The Modoc Indian War
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MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
GIORGIO MORODER Album Announcement Press Release April
GIORGIO MORODER TO RELEASE BRAND NEW STUDIO ALBUM DÉJÀ VU JUNE 16TH ON RCA RECORDS ! TITLE TRACK “DÉJÀ VU FEAT. SIA” AVAILABLE TODAY, APRIL 17 CLICK HERE TO LISTEN TO “DÉJÀ VU FEATURING SIA” DÉJÀ VU ALBUM PRE-ORDER NOW LIVE (New York- April 17, 2015) Giorgio Moroder, the founder of disco and electronic music trailblazer, will be releasing his first solo album in over 30 years entitled DÉJÀ VU on June 16th on RCA Records. The title track “Déjà vu featuring Sia” is available everywhere today. Click here to listen now! Fans who pre-order the album will receive “Déjà vu feat. Sia” instantly, as well as previously released singles “74 is the New 24” and “Right Here, Right Now featuring Kylie Minogue” instantly. (Click hyperlinks to listen/ watch videos). Album preorder available now at iTunes and Amazon. Giorgio’s long-awaited album DÉJÀ VU features a superstar line up of collaborators including Britney Spears, Sia, Charli XCX, Kylie Minogue, Mikky Ekko, Foxes, Kelis, Marlene, and Matthew Koma. Find below a complete album track listing. Comments Giorgio Moroder: "So excited to release my first album in 30 years; it took quite some time. Who would have known adding the ‘click’ to the 24 track would spawn a musical revolution and inspire generations. As I sit back readily approaching my 75th birthday, I wouldn’t change it for the world. I'm incredibly happy that I got to work with so many great and talented artists on this new record. This is dance music, it’s disco, it’s electronic, it’s here for you. -
INTRODUCTION Fatal Attraction and Scarface
1 introduction Fatal Attraction and Scarface How We Think about Movies People respond to movies in different ways, and there are many reasons for this. We have all stood in the lobby of a theater and heard conflicting opin- ions from people who have just seen the same film. Some loved it, some were annoyed by it, some found it just OK. Perhaps we’ve thought, “Well, what do they know? Maybe they just didn’t get it.” So we go to the reviewers whose business it is to “get it.” But often they do not agree. One reviewer will love it, the next will tell us to save our money. What thrills one person may bore or even offend another. Disagreements and controversies, however, can reveal a great deal about the assumptions underlying these varying responses. If we explore these assumptions, we can ask questions about how sound they are. Questioning our assumptions and those of others is a good way to start think- ing about movies. We will soon see that there are many productive ways of thinking about movies and many approaches that we can use to analyze them. In Dragon: The Bruce Lee Story (1992), the actor playing Bruce Lee sits in an American movie theater (figure 1.1) and watches a scene from Breakfast at Tiffany’s (1961) in which Audrey Hepburn’s glamorous character awakens her upstairs neighbor, Mr Yunioshi. Half awake, he jumps up, bangs his head on a low-hanging, “Oriental”-style lamp, and stumbles around his apart- ment crashing into things. -
Indian Country Welcome To
Travel Guide To OREGON Indian Country Welcome to OREGON Indian Country he members of Oregon’s nine federally recognized Ttribes and Travel Oregon invite you to explore our diverse cultures in what is today the state of Oregon. Hundreds of centuries before Lewis & Clark laid eyes on the Pacific Ocean, native peoples lived here – they explored; hunted, gathered and fished; passed along the ancestral ways and observed the ancient rites. The many tribes that once called this land home developed distinct lifestyles and traditions that were passed down generation to generation. Today these traditions are still practiced by our people, and visitors have a special opportunity to experience our unique cultures and distinct histories – a rare glimpse of ancient civilizations that have survived since the beginning of time. You’ll also discover that our rich heritage is being honored alongside new enterprises and technologies that will carry our people forward for centuries to come. The following pages highlight a few of the many attractions available on and around our tribal centers. We encourage you to visit our award-winning native museums and heritage centers and to experience our powwows and cultural events. (You can learn more about scheduled powwows at www.traveloregon.com/powwow.) We hope you’ll also take time to appreciate the natural wonders that make Oregon such an enchanting place to visit – the same mountains, coastline, rivers and valleys that have always provided for our people. Few places in the world offer such a diversity of landscapes, wildlife and culture within such a short drive. Many visitors may choose to visit all nine of Oregon’s federally recognized tribes. -
Getting Off and Getting Intimate
Articles Men and Masculinities Volume 12 Number 5 August 2010 523-546 # 2010 SAGE Publications 10.1177/1097184X09331750 Getting Off and Getting http://jmm.sagepub.com hosted at Intimate http://online.sagepub.com How Normative Institutional Arrangements Structure Black and White Fraternity Men’s Approaches Toward Women Rashawn Ray Jason A. Rosow Indiana University Social scientists implicate high-status men as sexually objectifying women. Yet, few have investigated these men’s perceptions and accounts of their own experiences. Racial variation in gender relations in college has also received little scholarly atten- tion. Analyzing 30 in-depth, individual interviews and surveys and two focus group interviews from Black and White men at a large university, we find racial differences in approaches toward women. More specifically, Black men exhibit more romantic approaches, whereas White men exhibit more sexual approaches. However, these dif- ferences are not solely related to race. Instead, ‘‘normative institutional arrangements’’ (e.g., community size and living arrangements) structure these approaches. We discuss the broader theoretical mechanisms regarding masculine performances, gender atti- tudes and behaviors, and race. In doing so, this study highlights the importance of ‘‘normative institutional arrangements’’ for understanding how the performances of masculinities are legitimized across racial- and status-group categories of men. Keywords: hegemonic masculinity; sexuality; gender inequality; race; status; normative institutional arrangements; -
Die “Liebenswerte” Hauptfigur Im Amerikanischen Animationsfilm Das Copyright Liegt Beim Autor Und Der Hochschule Für Film Und Fernsehen
Die “liebenswerte” Hauptfigur im amerikanischen Animationsfilm Das Copyright liegt beim Autor und der Hochschule für Film und Fernsehen. Der Leser ist berechtigt, persönliche Kopien für wissenschaftliche oder nichtkommerzielle Zwecke zu erstellen. Jede weiterge- hende Nutzung bedarf der ausdrücklichen vorherigen schriftlichen Genehmigung des Autors und der HFF. Betreuerin: Prof. Kerstin Stutterheim weiterer Gutachter: Prof. Gil Alkabetz Stephan Sacher Hochschule für Film und Studiengang Animation Fernsehen „Konrad Wolf“ Matrikel Nummer 4148 2009 Annotation Diese Arbeit befasst sich mit der Hauptfigur im amerikanischen Animationsfilm. Dabei wird ihre Entwicklung durch nun knapp einhundert Jahre Animationsgeschichte beleuchtet. Ich versuche aufzuzeigen, welche konservativen und restaurativen Strömungen in der Filmgeschichte dazu geführt haben, dass wir heute im amerikanischen Animationsfilm einen, in seiner Morphologie, uniformen Typ Figur sehen. Als Filmbeispiele dienen ‘Pinocchio’, ‘Heavy Traffic’ und ‘Herkules’. Diese Filme werden unter anderem mit dem Modell der ‘Heldenreise’ von Joseph Campbell untersucht. Inhalt Vorwort 4 Einleitung 4 Erwartungen des Zuschauers im Amerikanischen Verständnis 5 I Vom Heros in tausend Gestalten zur Odyssee des Drehbuchschreibers 6 Der Heros in Tausend Gestalten 6 Die Odyssee des Drehbuchschreibers 9 Die Archetypen nach Vogler 11 Der Held nach Vogler 11 II Klassisches Hollywood-Kino 13 Die Hauptfigur im klassischen Hollywood-Kino 14 Beschreibung des Charakters 15 Innerer und äußerer Konflikt 15 Charakterbogen -
Tuscarora Trails: Indian Migrations, War, and Constructions of Colonial Frontiers
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2007 Tuscarora trails: Indian migrations, war, and constructions of colonial frontiers Stephen D. Feeley College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Indigenous Studies Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Feeley, Stephen D., "Tuscarora trails: Indian migrations, war, and constructions of colonial frontiers" (2007). Dissertations, Theses, and Masters Projects. Paper 1539623324. https://dx.doi.org/doi:10.21220/s2-4nn0-c987 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Tuscarora Trails: Indian Migrations, War, and Constructions of Colonial Frontiers Volume I Stephen Delbert Feeley Norcross, Georgia B.A., Davidson College, 1996 M.A., The College of William and Mary, 2000 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy Lyon Gardiner Tyler Department of History The College of William and Mary May, 2007 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. APPROVAL SHEET This dissertation is submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Stephen Delbert F eele^ -^ Approved by the Committee, January 2007 MIL James Axtell, Chair Daniel K. Richter McNeil Center for Early American Studies 11 Reproduced with permission of the copyright owner. -
The Modoc Nation (Formerly Known As the “Modoc Tribe”), A
The Modoc Nation (formerly known as the “Modoc Tribe”), a federally recognized native nation by virtue of the Lakes Treaty of 1864 and the Klamath Tribe Restoration Act of 1986 We can no longer tolerate outright refusal of protecting our best interest. If the current conditions were to continue the outright extermination of our people would be complete. Our Ancestral land and water rights will be non- existent and we will be unable to hunt fish and gather as we have always done since time immemorial. We have always been the Modoc Tribe of Northern California and Southern Oregon. We have always been a separate tribe, we were never a band of the Klamath’s and we have never relinquished our Federal Recognition. Our Tribe existed long before there was a California or Oregon. Our tribe is a Federally Recognized Tribe, instead of taking things out of context and stating we are not separate from the Klamath Tribe. (Although the short terminology refers to the Klamath Tribe or Tribes, the long definition has always stated 3 separate tribes in all treaties). There is the Modoc Tribe of Oklahoma, who was forced there not by choice and chose to stay rather than be forced to live with the Klamath tribe. There are Modocs enrolled in the Klamath Tribe(s) as “Klamath”, since the Klamath tribe refuses to acknowledge the Modoc tribe (except when there is financial gain by using our name). We represent all Modoc people of Northern California and Southern Oregon who are enrolled in The Modoc Nation as “Modoc” as we are the Modoc Tribe who have existed in our Ancestral Homelands for over fourteen thousand years or more. -
The Battle of Sailor's Creek
THE BATTLE OF SAILOR’S CREEK: A STUDY IN LEADERSHIP A Thesis by CLOYD ALLEN SMITH JR. Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2005 Major Subject: History THE BATTLE OF SAILOR’S CREEK: A STUDY IN LEADERSHIP A Thesis by CLOYD ALLEN SMITH JR. Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Approved by: Chair of Committee, Joseph Dawson Committee Members, James Bradford Joseph Cerami Head of Department, Walter L. Buenger December 2005 Major Subject: History iii ABSTRACT The Battle of Sailor’s Creek: A Study in Leadership. (December 2005) Cloyd Allen Smith Jr., B.A., Slippery Rock University Chair: Dr. Joseph Dawson The Battle of Sailor’s Creek, 6 April 1865, has been overshadowed by Lee’s surrender at Appomattox Court House several days later, yet it is an example of the Union military war machine reaching its apex of war making ability during the Civil War. Through Ulysses S. Grant’s leadership and that of his subordinates, the Union armies, specifically that of the Army of the Potomac, had been transformed into a highly motivated, organized and responsive tool of war, led by confident leaders who understood their commander’s intent and were able to execute on that intent with audacious initiative in the absence of further orders. After Robert E. Lee’s Army of Northern Virginia escaped from Petersburg and Richmond on 2 April 1865, Grant’s forces chased after Lee’s forces with the intent of destroying the mighty and once feared iv protector of the Confederate States in the hopes of bringing a swift end to the long war. -
EASTERN CHEROKEE by HARRIET JANE KUPFERER
SMITHSONIAN INSTITUTION Bureau of American Ethnology BuUetin 196 Anthropological Papers, No. 78 THE "PRINCIPAL PEOPLE," 1960: A STUDY OF CULTURAL AND SOCIAL GROUPS OF THE EASTERN CHEROKEE By HARRIET JANE KUPFERER 215 CONTENTS PAGE Introduction 221 The setting 221 The problem 223 Techniques of the study 226 Acknowledgments 227 The Cherokee 228 The past 228 The present 233 The people 234 The daily bread 235 Not by bread alone 240 As others see them 241 Ideal types 242 The typology as an approach to cultural differentiation 243 The Thomas continuum 245 Portraits of four families 247 John and Liza Runner (Conservative) 247 George and Emma Weaver (Generalized Indians) 250 Ed and Martha McVey (Rural White) 252 Richard and Polly King (Middle Class Indians) 254 Health and medical practices 255 Environmental sanitation and home hygienic practices 255 Category 1. Inadequate 256 Category 2. Minimal 257 Category 3. Adequate 259 Category 4. Very adequate 260 Clinic behavior 260 Category 1. Passive 261 Category 2. Active 262 Responses to school health program 263 Category 1. Passive 264 Category 2. Active 265 Behavior prompted by illness 266 Category 1. Patients of Indian "doctors" 267 Category 2. Patients of Public Health Medical Services 271 Category 3. Patients of private physicians 272 Conclusions 274 Educational aspirations and experiences 279 Aspiration levels 279 Category 1. High school oriented 279 Category 2. Post-high-school vocational training oriented 282 Category 3. College oriented 283 217 1 218 BUREAU OF AMERICAN ETHNOLOGY [Bull. 196 Educational aspirations and experiences—Continued page Reflections on educational experiences 285 Group 1. Resentful 286 Group 2. -
The Modoc War War in the the Modoc War Was the Only Major Native American War Fought in Lava Beds California and the Only One in Which a General Was Killed
National Park Service Lava Beds U.S. Department of the Interior Lava Beds National Monument A Brief History of the Modoc War War in the The Modoc War was the only major Native American war fought in Lava Beds California and the only one in which a general was killed. It was also one of the most costly wars in U.S. history. According to some estimates it cost $10,000 (about $300,000 today) per warrior to subdue the Modocs in battle. The Modoc warriors totaled between 50 and 60, while there were as many as 1000 U.S. troops at the height of the conflict. The war lasted six months, from November 29, 1872 to June 1, 1873, although tensions leading to the conflict began much earlier. Much of the war was centered around Captain Jack’s Stronghold, a natural lava fortress characterized by deep trenches and small caves. The Stronghold was named for the Modocs’ war leader Keintpoos, or Captain Jack as he was known to the settlers. Some 150 Modoc men, women,and children lived in the Stronghold for five months of the war, including the harsh winter months. By the war’s end, the fatalities included 53 U.S. soldiers, 17 civilians, 2 Warm Springs Scouts, 5 Modoc women and children, and 15 Modoc warriors, five of which were killed in battle. Background to the The sage brush-covered basins and transition. Additionally, there was Conflict forested mountains of central northern friction between the Modocs and California and southern Oregon were Klamths. For many Modocs the the homeland of the Modoc people. -
The Doctor Is in (Wales)
AUGUST 2021 The Doctor is In (Wales) hen a sleepy 1960s Welsh mining town’s only doctor dies, the only replacement the union representative could find arrives, straight from India. Dr. Prem Sharma (Sanjeev Bhaskar, Yesterday; Unforgotten) is better educated and more cultured than anyone they know, friendly, and eager to help the community. However, his regal wife Kamini (Ayesha Dharker, Outsourced; Star Wars: Episode II—Attack of the Clones) would much prefer the lavish lifestyle of London. Without the dozen or so servants the couple had back in Delhi, Kamini has to figure out the kitchen… and as such is determined to leave the sleepy coal-mining town as soon as possible. WThe Indian Doctor interjects comedy with heavier themes like fitting in, overcoming prejudices and demonstrating courage in the face of possible ruin. Critics can’t stop themselves from binging the British drama. Paste Magazine notes, “it’s got a really good personality,” and comments on how the main characters are exceptionally charming: “Dharker is totally amazing—by turns snobbish and engaging, vivacious and resentful, steely and vulnerable. Bhaskar is a perfect foil, combining a relentless optimism with some deeply buried and potentially explosive inner pain.” The first season revolves around seemingly friendly colliery manager Richard Sharpe, and his dark secrets that were detailed in the deceased doctor’s diaries. With access to that evidence, Prem becomes determined to reveal the truth, as he and Kamini quickly become embroiled in the lives of the villagers. Can’t wait for the weekly release of each episode? All three seasons of The Indian Doctor are now streaming exclusively in SERIES AIRS TUESDAYS AT 8PM BEGINNING WLIW21 Passport.