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Brink, D.H. Van Den 1.Pdf
Daan van den Brink s4369106 16 Aug. 2018 MA Creative Industries Rap Record for Sale - Sampling practice and commodification in Madlib Invazion. Cover image: Trouble Knows Me, Trouble Knows Me. Los Angeles: Madlib Invazion. (MMS-027), 2015. Daan van den Brink (s4369106) Email: [email protected] Rap Record for Sale – Sampling practice and commodification in Madlib Invazion. MA Thesis Creative Industries. Date of submission: 6 Aug. 2018 Supervisor: dr. Vincent Meelberg Email: [email protected] Abstract. Within our capitalistic society, much if not all the music we consume is to be regarded as commodities. Musical products are subject to numerous processes, rules and regulations, one of which being copyright. Essentially, copyright enables the musical product as commodity, and as David Hesmondhalgh puts it, has become the main means of commodifying culture. A musical practice that is particularly at odds with copyright is sampling, which makes use of previously recorded material through recombination and re-contextualisation. For the use of samples, a proper copyright license must be in place, whether the sample-based song is being monetized on or released for free. However, hip hop producers often do not comply in licensing the use of copyrighted material in their music, which challenges not only the copyright regime, but also copyright as a means of commodification. Over the years, copyright has become an extensive set of rights, resulting in the criminalization of unlicensed use of samples, but not in prevention, as technological advancements have made sampling a more widespread and accessible practice. Within this thesis, the sample-based work of Madlib as released on his Madlib Invazion label is used as a case study to map the current copyright regime, the costs of licensing and the risks of unlicensed sampling. -
Is Hip Hop Dead?
IS HIP HOP DEAD? IS HIP HOP DEAD? THE PAST,PRESENT, AND FUTURE OF AMERICA’S MOST WANTED MUSIC Mickey Hess Library of Congress Cataloging-in-Publication Data Hess, Mickey, 1975- Is hip hop dead? : the past, present, and future of America’s most wanted music / Mickey Hess. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-275-99461-7 (alk. paper) 1. Rap (Music)—History and criticism. I. Title. ML3531H47 2007 782.421649—dc22 2007020658 British Library Cataloguing in Publication Data is available. Copyright C 2007 by Mickey Hess All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2007020658 ISBN-13: 978-0-275-99461-7 ISBN-10: 0-275-99461-9 First published in 2007 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.praeger.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 CONTENTS ACKNOWLEDGMENTS vii INTRODUCTION 1 1THE RAP CAREER 13 2THE RAP LIFE 43 3THE RAP PERSONA 69 4SAMPLING AND STEALING 89 5WHITE RAPPERS 109 6HIP HOP,WHITENESS, AND PARODY 135 CONCLUSION 159 NOTES 167 BIBLIOGRAPHY 179 INDEX 187 ACKNOWLEDGMENTS The support of a Rider University Summer Fellowship helped me com- plete this book. I want to thank my colleagues in the Rider University English Department for their support of my work. -
DOXA Festival 2004
2 table of contents General Festival Information - Tickets, Venues 3 The Documentary Media Society 5 Acknowledgements 6 Partnership Opportunities 7 Greetings 9 Welcome from DOXA 11 Opening Night - The Take 13 Gals of the Great White North: Movies by Canadian Women 14 Inheritance: A Fisherman’s Story 15 Mumbai, India. January, 2004. The World Social Forum. by Arlene Ami 16 Activist Documentaries 18 Personal Politics by Ann Marie Fleming 19 Sherman’s March 20 NFB Master Class with Alanis Obomsawin 21 Festival Schedule 23 Fragments of a Journey in Palestine-Israel 24 Born Into Brothels 25 The Cucumber Incident 26 No Place Called Home 27 Word Wars 29 Trouble in the Image by Alex MacKenzie 30 The Exhibitionists 31 Haack: The King of Techno + Sid Vision 33 A Night Out with the Guys (Reeking of Humanity) 34 Illustrating the Point: The Use of Animation in Documentary 36 Closing Night - Screaming Men 39 Sources 43 3 4 general festival information Tickets Venues Opening Night Fundraising Gala: The Vogue Theatre (VT) 918 Granville Street $20 regular / $10 low income (plus $1.50 venue fee) Pacific Cinémathèque (PC) 1131 Howe Street low income tickets ONLY available at DOXA office (M-F, 10-5pm) All programs take place at Pacific Cinémathèque except Tuesday May Matinee (before 6 pm) screenings: $7 25 - The Take, which is at the Vogue Theatre. Evening (after 6 pm) screenings: $9 Closing Night: $15 screening & reception The Vogue Theatre and Pacific Cinémathèque are Festival Pass: $69 includes closing gala screening & wheelchair accessible. reception (pass excludes Opening Gala) Master Class: Free admission Festival Information www.doxafestival.ca Festival passes are available at Ticketmaster only (pass 604.646.3200 excludes opening night). -
Top R &B /Hip -Hop Catalog Albums
OCTOBER. E Compiled by SoundScan from a national subset 2001 Billboard I Top R. H Ho Albu panel of core R &B /Hip -Hop stores. Y O C 2 W Q O z 3 G O 3 n o ARTIST TITLE á Ñ I- ARTIST TITLE ¿ (7 -' 3 M P R I N T & NUMBER /DISTRIBUTING LABEL á ° g S IMPRINT & NUMBER /DISTRIBUTING LABEL á rs° _-t NUMBER 1 % := 2 WAIMhadia1 50 37 23 JANET v:rum 10144.11298/18981 All For You 1 1 59 3 JAY -Z RorA- Fella /Del Joel 586396' /IGJMG112.98/1998: The Blueprint 1 47 42 12 LIL' ROMEO Saulja501981/F1mM,(1198/1798) LB. Romeo 5 #' HOT SHOT DEBUT # 45 35 8 GANGSTA BOO Hypnotize Minds/Loud 19z5/CRG112.93E0/17981 Both Worlds, *69 8 1 GERALD LEVERT Elektra62855/EEGnz9aId98, Gerald's World 2 © 52 41 65 NELLYA' Fo Reel 157743 /Universa1It2.9w1a98) Country Grammar 1 2 2 FABOLOUS Duo, Storm/110ton132b79' /LLG11298119981 Ghetto Fabolous 2 53 43 27 112 P,nr Boy 53039 /Arslau298/IB991 Part Ill 1 34 2 KILLARMY Wu- Tang /Loud19Z7/CRG(ts- SOE0/17.98) Fear Love & War 34 4 3 6 MAXWELL A Columbia 67136/CRG11298ED/18981 Now 1 - Roc- ell 3 1 4 MARY J. BLIGE MCA 112616.11298/1898) No More Drama 1 51 46 13 BEANIE SIGEL AF a /0et.1 ant 549538 /IDJMG11298/18NI The Reason 2 7 4 4 BRIAN MCKNIGHT Motowo014743+Universal(12.98 /18.981 Superhero 4 55 44 7 SOUUA SLIM No Linda South 2001p198/1798I The Streets Made Me 42 5 2 1C AALIYAH A En:c+.g,ound10082'11298/1899I Aaliyah 2 58 52 50 JA RULE A M, u der Inc /Dot Jam 542934./IDJMG1129w18.98) Rule 3:36 1 Anna751083/Arrem1,11298,19981 5 9 5 12 ALICIA KEYS A' J2000211198/1798) Songs In A Minor 1 60 50 10 KURUPT Space Boogie: Smoke Oddessey 3 1 0298EOi18981 t PACESETTER 4 g 0} Lit MACY GRAY Emc85200' The ID 9 cia 96 - 2 DENNIS DA MENACE 1ssAvenu woos 9scRI, The Wonderful World Of Dennis 60 12 10 7 USHER Arista 14715'112.98/18981 8701 3 40 56 38 6 VARIOUS ARTISTS Del Jam 586239/IDJMGlt98n891D The Source Hip -Hop Music Awards 2001 34 64 66 8 MR. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
046-49 Stonesthrow.Qxd
046 49 StonesThrow.qxd 10/30/06 7:00 AM Page 64 STONES THROW TURNS 10 BY CHRIS MARTINS — PHOTOS BY B+ “I’VE GOT A WHOLE FRIDGE FULL OF WINE,” better known as Egon: general manager, vintage director Jeff Jank, an erstwhile graffiti artist and illus- says Eothen Alapatt with the air of a veteran busi- regional funk archivist, DJ and all-around hustler trator from Oakland who made the move south with nessman. “Going up to places like Lompoc and (though it must be mentioned that he’s much more Wolf. Photographer B+, an Irish transplant whose Buellton right outside Santa Barbara, to these wineries endearing than he is business) for Stones Throw credits include album covers for N.W.A., the Watts that are site specific…it’s just like the music I like.” Records. Of course, this isn’t to say that the label’s Prophets, DJ Shadow, and the majority of the Stones He is, after all, an accomplished record label manager. basic function isn’t happening (that previously men- Throw catalog. Rapper Medaphoar, who grew up with “I feel the same way traveling to Omaha to track a funk tioned “supposed to” about reinventing hip-hop), the label’s flagship artist Madlib in Oxnard, California, band as when I’m going to a winery seeing where they because it most certainly is. But times have changed. 60 miles northwest of L.A. Producer J-Rocc, founding grow the grapes, tasting the wine and meeting the Ten years is a lot of time for an independent hip-hop member of the seminal West Coast turntablist crew people that do it.” But Eothen isn’t an industry old- (etc.) imprint that never had dreams of pressing its the World Famous Beat Junkies (who’ve worked with, timer. -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
Autotune Bc.Pdf
MASARYKOVA UNIVERZITA Filozofická fakulta Ústav hudební vědy Teorie interaktivních médií BAKALÁŘSKÁ DIPLOMOVÁ PRÁCE Fenomén auto-tune jako projev automatizace a dehumanizace hudby Václav Římánek Vedoucí práce: PhDr. Aleš Opekar, CSc. 2016 ČESTNÉ PROHLÁŠENÍ Prohlašuji, že jsem tuto bakalářskou práci vypracoval samostatně. Ve své práci jsem použil zdroje a literaturu, které jsou náležitě a řádně citovány v poznámkách pod čarou a jsou všechny uvedeny v bibliografii této práce. V Brně, 11.5. 2016 .................................................. Václav Římánek 2 PODĚKOVÁNÍ Na tomto místě bych chtěl poděkovat PhDr. Aleši Opekarovi, CSc. za vedení, konzultace a přínosné poznámky pro danou práci. Dále bych chtěl poděkovat všem, kteří mě při psaní této práce podporovali. 3 Obsah Úvod.....................................................................................................................................................5 1. Co je to auto-tune?............................................................................................................................6 1.1. Obecná definice........................................................................................................................6 1.2. Jak auto-tune funguje................................................................................................................6 2. Historie.............................................................................................................................................8 2.1. Předchůdci auto-tune................................................................................................................8 -
Order Form Full
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Perspectives on the Aesthetics & Phenomenology Of
A LIBERATED SONIC SUBLIME: Perspectives On The Aesthetics & Phenomenology Of Sound Synthesis Anders Bach Pedersen IT University, Copenhagen, Den- mark [email protected] ABSTRACT of music, or we can ultimately try to fathom the sounds in their own existence and in conjunction with one another In this paper I will investigate the aesthetics of electronic to provoke a mood, emotional and/or sensory relation sound synthesis, materiality and the contemporary sub- within the listener. The objectification and paradox in the lime in an analysis and discussion of interrelated phe- effort of materializing sound becomes a personal aes- nomenological, philosophical and cultural considerations thetic judgment of timbre and Kantian aesthetics [4], but I through chosen sound and music examples. I argue that will later in this paper argue that it is in fact an active the aesthetic experience of sonic timbres that seem un- participation in a phenomenological liberation of sound earthly to us resembles that of a transcendental sublime in in continuum of the idea presented by Edgard Varèse [5] the uncanny experience of the synthesis of both known in 1936. I do acknowledge specific types of synthesis – and unknown sounds. Both experimental music and additive, subtractive, FM etc. – with regards to their dif- “switched-on” reinterpretations are addressed through ferent timbral qualities, albeit theory in this area does not explorations of sound in time, space and technology and I serve any major importance for the points made in this discuss if we as listeners are able to differentiate materi- discussion as it is mainly based on aesthetics. ality from its superficial cognates when challenged by In this paper I will firstly discuss the nature of sound sonic doppelgängers. -
Representations of Blackface and Minstrelsy in Twenty- First Century Popular Culture
Representations of Blackface and Minstrelsy in Twenty- First Century Popular Culture Jack HARBORD School of Arts and Media University of Salford, Salford, UK Submitted in Partial Fulfilment of the Requirements of the Degree of Doctor of Philosophy, June 2015 Table of Contents List of Figures iii Acknowledgements vii Abstract viii Introduction 1 1. Literature Review of Minstrelsy Studies 7 2. Terminology and Key Concepts 20 3. Source Materials 27 4. Methodology 39 5. Showing Blackface 5.1. Introduction 58 5. 2. Change the Joke: Blackface in Satire, Parody, and Irony 59 5. 3. Killing Blackface: Violence, Death, and Injury 95 5. 4. Showing Process: Burnt Cork Ritual, Application, and Removal 106 5. 5. Framing Blackface: Mise-en-Abyme and Critical Distance 134 5. 6. When Private goes Public: Blackface in Social Contexts 144 6. Talking Blackface 6. 1. Introduction 158 6. 2. The Discourse of Blackface Equivalency 161 6. 3. A Case Study in Blackface Equivalency: Iggy Azalea 187 6. 4. Blackface Equivalency in Non-African American Cultural Contexts 194 6. 5. Minstrel Show Rap: Three Case Studies 207 i Conclusions: Findings in Contemporary Context 230 References 242 ii List of Figures Figure 1 – Downey Jr. playing Lazarus playing Osiris 30 Figure 2 – Blackface characters in Mantan: The New Millennium Minstrel Show 64 Figure 3 – Mantan: Cotton plantation/watermelon patch 64 Figure 4 – Mantan: chicken coup 64 Figure 5 – Pierre Delacroix surrounded by African American caricature memorabilia 65 Figure 6 – Silverman and Eugene on return to café in ‘Face -
A Big Back to School Music Reviewjjlqwout^
h 1 m , I f I . » W* * i l # a • 3 A BIG BACK TO SCHOOL MUSIC REVIEWJJLQWOUT^ m '¿{o x v v * * * % r < r j r ^ r ~ , ------------------- £ . - i M * V v • N 4 * f < % v t 4 2C Thursday, September 23,1999 Daily Nexus AVEDA ^Nightli) Specials! THE ART AND SCIENCE OF PURE FLOWER AND PLANT ESSENCES* < S u s k t c l *Q o -G o Monday Night: Footboii Brazilian Nights Tuesday Night: so* Night Drink Specials Prize for best outfit! Wednesday Night: $3 Monster Beers and Karioke Need A New Do? > > Be among the first to discover new talent. Book an appointment with our Thursday Night: Might Happi| Hour new stylist. With a quick head and neck massage to relieve everyday stress. And a great wash, cut and style with an Aveda professional who I price drinks knows all the trends and techniques. This kind of expertise is available only from 9-11 at Darin Jon Studio, an Aveda concept salon. So hurry and schedule an appointment today - before everyone else does ($20.°° new clients only). Hair Care | Skin Care | Makeup | Plant Pure-Fume™ | Body Care d û H f" f r v\ù i—' \rb bf~ \rb Ç f A T U N J O N j| tl. % ^ S tu d io Hair Cu||* Color Services C." |19 Chapala St • 962-1884 Sushi tZ'Qo Qo i . Horn Internet Servi N O W A V A I L A i n I s l a V i Downloads Internet information up to 100 times faster than a 28.8K modem!* Blazing download speeds up to 3,000 Kbps! f 3 0 D ay Money Back j Instant Access all the Time! ( ^ Guarantee!1 ' No phone lines, no busy signals, no waiting! Always on, always ready (t o The Best Buy on the Internet Cox@Home - your connection and ISP all in one! Three email accounts, up to 15 MB total of personal web space, remote access from any Internet connection, and unlimited usage, ¡ 5 ® all in one low monthly fee! mm « ¡ P i m S H ISS « Call 683-6651 to Order TODAY! Also available in San Roque, the Mesa, and the Westside! ¡ S ? rHSerViC8 T ü ? be aVaUabtein.aH areas C?g68S^ St ÏS iliïS S it for $l5/month.