Ana María Reyes

Boston University, and Architecture 725 Commonwealth Avenue, CAS 319A, Boston, MA 02215 (617) 358-0847 | [email protected] | http://www.bu.edu/ah/profile/ana-maria-reyes/ https://symbolicreparations.org/

Education

2011 University of Chicago, Ph.D. History of Art and Architecture Dissertation: “Art at the Limits of Modernization: The Artistic Production of Beatriz González during the National Front in ” (Advisors: Tom Cummins, Martha Ward, and Darby English) 1996 University of Chicago, MA, History of Art and Architecture 1992 Boston College, BA, Psychology

Professional Experience

2020-present Boston University Associate Professor, Department of History of Art & Architecture Core Faculty, Latin American Studies Program Affiliate Faculty, American and New England Studies Program

2016-present , Affiliated Researcher, David Rockefeller Center for Latin American Studies.

2015-present Symbolic Reparations Research Project, Founding Member

2013-2020 Boston University, Assistant Professor, Department of History of Art & Architecture

2001-2011 Northwestern University, Visiting Scholar,

1999-2003 Art Institute of Chicago, McArthur Curatorial Intern Department of Prints and Drawings Holocaust-era provenance project.

1998-1999 Columbia College, Chicago, Illinois. Lecturer.

Grants, Fellowships, and Awards

2019 Graduate Student History of Art & Architecture Association Faculty Award “for excellence in teaching, exceptional commitment to the Department of the History of Art & Architecture, and continuous support and advocacy for the graduate student body.” Reyes 2

2018 Boston University Center for the Humanities Publication Production Award 2018 Boston University Humanities Research Publication Award 2017-18 Faculty Travel Award, Office of the Associate Dean for Research and Outreach, Boston University. 2016, Spring Santander Visiting Scholar, Harvard University, David Rockefeller Center for Latin American Studies 2015, Fall Boston University Center for the Humanities Junior Faculty Fellowship 2011 Best Dissertation in Art History, University of Chicago 2010-2011 Nominated for Best Dissertation, Association of Latin American Art (ALAA) 2010-2011 AAUW American Dissertation Fellowship 1998-2011 University of Chicago Academic Fellowship 2005 Center for Latin American Studies Field Research Grant 2005 Department of Art History Field Research Grant 1999 Hewlett Research Grant for Latin America 1998-1999 FLAS: National Resources/ Fellowship for Language and Area Studies 1998 National Hispanic Scholarship Award 1998 Tinker Field Research Grant for Latin America and Iberia Award

Publications

Books

2019 The Politics of Taste, Beatriz González and Cold War Aesthetic Discourses, Durham N.C.: Press, 2019. https://www.dukeupress.edu/the-politics-of-taste

2016 Simón Bolívar: Travels and Transformations of a Cultural Icon. (co-edited with Maureen Shanahan) Gainesville: The University Press of Florida. http://upf.com/book.asp?id=9780813062624

Reviewed: Bartosik-Vélez, E., 2018. Simón Bolívar. Travels and Transformations of a Cultural Icon by Maureen G. Shanahan, and Ana María Reyes (review). Revista de Estudios Hispánicos, 52(1), pp.276–278.

Refereed articles and book chapters

2020 “Sites of Repair: Symbolic Spaces in Reparations,” Latin American and Latinx Visual Culture, Forthcoming, Fall 2020.

2020 Symbolic Reparations Research Project (Robin Adèle Greeley, Michael R Orwicz, José Luis Falconi, Ana María Reyes, Fernando J Rosenberg, Lisa J Laplante), “Repairing Symbolic Reparations: Assessing the Effectiveness of Memorialization in the Inter-American System of Human Rights,” International Journal of Transitional Justice, Volume 14, Issue 1, March 2020, Pages 165–192, https://doi.org/10.1093/ijtj/ijaa002

2019 “To Weave and Repair: Simón Hosie’s Casa del Pueblo in Guanacas,” Art Journal, submitted for review, July 26.

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2019 “ZONA FRANCA: The International Coltejer Biennials in Medellín (1968-1972) and Institutional Agonism,” Intimate Rumors, New Takes on Colombian Art, Proyecto Bachué, Bogotá, Colombia, 193-229.

2019 “The Monument to the Children of Villatina: commemorating innocent child victims in the context of lethally stigmatized youth in Colombia,” Visual Communication, 18(3), 379–398. https://doi.org/10.1177/1470357219832798

2019 “Antigonismos: Metaphoric Burial as Political Interventions in Contemporary Colombian Art” in A Companion to Modern and Contemporary Latin American and Latino Art, Alejandro Anreus, Robin Greeley, Megan Sullivan, editors, (Wiley-Blackwell Press, 2019) 452-463.

2019 “Reflexiones sobre el arte y la reparación simbólica: El Monumento y el Proceso en el Caso Villatina vs. Colombia (1993-2004)” Conversatorio Internacional: Reparación Simbólica a las Víctimas de Violación a los Derechos Humanos, Boletín de Arte y DDHH No. 2, Universidad del Externado de Colombia (In Press).

2016 “Bolívar Unhinged: An Introduction” Simón Bolívar: Travels and Transformations of an Icon in Ana María Reyes and Maureen Shanahan eds. Gainesville: The University Press of Florida, 1-24 (co-authored with Maureen Shanahan).

2016 “In Bed with Dead Bolívar: Beatriz González’s Case for Critical History Painting,” in Ana María Reyes and Maureen Shanahan eds. Simón Bolívar: Travels and Transformations of an Icon Gainesville: The University Press of Florida, 149-168.

2014 “Incorporated Vision and the Critique of Desarrollismo: Marta Minujín, Beatriz González, and Lygia Clark,” Letral, University of Granada, No. 13: 100–12, http://revistaseug.ugr.es/index.php/letral/issue/view/246

1998 “Building Abstraction in Brazil: The São Paulo Bienal of 1951” Portraying Authority Chicago Art Journal, Vol. 8, No. 1, 31-42.

1997 “Marta Traba and Gustavo Buntinx: Latin American Art Criticism and Resistance,” Frames of Reference, vol. 7, Chicago Art Journal, Vol.6, no. 1, 78-82.

Catalogue Essays

2019 “Beatriz González: Mi Lucha” Art_Latin_America: Against the Survey, exh. cat. James Oles and Lisa Fischman eds. Wellesley, MA: Davis Museum (February 7 – June 9, 2019) 198- 199.

2018 “Better Homes and Subjects: Critical Domesticity in Claes Oldenberg’s and Beatriz González’s Assemblages” Susanne Gaensheimer, Victoria Noorthoorn, Klaus Goerner, and Javier Villa, eds A Tale of Two Worlds: A Dialogue between the MMK Collection and the

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History of Experimental Latin American Art, 1940s–1980s, exh. cat. Museum für Moderne Kunst Frankfurt November 23, 2017 – April 2, 2018. Museo de Arte Moderno de July 7 – October 14, 2018.

2000 “Biografías,” Heterotopías Medio Siglo Sin Lugar 1918-1968, Madrid: Museo Nacional Centro de Arte Reina Sofía, (exh. cat.), 2000, 559-573.

1999 “Disrupting the Sensationalistic Gaze: Juan Manuel Echavarria’s Photographic Reflections on Violence in Colombia,” Juan Manuel Echavarría: Bocas de Ceniza (exh. cat.) Bogotá: Valenzuela y Kleiner, 1999, re-printed in in Documents for 20th Century Latin American and Latino Art, Houston: the digital archive, International Center for the Art of the Americas (ICAA) and the Museum of Fine Arts Houston, 2010. http://icaadocs.mfah.org/icaadocs/THEARCHIVE/FullRecord/tabid/88/doc/1129474/languag e/en-US/Default.aspx

1994 “Cole Morgan: A Retrospective” in Cole Morgan: Twenty Years, Patrick Hemmerstein, editor, Hapert, The Netherlands: Kempen Publishers, 95-108

Book and Exhibition Reviews

2019 Review of Radical Women: Latin American Art, 1960-1985. Exh. cat. Cecilia Fajardo-Hill and Andrea Giunta eds. Los Angeles Munich; New York: Hammer Museum DelMonico Books/Prestel, 2017, Latin American and Latinx Visual Culture, Vol. 1 No. 2, April 2019, 131-133. DOI: 10.1525/lavc.2019.120008

2016 Review of Doris Salcedo. Exhibition: Museum of Contemporary Art Chicago, Chicago, IL February 21–May 24, 2015; Solomon R. Guggenheim Museum, New York, NY, June 26– October 14, 2015; Pérez Art Museum, Miami, FL, April 20–July 17, 2016, CAA Reviews, May 12. http://wwww.caareviews.org/reviews/2756#.XJlOKql7nR0

1996 “Art Chicago ‘96,” Art Nexus, No. 22, October-December 1996, Bogotá, 125-27

1994 “Art 1994 Chicago: The New Pier Show,” Art Nexus, No. 14, October-December 1994, Bogotá, 91-93.

On-line Publications

2017 “Cultural Center: La Casa del Pueblo, El Salado 2012,” Symbolic Reparations Research Project Case Studies, http://symbolicreparations.org/projects-publications-/ symbolic-reparation-memorialization-examples-2-case-studies-4/

2017 “Symbolic Reparations Research Project, (José Falconi, Robin Greeley, Ana María Reyes, Fernando Rosenberg, Doris Sommer, Michael Orwicz, and Marco Abarca,) “Guidelines on Art as a Means of Symbolic Reparation for Victims of Gross Human Rights Violations,” submitted to the Inter-American Court of Human Rights, December. 2017,

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Written in partnership with the Derecho-Arte-Cultura Universidad Externado de Colombia http://symbolicreparations.org/projects-publications-/588/

2016 Symbolic Reparations Research Project, “Position Paper Re: The Columbarios of the Central Cemetery, Bogotá, Colombia,” submitted to the City of Bogotá, Colombia, June. http://symbolicreparations.org/projects-publications-/position-paper-re-the columbarios-of- the-central-cemetery-bogota-colombia/

2015 Symbolic Reparations Research Project, “In Re: Communication 22/2009 L.C. v Peru,” (co- authored with Marco Abarca, José Falconi, Robin Greeley, Michael Orwicz, Fernando Rosenberg, and Doris Sommer) submitted to the United Nations High Commissioner for Human Rights, Committee on the Elimination of Discrimination Against Women, and commissioned by The Center for Reproductive Rights and The Center for the Promotion and Protection of Sexual and Reproductive Rights, August 3.

Works in Progress

2019 Comité de redacciones e investigación de reparaciones, (Abi-Mershed, E., Krsticevic, V. Sandoval, C., Pacheco Oreamuno, G., Reyes, A.M., Molina L.) Protocolo la Esperanza para la investigación efectiva de amenazad a las personas defensoras de derechos humanos, Washington D.C.: Center for Justice and International Law, submitted June 26, 2019.

2019 Dis-Cursis: Beatriz González y la política del gusto durante la Guerra Fría en Colombia, Bogotá: Uniandes, book manuscript requested and submitted for Spanish translation, July 16, 2019.

“Symbolic Reparations, the Art of Mutual Recognition, and Institution-building in Colombia’s Peace Process,” book manuscript.

“The Art of Vulnerability and Resilience,” scholarly article.

“Two Vulnerable Decades for Art Criticism: Marta Traba’s Theories of Cultural Resistance,” scholarly article.

Invited Lectures and Presentations

2020 The Politics of Taste Book Launch, Institute of Fine Arts, , Fall Semester.

2020 “Activating Vulnerability: On Artivism and Infrastructure” Transnational Feminisms: The Feminist Art Project Day of Panels College Art Association Conference (CAA) Chicago, February 15.

2019 “To Weave and Repair: on Symbolic Reparations and Reconstructing the Social Fabric in Latin America,” Rewald lecture series, The Graduate Center, CUNY, November 12.

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2019 “Underdeveloped Art for Underdeveloped People,” Lecture on the occasion of the ¡Pop América!” Exhibition Block Museum, Northwestern University, November 20.

2018 “Symbolic Reparations, Institution-Building, and the Art of Mutual Recognition” CLAVIS, University of Texas, April 23. Texas State University, April 24.

2018 “Symbolic Reparations and Institution-Building” What’s Business Got to Do with It: Peace-Building in Colombia, New England School of Law, March 26.

2018 “Diego Rivera’s Chapingo Mural Cycle and the 1917 Mexican Constitution” Modernization, Development and Revolution: Legal Experiments in Latin America Harvard Law School, February 5.

2017 “Reparación Simbólica: un aporte desde el arte y estudios de memoria” Center for Justice and International Law, Washington D.C. December 8.

2017 “Process, Form, Recognition, and Networks of Resilience: Some Examples of Reparative Commemoration.” Inter-American Forum for Human Rights, Inter-American Commission on Human Rights, Inter-American Court of Human Rights, and Organization of American States, Washington D.C. Dec. 7.

2017 “What Can Art and Architecture Do for Symbolic Reparations?” Boston University, Graduate Students in the History of Art and Architecture Association, January 25.

2016 “Beatriz González’s Strategic Provincialism and Marta Traba’s Cultural Resistance.” Museum of Modern Art, New York, June 7.

2016 “Dis-Cursis: Beatriz González and the Limits of Cultural Modernization in 1960s Colombia” David Rockefeller Center for Latin American Studies, Harvard University, April 25.

2015 “¿Cuáles son las relaciones del arte y la cultura con la dignidad humana? Reflexiones particulares en torno a la violación de derechos humanos de jóvenes y niños” Conversatorio Internacional: Reparación Simbólica a las Víctimas de Violación a los Derechos Humanos Universidad Externado de Colombia and Museo Nacional, Bogotá, July 22.

2014 “‘Permission to be Global,’ Global Citizenship, and the Concept of Latin America” Local Globalism: Art from Latin America, Museum of Fine Arts Boston, April 23.

2013 “Antigonismos: Metaphoric Burial as Political Interventions in Contemporary Colombian Art”

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Graduate Students in the History of Art and Architecture Association, Guest Lecture Series, Department of History of Art and Architecture, Boston University, September 25.

2011 “Horrific Beauty, Commemoration, and the Aestheticization of Violence in Contemporary Colombian Art” ¿Cuerpos Desechables? Estéticas de la No-Vida en las Literaturas Hispanoamericanas (de la Conquista al siglo XXI, University of Chicago, February 17.

2005 “Women Artists and Modernism in Latin America,” Oakton College, Emeritus Scholars Program, July 27.

2004 “Colombian Art and Social Crisis since 1950” Oakton College, Emeritus Scholars Program, September 29.

2004 “Fernando Botero’s Pictorial Language of ” Art Institute of Chicago, February 10.

2001 “Women Artists in Latin America” Art Institute of Chicago, Village Associates, October 12.

2001 “Joaquín Torres-García – and the legacy of Geometric Abstraction in South America” Art Institute of Chicago, Village Associates, October 19.

2001 “Neo-Figuration and the Third Alternative for Latin American Artists” Milwaukee Art Museum, September 13.

2001 “Fernando Botero’s Early Paintings and La Violencia in Colombia” Art Institute of Chicago, January 31.

Conferences, Presentations and Papers

2020 “Weaving Dialogical Aesthetics” Complex Connectivity and Radical Inclusion: Towards Another Art History Améfrica Ladina: vinculando mundos y saberes, tejiendo esperanzas Latin American Studies Association (LASA), Guadalajara, México, May 13 – 16.

2020 “How can Afro-Latin American archaeology contribute to political and social initiatives such as symbolic reparations?” Conference on Historical and Underwater Archaeology Society for Historical Archeology (SHA), Boston, January 11.

2019 “To Weave and Repair: Simón Hosie’s Casa del Pueblo in Guanacas,” Representation and Reparation in Global Contemporary Art Institute of Fine Arts, New York University, September 27.

2019 “Aesthetics of Vulnerability and Resilience in Symbolic Reparations”

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Latin American Studies Association (LASA), Boston, May 26.

2019 “La co-creación en procesos de reparación simbólica: notas sobre el sector privado en el proceso de paz en Colombia” Entre la Sociedad y la Obligación: Para la Participación de Empresas en Reparación Simbólica Organized by CREER: Centro Regional de Empresas y Emprendimientos Responsables, Colombia and the Institute for Business and Ethics at St. Gallen University, Switzerland Universidad Javeriana, Bogotá, Colombia, April 29.

2019 “SRRP on Symbolic Reparations and Transitional Justice” Truth, Justice, Reparation and Non-Repetition - Carr Center reflects on Colombia Carr Center for Human Rights, Harvard University, April 12.

2018 “Architecture of Vulnerability and Resilience in Symbolic Reparations” Colloquium Precarity, Resistance, and Contemporary Art from the Americas The Sterling and Francine Clark Art Institute, Williamstown, MA, October 20.

2018 “ZONA FRANCA: The International Coltejer Biennials in Medellín (1968-1972) and Institutional Agonism.” 56th International Congress of Americanists (ICA), University of Salamanca, Spain, July 16.

2017 “TOM-L’OIEL or Visual Engaño in Beatriz González’s mobiliario” A symposium honoring Tom Cumnmins, Mahindra Center for the Humanities, Harvard, September 23.

2017 “Las bienales internacionales de Medellín (1968-1981): Guerra fría y agonismo institucional” Jornada Internacional de Arte y Cultura Visual: Rumores Íntimos: Paisaje, México y Guerra Fría Biblioteca Nacional, Bogotá, May 12.

2017 “Networks and Sites of Conscience: Symbolic Reparations, Memorialization Practices and Sustainability in Colombia” Latin American Scholars Association (LASA), Lima, Peru, April 30.

2017 “Architecture of Mutual Recognition: Symbolic Reparations and Social Healing” Art: Creative Care, A Clark Colloquium The Sterling and Francine Clark Art Institute, Williamstown, MA, April 8.

2017 Discussant, “Guidelines on the Use of Art in Symbolic Reparations” Symbolic Reparations Conference Presented by the Symbolic Reparations Research Project and The Cultural and Humanitarian Agents Seminar at the Mahindra Center for the Humanities Harvard University and the Pardee School at Boston University, April 2.

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2017 “Why and how do we re (present) violence? The case for collective ‘acción de duelo’ in the work of Doris Salcedo” Topography of Loss Symposium Harvard Art Museums, Harvard University, March 3.

2016 Discussant, “The Colombian Peace Accords and Victims Organizations” Contextualizing the David Rockefeller Center for Latin American Studies, Harvard University, October 28.

2016 “Teaching in Divisive Times,” panel discussant Boston University Center for the Humanities, November 21.

2016 “Guarantees of Satisfaction or Guarantees of Non-Repetition in the ‘Friendly Agreement’ Villatina vs. Colombia” Latin American Scholars Association (LASA), New York, May, 27.

2016 “Arte, Violencia y Memoria,” panel respondent. Latin American Scholars Association (LASA), New York, May 28.

2016 “Images and Violence / Art as Transformative Processes” Culture as a Tool for Crime Prevention and Social Change Sponsored by the Harvard Law School, HUMAS, and Government of Tlaxcala Mexico, Harvard Law School, February 25.

2015 “Memorials, Symbolic Reparation, and the 2011 Victims Law in Colombia.” Colombia Building Peace 2015 MIT- Harvard – BU 2015 Colombia Conference, Boston University, April 23.

2015 “Qué podemos aprender de las artes contemporáneas en el contexto de reparación simbólica” “Memoriales y Reparación simbólica según la ley 1448 de Víctimas en Colombia” Conversatorio Internacional: Reparación Simbólica a las Víctimas de Violación a los Derechos Humanos Universidad del Externado, Bogotá, Colombia, January 7.

2014 “Conversation Piece” Discussion with Professors Doris Sommer and Antanas Mockus Museum of Fine Arts Boston, October 22.

2014 “Conceptual Stumblings: since the 1970s” respondent Cultural Agents Initiative, Harvard University, October 21.

2014 “Found in Detroit,” Discussion with Professor Kim Sichel Boston University Art Gallery, October 15.

2014 “Neo- tradition in Cuban Art” Origins Dependent on Brushes and Pens, The Cuban Painter Ramón Alejandro”

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Boston University, April 16.

2014 “Cities of the Dead, Contemporary Artistic Interventions in Colombian Cemeteries” Urbe Latinoamericana / Latin American City Boston University, Latin American Studies, April 9.

2013 “On the Intersection of Africa and Latin America; when Arts and Literature Meet: A Discussion with Colombian artist Constanza Aguirre” Roundtable Discussion with Professors Alicia Borinsky, Rodrigo Lopes de Barros Boston University, October 8.

2012 “Incorporated Vision: A Feminist Critique of Development Discourse” Association of Latin American Art Historians (ALAA): Questioning Feminisms in Latin America’s Art Histories College Art Association (CAA) New York, February13.

2012 “Art as Occupation: the case of Doris Salcedo and Beatriz González in Auras Anónimas” /Synchronicity/Contacts and Divergences in Latin American and U.S. Latino Art. 19th Century to the Present CLAVIS 3rd International Forum for Emerging Scholars of Latin American Art University of Texas at Austin, October 27.

2012 “Beatriz González’s Miroirs des Bonnes Femmes (Mirrors of Good Women)” Radical Women: Body and Space in Latin American Art between the 60s and 80s. Andrea Giunta and Cecilia Fajardo (Organizers) Latin American Scholars Association (LASA), San Francisco, May 23.

2012 “In Bed with Dead Bolívar: Beatriz González’s Critique of Official Narratives” Simón Bolívar as National Myth and Cultural Sign, Towards a Third Century of Independence in Latin America Latin American Studies Association (LASA), San Francisco, May 25.

2011 “Beatriz González’s ‘Caballitos de Troya’ disrupting Modernist Projects during the National Front in Colombia” Conspiracy Methods: Revisiting Latin American Art 1960s to the present, Andrea Giunta and Roberto Tejada chairs College Art Association (CAA), New York, February.12.

2010 “Notes on an Extensive : Beatriz González’s engagement with the National Salon in 1967” Contemporary Art Workshop, University of Chicago, May 13.

2001 “Horrific Beauty, Commemoration, and the Aestheticization of Violence in Contemporary Colombian Art” College Art Association (CAA), Chicago, March 1.

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New Approaches to the Study of Social Conflict, Center for Latin American and Caribbean Studies, University of Wisconsin, Madison, March 23.

1999 “Juan Manuel Echavarria’s Corte de Florero Series: A Reflection on Violence and Representation in Colombia” Violent Visions, University of California Los Angeles, April 17. Modern Visual Cultures of the Americas, University of Chicago, January 21.

1998 “Building Abstraction in Brazil: The São Paulo Bienal of 1951” Modern Visual Cultures of the Americas, University of Chicago, October 22.

Conferences and Symposia Convened

2021 “Ecofeminisms | TFAP@CAA” The Feminist Art Project Day of Panels at the College Art Association Conference, New York, 2021

2019 “Harvard-MIT-BU” Shaping Colombia Towards Sustainable Development. co-organizer. April 5-7, co-organizer, panelist.

2016 “IV Colombia Conference” Harvard-MIT-BY-Tufts-Berklee April 18-22, co-organizer.

2016 Symbolic Reparations Conference. Presented by Symbolic Reparations Research Project, The Cultural and Humanitarian Agents Seminar, Mahindra Humanities Center Harvard, and Boston University Pardee School of Global Studies, co-organizer, March 31-April 2, co-organizer.

2015 “Colombia Building Peace,” Harvard-MIT-BU, April 23-25, panelist, co-organizer.

Teaching

2013-present Boston University Latin American Art Since Contact The Art of Cuba Utopian Modernismos: Avant-Garde Practices in Latin America Images and Power Relations in Latin America Contemporary Commemorative Art in Latin America Latin American Art and the Cold War Colloquium in Latin American Art and Architecture Experience Cuba: Havana

2001-2011 Northwestern University, Lecturer, Latin American Art. Latin American Art and the Cold War Nineteenth and Twentieth Century Latin American Art Colonial Art in the Viceroyalties of New Spain and Peru The Many Faces of Frida Kahlo Utopian Modernismos: Avant-Garde Practices in Latin America 1900-1945

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Pre-Columbian Art The History of Modern Latin American Art Art of the Andes Art of Mexico: From the Olmec to the Present

1998-2000 University of Chicago, Chicago, Illinois. Teaching Assistant. Twentieth Century Art and Visual Culture, Prof. Maud Lavin, Spring, 2000 Art Since 1960, Prof. Reinhold Heller, Spring 1998 to , Prof. Charles Cohen, Winter 1998

1998-1999 Columbia College, Chicago, Illinois. Lecturer. Art of Mexico: From the Olmec to the Present, Spring 1998 and 1999

Honors and University Scholar Theses Directed or Advised:

Doctoral Dissertations:

2018 Caitlin Dalton, “Imprinting Art and Ideology: Memory and Pedagogy in Early German Democratic Republic,” committee member.

2017 Sarah Parrish, “Anthropologies of Fiber, Claire Zeisler, Ed Rossback, and Sheila Hicks,” committee member.

2016 Adel Fauzetdinova, “Translation as Cultural Contraband: Translating and Writing Russian Literature in Argentina or How ‘Bad Translations’ make “Good” Literature, committee Member

2015 Martina Tanga, “Arte Ambientale and Arte nel Sociale in Italian Art of the 1970s,” committee member.

2014 Judy Ditner, “Art is a Lie That Makes us Realize Truth: Walid Raad’s Abstract Realism,’ defense chair.

Doctoral Dissertations in Progress:

2022 Constanza Robles Sepúlveda, “Panamericanism in Twentieth Century World Fairs,” first reader.

2022 Casey Monroe, "A Southward Turn: The Art of American Tourism and Expansionism in Porfirian Mexico," second reader.

2021 Julián Serna Lancheros, “’A Most Extraordinary and Involved Situation’: Symbolic Structures in Early Republican Colombia, Ecuador, and Venezuela,” first reader.

2021 Defne Kirmizi, "Building Artistic Autonomy in Turkey: Conceptual Strategies and Group Exhibitions between 1974-1994"second reader.

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2020 Ewa Matyczyk, “Warsaw’s Public Transformations: Memory, Intervention, and Community, 1970 to Today,” third reader.

2020 Sasha Goldman “Torno Subito: Maurizio Cattelan and the Return(s) of Italy,” second reader.

2020 Jordan Karney, “Do It Yourselves: Artists, Alternative Spaces, and the Rise of Contemporary Art in Los Angeles 1970-1990,” third reader.

Master’s papers:

2018 Rachel Bonner, “A Vocabulary of the Ineffable: Literary Theory in the Work of Doris Salcedo,” First Reader.

2016 Stephanie Keating, “Marketing the Revolution: GRAV and A Day in the Street.”

2015 Angelica Bradley, “Mexican Good Taste: A Dialogue of Power Relations in Nineteenth and Early Twentieth Century Mexico,” First Reader.

2014 Heidi Effenberger, “Reading Between the Registers: Balboa Park’s California Building and the Construction of San Diego’s Identity in the early 20th Century,” second reader.

Honor’s Thesis:

2020 Rachel Kubrik, “Boycott, Divest, and Sanctions Movement in Israel / Palestine,” advisor.

2018 Amanda Maria Garza, “Passages Through the Unland: A Comparative Study of Continuing Bonds Theory in the Art of Doris Salcedo, and the AIDS Memorial Quilt and the Vietnam Veterans Memorial,” advisor.

Professional Service

Symbolic Reparations Research Project (SRRP) http://symbolicreparations.org/ Interdisciplinary research group (Harvard – University of Connecticut – Boston University – Brandeis – Universidad Externado de Colombia – Universidad de Puerto Rico – New England Law School) SRRP Collaborations with: Inter-American Commission of Human Rights Center for Justice and International Law United Nations High Commissioner for Human Rights Carr Center for Human Rights, Harvard University. Cultural Agents, Harvard University Arte y Derecho, Universidad del Externado de Colombia Centro Regional de Empresas y Emprendimientos Responsables

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Boston University Chinese History of Art and Architecture Search Committee, 2018 Executive Committee, Latin American Studies Program, Pardee Global Studies, 2014-2015 Martin Luther King Committee Humanities Division Curriculum Committee American Art History Search Committee, History of Art and Architecture, 2014 GSAHAA, Travel Award Committee, 2013-2015 Seeing and Not Seeing, BUCH Faculty Seminar, led by Jeff Rubins. Fall 2016 – Spring 2019

Expert consultant, Inter-American Commission of Human Rights and Center for Justice and International Law, Jineth Bedoya v. Colombia, ongoing.

University of Chicago Violence and Photographic Representation in Latin America, Coordinator and Discussion Leader, Fall 2000 and Winter 2001 Modern Visual Cultures of the Americas Workshop, Coordinator and Discussion Leader, Fall 2000 and Winter 2001

Professional Affiliations ALAA Association of Latin American Art Historians LASA Latin American Studies Association CAA College Art Association TAA Textbook and Academic Authors Association

Languages Read/Spoken Spanish Native English Native Portuguese fluent French reading and conversational German reading

(Last Updated March 2020)

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