GIORGIO MORODER Album Announcement Press Release April
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An N U Al R Ep O R T 2018 Annual Report
ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1. -
Testimony of Jonathan Bender
Public Version Before the UNITED STATES COPYRIGHT ROYALTY JUDGES Washington, D.C. In the Matter of: Determination of Royalty Rates and Terms Docket No. 16-CRB-0001 SR/PSSR for Transmission of Sound Recordings by (2018-2022) Satellite Radio and “Preexisting” Subscription Services (SDARS III) WRITTEN DIRECT TESTIMONY OF Jonathan Bender Chief Operating Officer SoundExchange, Inc. October, 2016 Public Version BACKGROUND AND QUALIFICATIONS I am the Chief Operating Officer of SoundExchange, Inc.("SoundExchange"), a position I have held since September 2011. In this role, I oversee the collection, processing and distribution of royalties for all types of seiwices eligible for statutory licensing, including the satellite digital audio radio services("SDARS") and preexisting subscription services ("PSS") at issue in this proceeding. The groups within SoundExchange that handle repertoire management, rights inanageinent, licensee management, data management, account services, and distribution services all report to me. Additionally, I oversee SoundExchange's technical involvement with licensees and assist with coordination of its systems requirements, development, testing and operations. In all, I have over 25 years of music industry business and management expertise, including senior operational roles at Concord Music Group, Universal Music Group, and EMI Music. I was senior vice president, operations, IT and digital development at Concord Music Group. Before joining Concord, I spent seven years with Universal Music Group, most recently as vice president, digital asset management and logistics. I also spent nine years with EMI Music, most recently as Director of New Technology. I hold a bachelor's degree from the University of North Carolina at Chapel Hill and an MBA from Harvard Business School. -
Nummer 2 - December 2008
Nummer 2 - December 2008 Ny ordning!s.7-15 Demo + krati!?s.17 Blåmes?s.18-19 Fackavgiftens.27 Skyddet CYs.28 Arbetsmiljöansvarig Lars Smith sidorna 30-32. Fackexpeditionsansvarig Kicki El Gomati Förhandlingsansvarig Gunnar Öhman sidan 28. Försäkring o pensionsansvarig Cyrus Pairawan sidorna 30-32. Hemsideansvarig informerar Mikael Lind sidan 3. Informationsansvarig informerar Mikael Lind sidorna 3, 17-19. Introduktionsansvarig Kicki El Gomati Jämstäldhetsansvarig Anette Bergström Kultur o fritidsansvarig Babak Sadeghi Mångfald o integrationsansvarig Anette Bergström Rehabiliteringsansvarig Serg Zadruzny sidorna 30-32. Rekryteringsansvarig Kicki El Gomati Studieansvarig informerar Mikael Lind Ungdomsansvarig Kim Ekström 2 Innehåll Redaktion De ansvarigas sidor 2 Ansvarig utgivare Klubb 120 Skribenter Kubbens öppettider 3 Cyrus Pairawan Cyrus Pairawan (CP) Kollektivavtalet på väg ut... 3 Mikael Lind (ML) Veolias löften inte värda nå’t! 3 Chefredaktör Jan Melakoski (JM) En uppmaning!! 3 Mikael Lind Mats Örnsved (MÖ) Ledaren 4-5 Lars Smith (LS) Antifackliga kontraktet 5 Serg Zadruzny (SZ) Klubbens nya valorning 7-15 Klubb 119 skribenter Gunnar Öhman (GÖ) Demo + krati 17 Blåmes 18-19 Kollektivavtalsförhandlingar 29 Arbetarrörelsens Tankesmedja 20-26 Inga höjda avgiftsklasser 2009 27 Skyddsombuden i CY 28 Bonusen på turistkorten 28 Veolias löften Lösningen på förra korsordet 28-29 Försäkringskassans nya regler 30-32 inte värda nå’t! Medlemsresa till Tallin 34 Mycket långt tid har Fast än frågan stötts Korsordstävlingen 35 nu passerat sedan och blötts och mycket Vivendi über alles 37-39 Veolia lovade att tid har gått åt till at ta Efterlysning av skribenter 40 beställa och sätta upp fram den grafik som Expeditionens anslagstavlor åt SEKO skulle tryckas på tav- i varje spärr. -
Helena Mace Song List 2010S Adam Lambert – Mad World Adele – Don't You Remember Adele – Hiding My Heart Away Adele
Helena Mace Song List 2010s Adam Lambert – Mad World Adele – Don’t You Remember Adele – Hiding My Heart Away Adele – One And Only Adele – Set Fire To The Rain Adele- Skyfall Adele – Someone Like You Birdy – Skinny Love Bradley Cooper and Lady Gaga - Shallow Bruno Mars – Marry You Bruno Mars – Just The Way You Are Caro Emerald – That Man Charlene Soraia – Wherever You Will Go Christina Perri – Jar Of Hearts David Guetta – Titanium - acoustic version The Chicks – Travelling Soldier Emeli Sande – Next To Me Emeli Sande – Read All About It Part 3 Ella Henderson – Ghost Ella Henderson - Yours Gabrielle Aplin – The Power Of Love Idina Menzel - Let It Go Imelda May – Big Bad Handsome Man Imelda May – Tainted Love James Blunt – Goodbye My Lover John Legend – All Of Me Katy Perry – Firework Lady Gaga – Born This Way – acoustic version Lady Gaga – Edge of Glory – acoustic version Lily Allen – Somewhere Only We Know Paloma Faith – Never Tear Us Apart Paloma Faith – Upside Down Pink - Try Rihanna – Only Girl In The World Sam Smith – Stay With Me Sia – California Dreamin’ (Mamas and Papas) 2000s Alicia Keys – Empire State Of Mind Alexandra Burke - Hallelujah Adele – Make You Feel My Love Amy Winehouse – Love Is A Losing Game Amy Winehouse – Valerie Amy Winehouse – Will You Love Me Tomorrow Amy Winehouse – Back To Black Amy Winehouse – You Know I’m No Good Coldplay – Fix You Coldplay - Yellow Daughtry/Gaga – Poker Face Diana Krall – Just The Way You Are Diana Krall – Fly Me To The Moon Diana Krall – Cry Me A River DJ Sammy – Heaven – slow version Duffy -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
October 2018 Supplementary Piano Solos
OCTOBER 2018 SACRED PIANO JAZZ An Impressionist-Style Service Essential Solos Series Piano Methods Alfred’s Basic Adult Piano Course: Popular Hits, Level 2 Arr. Tom Gerou Favorite popular hits correlated page-by-page with Alfred’s Basic Adult Piano Course and Alfred’s Basic Adult All-in- One Course. Titles: As Time Goes By (from Casablanca) • City of Stars (from La La Land) • Fever (Peggy Lee) • Firework (Katy Perry) • Happy Together (The Turtles) • Havana (Camila Cabello) • Sorry (Justin Bieber) • You’ll Be Back (from the Broadway musical Hamilton) • and more. 00-44698 | Level 2 | $9.99 UPC: 038081508146 | ISBN-13: 978-1-4706-2734-8 Alfred’s Basic Adult Piano Course: Popular Hits, Level 1 Arr. Tom Gerou Titles: Don’t Stop Believin’ (Journey) • James Bond Theme • Let It Go (from Walt Disney’s Frozen) • The Rose (Bette Midler) • Star Wars® (Main Theme) • Take My Breath Away (Berlin) • Try to Remember (from The Fantasticks) • You Raise Me Up (Josh Groban) • and many more. 00-44697 | Level 1 | $9.50 UPC: 038081508139 | ISBN-13: 978-1-4706-2733-1 Fall Stock Order Season Order $1,500 by December 7, 2018 to receive: Maximum stock order discount 90 days dating Ordering online? Use promo code FALL18. * Offer valid for one qualifying Alfred Music Stock Order ($1,500 net minimum). Price and availability subject to change without notice. Maximum discount restrictions apply to select titles and product lines. Additional restrictions may apply. Contact your Account Rep for more information. Order today! (800) 292-6122 | [email protected] | alfred.com Page 4 – this will be a full page ad for Lang Lang. -
How the Motion Picture Industry Miscalculates Box Office Receipts
How the motion picture industry miscalculates box office receipts S. Eric Anderson, Loma Linda University Stewart Albertson, Loma Linda University David Shavlik, Loma Linda University INTRODUCTION when movie grosses are adjusted for inflation, the Sound of Music was a more popular movie Box office grosses, once of interest only to than Titanic even though the box office gross movie industry executives, are now widely was over $400 million less. So why is it then publicized and immediately reported by movie that box office grosses are often the only industry tracking companies. The numbers reported, when the numbers have instantaneous tracking and reporting hurts little meaning? The motion picture industry, movies with weak openings, but helps movies aware that inflation helps movies grow bigger, with big openings become even bigger as has little interest in reporting highest grossing people flock to see what all the fuss is about. box office numbers with inflation-adjusted Due to inflation, the highest grossing movies dollars that will show the motion picture tend to be the more recent releases, which the industry is stagnant at best. They are able to motion picture industry is taking full get away with it since most don’t know how advantage of when promoting new movies. to handle those inflation-adjusting As a result, the motion picture industry has calculations. developed “highest grossing “ movie lists from almost every angle imaginable - opening Inflation-adjusted gross calculations are day, opening weekend, opening day non- inaccurate weekend, opening day during the fall, winter and spring, opening day Memorial weekend, Some tracking companies have begun second weekend of release, fewest screens, reporting box office grosses with the less etc. -
INTRODUCTION Fatal Attraction and Scarface
1 introduction Fatal Attraction and Scarface How We Think about Movies People respond to movies in different ways, and there are many reasons for this. We have all stood in the lobby of a theater and heard conflicting opin- ions from people who have just seen the same film. Some loved it, some were annoyed by it, some found it just OK. Perhaps we’ve thought, “Well, what do they know? Maybe they just didn’t get it.” So we go to the reviewers whose business it is to “get it.” But often they do not agree. One reviewer will love it, the next will tell us to save our money. What thrills one person may bore or even offend another. Disagreements and controversies, however, can reveal a great deal about the assumptions underlying these varying responses. If we explore these assumptions, we can ask questions about how sound they are. Questioning our assumptions and those of others is a good way to start think- ing about movies. We will soon see that there are many productive ways of thinking about movies and many approaches that we can use to analyze them. In Dragon: The Bruce Lee Story (1992), the actor playing Bruce Lee sits in an American movie theater (figure 1.1) and watches a scene from Breakfast at Tiffany’s (1961) in which Audrey Hepburn’s glamorous character awakens her upstairs neighbor, Mr Yunioshi. Half awake, he jumps up, bangs his head on a low-hanging, “Oriental”-style lamp, and stumbles around his apart- ment crashing into things. -
![[ KARAOKE - 70-80'S by ARTIST ] [ No of Tunes = 476 ]](https://docslib.b-cdn.net/cover/0158/karaoke-70-80s-by-artist-no-of-tunes-476-450158.webp)
[ KARAOKE - 70-80'S by ARTIST ] [ No of Tunes = 476 ]
[ KARAOKE - 70-80'S by ARTIST ] [ No of Tunes = 476 ] 10CC >> I'M NOT IN LOVE {K} 10CC >> RUBBER BULLETS {K} 1927 >> IF I COULD {K} ABBA >> DANCING QUEEN {K} ABBA >> FERNANDO {K} ABBA >> GIMME GIMME GIMME {K} ABBA >> HONEY HONEY {K} ABBA >> I DO I DO I DO I DO I DO {K} ABBA >> MAMMA MIA {K} ABBA >> MONEY MONEY MONEY {K} ABBA >> RING RING {K} ABBA >> S O S {K} ABBA >> WATERLOO {K} AC DC >> BACK IN BLACK {K} AC DC >> DIRTY DEEDS DONE DIRT CHEAP {K} AC DC >> HIGHWAY TO HELL {K} AC DC >> IT'S A LONG WAY TO THE TOP {K} AC DC >> JAILBREAK {K} AC DC >> ROCK N ROLL AIN'T NOISE POLLUTION {K} AC DC >> T N T {K} AC DC >> WHO MADE WHO {K} AC DC >> YOU SHOOK ME ALL NIGHT LONG {K} ADAM ANT >> ANT MUSIC {K} AEROSMITH >> DUDE ( LOOKS LIKE A LADY ) {K} AIR SUPPLY >> ALL OUT OF LOVE {K} ALICE COOPER >> DEPARTMENT OF YOUTH {K} ALICE COOPER >> SCHOOL'S OUT {K} ALTERED IMAGES >> HAPPY BIRTHDAY {K} ALVIN STARDUST >> MY COO CA CHOO {K} AMERICA >> SISTER GOLDEN HAIR {K} AMII STEWART >> KNOCK ON WOOD {K} ANGELS >> AM I EVER GOING TO SEE YOUR FACE AGAIN {K} ANGELS >> NO SECRETS {K} AUSTRALIAN CRAWL >> BOYS LIGHT UP {K} AUSTRALIAN CRAWL >> ERROL {K} B J THOMAS >> RAINDROPS KEEP FALLIN' ON MY HEAD {K} B52'S >> LOVE SHACK {K} B52'S >> PRIVATE IDAHO {K} B52'S >> ROAM {K} B52'S >> ROCK LOBSTER {K} BACHMAN TURNER OVERDRIVE >> TAKIN' CARE OF BUISINESS {K} BACHMAN TURNER OVERDRIVE >> YOU AIN'T SEEN NOTHING YET {K} BANANARAMA >> I WANT YOU BACK {K} BARRY BLUE >> DANCING ON A SATURDAY NIGHT {K} BARRY WHITE >> CAN'T GET ENOUGH OF YOUR LOVE BABY {K} BARRY WHITE >> YOU'RE THE -
Getting Off and Getting Intimate
Articles Men and Masculinities Volume 12 Number 5 August 2010 523-546 # 2010 SAGE Publications 10.1177/1097184X09331750 Getting Off and Getting http://jmm.sagepub.com hosted at Intimate http://online.sagepub.com How Normative Institutional Arrangements Structure Black and White Fraternity Men’s Approaches Toward Women Rashawn Ray Jason A. Rosow Indiana University Social scientists implicate high-status men as sexually objectifying women. Yet, few have investigated these men’s perceptions and accounts of their own experiences. Racial variation in gender relations in college has also received little scholarly atten- tion. Analyzing 30 in-depth, individual interviews and surveys and two focus group interviews from Black and White men at a large university, we find racial differences in approaches toward women. More specifically, Black men exhibit more romantic approaches, whereas White men exhibit more sexual approaches. However, these dif- ferences are not solely related to race. Instead, ‘‘normative institutional arrangements’’ (e.g., community size and living arrangements) structure these approaches. We discuss the broader theoretical mechanisms regarding masculine performances, gender atti- tudes and behaviors, and race. In doing so, this study highlights the importance of ‘‘normative institutional arrangements’’ for understanding how the performances of masculinities are legitimized across racial- and status-group categories of men. Keywords: hegemonic masculinity; sexuality; gender inequality; race; status; normative institutional arrangements; -
Introduction
INTRODUCTION Movies and the 1980s STEPHEN PRINCE The 1980s significantly transformed the nation’s political culture, as it did the Hollywood industry and its products. Today, the United States is an extremely conservative nation, and the turn toward right-wing policies began in the eighties with the administration of Ronald Reagan. Today, Hollywood filmmaking is beset by out-of-control production costs with no ceiling in sight, and these soaring costs, and the industry’s turn toward the global film market for its blockbusters, have their origins in the 1980s. The decade’s most important developments, however, have given rise to a set of core myths in both domains, even as the realities of film and pol- itics proved to be more complex, more nuanced, and more contradictory than the myths acknowledged. The myths about American film in the period are these: blockbusters took over the industry, leading to a general lowering and coarsening of the quality of filmmaking; the films of George Lucas and Steven Spielberg epitomized this blockbuster style and proved detrimentally influential on a generation of American filmmaking; and Hollywood film mirrored the politics of the Reagan period, shifting to the political right and helping to popularize the Cold War politics of the era. ■■■■■■■■■■ Popular Perceptions Each of these propositions is partially true, but like all myths each also distorts by oversimplifying complex and often contrary realities. Each proposes a monolithic view of Hollywood and American culture in the period when, in fact, a more diverse and heterogeneous set of films and influences was at work. Let’s consider each of these propositions in turn as a way of building an introductory survey of the decade. -
Kelis Tasty Full Album Zip
Kelis, Tasty Full Album Zip Kelis, Tasty Full Album Zip 1 / 2 Kelis, Tasty full album zip.. Album · 2014 · 13 Songs. ... Kelis offers a soulful collection of horn-accompanied retro R&B that's conceptually united by her gastronomic passion. ... 2003's ultra-sassy “Milkshake”), but neither the music nor the inspiration for .... Tracklist: 1. Intro, 2. Trick Me, 3. Milkshake, 4. Keep It Down, 5. In Public, 6. Flashback, 7. Protect My Heart, 8. Millionaire, 9. Glow, 10. Sugar Honey Iced Tea, 11.. Caught Out There vk.com/xclusives_zone. 4:51. Kelis. Milkshake vk.com/xclusives_zone. 3:02. Kelis - Kaleidoscope (1999) xclusives_zone.rar.. 'Jerk Ribs' Video from Kelis' album 'Food' - released 21 April 2014 on Ninja Tune. ... One of her standout albums was called Tasty; one of its biggest hits was .... Kelis teased "Food" a full year ago with this brassy, funk-laced jam, which appears .... The Hits is the first greatest hits album by American singer-songwriter Kelis, released on March .... "Kelis Talks 'Milkshake' and 'Tasty' Hits". Blues & Soul.. All The Drake Collaborations We're Still Waiting For. Tasty is the third studio album by American singer Kelis, released on December 5, 2003, via Star… read .... Kelis, Tasty Full Album Zip - DOWNLOAD (Mirror #1). kelis tastykelis tasty zipkelis tasty vinylkelis tasty songskelis tasty ituneskelis tasty .... The maverick vocalist and foodie behind the albums Kaleidoscope (1999), Wanderland (2001), the gold-certified Tasty (2003), Kelis Was Here .... Tasty, an Album by Kelis. Released 9 December 2003 on Star Trak (catalog no. 82876-52132-2; CD). Genres: Contemporary R&B. Featured peformers: Kelis ...