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PROGRAM IN LATIN AMERICAN STUDIES Spring 2021 Events - Part I* nibia pastrana santiago, OUR ISLAND HERE (video still), 2019, Captiva, Fl. Captiva, 2019, OUR ISLAND HERE (video still), santiago, nibia pastrana VIRTUAL LECTURES: Tuesdays, 5:00 - 6:30 pm Pre-register: plas.princeton.edu/events CURA CONTINUA: ART, CURATING, AND PRACTICES OF RADICAL CARE A series of dialogues co-sponsored by PLAS and the Department of Art & Archaeology THE INSURGENT ARCHIVE: A CONVERSATION ON THE MERCOSUL BIENAL AT THE CROSS- FEB. FEB. ART AND INSTITUTIONAL PRACTICE WITH MARI ROADS OF COVID-19 9 23 CARMEN RAMÍREZ AND YASMIN RAMIREZ Andrea Giunta, Chief Curator, University of Buenos Aires, CONICET Associate Curator, University of Houston/ Mari Carmen Ramírez, Wortham Curator of Latin American Art and Dorota Biczel, School of the Art Institute of Chicago Director, International Center for the Art of the Americas (ICAA), The Museum of Fine Arts, Houston Fabiana Lopes, Associate Curator, New York University Curator of Education, State University of Rio Yasmin Ramirez, Independent Curator and Scholar Igor Simões, Grande do Sul Moderators: Irene Small, Art & Archaeology, Princeton University School of Architecture, Angela Brown, Art & Archaeology, Princeton University Moderators: Ivan Lopez Munuera, Princeton University Elise Chagas, Art & Archaeology, Princeton University Isabela Muci Barradas, Art & Archaeology, Princeton University REPORTING ON THE U.S.-MEXICO BORDER CRISIS INDIGENEITY, DEVELOPMENT, AND THE STATE FEB. MAR. DURING THE PANDEMIC IN 20TH CENTURY MEXICO AND PERU 16 9 Alice Driver, Writer and Journalist Paula López Caballero, Historia de la Ciencia, UNAM, Mexico Moderator: Gabriela Nouzeilles, PLAS, Princeton University Cayetana Adrianzén Ponce, Latin America and the Caribbean, New York University THE COVID-19 PANDEMIC IN LATIN AMERICA Discussants: Karin Rosemblatt, Center for Historical MAR. A YEAR LATER: INTERDISCIPLINARY INSIGHTS Studies, University of Maryland 2 Vera Candiani, History, Princeton University Carlos Castillo-Salgado, Epidemiologist, Johns Hopkins University PLAS, Princeton University Dean of Faculty, Social Sciences and History, Moderator: Tony Wood, Rossana Castiglioni, Co-sponsored by the Native American and Indigenous Studies Initiative at Diego Portales University, Chile Princeton (NAISIP) Sebastián Garrido, Politics, CIDE, Mexico Moderator: María José Urzúa Valverde, Politics, Princeton University *Schedule subject to change Discussants: Federico Tiberti, Politics, Princeton University Sebastian Rojas Cabal, Sociology, Princeton University VIRTUAL GRADUATE WORKS-IN-PROGRESS: Wednesday, 5:00 - 6:30 pm Álvaro Carril, Economics MAR. Anaís Martínez Jiménez, Comparative Literature 17 Moderator: Charlie Hankin, Spanish and Portuguese Visit plas.princeton.edu for full details. Follow Us: Facebook @PrincetonPLAS | Instagram @PLAS_Princeton.

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SONIA SALDÍVAR-HULL, Phd the University of Texas, San Antonio Professor of English and Director, Women’S Studies Institute [email protected]
SONIA SALDÍVAR-HULL, PhD The University of Texas, San Antonio Professor of English and Director, Women’s Studies Institute [email protected] The University of Texas at Austin, Ph.D., English, 1990 The University of Texas at Austin, M.A., English, 1986 University of Houston, B.A. Cum Laude, English, 1977 Academic Appointments University of Texas, San Antonio, Executive Director, Women’s Studies Institute, 2003- University of Texas, San Antonio, Professor, 2003- University of Texas, San Antonio, Associate Professor, 2001-2003 University of California, Los Angeles, Associate Professor, 1997-2001 University of California, Los Angeles, Assistant Professor 1990-1997 Publications Book: Feminism on the Border: Chicana Gender Politics and Literature. University of California Press, 2000. Refereed Publications: “(Re)Forming A Chicana Feminist: Transfrontera Memorias,” Entre Guadalupe y Malinche: A Tejana Anthology of Literature and Art, ed. Inés Hernández-Avila and Norma E. Cantú. Austin: The University of Texas Press, forthcoming. “Staking the Claim: Introducing Applied Chicana/o Cultural Studies.” The Chicana/o Cultural Studies Forum: Critical and Ethnographic Practices. Ed. Angie Chabram- Dernersesian. New York University Press, 2007. 112-115. “Critical Introduction,” Second Edition of Borderlands/ La Frontera: The New Mestiza, Gloria Anzaldúa. Aunt Lute, 1999. Reprint: Third Edition, 2007 "Women Hollering Transfronteriza Feminisms," Chicana/o Latina/o Cultural Studies: Transnational and Transdisciplinary Movements. Cultural Studies 13:2 (1999), pp.251- 62. Reprint in The Chicana/o Cultural Studies Reader. Cultural Studies Series. London and New York: Routledge, 2006. “Mujeres Testimoniando: No Neutral Position,” Western American Literature, 40.3 (Fall 2005): 332-41. “Gloria Anzaldúa,” Heath Anthology of American Literature, Third Edition.
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Néstor García Canclini and Cultural Policy in Latin America
1 Néstor García Canclini and cultural policy in Latin America Bruno Peron Loureiro Department of Film, Media and Cultural Studies Birkbeck College, University of London Submitted for the degree of Doctor of Philosophy in Arts Management, October 2014 Supervisor: Dr Lorraine Lim Co-supervisor: Dr Tim Markham Examiner: Dr Carla Figueira Examiner: Dr Mark Dinneen This thesis was sponsored by Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES), which is a Brazilian government research agency. 2 I, Bruno Peron Loureiro, declare that the work presented in the thesis Néstor García Canclini and cultural policy in Latin America is my own. __________________________ 3 ABSTRACT Néstor García Canclini and cultural policy in Latin America Bruno Peron Loureiro Abstract This thesis examines Néstor García Canclini´s relationships with various non-academic institutions in Latin America (focusing on Mexico) during the 1990s and the 2000s. It emphasises the shortage of communication between scholars and non-academic policy- making institutions through its study of García Canclini´s cultural policy activism. By investigating García Canclini’s activities with various Latin American non-academic institutions (and particularly those from Mexico), this thesis argues that he not only conceptualises and proposes cultural policy; he also conducts cultural policy. Through his discussion of cultural issues with bureaucrats, legislators, policy-makers, politicians, private managers and newspaper editors, this thesis evaluates his most important engagements to present how cultural policy can move from being an institutionally- oriented instrument to an intellectually-oriented operation. This thesis raises key theoretical debates such as the role of intellectuals in Latin America, cultural policy institutional development, cultural spaces, national development, urban studies, the cultural industries, globalisation and identities, and the multiplicity of cultural policy-makers.
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MALBA COLLECTION Agustín Pérez Rubio OPEN HISTORY, MULTIPLE TIME
MALBA COLLECTION Agustín Pérez Rubio OPEN HISTORY, MULTIPLE TIME. A NEW TURN ON THE MALBA COLLECTION 33 …we never had grammars, nor collections of old plants. And we never knew what images selected and settled on according to the criteria of those who urban, suburban, frontier and continental were. articulate “authorized” discourses on art. Even today, we unwittingly find Oswald de Andrade1 ourselves exercising power in a practice that continues to be enmeshed in that state of afairs. The historian “stains” history just as, in Lacan’s theory …forget the stuf of the Old World, and put all of our hope, and our efort, into creating of vision, the viewer stains the scopic field.4 And that is made manifest if this new culture right here. Forget artists and schools; forget that literature and philosophy; the field of action is that artifice called Latin America. While it is true that the be cleansed and renewed; think to the beat of this life that surrounds us ... Leave behind, region is held together by certain common traits, its complex cultural reality then, authors and teachers that are no longer of any use to us; they have nothing to tell us about what we must discover in ourselves. has been shaped entirely on the basis of a colonial logic driven by political Joaquín Torres García2 and economic powers. In this globalized age, we cannot situate ourselves on a tabula rasa from which to look back at history and Latin American art as if nothing had happened before. …visual artifacts refuse to be confined by the interpretations placed on them in the present.
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Néstor García Canclini and Cultural Policy in Latin America
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Néstor García Canclini and cultural policy in Latin America https://eprints.bbk.ac.uk/id/eprint/40119/ Version: Full Version Citation: Loureiro, Bruno Peron (2015) Néstor García Canclini and cul- tural policy in Latin America. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email 1 Néstor García Canclini and cultural policy in Latin America Bruno Peron Loureiro Department of Film, Media and Cultural Studies Birkbeck College, University of London Submitted for the degree of Doctor of Philosophy in Arts Management, October 2014 Supervisor: Dr Lorraine Lim Co-supervisor: Dr Tim Markham Examiner: Dr Carla Figueira Examiner: Dr Mark Dinneen This thesis was sponsored by Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES), which is a Brazilian government research agency. 2 I, Bruno Peron Loureiro, declare that the work presented in the thesis Néstor García Canclini and cultural policy in Latin America is my own. __________________________ 3 ABSTRACT Néstor García Canclini and cultural policy in Latin America Bruno Peron Loureiro Abstract This thesis examines Néstor García Canclini´s relationships with various non-academic institutions in Latin America (focusing on Mexico) during the 1990s and the 2000s. It emphasises the shortage of communication between scholars and non-academic policy- making institutions through its study of García Canclini´s cultural policy activism. By investigating García Canclini’s activities with various Latin American non-academic institutions (and particularly those from Mexico), this thesis argues that he not only conceptualises and proposes cultural policy; he also conducts cultural policy.
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COLUMBIA UNIVERSITY DEPARTMENT OF ART HISTORY AND ARCHAEOLOGY MIRIAM AND IRA D. WALLACH FINE ARTS CENTER 826 FALL 2009 schermerhorn new faculty from the chairman’s office Kaira Cabañas The academic year that has just passed was marked by conferences and symposia that brought visitors to Schermerhorn Hall who became, at least for a short while, members of our shared intellectual enterprise. In The Department is pleased to welcome October, a conference organized by former students of David Rosand— Kaira Cabañas as Lecturer and Director a “Rosand Fest” as it was known informally—honored his final year of of the MA in Modern Art: Critical and teaching, and attracted a distinguished audience of art historians from Curatorial Studies. Cabañas, no stranger to the New York area and beyond. A major student-organized conference the Department, was a Mellon Postdoctoral on the visual culture of the nineteenth century held in April capped the Teaching Fellow from 2007 to 2009 after year with a two-day event at which Professor Jonathan Crary delivered completing a PhD in art history at Princeton University in the closing address. Other symposia organized by students explored the spring of 2007. Currently, she is preparing her first topics as varied as Chinese stone inscriptions and the relationship monograph, Performative Realisms: The Politics of Art and between contemporary art and media. Culture in France 1945–1962. Cabañas has also engaged Giving our students the opportunity to conceive and plan such extensively with modern and contemporary art in interna- ambitious events enriches their experience of being at Columbia. tional contexts.
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Provincializing New York: in and out of the Geopolitics of Art After 1945
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association For latin american art alaa THE ALAA TRIENNIAL EXHIBITIONS Moctezuma: Aztec Ruler Agustín Lazo: The Ashes Remain The African Presence in Mexico, from Yanga to the Present Natural and Supernatural: Andean Textiles and Material Culture NEW ART NEW BOOKS RECENT ARTICLES MEMBER NEWS newsletter VolUme 21 no. 02 october 2009 Khristaan Villela / president [email protected] PO Box 23872 Santa Fe, NM 87502 MarGaret Jackson / vice president [email protected] 2630 Highland Avenue Santa Monica CA 90405. 305.336.4388 Sara TAYlor / secretary-treasurer [email protected] Center for Advanced Study in the Visual Arts National Gallery of Art 2000B South Club Drive Landover, Maryland 20785 Dana Leibsohn / website manager [email protected] Art Department Smith College Northampton, MA 01063 413.585.3137 MAYA S. StanField-MAZZI / listserve manager [email protected] School of Art and Art History College of Fine Arts University of Florida 123 Fine Arts Building C PO Box 115801 Gainesville, FL 32611-5801 352.392.0201 Constance CorteZ / newsletter editor [email protected] School of Art, Box 42081 Lubbock, Texas 79409 806.742.3825 x233 alberto herrera, Frank TierneY / newsletter designer [email protected] Texas Tech University School of Art, Box 42081 Lubbock, Texas 79409 806.742.3825 AboUT the Association The Association for Latin American Art is a non-for-profit (5013c) institution intended to sup- port the discussion, teaching, research and exhibition of Latin American art. As an affiliated society of the College Art Association, the annual meeting of alaa is held in conjunction with the caa con- ference. General inquires, comments, and suggestions regarding the association may addressed to the President, Khristaan Villela, College of Santa Fe, 1600 St.
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Copyright by Cynthia Alicia Francica 2015
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