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2017 New York
CANADA NOW BEST NEW FILMS FROM CANADA 2017 APRIL 6 – 9 AT THE IFC CENTER, NEW YORK From the recent numerous international successes of Canadian directors such as Xavier Dolan (Mommy, It’s Only the End of the World), Denis Villeneuve (Arrival, and the forthcoming Blade Runner sequel), Philippe Falardeau (The Bleeder, The Good Lie) and Jean-Marc Vallée (Dallas Buyers Club, Wild, Demolition), you might be thinking that there must be something special in that clean, cool drinking water north of the 49th parallel. As this year’s selection of impressive new Canadian films reveals, you would not be wrong. With works from new talents as well as from Canada’s accomplished veteran directors, this series will transport you from the Arctic Circle to western Asia, from downtown Montreal to small town Nova Scotia. And yes, there will be hockey. Get ready to travel across the daring and dramatic contemporary Canadian cinematic landscape. Have a look at what’s now and what’s next in those cinematic lights in the northern North American skies. Thursday, April 6, 7:00PM RUMBLE: THE INDIANS WHO ROCKED THE WORLD CANADA 2017 | 97 MINUTES DIRECTOR: CATHERINE BAINBRIDGE, CO-DIRECTOR: ALFONSO MAIORANA Artfully weaving North American musicology and the devastating historical experiences of Native Americans, Rumble: The Indians Who Rocked The World reveals the deep connections between Native American and African American peoples and their musical forms. A Sundance 2017 sensation, Bainbridge’s and co-director Maiorana’s documentary charts the rhythms and notes we now know as rock, blues, and jazz, and unveils their surprising origins in Native American culture. -
Uncut! First Time In
45833_AFI_AGS 3/30/04 11:38 AM Page 1 THE AMERICAN FILM INSTITUTE GUIDE April 23 - June 13, 2004 ★ TO THEATRE AND MEMBER EVENTS VOLUME 1 • ISSUE 10 AFIPREVIEW UNCUT! FIRST TIME IN DC! GODZILLA!GODZILLA! Plus: Great World War II Films, Filmfest DC, Val Lewton Centennial, Three by Alfred Hitchcock, Natalie Wood Tribute MC5*A TRUE TESTIMONIAL POINT OF ORDER A STREETCAR NAMED DESIRE CITY LIGHTS GODSEND SYLVIA BLOWUP DARK VICTORY SEPARATE BUT EQUAL STORMY WEATHER CAT ON A HOT TIN ROOF WAR AND PEACE PHOTO NEEDED WORD WARS 45833_AFI_AGS 3/30/04 11:39 AM Page 2 Features 2, 3, 4, 7, 13 2 POINT OF ORDER MEMBERS ONLY SPECIAL EVENT! 3 MC5 *A TRUE TESTIMONIAL, GODZILLA GODSEND MEMBERS ONLY 4WORD WARS, CITY LIGHTS ●M ADVANCE SCREENING! 7 KIRIKOU AND THE SORCERESS Wednesday, April 28, 7:30 13 WAR AND PEACE, BLOWUP When an only child, Adam (Cameron Bright), is tragically killed 13 Two by Tennessee Williams—CAT ON A HOT on his eighth birthday, bereaved parents Rebecca Romijn-Stamos TIN ROOF and A STREETCAR NAMED DESIRE and Greg Kinnear are befriended by Robert De Niro—one of Romijn-Stamos’s former teachers and a doctor on the forefront of Filmfest DC 4 genetic research. He offers a unique solution: reverse the laws of nature by cloning their son. The desperate couple agrees to the The Greatest Generation 6-7 experiment, and, for a while, all goes well under 6Featured Showcase—America Celebrates the the doctor’s watchful eye. Greatest Generation, including THE BRIDGE ON The “new” Adam grows THE RIVER KWAI, CASABLANCA, and SAVING into a healthy and happy PRIVATE RYAN young boy—until his Film Series 5, 11, 12, 14 eighth birthday, when things start to go horri- 5 Three by Alfred Hitchcock: NORTH BY bly wrong. -
ANNUAL REPORT 2016-2017 Published by Strategic Planning and Government Relations P.O
ANNUAL REPORT 2016-2017 Published by Strategic Planning and Government Relations P.O. Box 6100, Station Centre-ville Montreal, Quebec H3C 3H5 Internet: onf-nfb.gc.ca/en E-mail: [email protected] Cover page: ANGRY INUK, Alethea Arnaquq-Baril © 2017 National Film Board of Canada ISBN 0-7722-1278-3 2nd Quarter 2017 Printed in Canada TABLE OF CONTENTS 2016–2017 IN NUMBERS MESSAGE FROM THE GOVERNMENT FILM COMMISSIONER FOREWORD HIGHLIGHTS 1. THE NFB: A CENTRE FOR CREATIVITY AND EXCELLENCE 2. INCLUSION 3. WORKS THAT REACH EVER LARGER AUDIENCES, RAISE QUESTIONS AND ENGAGE 4. AN ORGANIZATION FOCUSED ON THE FUTURE AWARDS AND HONOURS GOVERNANCE MANAGEMENT SUMMARY OF ACTIVITIES IN 2016–2017 FINANCIAL STATEMENTS ANNEX I: THE NFB ACROSS CANADA ANNEX II: PRODUCTIONS ANNEX III: INDEPENDENT FILM PROJECTS SUPPORTED BY ACIC AND FAP AS THE CROW FLIES Tess Girard August 1, 2017 The Honourable Mélanie Joly Minister of Canadian Heritage Ottawa, Ontario Minister: I have the honour of submitting to you, in accordance with the provisions of section 20(1) of the National Film Act, the Annual Report of the National Film Board of Canada for the period ended March 31, 2017. The report also provides highlights of noteworthy events of this fiscal year. Yours respectfully, Claude Joli-Coeur Government Film Commissioner and Chairperson of the National Film Board of Canada ANTHEM Image from Canada 150 video 6 | 2016-2017 2016–2017 IN NUMBERS 1 VIRTUAL REALITY WORK 2 INSTALLATIONS 2 INTERACTIVE WEBSITES 67 ORIGINAL FILMS AND CO-PRODUCTIONS 74 INDEPENDENT FILM PROJECTS -
Lending Library
Lending Library What? Scrabble books, films, puzzles available to any Club member Why? We all want to improve our game How? 1. Email Jacob ([email protected]) for any item 2. Brought to club following Sunday 3. Due- following month Scrabble Word List Official Tournament and Club Word List, (OTCWL 2014), Merriam-Webster Scrabble Strategy Everything Scrabble, 2nd ed. by Joe Edley and John D. Williams, Jr. Everything Scrabble, 3rd ed. by Joe Edley and John D. Williams, Jr. How to Play Scrabble Like a Champion, by World Scrabble Champion, Joel Wapnick How to Win at Scrabble (rare 1953 edition) by Jacob Orleans and Edmund Jacobsen Asheville Scrabble School, a brief course taught by Jacob Cohen Scrabble Strategy: The Secrets of a Scrabble Junkie by Todd Kreisman Scrabble Strategy Guide: from Australia; some words not good in N. American Scrabble, yet, the strategy instruction is excellent Official Kids’ Guide to Scrabble, by Bradley Robbins Official Scrabble Players Handbook, edited by Drue K. Conklin Tournament Success, by Darrell Day Scrabble Films, Literature, and Miscellaneous Confessions of a Compulsive Tile Pusher, by Stu Goldman Knight Swam: Young Adult novel by Charlotte player, by Katya Lezin Letterati: An Unauthorized Look at Scrabble and the People Who Play It, by Paul McCarthy Scrabbylon, a film by Scott Petersen Word Freak: Heartbreak, Triumph, Genius, and Obsession in the World of Competitive Scrabble Players by Stefan Fastis Word Nerd: Dispatches from the Games, Grammar, & Geek Underground by John D. Williams, Jr. Word -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
Autotune Bc.Pdf
MASARYKOVA UNIVERZITA Filozofická fakulta Ústav hudební vědy Teorie interaktivních médií BAKALÁŘSKÁ DIPLOMOVÁ PRÁCE Fenomén auto-tune jako projev automatizace a dehumanizace hudby Václav Římánek Vedoucí práce: PhDr. Aleš Opekar, CSc. 2016 ČESTNÉ PROHLÁŠENÍ Prohlašuji, že jsem tuto bakalářskou práci vypracoval samostatně. Ve své práci jsem použil zdroje a literaturu, které jsou náležitě a řádně citovány v poznámkách pod čarou a jsou všechny uvedeny v bibliografii této práce. V Brně, 11.5. 2016 .................................................. Václav Římánek 2 PODĚKOVÁNÍ Na tomto místě bych chtěl poděkovat PhDr. Aleši Opekarovi, CSc. za vedení, konzultace a přínosné poznámky pro danou práci. Dále bych chtěl poděkovat všem, kteří mě při psaní této práce podporovali. 3 Obsah Úvod.....................................................................................................................................................5 1. Co je to auto-tune?............................................................................................................................6 1.1. Obecná definice........................................................................................................................6 1.2. Jak auto-tune funguje................................................................................................................6 2. Historie.............................................................................................................................................8 2.1. Předchůdci auto-tune................................................................................................................8 -
2018-2015 BC Master Production Agreement
2015-2018 BRITISH COLUMBIA PMRAODSUTCTEIOR N AGREEMENT 300 - 380 West 2nd Avenue Vancouver, BC V5Y 1C8 p 604.689.0727 f 604.689.1145 [email protected] www.ubcp.com TABLE OF CONTENTS Preamble ...................................................................................................................................... 1 SECTION A - GENERAL CLAUSES..................................................................................... 1 ARTICLE A1 - UNION RECOGNITION AND APPLICATION ........................................... 1 Union Recognition .......................................................................................................................................... 1 Scope of Agreement........................................................................................................................................ 1 Future Negotiations on Scope of Agreement ................................................................................................. 1 Minimum Terms ........................................................................................................................................... 1 Agreement in Whole ..................................................................................................................................... 2 Rights of Producer .......................................................................................................................................... 2 Laws of British Columbia Apply .................................................................................................................. -
November 2006 Wayves
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Perspectives on the Aesthetics & Phenomenology Of
A LIBERATED SONIC SUBLIME: Perspectives On The Aesthetics & Phenomenology Of Sound Synthesis Anders Bach Pedersen IT University, Copenhagen, Den- mark [email protected] ABSTRACT of music, or we can ultimately try to fathom the sounds in their own existence and in conjunction with one another In this paper I will investigate the aesthetics of electronic to provoke a mood, emotional and/or sensory relation sound synthesis, materiality and the contemporary sub- within the listener. The objectification and paradox in the lime in an analysis and discussion of interrelated phe- effort of materializing sound becomes a personal aes- nomenological, philosophical and cultural considerations thetic judgment of timbre and Kantian aesthetics [4], but I through chosen sound and music examples. I argue that will later in this paper argue that it is in fact an active the aesthetic experience of sonic timbres that seem un- participation in a phenomenological liberation of sound earthly to us resembles that of a transcendental sublime in in continuum of the idea presented by Edgard Varèse [5] the uncanny experience of the synthesis of both known in 1936. I do acknowledge specific types of synthesis – and unknown sounds. Both experimental music and additive, subtractive, FM etc. – with regards to their dif- “switched-on” reinterpretations are addressed through ferent timbral qualities, albeit theory in this area does not explorations of sound in time, space and technology and I serve any major importance for the points made in this discuss if we as listeners are able to differentiate materi- discussion as it is mainly based on aesthetics. ality from its superficial cognates when challenged by In this paper I will firstly discuss the nature of sound sonic doppelgängers. -
Window Horses the Poetic Persian Epiphany of Rosie Ming Des Mots, Des Couleurs Et Du Son Julie Demers
Document généré le 23 sept. 2021 20:56 Séquences : la revue de cinéma Window Horses The Poetic Persian Epiphany of Rosie Ming Des mots, des couleurs et du son Julie Demers On the beach At night Alone Numéro 308, juin 2017 URI : https://id.erudit.org/iderudit/86037ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Demers, J. (2017). Compte rendu de [Window Horses : the Poetic Persian Epiphany of Rosie Ming / Des mots, des couleurs et du son]. Séquences : la revue de cinéma, (308), 35–35. Tous droits réservés © La revue Séquences Inc., 2017 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ ANN MARIE FLEMING | 35 Window Horses The Poetic Persian Epiphany of Rosie Ming Des mots, des couleurs et du son Le Canada : deux solitudes. Alors que le cinéma québécois est projeté sur écran partout au pays, trop peu de films canadiens traversent les frontières du Québec. Mis à part les Guy Maddin, Atom Egoyan, David Cronenberg et James Cameron, combien de réalisateurs canadiens sont connus et célébrés au Québec ? JULIE DEMERS t pourtant, le cinéma canadien est foisonnant et inventif. -
“Memories Seeded in Longings”: an Interview with Bernice Eisenstein
132 Scl/Élc “Memories Seeded in Longings”: An Interview with Bernice Eisenstein Ruth Panofsky rtist and writer Bernice Eisenstein (1949- ) was born in Toronto to Polish Holocaust survivors. Her father, Barek (Beryl or Ben) Eisenstein, was from Miechow and her mother, ReginaA Oksenhendler, was from Bedzin; both survived Auschwitz. They immigrated to Canada in 1948 and settled in Toronto’s Kensington Market neighbourhood, where Ben Eisenstein opened a kosher butcher shop. Eisenstein holds a degree in English from York University and stud- ied art in Israel and England. She has worked as a freelance editor and illustrator for several publishers and journals, and has reviewed books for the Globe and Mail. From October 2014 to February 2015, she was artist-in-residence at the Sarah and Chaim Neuberger Holocaust Education Centre in Toronto. Eisenstein’s illustrations have been fea- tured in a variety of Canadian publications, and her artwork has been exhibited in Canada, the United States, and Europe. Eisenstein is the author of I Was a Child of Holocaust Survivors (Toronto: McClelland & Stewart, 2006), a graphic work that received the Helen and Stan Vine Canadian Jewish Book Award in the cat- egory of Holocaust memoir. I Was a Child of Holocaust Survivors has been translated into ten languages. A second project, Correspondences (Toronto: McClelland & Stewart, 2013), is a joint publication with poet Anne Michaels. An accordion-style book, it pairs Eisenstein’s twenty-six gouache portraits with Michaels’s book-length poem.1 Correspondences also invokes the history and lasting effects of the Holocaust. Eisenstein is the first Canadian to publish a graphic memoir about her experience as the child of Holocaust survivors. -
CURRICULUM VITAE Rocío G
1 CURRICULUM VITAE Rocío G. Davis (December 2013) Degrees: Ph. D. in Literature. University of Navarra, 1991. Received cum laude for Doctoral Dissertation. M.A. in Literature. University of Navarra, 1987. Received cum laude for Master’s Thesis. B.A. in Literature (English). College of Arts and Letters, Ateneo de Manila University, 1985. Academic Appointments (since 2000): March 2010: Acredited as a Catedrático de Universidad in English Philology by the ANECA. March 2010-August 2013: Professor of English, City University of Hong Kong 2000-2001: Visiting Professor of Asian American Literature. University of Illinois, Chicago. 1997 to 2010: Associate Professor of English and American Literature, University of Navarra. June-July 2006: Visiting Scholar at the Centre for the Study of Autobiography, Gender, and Age, University of British Columbia April 2004: Visiting Scholar at the Centre for Research in Women’s Studies and Gender Relations, University of British Columbia Participation in Funded Research Projects: As PI of the Research Group: Title: “’A Noble Duty, Wisely Planned’: An Analysis of Life Writing by the Thomasites, American Teachers Sent to the Philippines in 1901” Funding Organization: College of Liberal Arts and Social Sciences Grant Dates: March 1, 2011-February 29, 2013 Amount: HK$100,000 (10.000 euros) __________________________________ Title: Autobiografía académica en el siglo xx como historia intelectual y memoria cultural Funding Organization: Gobierno de Navarra Dates: 2008-2010 Amount: 24.000 euros Number of Members: 5 __________________________________ Title: Autobiografía académica en el siglo xx como historia intelectual y memoria cultural Funding Organization: Fundación Universitaria de Navarra Dates: 2007-2008 Amount: 13.500 euros Number of Members: 5 __________________________________________________ 2 Title: Autobiography, History, Literature: Discourse Strategies (La auto/biografía entre la literatura e historia: estrategias del discurso).