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Sound Central Festival 2012 - Kabul’S Modern Music Festival
Sound Central Festival 2012 - Kabul’s Modern Music Festival Sound Central Festival is Afghanistan & Central Asia's first regional rock music festival, as well as Afghanistan's first rock festival since Ahmad Zahir's shows in 1975. Last year’s festival was realized in Kabul on the 1st of October, with opening and closing nights in New York, September 15th to October 14th, 2011. Argus Productions created a global buzz with its vision to build solidarity in a non-partisan, non political but simply musical way. Below are the top 10 media hits from the 2011 festival: 1. Rolling Stone, 2. BBC UK, 3. ABC, 4. Reuters, 5. CBS News, 6. BBC UK Newsbeat, 7. France24, 8. The New Yorker, 9. The Guardian,10. MSNBC Last year we were joined by musicians from all over Central Asia and beyond: 2011 Performers. Kabul also hosted workshops by numerous international musicians including: Brian Viglione of The Dresden Dolls (USA) and Acrassicauda (Iraq). Lastly we hosted a week of pre-festival side shows for the Afghan youth. With much attention from the music industry, Argus Productions is now in contact with major international artists and industry for support. To date, twenty-seven International bands from all over the world have expressed interest and applied to participate in this years’ festival. Their genres range from rock to metal, jazz to hip-hop, and more! With the participation of Afghan bands from around the country, SCF12 will hold the main event in a central location. [ie: Institute Francais Afghanistan IFA.] The presence of special guest artists enhances the experience of the world's great music festivals and creates opportunities for cultural exchange. -
Salem Generating Station, Units 1 & 2, Revision 29 to Updated Final Safety Analysis Report, Chapter 4, Figures 4.5-1 to 4.5
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THE BARD OBSERVER Ltlilw."I May 3, 2006
N 0 0 °" THE BARD OBSERVER ltlilW."I May 3, 2006 Bard students who seemed happy enough just not to be in night with the arrival of the DJ. The ~A-run party was Spring Fling 2006 Kline. hopping, though the hopscotch was not. Evan Pritts, a member of the sound crew for the Sunday fea tured the inflatable games which are a Blue skies dispel winter Spring Fling music tent, said that the weekend went Spring Fling staple. Bard students and community chil ,..,..,...,_~ .. dren alike enjoyed the obstacle course, slide, moon bounce, ' .. and of course the gladiator's ring. Other students could be blues and bring Bard seen lying prone under the hot sun for hours, no doubt in shock that this could be the same campus which only students together weeks ago was frigid and inhospitable. Many vendors also lined the Qiad on Sunday, selling everything from cloth ing and jewelry, to henna tattoos, to toast. In addition, not one but two ice cream "trucks" capitalized on the warm BY CHRlSTINE NIELSEN weather, both run by enterprising Bard students. In the evening, after performances by the Flying Spring Fling was a hit among Bard students, owing in no Fiddlers and others, the weekend's musical selections small part to the weather, which was universally touted as wound to a close with an old favorite, the Foundation. "spectacular." Not a single cloud marred the sky from T hey were followed by a nighttime screening of Narnia, Friday to Sunday, and Bard's beautiful grounds put out projected drive-in style on the green and enjoyed by the their greenery just in time to celebrate. -
Good for Nothing Long Live the Punk Cabaret
Good for Nothing long live the punk cabaret Numero 0 - “Brechtian Punk Cabaret” fanzine italiana sui dresden dolls The Dresden Dolls AA Strange Cabaret Brigade Brechtian Punk Cabaret File Alain Escalle ovvero la computer grafica dipinta “A is for Accident” (2003) sullo schermo “Dresden Dolls” (2004) Esistenzialismo in musica Live Tour (Paris & Padova) Nine Inch Nails Paradise DVD Hotel Phoenix Karaoke Veritè "”””Come il vino giunge alla bocca, l'amore giunge Record 3 - Making Of agli occhi" Web Files Prosa Sul web Brechtian Punk Cabaret? Innanzi tutto complimenti perchè hai questo giornale in mano. Dopodichè non vorremmo annoiarti con troppe chiacchere e convenevoli di circostanza perciò veniamo subito al dunque: questa risma di pagine nere è scritta da volenterosi sparsi su tutta la penisola e ha come collante la passione per il punk cabaret, un genere artistico perfettamente incarnato da una band americana, i Dresden Dolls che attraverso la sua musica, pensiamo, abbia trovato un modo eccezionale di comunicare. E nel secolo delle comunicazioni quale canale è in grado ancora oggi di comunicare le emozioni umane? Praticamente nessuno, ma ogni tentativo in quella direzione per noi rappresenta la passione romantica di un sognatore ancora non inginocchiato dalla precarietà e dal perdere di significato tratto da www.normanno.it portale di informzione online dell’espressività che è proprio dell’umanità. E ciò che si nasconde dietro ad una banale Se pensate che Dresden Dolls sia solo una canzone dei etichetta come Punk Cabaret è esattamente Fall, leggendario gruppo new wave inglese, vi sbagliate di questo, la volontà di rappresentare delle grosso. -
T&B Cable Tray
T&B Cable Tray Metallic – Aluminum Table of Contents Metallic – Aluminum ................................................. A33 –A110 Overview ........................................................................................A35 Straight Lengths .................................................................... A36–A49 Fittings .................................................................................. A50–A87 Explaining the Fitting Styles ................................................... A50–A51 Horizontal Fittings Selection Guide ......................................... A53–A55 Vertical Fittings Selection Guide ............................................. A56–A59 U-Style Fittings – Horizontal Bends 90º / 60º..................................A60 H-Style Fittings – Horizontal Bends 90º / 60º .................................A61 U-Style Fittings – Horizontal Bends 45º / 30º ..................................A62 H-Style Fittings – Horizontal Bends 45º / 30º ..................................A63 U-Style Fittings – Horizontal Tee, Cross ..........................................A64 H-Style Fittings – Horizontal Tee, Cross ..........................................A65 U-Style Fittings – Horizontal Reducing Tee .....................................A66 H-Style Fittings – Horizontal Reducing Tee .....................................A67 U-Style Fittings – Horizontal Expanding Tee ....................................A68 H-Style Fittings – Horizontal Expanding Tee ....................................A69 U-Style Fittings – Horizontal -
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. -
Review Other Publications
University of Puget Sound Sound Ideas LMDA Review Other Publications Winter 2009 Review: The ewN sletter and Journal of Dramaturgy, volume 19, issue 1 Shelley Orr Haviva Avirom Carrie Kaplan Joanne Zipay Lauren Beck See next page for additional authors Follow this and additional works at: http://soundideas.pugetsound.edu/lmdareview Recommended Citation Orr, Shelley; Avirom, Haviva; Kaplan, Carrie; Zipay, Joanne; Beck, Lauren; and Arndt, Neena, "Review: The eN wsletter and Journal of Dramaturgy, volume 19, issue 1" (2009). LMDA Review. 39. http://soundideas.pugetsound.edu/lmdareview/39 This Book is brought to you for free and open access by the Other Publications at Sound Ideas. It has been accepted for inclusion in LMDA Review by an authorized administrator of Sound Ideas. For more information, please contact [email protected]. Authors Shelley Orr, Haviva Avirom, Carrie Kaplan, Joanne Zipay, Lauren Beck, and Neena Arndt This book is available at Sound Ideas: http://soundideas.pugetsound.edu/lmdareview/39 The Newsletter and Journal of Dramaturgy Published by the Literary Managers and Dramaturgs of the Americas Volume 19, Issue 1 Review Winter 2009 2009 CONFERENCE: DATES AND DETAILS 1 Save the Date! 2 Conference Committee and Participating Institutions 3 “Out of Bounds”: Plans and themes for the 2009 Conference DRAMATURGY AND TECHNOLOGY 4 Developing Digiturgy by Haviva Avirom DRAMATURGICAL MANIFESTA 8 I’d Rather Shove a Bodkin in My Nowl or Wear a Bona Roba’s Merkin Than Be That Kind of Dramaturg by Carrie Kaplan RESIDENCY REPORT: Richmond Shakespeare Festival 10 The Better Part of Valour by Joanne Zipay edited by Lauren Beck DRAMATURGY DEBUT ARTICLE 13 Theatre, Tears, and Rock: Dramaturging The Onion Cellar at ART by Neena Arndt I hope the new year finds you healthy and happy. -
Vol. 27 (T1) 2019 Vol
Pertanika Journal of Social Sciences & Humanities Vol. 27 (T1) 2019 Journal of Social Sciences & Humanities Contents Forward i Abu Bakar Salleh The Effect of Brand Equity and Perceived Value to Marketing Mix 1 Faransyah Jaya, Muhtosim Arief, Pantri Heriyati and Dyah Budiastuti Enhancing the Employability of Graduates through an Industry-led 11 Initiative Nora Zakaria and Ramesh Nair A Comparison of Customer Attendance Motivations at Victoria Park and 27 Manning Farmers’ Markets, Perth, Western Australia Mark Azavedo and John Walsh 45 Exploratory Approach Journal of Social Sciences & Humanities Sun-Hae Hyun, Moon-Kyo Seo and Se Kyung Choi Impact of Product Costing for Branding and Business Support on Small 59 and Medium Enterprises in Malaysia 27 (T1) 2019 Vol. Diana Rose Faizal, Zariyawati Mohd Ashhari, Norazlina Kamarohim and Annuar Md Nassir Establishing Green Practice Constructs among Secondary School 75 Hanifah Mahat, Nasir Nayan, Yazid Saleh, Mohmadisa Hashim and Siti Mariam Shahirah Haron Underlying Structure of Job Competency Scale in Climate-Smart 93 Agricultural Extension Service Sulaiman Umar, Norsida Man, Nolila Mohd Nawi, Ismail Abd. Latif and Bashir Garba Muktar Practiced Culture toward Firm Competitiveness Performance: Evidence 113 from Indonesia VOL. 27 (T1) 2019 Journal of Social Sciences & Humanities Prio Utomo and Dyah Budiastuti Thematic Edition Survival through Strategic Performance Measurement System in Coal 125 Mines Nandang Sukmana, Sri Bramantoro Abdinagoro and Dyah Budiastuti Management Studies Pertanika Editorial Oce, Journal Division Oce of the Deputy Vice Chancellor (R&I) 1st Floor, IDEA Tower II UPM-MTDC Technology Centre Universiti Putra Malaysia 43400 UPM Serdang Selangor Darul Ehsan Malaysia http://www.pertanika.upm.edu.my/ E-mail: [email protected] Tel: +603 8947 1622 Journal of Social Sciences & Humanities About the Journal Overview Pertanika Journal of Social Sciences & Humanities (JSSH) is the official journal of Universiti Putra Malaysia published by UPM Press. -
1St IRF Asia Regional Congress & Exhibition
1st IRF Asia Regional Congress & Exhibition Bali, Indonesia November 17–19 , 2014 For Professionals. By Professionals. "Building the Trans-Asia Highway" Bali’s Mandara toll road Executive Summary International Road Federation Better Roads. Better World. 1 International Road Federation | Washington, D.C. ogether with the Ministry of Public Works Indonesia, we chose the theme “Building the Trans-Asia Highway” to bring new emphasis to a visionary project Tthat traces its roots back to 1959. This Congress brought the region’s stakeholders together to identify new and innovative resources to bridge the current financing gap, while also sharing case studies, best practices and new technologies that can all contribute to making the Trans-Asia Highway a reality. This Congress was a direct result of the IRF’s strategic vision to become the world’s leading industry knowledge platform to help countries everywhere progress towards safer, cleaner, more resilient and better connected transportation systems. The Congress was also a reflection of Indonesia’s rising global stature. Already the largest economy in Southeast Asia, Indonesia aims to be one of world’s leading economies, an achievement that will require the continued development of not just its own transportation network, but also that of its neighbors. Thank you for joining us in Bali for this landmark regional event. H.E. Eng. Abdullah A. Al-Mogbel IRF Chairman Minister of Transport, Kingdom of Saudi Arabia Indonesia Hosts the Region’s Premier Transportation Meeting Indonesia was the proud host to the 1st IRF Asia Regional Congress & Exhibition, a regional gathering of more than 700 transportation professionals from 52 countries — including Ministers, senior national and local government officials, academics, civil society organizations and industry leaders. -
The World's Colonisation and Trade Routes Formation As Imitated By
The World's Colonisation and Trade Routes Formation as Imitated by Slime Mould Andrew Adamatzky University of the West of England, Bristol, United Kingdom This is unedited preprint with low-resolution photographs. Final and edited version of this paper is published in Int. J. Bifurcation Chaos, 22, 1230028 (2012) [26 pages] DOI: 10.1142/S0218127412300285 Abstract The plasmodium of Physarum polycephalum is renowned for spanning sources of nutrients with networks of protoplasmic tubes. The networks transport nutrients and metabolites across the plas- modium's body. To imitate a hypothetical colonisation of the world and formation of major trans- portation routes we cut continents from agar plates arranged in Petri dishes or on the surface of a three-dimensional globe, represent positions of selected metropolitan areas with oat flakes and inoculate the plasmodium in one of the metropolitan areas. The plasmodium propagates towards the sources of nutrients, spans them with its network of protoplasmic tubes and even crosses bare substrate between the continents. From the laboratory experiments we derive weighted Physarum graphs, analyse their structure, compare them with the basic proximity graphs and generalised graphs derived from the Silk Road and the Asia Highway networks. Keywords: biological transport networks, unconventional computing, slime mould 1 Introduction Nature-inspired computing paradigms and experimental laboratory prototypes are demonstrated reason- able success in approximation of shortest, and often collision-free, paths between two given points in an arXiv:1209.3958v1 [nlin.AO] 18 Sep 2012 Euclidean space or a graph. Examples include ant-based optimisation of communication networks [15], approximation of a shortest path in experimental reaction-diffusion chemical systems [1], gas-discharge analog systems [35], spatially extended crystallisation systems [5], fungi mycelia networks [22], and maze solving by Physarum polycephalum [29]. -
Europe Price List
2019 Europe Price List EUROPE PRICE LIST 2019 Terms and Conditions of Sale Conditions générales de vente Condizioni generali di vendita Allgemeine Verkaufsbedingungen By placing an order, the customer Toutes les commandes passées Tutti gli ordini effettuati com- Mit Aufgabe einer Bestellung er- fully accepts the following Terms impliquent que l’acheteur accep- portano la piena accettazione, kennt der Kunde die folgenden and Conditions of Sale: te intégralement les Conditions da parte dell’acquirente, delle Allgemeinen Verkaufsbedingun- générales de vente suivantes : seguenti Condizioni Generali di gen in vollem Umfang an: 0. Validity Vendita: Price list valid from 18/02/2019. 0. Validité 0. Gültigkeit Tarif valable à partir de 18/02/2019. 0. Validità Die Preisliste gilt ab dem 1. Prices Listino valido dal 18/02/2019. 18/02/2019. The prices applied will be those 1. Prix valid on the date of reception of Les tarifs en vigueur s’appliquent 1. Prezzi 1. Preise the order (RRP, VAT not included). à la date de réception de la com- Verranno applicate le tariffe Es werden die Preise berechnet, All prices featured in the price list mande (prix PVPR, TVA non com- vigenti alla data di ricezione die am Tag des Auftrageingangs include the WEEE eco-fee. prise). Tous les prix indiqués dans dell’ordine (prezzi di vendita al gelten (UVP ohne Mehrwerts- la liste des tarifs comprennent pubblico consigliati, IVA esclusa). teuer). Alle angegebenen Preise 2. Delivery times l’éco-participation DEEE. Tutti i prezzi indicati nel listino sind einschließlich WEEE Gebühr. Delivery times will be confirmed at prezzi sono con contributo ECO- the moment of placing the order 2. -
Feline&Strange Bandinfo 2015 Engl
ElectricSoulCabaret Feline Lang Vocals, Keys, Synths Christoph Klemke Cello, Percussion and Marc André Haller Bass guitar, Double bass, Chapman-Stick and optional Brian Viglione / John Fernandez Drums, Percussion www.felineandstrange.com www.facebook.com/felineandstrange www.youtube.com/canteatro [email protected] Tel 0049-179-39 46 134 Literally mind-boggling Singer Feline Lang and her alien cabaret: Powerful variety from kitsch to art, rage to party. Well known as opera and tango singer, she sings her own songs in a uniquely souly style. The theatrical pop of the Berlin based 2- to 5 piece (vocs with piano, cello, computer, bass, and percussion, optional drums, and brass) brings to mind 60ies spy stories and Science Fiction movies remixed, or vintage revues. And: Feline's burning voice and fiery performance in ball gown and circus corset. Collateral damage included. Releases: Behaviour! (2011), Science Fiction (2013), Lies (2015), Truths (2016). Label: motor entertainment The band has been Discovered in Autumn 2014 by well known US producer Jason Rubal (Amanda Palmer, Frenchy & the Punk, Garbage, Pandora's Bliss, birdeatsbaby...) who recorded an album (LIES) with them and the incredible drummer Brian Viglione (Dresden Dolls, Violent Femmes...). In 2015, the band was recognized by German government and Berlin senate with two granted funds and sent as „Berlin ambassadors“ to the U.S. and to France. IN 2016, they tour the U.S. again, U.K., Germany, and Italy, including appearances at major festivals. PRESS “Some of the most interesting music I have heard in the States in quite some while.“ (The Aquarian) “experimental frenzy, Musical, soundtrack from a James-Bond-Movie or a Burlesque show.