson grass, this 77-acrevacant lot is one of the largest patches of undeveloped land along the create communities that are unlivable," main drag in Glenmont, but a few years Bonventre said in an interview last week. ago, it almost became the site of the big "We have an obligation to get involved to gest retail facility in. Bethlehem. maintain the quality of life (here)." Southgate Commons was going to be a Representatives of the Rubin Organiza · 474,908 square foot shopping center tion,· the Pennsylvania-based developer dwarfed only by the area's largest malls. It that has owned the land across from was going to be anchored by a Super Glenmont School since 1971, spent two Kmart, feature a movie theater and have decades trying to design a mall that would nearly 3,000 parking spaces. fit into Bethlehem before submitting its final proposal in March 1993 to the town But Karen Bonventre didn't like the idea. -
MAPC TOD Report.Indd
Growing Station Areas The Variety and Potential of Transit Oriented Development in Metro Boston June, 2012 Table of Contents Executive Summary Introduction Context for TOD in Metro Boston A Transit Station Area Typology for Metro Boston Estimating the Potential for TOD Conclusions Matrix of Station Area Types and TOD Potential Station Area Type Summaries Authors: Tim Reardon, Meghna Dutta MAPC contributors: Jennifer Raitt, Jennifer Riley, Christine Madore, Barry Fradkin Advisor: Stephanie Pollack, Dukakis Center for Urban & Regional Policy at Northeastern University Graphic design: Jason Fairchild, The Truesdale Group Funded by the Metro Boston Consortium for Sustainable Communities and the Boston Metropolitan Planning Organization with support from the Dukakis Center for Urban and Regional Policy at Northeastern University. Thanks to the Metro Boston Transit Oriented Development Finance Advi- sory Committee for their participation in this effort. Visit www.mapc.org/TOD to download this report, access the data for each station, or use our interactive map of station areas. Cover Photos (L to R): Waverly Woods, Hamilton Canal Lofts, Station Landing, Bartlett Square Condos, Atlantic Wharf. Photo Credits: Cover (L to R): Ed Wonsek, DBVW Architects, 75 Station Landing, Maple Hurst Builders, Anton Grassl/Esto Inside (Top to Bottom): Pg1: David Steger, MAPC, SouthField; Pg 3: ©www.bruceTmartin.com, Anton Grassl/Esto; Pg 8: MAPC; Pg 14: Boston Redevel- opment Authority; Pg 19: ©www.bruceTmartin.com; Pg 22: Payton Chung flickr, David Steger; Pg -
Sound Central Festival 2012 - Kabul’S Modern Music Festival
Sound Central Festival 2012 - Kabul’s Modern Music Festival Sound Central Festival is Afghanistan & Central Asia's first regional rock music festival, as well as Afghanistan's first rock festival since Ahmad Zahir's shows in 1975. Last year’s festival was realized in Kabul on the 1st of October, with opening and closing nights in New York, September 15th to October 14th, 2011. Argus Productions created a global buzz with its vision to build solidarity in a non-partisan, non political but simply musical way. Below are the top 10 media hits from the 2011 festival: 1. Rolling Stone, 2. BBC UK, 3. ABC, 4. Reuters, 5. CBS News, 6. BBC UK Newsbeat, 7. France24, 8. The New Yorker, 9. The Guardian,10. MSNBC Last year we were joined by musicians from all over Central Asia and beyond: 2011 Performers. Kabul also hosted workshops by numerous international musicians including: Brian Viglione of The Dresden Dolls (USA) and Acrassicauda (Iraq). Lastly we hosted a week of pre-festival side shows for the Afghan youth. With much attention from the music industry, Argus Productions is now in contact with major international artists and industry for support. To date, twenty-seven International bands from all over the world have expressed interest and applied to participate in this years’ festival. Their genres range from rock to metal, jazz to hip-hop, and more! With the participation of Afghan bands from around the country, SCF12 will hold the main event in a central location. [ie: Institute Francais Afghanistan IFA.] The presence of special guest artists enhances the experience of the world's great music festivals and creates opportunities for cultural exchange. -
Massachusetts Bay Transportation Authority
y NOTE WONOERLAND 7 THERE HOLDERS Of PREPAID PASSES. ON DECEMBER , 1977 WERE 22,404 2903 THIS AMOUNTS TO AN ESTIMATED (44 ,608 ) PASSENGERS PER DAY, NOT INCLUDED IN TOTALS BELOW REVERE BEACH I OAK 8R0VC 1266 1316 MALOEN CENTER BEACHMONT 2549 1569 SUFFOLK DOWNS 1142 ORIENT< NTS 3450 WELLINGTON 5122 WOOO ISLANC PARK 1071 AIRPORT SULLIVAN SQUARE 1397 6668 I MAVERICK LCOMMUNITY college 5062 LECHMERE| 2049 5645 L.NORTH STATION 22,205 6690 HARVARD HAYMARKET 6925 BOWDOIN , AQUARIUM 5288 1896 I 123 KENDALL GOV CTR 1 8882 CENTRAL™ CHARLES^ STATE 12503 9170 4828 park 2 2 766 i WASHINGTON 24629 BOYLSTON SOUTH STATION UNDER 4 559 (ESSEX 8869 ARLINGTON 5034 10339 "COPLEY BOSTON COLLEGE KENMORE 12102 6102 12933 WATER TOWN BEACON ST. 9225' BROADWAY HIGHLAND AUDITORIUM [PRUDENTIAL BRANCH I5I3C 1868 (DOVER 4169 6063 2976 SYMPHONY NORTHEASTERN 1211 HUNTINGTON AVE. 13000 'NORTHAMPTON 3830 duole . 'STREET (ANDREW 6267 3809 MASSACHUSETTS BAY TRANSPORTATION AUTHORITY ricumt inoicati COLUMBIA APFKOIIUATC 4986 ONE WAY TRAFFIC 40KITT10 AT RAPID TRANSIT LINES STATIONS (EGLESTON SAVIN HILL 15 98 AMD AT 3610 SUBWAY ENTRANCES DECEMBER 7,1977 [GREEN 1657 FIELDS CORNER 4032 SHAWMUT 1448 FOREST HILLS ASHMONT NORTH OUINCY I I I 99 8948 3930 WOLLASTON 2761 7935 QUINCY CENTER M b 6433 It ANNUAL REPORT Digitized by the Internet Archive in 2014 https://archive.org/details/annualreportmass1978mass BOARD OF DIRECTORS 1978 ROBERT R. KILEY Chairman and Chief Executive Officer RICHARD D. BUCK GUIDO R. PERERA, JR. "V CLAIRE R. BARRETT THEODORE C. LANDSMARK NEW MEMBERS OF THE BOARD — 1979 ROBERT L. FOSTER PAUL E. MEANS Chairman and Chief Executive Officer March 20, 1979 - January 29. -
16 043539 Bindex.Qxp 10/10/06 8:49 AM Page 176
16_043539 bindex.qxp 10/10/06 8:49 AM Page 176 176 B Boston Public Library, 29–30 Babysitters, 165–166 Boston Public Market, 87 Index Back Bay sights and attrac- Boston Symphony Index See also Accommoda- tions, 68–72 Orchestra, 127 tions and Restaurant Bank of America Pavilion, Boston Tea Party, 43–44 Boston Tea Party Reenact- indexes, below. 126, 130 The Bar at the Ritz-Carlton, ment, 161–162 114, 118 Brattle, William, House A Barbara Krakow Gallery, (Cambridge), 62 Abiel Smith School, 49 78–79 Brattle Book Shop, 80 Abodeon, 85 Barnes & Noble, 79–80 Brattle Street (Cambridge), Access America, 167 Barneys New York, 83 62 Accommodations, 134–146. Bars, 118–119 Brattle Theatre (Cambridge), See also Accommodations best, 114 126, 129 Index gay and lesbian, 120 Bridge (Public Garden), 92 best bets, 134 sports, 122 The Bristol, 121 toll-free numbers and Bartholdi, Frédéric Brookline Booksmith, 80 websites, 175 Auguste, 70 Brooks Brothers, 83 Acorn Street, 49 Beacon Hill, 4 Bulfinch, Charles, 7, 9, 40, African Americans, 7 sights and attractions, 47, 52, 63, 67, 173 Black Nativity, 162 46–49 Bunker Hill Monument, 59 Museum of Afro-Ameri- Berklee Performance Center, Burleigh House (Cambridge), can History, 49 130 62 African Meeting House, 49 Berk’s Shoes (Cambridge), Burrage Mansion, 71 Agganis Arena, 130 83 Bus travel, 164, 165 Air travel, 163 Big Dig, 174 airline numbers and Black Ink, 85 C websites, 174–175 Black Nativity, 162 Calliope (Cambridge), 81 Alcott, Louisa May, 48, 149 The Black Rose, 122 Cambridge Common, 61 Alpha Gallery, 78 Blackstone -
Proof That John Lennon Faked His Death
return to updates Proof that John Lennon Faked his Death Mark Staycer or John Lennon? by Miles Mathis This has been a theory from the very beginning, as most people know, but all the proof I have seen up to now isn't completely convincing. What we normally see is a lot of speculation about the alleged shooting in December of 1980. Many discrepancies have indeed been found, but I will not repeat them (except for a couple in my endnotes). I find more recent photographic evidence to be far easier and quicker to compile—and more convincing at a glance, as it were—so that is what I will show you here. All this evidence is based on research I did myself. I am not repeating the work of anyone else and I take full responsibility for everything here. If it appeals to you, great. If not, feel free to dismiss it. That is completely up to you, and if you don't agree, fine. When I say “proof” in my title, I mean it is proof enough for me. I no longer have a reasonable doubt. This paper wouldn't have been possible if John had stayed well hidden, but as it turns out he still likes to play in public. Being a bit of an actor, and always being confident is his ability to manipulate the public, John decided to just do what he wanted to do, covering it just enough to fool most people. This he has done, but he hasn't fooled me. The biggest clues come from a little indie film from Toronto about Lennon called Let Him Be,* released in 2009, with clips still up on youtube as of 2014. -
Ilu Ustrat Io Nbyrobertmaes Ta S • Rmm Il Lu Strat Io N
JESUS SHAPED HOLES IN OUR HEARTS SINCE 1992 ILUUSTRATION BY ROBERT MAESTAS • RMMILLUSTRATION.PROSITE.COM VOLUME 23 | ISSUE 43 | OCTOBER 23-29, 2014 | FREE [2] OCTOBER 23-29 , 2014 WEEKLY ALIBI WEEKLY ALIBI OCTOBER 23-29 , 2014 [3] [4] OCTOBER 23-29 , 2014 WEEKLY ALIBI alibi VOLUME 23 | ISSUE 43 | OCTOBER 23-29 , 2014 EDITORIAL MANAGING EDITOR/MUSIC EDITOR: Samantha Anne Carrillo (ext. 243) [email protected] FILM EDITOR: Devin D. O’Leary (ext. 230) [email protected] FOOD EDITOR/FEATURES EDITOR : Ty Bannerman (ext. 260) [email protected] ARTS & LIT EDITOR/ WEB EDITOR : Lisa Barrow (ext. 267) [email protected] CALENDARS EDITOR/COPY EDITOR: Mark Lopez (ext. 239) [email protected] CONTRIBUTING WRITERS: Cecil Adams, Steven Robert Allen, Captain America, Gustavo Arellano, Rob Brezsny, Shawna Brown, Suzanne Buck, Eric Castillo, David Correia, Erik Gamlem, Gail Guengerich, Nora Hickey, Zachary Kluckman, Kristi D. Lawrence, Ari LeVaux, Mark Lopez, August March, Genevieve Mueller, Amelia Olson, Geoffrey Plant, Benjamin Radford, Jeremy Shattuck, Mike Smith, M. Brianna Stallings, M.J. Wilde, Holly von Winckel PRODUCTION ART DIRECTOR: Jesse Schulz (ext. 229) [email protected] PRODUCTION MANAGER : Archie Archuleta (ext. 240) [email protected] GRAPHIC DESIGNER: Tasha Lujan (ext. 254) [email protected] STAFF PHOTOGRAPHER: Eric Williams [email protected] CONTRIBUTING ARTISTS: Ben Adams, Cutty Bage, ¡Brapola!, Michael Ellis, Stacy Hawkinson, KAZ, Robert Maestas, Julia Minamata, Tom Nayder, Ryan North, Jesse Phillips, Brian Steinhoff SALES SALES DIRECTOR: John Hankinson (ext. 265) [email protected] SENIOR DISPLAY ACCOUNT EXECUTIVE: Sarah Bonneau (ext. 235) [email protected] ACCOUNT EXECUTIVES: Valerie Hollingsworth (ext. 263) [email protected] Chelsea Kibbee (ext. -
THE BARD OBSERVER Ltlilw."I May 3, 2006
N 0 0 °" THE BARD OBSERVER ltlilW."I May 3, 2006 Bard students who seemed happy enough just not to be in night with the arrival of the DJ. The ~A-run party was Spring Fling 2006 Kline. hopping, though the hopscotch was not. Evan Pritts, a member of the sound crew for the Sunday fea tured the inflatable games which are a Blue skies dispel winter Spring Fling music tent, said that the weekend went Spring Fling staple. Bard students and community chil ,..,..,...,_~ .. dren alike enjoyed the obstacle course, slide, moon bounce, ' .. and of course the gladiator's ring. Other students could be blues and bring Bard seen lying prone under the hot sun for hours, no doubt in shock that this could be the same campus which only students together weeks ago was frigid and inhospitable. Many vendors also lined the Qiad on Sunday, selling everything from cloth ing and jewelry, to henna tattoos, to toast. In addition, not one but two ice cream "trucks" capitalized on the warm BY CHRlSTINE NIELSEN weather, both run by enterprising Bard students. In the evening, after performances by the Flying Spring Fling was a hit among Bard students, owing in no Fiddlers and others, the weekend's musical selections small part to the weather, which was universally touted as wound to a close with an old favorite, the Foundation. "spectacular." Not a single cloud marred the sky from T hey were followed by a nighttime screening of Narnia, Friday to Sunday, and Bard's beautiful grounds put out projected drive-in style on the green and enjoyed by the their greenery just in time to celebrate. -
Rock Music's Crusade of Authenticity
ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive. -
UN Condemn Iraqi “Flagrant Violation”
ed981105.qxd 04/11/98 20:05 Page 1 (1,1) Issue 947 - Weekly Thursday November 5 1998 500+ Stand up for their rights UN condemn charter and events from our Union site. Being the only Uni who’d done that, several other Unions in the country put links Iraqi Flagrant from their page to ours. Thanks to all those who worked so hard to get the pages looking so spangley. The book from Surrey will be Violation presented to our local MP at a The new Student Rights national lobby on November Charter was launched nation- 11th. If anyone’s interested in wide last Friday. The Charter coming along, we could organ- Once again Iraq has suspended co-operation with the The new resolution, currently being drafted by the British is an NUS drive to draw atten- ise a minibus to take people to United Nations Weapons Inspectors. The failure of the and due for completion on Thursday following late night tion to the many difficulties the Houses of Parliament for UN to lift sanctions imposed on Iraq following the inva- UN negotiations is set to condemn non compliance as a students often face during ter- the day. With many Unions sion of Kuwait in 1990 is again cited as the reason for this ``flagrant violation'' tiary education. It focuses on supporting the charter, and now all to familiar stand off. In February this year, an ear- issues such as Tuition Fees, some good publicity, the press- lier stand-off came close to initiating US and British mil- The resolution would call for the immediate resumption decent, affordable accommo- ing issues surrounding student itary strikes against Iraq. -
MVFF40 Announces JUST ADDED FESTIVAL
CELEBRATING 40 YEARS Showcasing the Best in Independent and World Cinema Thursday, October 5 – 15, 2017 MILL VALLEY FILM FESTIVAL ANNOUNCES JUST ADDED FESTIVAL HIGHLIGHTS Highlights include Opening Night Film WAIT FOR YOUR LAUGH, commemorative artwork from Mill Valley Artist ZIO ZIEGLER, film and concert featuring JOE SATRIANI, panels program BEHIND THE SCREENS and TREE VR Experience SAN RAFAEL, CA (September 15, 2017) – The Mill Valley Film Festival (MVFF), presented annually by the California Film Institute, is pleased to announce new highlights complete lineup for the 40th edition of the Festival. The Festival will celebrate cinema throughout Marin County October 5-15, 2017 with a diverse array of acclaimed films, filmmakers and events. Opening Night Film World Premiere Wait For Your Laugh Fascinating, funny, and full of showbiz soul, this spirited documentary highlights the epic career of one of the most brilliant comediennes of the last century. She started as Baby Rose Marie, a child prodigy, singing and dancing on stage before most kids could ride a bike. She grew up to be Rose Marie, beloved for her role as sassy scriptwriter Sally Rogers on The Dick Van Dyke Show, and her even sassier zingers on The Hollywood Squares game show. Filmmaker Jason Wise reveals there is much more to this tough, smart woman’s 87-year entertainment career. Interviews with Peter Marshall, Carl Reiner, Dick Van Dyke, Tim Conway, and the lady herself—still going strong at 94—combine with rare footage to depict a complicated, inspirational life. From her passionate marriage to trumpeter Bobby Guy to her up-close-and-personal connections to Al Capone and Bugsy Siegel, Rose Marie forged intense, lasting relationships while delighting audiences from Las Vegas to Hollywood, always marching to her own beat.