The Changing Grammatical Usage of Mimetics in Japanese
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Jim Breen's Japanese Page
Jim Breen’s Japanese Page Bill Gordon November 1, 2000 1 Jim Breen’s Japanese Page (http://www.csse.monash.edu.au/~jwb/japanese.html) offers an abundance of resources related to Japanese language and culture. The web site’s main features include an online Japanese-English dictionary server, a frontend interface to the dictionary to translate Japanese text in web pages, an FTP archive of software and files related to primarily the Japanese language, an extensive listing of links to other web sites, and a gallery of ukiyoe prints (Japanese multicolored wood-block prints). This essay considers the effectiveness of Jim Breen’s Japanese Page and his electronic dictionary by evaluating them against standard criteria for web resources and by performing a comparison with other print and electronic resources. The first section compares the features of his electronic dictionary and translation software with print dictionaries, portable electronic dictionaries, and other web dictionaries and translation software. The second part of this essay evaluates his web site by using standard criteria such as authority, scope, organization, content, and reception by target audience. The final section discusses some unique aspects of using the web for the types of resources available on Jim Breen’s Japanese Page. 1. Comparison With Other Resources Japanese-English dictionaries in print have certain useful features that have not yet been reproduced on the web. In addition to print dictionaries, since the early 1990s electronic dictionaries have gained popularity very rapidly because of their speed, portability, and unique features. Besides Breen’s dictionary and web page translation aid, other companies and individuals offer online Japanese-English dictionaries and web page translation. -
Introduction to Kanbun: W4019x (Fall 2004) Mondays and Wednesdays 11-12:15, Kress Room, Starr Library (Entrance on 200 Level)
1 Introduction to Kanbun: W4019x (Fall 2004) Mondays and Wednesdays 11-12:15, Kress Room, Starr Library (entrance on 200 Level) David Lurie (212-854-5034, [email protected]) Office Hours: Tuesdays 2-4, 500A Kent Hall This class is intended to build proficiency in reading the variety of classical Japanese written styles subsumed under the broad term kanbun []. More specifically, it aims to foster familiarity with kundoku [], a collection of techniques for reading and writing classical Japanese in texts largely or entirely composed of Chinese characters. Because it is impossible to achieve fluent reading ability using these techniques in a mere semester, this class is intended as an introduction. Students will gain familiarity with a toolbox of reading strategies as they are exposed to a variety of premodern written styles and genres, laying groundwork for more thorough competency in specific areas relevant to their research. This is not a class in Classical Chinese: those who desire facility with Chinese classical texts are urged to study Classical Chinese itself. (On the other hand, some prior familiarity with Classical Chinese will make much of this class easier). The pre-requisite for this class is Introduction to Classical Japanese (W4007); because our focus is the use of Classical Japanese as a tool to understand character-based texts, it is assumed that students will already have control of basic Classical Japanese grammar. Students with concerns about their competence should discuss them with me immediately. Goals of the course: 1) Acquire basic familiarity with kundoku techniques of reading, with a focus on the classes of special characters (unread characters, twice-read characters, negations, etc.) that form the bulk of traditional Japanese kanbun pedagogy. -
Japanese Native Speakers' Attitudes Towards
JAPANESE NATIVE SPEAKERS’ ATTITUDES TOWARDS ATTENTION-GETTING NE OF INTIMACY IN RELATION TO JAPANESE FEMININITIES THESIS Presented in Partial Fulfillment of the Requirements for The Degree Master of Arts in the Graduate School of The Ohio State University By Atsuko Oyama, M.E. * * * * * The Ohio State University 2008 Master’s Examination Committee: Approved by Professor Mari Noda, Advisor Professor Mineharu Nakayama Advisor Professor Kathryn Campbell-Kibler Graduate Program in East Asian Languages and Literatures ABSTRACT This thesis investigates Japanese people’s perceptions of the speakers who use “attention-getting ne of intimacy” in discourse in relation to femininity. The attention- getting ne of intimacy is the particle ne that is used within utterances with a flat or a rising intonation. It is commonly assumed that this attention-getting ne is frequently used by children as well as women. Feminine connotations attached to this attention-getting ne when used by men are also noted. The attention-getting ne of intimacy is also said to connote both intimate and over-friendly impressions. On the other hand, recent studies on Japanese femininity have proposed new images that portrays figures of immature and feminine women. Assuming the similarity between the attention-getting ne and new images of Japanese femininity, this thesis aims to reveal the relationship between them. In order to investigate listeners’ perceptions of women who use the attention- getting ne of intimacy with respect to femininity, this thesis employs the matched-guise technique as its primary methodological choice using the presence of attention-getting ne of intimacy as its variable. In addition to the implicit reactions obtained in the matched- guise technique, people’s explicit thoughts regarding being onnarashii ‘womanly’ and kawairashii ‘endearing’ were also collected in the experiment. -
Writing As Aesthetic in Modern and Contemporary Japanese-Language Literature
At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2021 Reading Committee: Edward Mack, Chair Davinder Bhowmik Zev Handel Jeffrey Todd Knight Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2021 Christopher J Lowy University of Washington Abstract At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy Chair of the Supervisory Committee: Edward Mack Department of Asian Languages and Literature This dissertation examines the dynamic relationship between written language and literary fiction in modern and contemporary Japanese-language literature. I analyze how script and narration come together to function as a site of expression, and how they connect to questions of visuality, textuality, and materiality. Informed by work from the field of textual humanities, my project brings together new philological approaches to visual aspects of text in literature written in the Japanese script. Because research in English on the visual textuality of Japanese-language literature is scant, my work serves as a fundamental first-step in creating a new area of critical interest by establishing key terms and a general theoretical framework from which to approach the topic. Chapter One establishes the scope of my project and the vocabulary necessary for an analysis of script relative to narrative content; Chapter Two looks at one author’s relationship with written language; and Chapters Three and Four apply the concepts explored in Chapter One to a variety of modern and contemporary literary texts where script plays a central role. -
Quick Reference
Quick Reference Before Initial Use ■ Insert the batteries Turn off the device and position your thumbs on the arrows on the battery com- 1 partment cover located on the bottom of the device. Push the cover in the direc- tion of the arrows to remove the cover. Insert the two attached AAA size batteries and make sure that their poles 2 (+ and -) are correctly aligned. Quick Reference 3 Install the battery cover again. ■ Reset device 1 Press Reset on the bottom of the device. 2 Open the device cover and adjust the display angle for the best visibility. 248 CSH06E200-P248-259 Page 248 06.11.6, 4:45 PM Adobe PageMaker 6.5J/PPC Quick Reference A message that reads " システムを初期化しますか?/Do you want to reset?". 3 To initialize the system, select " はい " and press the button. A message that reads "タッチスクリーン補正 をスタイラスでタップしてく 4 ださい"(Touch screen calibration. Please tap mark) appears on the display. With the stylus pen, tap the four at the corners and then they will be disappeared. After the display for the battery type setting and for the contrast adjustment 5 setting, the menu is displayed, and the device is ready for use. Quick Reference 249 CSH06E200-P248-259 Page 249 06.11.6, 4:45 PM Adobe PageMaker 6.5J/PPC Quick Reference Key Functions 1～2 15～19 1 Menu Key 3 20 2 Multiple Search Key • On/Off Key 3 • Press and then to use back light function. 4 21～22 4 Shift Key 14 5～10 • Bookmark words/phrases in main text screen. -
General Explanations Nihon Kokugo Daijiten Editorial Policy 1
General Explanations Nihon kokugo daijiten Editorial Policy 1. This dictionary attempts to offer a historical account of the meanings and usages of the Japanese language through reference to various written materials. 2. Entry items include the vocabulary of modern Japanese as well as items from historical texts. Proper nouns, including names of places and people, and technical and specialized terms are also included. 3. Definitions of a given word are generally arranged in historical order; usage citations are accompanied by the name of the text in which they appear. 4. Sources for citations are taken from a broad spectrum of texts including literary, historical, religious, and other works of various periods. 5. Citation sources range from works of antiquity to works of the Meiji, Taishō, and Shōwa periods. Chinese texts are also used for Sino-Japanese words. 6. Citations are taken from the most reliable versions of historical texts; in cases where variant texts are cited, notice is given. 7. Identification of citations is a specific as possible. In order to facilitate comprehension, some citations include the author's name and the field with which the text is associated. 8. Separate subheadings for Dialectal Variants, Etymology, Pronunciation, and Premodern Dictionary Citations are included with commentary where appropriate. 9. Entry headings and definitions are based on modern standards, and are intended to make location and comprehension as easy as possible. Components of the Descriptions The descriptions of words in this dictionary are composed of the following elements: entry heading, historical kana orthography, kanji, part of speech, definitions, examples and sources, supplementary notes, dialectal variants, etymology, pronunciation, and premodern dictionary citations. -
Prosodic Size and Rendaku Immunity
J East Asian Linguist (2009) 18:179–196 DOI 10.1007/s10831-009-9044-1 Prosodic size and rendaku immunity Mark Irwin Received: 28 April 2008 / Accepted: 1 May 2009 / Published online: 28 July 2009 Ó Springer Science+Business Media B.V. 2009 Abstract Research has shown there to be a strong relationship between the mora and prosody in Modern Japanese. Recently proposed, although not as yet inde- pendently evaluated, has been a prosodic size rule governing the well-known allomorphic phenomenon of rendaku, by which the initial consonants of non-initial elements in compounds may be voiced under certain conditions. It is claimed that this prosodic size rule flags a native Japanese noun as being rendaku immune, a condition for which no empirical verification has hitherto existed. In this paper the author will demonstrate that, although slight modifications are necessary, a prosodic size rule for flagging rendaku immunity is indeed a reality. Keywords Rendaku Á Sequential voicing Á Prosody Á Mora Á Japanese Á Allomorphy Á Morphophonology 1 Introduction Studies carried out over the past two decades have demonstrated a robust connection between the mora and prosody in Modern Japanese. If the prosodic unit of the foot is taken to consist of two moras, a number of phonological and morphological struc- tures may be generalized, including compound and loanword clipping, hypocoristic formation, accentuation patterns in compounds, reduplication in mimetics, and jazz argot. The aim of this paper is to independently evaluate Rosen’s (2001) claim that a prosodic size rule also governs the well-known allomorphic phenomenon of rendaku. -
The Textile Terminology in Ancient Japan
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Terminologies from the Orient to the Centre for Textile Research Mediterranean and Europe, 1000 BC to 1000 AD 2017 The exT tile Terminology in Ancient Japan Mari Omura Gangoji Institute for Research of Cultural Property Naoko Kizawa Gangoji Institute for Research of Cultural Property Follow this and additional works at: http://digitalcommons.unl.edu/texterm Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Art and Materials Conservation Commons, Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, Fiber, Textile, and Weaving Arts Commons, Indo-European Linguistics and Philology Commons, Jewish Studies Commons, Museum Studies Commons, Near Eastern Languages and Societies Commons, and the Other History of Art, Architecture, and Archaeology Commons Omura, Mari and Kizawa, Naoko, "The exT tile Terminology in Ancient Japan" (2017). Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD. 28. http://digitalcommons.unl.edu/texterm/28 This Article is brought to you for free and open access by the Centre for Textile Research at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. The Textile Terminology in Ancient Japan Mari Omura, Gangoji Institute for Research of Cultural Property Naoko Kizawa, Gangoji Institute for Research of Cultural Property In Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD, ed. Salvatore Gaspa, Cécile Michel, & Marie-Louise Nosch (Lincoln, NE: Zea Books, 2017), pp. -
Uhm Phd 4350 R.Pdf
UNIVERSITY OF HAWAI'! LIBRARY EMERGENT PROPERTIES OF JAPANESE VERBAL INFLECTION A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN LINGUISTICS AUGUST 2003 By Terry Klafehn Dissertation Committee: Ann M. Peters, Chair Niklaus R. Schweizer John H. Haig William D. O'Grady Benjamin K. Bergen © Copyright 2003 By Terry Klafehn iii ACKNOWLEDGEMENTS There are a number ofpeople I wish to thank for making this dissertation possible. I could not have completed my research and writing without their assistance, professional and technical expertise, and warm encouragement. First of all there is my wife Sharyn, who patiently urged me to keep going when I was discouraged and overwhelmed by the task. I wish to thank my friend Mr. Kazuki Daimon, president of the International Sports Education and Cultural Foundation (ISEC Japan), for making arrangements in Japan so that I was able to conduct research at the Ushigomi Nakano Kindergarten in Shinjuku. My friend Jeffrey Hayden from the EALL department spent many long hours preparing the computerized test that I used with the Japanese children. He continues to patiently help me with computer problems. Wendy Onishi from the office of the Department of Linguistics processed any number of important documents (including a number of extensions) for me in a timely manner. Her "Well, are we making progress?" was more encouraging than she realizes. Evelyn Nakanishi, student services specialist at EALL was always willing to listen to my complaints, offer some encouragement, and conclude our conversation with the friendly admonition "Get back to work!" Stan Starosta made a very important contribution this dissertation. -
|||GET||| Historical Dictionary of Japanese Business 2Nd Edition
HISTORICAL DICTIONARY OF JAPANESE BUSINESS 2ND EDITION DOWNLOAD FREE Stuart D B Picken | 9781442255883 | | | | | Preface to the Second Edition Series see all. About the Author Stuart D. Cowie, Mr J. Hidden categories: Articles with Japanese-language sources ja Use Harvard referencing from December Articles lacking in-text citations from August All articles lacking in-text citations Articles containing Japanese-language text All articles with vague or ambiguous time Vague or ambiguous time from April Sponsored Listings. In the mids, he won acclaim working on live productions for anthology series like Playhouse 90, and from the mids until his death in he helmed a The result, for a person reading modern Japanese, is that Daijirin is the most likely to list the intended meaning where it can be found easily. View Product. Not Specified. Michael Mann first made his mark as a writer for such television programs as Starsky Laos is the smallest state in terms of population, the weakest militarily, and the least developed economically in mainland Southeast Asia. The oldest shrines came to be located in places that inspired awe and wonder in their observers, such as the great Fall of Nachi in Kumano, or in mountains that conveyed a sense of power. How would you describe yourself and your interest in Oxford Languages? See details. Format see all. In preparing this new edition of the Oxford English Dictionarywe have received help and support from a wide range of individuals and organizations. Traffic congestion is a growing problem and unless policy makers and transportation officials make some dramatic changes, it will rise to unacceptable levels by Got one Historical Dictionary of Japanese Business 2nd edition sell? Cassidy, Mr A. -
What /R/ Sounds Like in Kansai Japanese: a Phonetic Investigation of Liquid Variation in Unscripted Discourse
What /r/ Sounds Like in Kansai Japanese: A Phonetic Investigation of Liquid Variation in Unscripted Discourse by Thomas Judd Magnuson B.A., University of British Columbia, 1998 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS In the Department of Linguistics © Thomas Judd Magnuson, 2008 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii What /r/ Sounds Like in Kansai Japanese: A Phonetic Investigation of Liquid Variation in Unscripted Discourse by Thomas Judd Magnuson B.A., University of British Columbia, 1998 SUPERVISORY COMMITTEE Dr. Hua Lin, Supervisor (Department of Linguistics) Dr. John H. Esling, Departmental Member (Department of Linguistics) Dr. Tae-Jin Yoon, Departmental Member (Department of Linguistics) iii Supervisory Committee Dr. Hua Lin, Supervisor (Department of Linguistics) Dr. John H. Esling, Departmental Member (Department of Linguistics) Dr. Tae-Jin Yoon, Departmental Member (Department of Linguistics) ABSTRACT Unlike Canadian English which has two liquid consonant phonemes, /ɹ, l/ (as in right and light ), Japanese is said to have a single liquid phoneme whose realization varies widely both among speakers and within the speech of individuals. Although variants of the /r/ sound in Japanese have been described as flaps, laterals, and weak plosives, research that has sought to quantitatively describe this phonetic variation has not yet been carried out. The aim of this thesis is to provide such quantification based on 1,535 instances of /r/ spoken by four individuals whose near-natural, unscripted conversations had been recorded as part of a larger corpus of unscripted Japanese maintained by Dr. -
Cambridge University Press 978-1-107-17886-1 — the Cambridge World History of Lexicography Edited by John Considine Index More Information
Cambridge University Press 978-1-107-17886-1 — The Cambridge World History of Lexicography Edited by John Considine Index More Information Index Aa (Mesopotamian sign list), 31, 34 academies as producers of dictionaries, 304–5, Aasen, Ivar, 476, 738 311, 313, 418, 428, 433–4, 437, 451, 453–4, 461, Abba–Ababus, 270, 273 466–7, 472–3, 474, 481, 486, 487–8, 531, 541, ‘ ı 242 738 543 545–6 548–9 551–2 Abd-al-lat˙¯f ibni Melek, , , , , ‘Abd-al-Rash¯d,ı 234, 739; see also Farhang-i Accius, 90 Rash¯dı ¯ı Achagua language, 556, 706 Abdel-Nour, Jabbour, 425, 739 Adam von Rottwil, 299 Abenaki language, 599, 706 Addison, Joseph, 486, 489, 517 Abhidha¯nappad¯pika¯ı , 77, 78, 143–5 Addy, Sidney Oldall, 512–13, 739 Abhima¯nacihna, 141 Adelung, Johann Christoph, 462–4, 466, 468, Abramovic´,Teodor, 730, 739 469, 470, 739 ı ı 231 739 abridged dictionaries, Ad¯b Nat˙anz¯, , Arabic, 174, 423, 425, 429 Adler, Ada, 254, 258 Chinese, 204, 214 Aelius Herodianus. See Herodian English, 308, 490–1, 498 Aelius Stilo, 90–1 French, 534, 535 Aeschylus, 257 Greek, 96, 99, 251, 257, 263, 297, 298 Afghā nī navī s, ʻAbdullā h, 387 Hebrew, 188 Afranius, 90, 91 Italian, 538 Afrikaans language, 480–1, 528, 679, 706 Japanese, 619 Afroasiatic languages, 706 Korean, 220 Aggavaṃsa, 76, 144, 739 Latin, 90, 269, 271, 272, 275, Ahom language, 404, 706 284, 286 Aitken, Adam Jack, 514, 739 Persian, 385 Ajayapa¯la, 134, 139, 141, 739 545 149 153 155 645 Portuguese, Akara¯ti Nikan˙˙tu, , , , Scots, 514 Akkadian language, 11–35, 40 Spanish, 541 Aktunç, Hulkı, 375, 739 Tibetan, 147 Albanian