Highlights of Colombia
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
On the Barremian - Lower Albian Stratigraphy of Colombia
On the Barremian - lower Albian stratigraphy of Colombia Philip J. Hoedemaeker Hoedemaeker, Ph.J. 2004. On the Barremian-lower Albian stratigraphy of Colombia. Scripta Geologica, 128: 3-15, 3 figs., Leiden, December 2004. Ph.J. Hoedemaeker, Department of Palaeontology, Nationaal Natuurhistorisch Museum, P.O. Box 9517, 2300 RA Leiden, The Netherlands (e-mail: [email protected]). Key words – stratigraphy, Barremian, Aptian, depositional sequences, Colombia. The biostratigraphy and sequence stratigraphy of the Barremian deposits, and the biostratigraphy of the Aptian deposits in the Villa de Leyva area in Colombia are briefly described. Contents Introduction ....................................................................................................................................................... 3 Barremian ............................................................................................................................................................ 4 Barremian sequence stratigraphy ............................................................................................................ 6 Aptian ................................................................................................................................................................. 11 Lowermost Albian ........................................................................................................................................ 13 Conclusions .................................................................................................................................................... -
Colombia Adventure Tour for Women
COLOMBIA Whitewater, Fine Foods, and Antiquities October 12 - 22, 2018 adventurewomen 14 mount auburn street, watertown ma 02472 t: (617) 544-9393 t: (800) 804-8686 www.adventurewomen.com 1 COLOMBIA Whitewater, Fine Foods, and Antiquities October 12 - 22, 2018 TRIP HIGHLIGHTS ` Photograph monkeys, butterflies, orchids, cloud forests, birds, birds, and more birds ` View almost 34,000 gold artifacts preserved from the past ` Get outdoors and get active with mountain biking, hiking, and white-water river rafting (Class II and III, beginners welcome!) ` Tour a family-owned coffee plantation and taste fresh Colombian coffee ` Enjoy feasting on sumptuous Latin American specialties and local cuisine QUICK VIEW ITINERARY Day 1: Arrive Bogotá, welcome dinner Day 2: Walk through the Candelaria, visit the Gold Museum, drive to Villa de Leyva Day 3: Hike in the cloud forest of Iguaque National Park, cooking class Day 4: Visit a fossil museum, drive to Barichara, bike into town for sunset drinks Day 5: Hike the royal road of Guane, hands-on traditional wall-building workshop Day 6: Hiking and whitewater rafting in the Chicamocha canyon Day 7: Walk through a coffee plantation, sample coffees, fly to Tayrona National Park Day 8: Hike to the Pueblito Chairama stone city, enjoy stunning beaches Day 9: Drive to Cartagena, take a street food tour of the city Day 10: Visit San Felipe fortress, explore the gastronomy of Cartagena, farewell dinner Day 11: Depart for the US TRIP PRICE Main Trip: $4,590 Optional Single Accommodations: $800 Internal Air: $240 adventurewomen 14 mount auburn street, watertown ma 02472 t: (617) 544-9393 t: (800) 804-8686 www.adventurewomen.com 2 COLOMBIA Whitewater, Fine Foods, and Antiquities October 12 - 22, 2018 is this trip We rate this trip as moderate. -
Fair Trade Adventures
Peru · Costa Rica · Colombia Enriching small group tours to unique destinations INDEX 7 Peru 12 DAYS | DEPARTS APRIL 22nd 11 Costa Rica 12 DAYS | DEPARTS MAY 14th 15 Colombia 12 DAYS | DEPARTS AUG 20th 19 Northern Peru 14 DAYS | DEPARTS SEPT 16th From coffee and chocolate to wine and clothes, fair trade products are now ubiquitous on any given high street. Although incredibly diverse, what all these products represent is a commitment to paying fair prices for raw materials and supporting the producers and their communities. Therefore, we are now thrilled to welcome Set-up by pioneering fair trade company you to Fair Trade Adventures: personal, Cafedirect, CPF works closely with a network experience-rich and rewarding travel of 38 fair trade farming cooperatives across experiences that have a positive impact Latin America and Africa. Smallholder farmers on destinations. Fair Trade Adventures are produce nearly 70% of the world’s food supply brought to you by Cafédirect Producers’ but they face numerous challenges, such as Foundation (CPF) in collaboration with climate change and pests, which can seriously Sumak Travel, a UK based social enterprise threaten their livelihoods. CPF is led by the specialising in Latin American ecotourism. needs of the 280,000 smallholders in their network and helps them develop These Fair Trade Adventures offer them to implement sustainable, innovative ways to combat these authentic, affordable and exciting long-lasting solutions to the challenges. holidays to discerning travellers – problems they face. small group tours that also have The community-based approach a positive impact on the local Furthermore, 10% of the price championed by Sumak Travel communities and the environment. -
Gletscherzauber in Den Anden Bis Zur „Verlorenen Stadt“
Alle Infos zu dieser Reise finden Sie hier GLETSCHERZAUBER IN DEN ANDEN BIS ZUR „VERLORENEN STADT“ Ort: Kolumbien Reisedauer: 21 Tage Teilnehmerzahl: 6 - 12 Schwierigkeit: Mittel Reiseart: Tierbeobachtungsreisen, Gruppenreise Trekking, Mountainbiking und karibischer Reiseausklang Kolumbien ist echtes Abenteuer für aktive und naturbegeisterte Entdecker. Sie finden hier nicht nur Südamerikas größte Vielfalt an Vogelarten und paradiesische Strände an der karibischen Küste, sondern auch dichten Regenwald und schneebedeckte Berggipfel. Bei dieser Reise erkunden Sie diese verschiedenen Ökosysteme zu Fuß und per Fahrrad. Trekking im Nationalpark Cocuy und in die Ciudad Perdida Von Bogotá aus, der Hauptstadt in den Anden, besuchen Sie das malerische Villa de Leyva, ein Dorf im Kolonialstil. Bei einer ersten Wanderung durch tropische Hochgebirgsvegetation können Sie sich ideal für das anschließende 3-tägige Trekking durch die Sierra de Cocuy, eine der schönsten Gebirgsformationen der südamerikanischen Anden, akklimatisieren. Eine Páramo-Landschaft mit riesigen Frailejones (Schopfrosettenbäumchen), 1 / 8 Gletscherlagunen und schneebedeckte Gipfel erwarten Sie. Per Mountainbike fahren Sie durch beschauliche Dörfer bis in den Chicamocha- Canyon, mit 3000 m Kolumbiens tiefste Schlucht. Auf einer Kaffeehazienda erfahren Sie alles über das wahre Gold des Landes. Auf einem 5-tägigen Trekking erkunden Sie die Sierra Nevada de Santa Marta, das höchste Küstengebirge der Welt: Der höchste Punkt (5775 m) liegt nur 50 km vom Meer entfernt. Nach zwei Tagen erreichen Sie die Ciudad Perdida, die „Verlorene Stadt“. Umgeben von üppigem Bergregenwald liegt sie auf 1200 m Höhe und zählt nach Machu Picchu zur größten präkolumbischen Stätte Südamerikas. Hier lebte das Volk der Tayrona, dessen Nachfahren, die Kogi-Indianer, heute noch die einzigen Bewohner des Gebirges sind. -
Translating Landscape: the Colombian Chorographic Commission
Translating landscape: the Colombian Chorographic Commission Verónica Uribe Hanabergh, PhD.1 ARTICLE INFO ABSTRACT Available Online January 2014 In 1850 the Colombian government developed a project to survey the Key words: landscape of this newly formed nation. Scientists, writers, and artists Colombia; were invited to make part of the project led by the Italian military, Chorographic Commission; geographer and cartographer- Agustin Codazzi. After nine years and landscape survey; three different artists, the Commission had many watercolor drawings Romanticism; that portrayed a landscape, not only in its physical traits, but also in its Watercolors; social, economic and agricultural development. Through the lens of building of the modern nation. these artists, the drawings that concluded the survey showed a landscape that was truly original but that was also seen through the lens of a certain romantic eye inherited by a firm European legacy. As a result, these watercolors show the different regions, people, and means of transportation, crops and trades. The Colombian Chorographic Commission was an important project in the construction of the Colombian modern nation, a country that was constantly divided by federalist and centralist politics, liberal and conservative parties. An interesting union between science, politics and art, these drawings represent the process of the modernization of nineteenth-century Colombia. I. Introduction During the course of Colombian nineteenth-century history, three historical journeys were essential to the construction of this nation and its identity: The Botanical Expedition, Alexander von Humboldt’s South American journey, and the Chorographic Commission. The first of these journeys is linked to an eighteenth- century enlightened idea of travel rather than to the more national character-constructing voyage of the nineteenth-century. -
The Treatment of the Piano in Six Selected Chamber Works by Colombian Composers in the Twenty-First Century
Graduate Theses, Dissertations, and Problem Reports 2017 The Treatment of the Piano in Six Selected Chamber Works by Colombian Composers in the Twenty-First Century Javier Camacho Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Camacho, Javier, "The Treatment of the Piano in Six Selected Chamber Works by Colombian Composers in the Twenty-First Century" (2017). Graduate Theses, Dissertations, and Problem Reports. 7067. https://researchrepository.wvu.edu/etd/7067 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. THE TREATMENT OF THE PIANO IN SIX SELECTED CHAMBER WORKS BY COLOMBIAN COMPOSERS IN THE TWENTY-FIRST CENTURY Javier Camacho A Doctoral Research Project submitted to the College of Creative Arts at West Virginia University In partial fulfillment of the requirements for the degree of Doctor -
Bambuco, Tango and Bolero: Music, Identity, and Class Struggles in Medell´In, Colombia, 1930–1953
BAMBUCO, TANGO AND BOLERO: MUSIC, IDENTITY, AND CLASS STRUGGLES IN MEDELL¶IN, COLOMBIA, 1930{1953 by Carolina Santamar¶³aDelgado B.S. in Music (harpsichord), Ponti¯cia Universidad Javeriana, 1997 M.A. in Ethnomusicology, University of Pittsburgh, 2002 Submitted to the Graduate Faculty of the Department of Music in partial ful¯llment of the requirements for the degree of Doctor of Philosophy in Ethnomusicology University of Pittsburgh 2006 BAMBUCO, TANGO AND BOLERO: MUSIC, IDENTITY, AND CLASS STRUGGLES IN MEDELL¶IN, COLOMBIA, 1930{1953 Carolina Santamar¶³aDelgado, PhD University of Pittsburgh, 2006 This dissertation explores the articulation of music, identity, and class struggles in the pro- duction, reception, and consumption of sound recordings of popular music in Colombia, 1930- 1953. I analyze practices of cultural consumption involving records in Medell¶³n,Colombia's second largest city and most important industrial center at the time. The study sheds light on some of the complex connections between two simultaneous historical processes during the mid-twentieth century, mass consumption and socio-political strife. Between 1930 and 1953, Colombian society experienced the rise of mass media and mass consumption as well as the outbreak of La Violencia, a turbulent period of social and political strife. Through an analysis of written material, especially the popular press, this work illustrates the use of aesthetic judgments to establish social di®erences in terms of ethnicity, social class, and gender. Another important aspect of the dissertation focuses on the adoption of music gen- res by di®erent groups, not only to demarcate di®erences at the local level, but as a means to inscribe these groups within larger imagined communities. -
Viajearqueológico Yculturala Colombia:Elsecretomejorguardado
X - PLORE VIAJE ARQUEOLÓGICO Y CULTURAL A E XPEDI CIONES COLOMBIA: EL SECRETO MEJOR GUARDADO PRIMAVERA – VERANO 2020 16 días ¡ Creamos y vivimos aventuras! X - PLORE EXPEDICIONES X - PLORE GROUP COLOMBIA: EL SECRETO MEJOR GUARDADO INTRODUCCIÓN Colombia es el cuarto país más grande de América del Sur y el tercer país con mayores recursos hídricos del mundo. Aunque sólo representa un 0.7% de la superficie terrestre, cerca del 14% de la flora y fauna del planeta y el 7 % de la selva amazónica se encuentr an en territorio colombiano. En Colombia hay 1.860 variedades de aves registradas que representan el 19% de todas las especies del mundo y 60% de las existentes en Sudamérica. Además ocupa el segundo lugar entre los países que exhiben la mayor diversidad de mariposas del mundo (3.000 familias y 14 especies). Y por si esto fuera poco , tiene la particularidad de estar bañada por los océanos Atlántico y Pacífico y atravesada por la espec tacular cordillera de los Andes . En 2006 la prestigiosa Lonely Planet escogió Colombia como uno de los destinos top 10 mundiales. En febrero de 2010, Colombia fue reconocida como «el mejor destino» del mundo en la feria turística más prestigiosa de Europa - «Times Destinations Travel Show» de Londres. Según el New York Times, Colombia quedó clasificada en segundo lugar después de Estambul, y entre 1.700 destinos turísticos, en la lista de los sitios más interesantes para visitar en el 2011. Y a pesar de el lo, Colombia sigue siendo un destino poco turístico (exceptuando las áreas del Caribe y del Eje Cafetero), emergente, desconocido y muy atractivo, con una gran diversidad multicultural y étnica (tiene 84 etnias indígenas), una naturaleza salvaje y abrumado ra, ciudades coloniales ancladas en el pasado y yacimientos arqueológicos precolombinos que son Patrimonio de la Humanidad por UNESCO. -
Hauser Magalog | 2021/22 2021/22 | Hauser Magalog 5 Unser Leitbild
Neuanfang – oder die Frage nach dem Warum Die Welt mit jeder Reise einen Schritt besser machen. Unser Manifest Neuanfang – oder die Frage nach dem Warum … Neuanfang? Ist es berechtigt in dieser Zeit von einem Neuanfang zu sprechen? Ich meine Ja. Wir erleben gerade eine der schwersten Krisen der letzten Jahrzehnte, die mich und meine Firma zutiefst getroffen hat. Eine Krise stellt Fragen an uns, geht an unsere Substanz. Auf was haben wir unser Haus des Lebens gebaut? Hält unsere Vision, unser Lebensentwurf? Krise kommt vom griechischen Wort krynein, was soviel wie Ent- scheidungszeit bedeutet. Krisen sind Zeiten der Ent – Täuschung – wo haben wir uns getäuscht oder täuschen lassen? Krisen sind der ultimative „reality check“ unseres Lebens. Vielleicht ging es Ihnen ähnlich in dieser Zeit? Was hat die Krise zu Ihnen gesagt, welche Antworten haben Sie gefunden? Die Frage, die diese Krise an mich gestellt hat, war die „Warum-Frage“. Warum mache ich das, was ich mache? Warum gibt es Hauser? Warum arbeite ich im Tourismus, obwohl das nie mein Wunsch war? Einige Auswüchse der Tourismusindustrie waren mir schon früh suspekt, lehne ich auch heute noch ab und ich weiß, dass auch in unserem Kundenkreis viele diese Skepsis teilen. Ich wollte mit meiner Arbeit und meinem Leben die Welt besser machen. Mir war es immer wichtig einen Beitrag zu leisten, auch wenn das vielleicht naiv und pathe- tisch klingt. Aber die letzten Wochen haben mir gezeigt, dass dieses Bedürfnis zutiefst in mir steckt und mich stetig antreibt. Das war auch immer mein Wunsch mit Hauser Exkursionen. Wir als Team erleben gerade mehr denn je was uns antreibt und worauf es uns ankommt: Zusammenhalt, das Gespräch mit Ihnen, die Hoffnung in die Zukunft. -
The Foods and Crops of the Muisca: a Dietary Reconstruction of the Intermediate Chiefdoms of Bogotá (Bacatá) and Tunja (Hunza), Colombia
THE FOODS AND CROPS OF THE MUISCA: A DIETARY RECONSTRUCTION OF THE INTERMEDIATE CHIEFDOMS OF BOGOTÁ (BACATÁ) AND TUNJA (HUNZA), COLOMBIA by JORGE LUIS GARCIA B.A. University of Central Florida, 2005 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2012 Major Professor: Arlen F. Chase ABSTRACT The Muisca people of the Eastern Cordillera of Colombia had an exceptionally complex diet, which is the result of specific subsistence strategies, environmental advantages, and social restrictions. The distinct varieties of microclimates, caused by the sharp elevations in this part of the Andes, allows for a great biodiversity of plants and animals that was accessible to the native population. The crops of domesticated and adopted plants of the Muisca include a wide variety of tubers, cereals, fruits, and leaves that are described in detail in this thesis. The Muisca used an agricultural method known as microverticality where the different thermic floors are utilized to grow an impressive variety of species at various elevations and climates. This group also domesticated the guinea pig, controlled deer populations and possibly practiced pisiculture, patterns that are also described in this text. Some of the foods of the Muisca were restricted to specific social groups, such as the consumption of deer and maize by the chiefly classes and the consumption of roots and tubers by the lower class, hence the complexity of their dietary practices. The utensils utilized in the preparation and processing of foods, including ceramics and stone tools were once of extreme importance in the evolution of the Muisca diet and form an important part of this research as well as the culinary methods that are described in the Spanish chronicles and by contemporary experts. -
Contemporary Muisca Indigenous Sounds in the Colombian Andes
Nymsuque: Contemporary Muisca Indigenous Sounds in the Colombian Andes Beatriz Goubert Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2019 © 2019 Beatriz Goubert All rights reserved ABSTRACT Nymsuque: Contemporary Muisca Indigenous Sounds in the Colombian Andes Beatriz Goubert Muiscas figure prominently in Colombian national historical accounts as a worthy and valuable indigenous culture, comparable to the Incas and Aztecs, but without their architectural grandeur. The magnificent goldsmith’s art locates them on a transnational level as part of the legend of El Dorado. Today, though the population is small, Muiscas are committed to cultural revitalization. The 19th century project of constructing the Colombian nation split the official Muisca history in two. A radical division was established between the illustrious indigenous past exemplified through Muisca culture as an advanced, but extinct civilization, and the assimilation politics established for the indigenous survivors, who were considered degraded subjects to be incorporated into the national project as regular citizens (mestizos). More than a century later, and supported in the 1991’s multicultural Colombian Constitution, the nation-state recognized the existence of five Muisca cabildos (indigenous governments) in the Bogotá Plateau, two in the capital city and three in nearby towns. As part of their legal battle for achieving recognition and maintaining it, these Muisca communities started a process of cultural revitalization focused on language, musical traditions, and healing practices. Today’s Muiscas incorporate references from the colonial archive, archeological collections, and scholars’ interpretations of these sources into their contemporary cultural practices. -
Art-Based Healing Strategies in Colombia in the Context of Collective Trauma: a Literature Review
ART-BASED HEALING STRATEGIES IN COLOMBIA IN THE CONTEXT OF COLLECTIVE TRAUMA: A LITERATURE REVIEW Ana María García Hernández A Research Paper in The Department of Creative Arts Therapies Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts Concordia University Montreal, Quebec, Canada April 2020 © ANA MARÍA GARCÍA HERNÁNDEZ 2020 CONCORDIA UNIVERSITY School of Graduate Studies This research paper prepared By: Ana María García Hernandez Entitled: Art-Based Healing Strategies in Colombia in the Context of Collective Trauma: A Literature Review and submitted in partial fulfilment of the requirements for the degree of Master of Arts (Creative Arts Therapies; Art Therapy Option) complies with the regulations of the University and meets the accepted standards with respect to originality and quality as approved by the research advisor. Research Advisor: ● s Janis Timm-Bottos, PhD, ATR-BC, PT Department Chair: Guylaine Vaillencourt, PhD, MTA April 2020 ABSTRACT ART-BASED HEALING STRATEGIES IN COLOMBIA IN THE CONTEXT OF COLLECTIVE TRAUMA: A LITERATURE REVIEW ANA MARÍA GARCÍA HERNÁNDEZ In Colombia, a country severely impacted by centuries of violence, many communities resorted to the use of art to overcome their collective trauma. The present research answers the question: “What is the existing literature that supports arts-based healing knowledge that has been developed in Colombia?” This research collects relevant data on the topic, gathered from professionals of different academic fields and reflects on it through an art therapy lens. Art-based healing strategies are reported in the literature associated with social and economic empowerment, reconnection of social fabric, transformation of social patterns and construction of hope.