Singing with the Frogs
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1961 Climbers Outing in the Icefield Range of the St
the Mountaineer 1962 Entered as second-class matter, April 8, 1922, at Post Office in Seattle, Wash., under the Act of March 3, 1879. Published monthly and semi-monthly during March and December by THE MOUNTAINEERS, P. 0. Box 122, Seattle 11, Wash. Clubroom is at 523 Pike Street in Seattle. Subscription price is $3.00 per year. The Mountaineers To explore and study the mountains, forests, and watercourses of the Northwest; To gather into permanent form the history and traditions of this region; To preserve by the encouragement of protective legislation or otherwise the natural beauty of Northwest America; To make expeditions into these regions in fulfillment of the above purposes; To encourage a spirit of good fellowship among all lovers of outdoor Zif e. EDITORIAL STAFF Nancy Miller, Editor, Marjorie Wilson, Betty Manning, Winifred Coleman The Mountaineers OFFICERS AND TRUSTEES Robert N. Latz, President Peggy Lawton, Secretary Arthur Bratsberg, Vice-President Edward H. Murray, Treasurer A. L. Crittenden Frank Fickeisen Peggy Lawton John Klos William Marzolf Nancy Miller Morris Moen Roy A. Snider Ira Spring Leon Uziel E. A. Robinson (Ex-Officio) James Geniesse (Everett) J. D. Cockrell (Tacoma) James Pennington (Jr. Representative) OFFICERS AND TRUSTEES : TACOMA BRANCH Nels Bjarke, Chairman Wilma Shannon, Treasurer Harry Connor, Vice Chairman Miles Johnson John Freeman (Ex-Officio) (Jr. Representative) Jack Gallagher James Henriot Edith Goodman George Munday Helen Sohlberg, Secretary OFFICERS: EVERETT BRANCH Jim Geniesse, Chairman Dorothy Philipp, Secretary Ralph Mackey, Treasurer COPYRIGHT 1962 BY THE MOUNTAINEERS The Mountaineer Climbing Code· A climbing party of three is the minimum, unless adequate support is available who have knowledge that the climb is in progress. -
Short Film Programme
SHORT FILM PROGRAMME If you’d like to see some of the incredible short films produced in Canada, please check out our description of the Short Film Programme on page 50, and contact us for advice and assistance. IM Indigenous-made films (written, directed or produced by Indigenous artists) Films produced by the National Film Board of Canada NFB CLASSIC ANIMATIONS BEGONE DULL CARE LA FAIM / HUNGER THE STREET Norman McLaren, Evelyn Lambart Peter Foldès 1973 11 min. Caroline Leaf 1976 10 min. 1949 8 min. Rapidly dissolving images form a An award-winning adaptation of a An innovative experimental film satire of self-indulgence in a world story by Canadian author Mordecai consisting of abstract shapes and plagued by hunger. This Oscar- Richler about how families deal with colours shifting in sync with jazz nominated film was among the first older relatives, and the emotions COSMIC ZOOM music performed by the Oscar to use computer animation. surrounding a grandmother’s death. Peterson Trio. THE LOG DRIVER’S WALTZ THE SWEATER THE BIG SNIT John Weldon 1979 3 min. Sheldon Cohen 1980 10 min. Richard Condie 1985 10 min. The McGarrigle sisters sing along to Iconic author Roch Carrier narrates A wonderfully wacky look at two the tale of a young girl who loves to a mortifying boyhood experience conflicts — global nuclear war and a dance and chooses to marry a log in this animated adaptation of his domestic quarrel — and how each is driver over more well-to-do suitors. beloved book The Hockey Sweater. resolved. Nominated for an Oscar. -
Annual Report 2010-2011
ANNUAL REPORT 2010-2011 HEAD OFFICE P.O. BOX 2398 UNIT 111-EIGHT STOREY 8 ASTRO HILL IQALUIT, NUNAVUT, CANADA The Nunavut Film Development Corporation (NFDC) is a non-governmental organization, established by the Government of Nunavut to provide training and funding though various programs for the production and marketing of film, television and digital media. In meeting its mandate, NFDC's vision is to position Nunavut as a competitive, circumpolar production centre, where Nunavummiut and guests can create quality production that is marketed and distributed to both the domestic and global market. Our policies and programs reflect the six guiding principles of Inuit Quajimajatuqangit. OUR MANDATE The mandate of the Nunavut Film Development Corporation is to increase economic and artistic opportunities for Nunavummiut in the film television and digital media industries and to promote Nunavut as a world-class circumpolar production centre. CORE RESPONSIBILITIES The Nunavut Film Development Corporation embraces and accepts that it is responsible to: Ensure that all activities undertaken by to organization will be carried out under the principals of Inuit Quajimajatuqangit (IQ) Work with the community to sustain and grow a competitive Nunavut owned and controlled film, television and digital media industry. Enable Nunavut production companies to foster existing relationships and to equip same with the tools and resources necessary to establish new relationships with national and international co-financing partners. Assist and enhance the ability of the Nunavut film, television and digital media industry to secure development, production, distribution and marketing financing. To utilize best management practices to administer territorial funding programs in an open, equitable and effective manner. -
FFF 2004 Program.Qxd 2/20/13 11:18 AM Page 1 2013 FFF8.5X11 Fff2004program.Qxd2/20/1311:18Ampage2 1
2013 FFF 8.5x11_FFF 2004 program.qxd 2/20/13 11:18 AM Page 1 2013 FFF 8.5x11_FFF 2004 program.qxd 2/20/13 11:18 AM Page 2 DAN FRANCIS PHOTOGRAPHY 1 2013 FFF 8.5x11_FFF 2004 program.qxd 2/20/13 11:18 AM Page 3 ONCE UPON A TIME, MOTION PICTURES WERE ENORMOUS THINGS. Massive amounts of 35mm film were packed neatly in unwieldy padlocked metal cans and sent to a world’s worth of neighborhood cinemas. During my tenure at a local multiplex, a particularly long movie about a boy wizard resulted in a particularly massive film print. I managed to get this print halfway up a particularly steep staircase before tumbling bow-tie first down to what I feared was my doom but was, in fact, a conveniently placed pile of industrial sized bags of Orville Redenbacher. After that, I left it to our fearless projectionists to struggle them up the stairs to dimly lit projection booths. There, hunched over miles of celluloid, they would work into the wee hours of the morning – steady hands and bleary eyes assembling a new adventure. Such was the weight of storytelling. And the enormity of it made sense to me. Should one be able to lose the life and times of Charles Foster Kane if it slides down into that little space between the entertainment center and the wall? Emily Beck FARGO THEATRE Should the battle against an evil galactic empire be shipped in a standard packing envelope lined with those delicious little bubbles? Executive Director Isn’t it only fitting that the epic journey to return The One Ring (back to the fiery chasm from whence it came) be so enormous it could topple a teenager in an usher’s tuxedo made entirely of polyester? But the world turned. -
Drewreview V11.Pdf
1 The Drew Review, the annual research journal for the undergraduates of the Drew University College of Liberal Arts (CLA), publishes the undergraduate research from the previous calendar year. We aim to showcase the intellectual vibrancy of the students of the CLA. The board currently consists of seven editors, selected by faculty nomination, application, and invitation. Published students can apply for a position on the board, with the remaining positions filled by faculty nomination and student application with a writing sample. Submissions to the Review require a faculty nomination. Students who believe their work is exceptional should approach their professor for a nomination. The Drew Review accepts papers of no more than twenty-five pages in October and February from the previous semester. This year, we received thirty-nine submissions and have selected ten for publication. As we are a double-blind, peer-reviewed journal, all submissions should be sent as a Word document to the corresponding editors without naming the student author or professor for whom the essay was written in the body of the essay. The student author’s name and paper title should be in the faculty nomination. Images and graphs will be published in black and white and must be compatible with Word. It is the author’s responsibility to ensure that all images can be reproduced. All published essays will use in- text citations referencing a works cited bibliography, and the specific citation style is dependent on the discipline of the particular essay. Students can expect to be asked to make revisions prior to publication. -
New Arrivals August 2020
EMMA STEWART RESOURCES CENTRE New Arrivals August 2020 Emma Stewart Resources Centre Saskatchewan Teachers’ Federation Mail: 2317 Arlington Avenue, Saskatoon, SK S7J 2H8 Office: Arbos Centre for Learning, 2311 Arlington Ave, Saskatoon, SK Telephone: 306-373-1660 Email: [email protected] Please note: Annotations have been excerpted and/or adapted from descriptions provided by the publishers. 004.678083 K15 Kamenetz, Anya The art of screen time : how your family can balance digital media and real life New York, NY : Public Affairs, 2018. Subjects: Families. Information technology—Social aspects. Internet addiction. Internet and children. Internet and families. Summary: Many have been quick to declare this the dawn of a neurological and emotional crisis, but solid science on the subject is surprisingly hard to come by. In this book, the author takes a refreshingly practical look at the subject. Surveying hundreds of fellow parents on their practices and ideas, and cutting through a thicket of inconclusive studies and overblown claims, she hones a simple message, a riff on Michael Pollan's well-known "food rules": Enjoy Screens. Not too much. Mostly with others. 026.7415 P574 Phoenix, Jack Maximizing the impact of comics in your library : graphic novels, manga, and more Santa Barbara, CA : Libraries Unlimited, 2020. Subjects: Libraries—Activity programs. Libraries—Special collections—Comic books, strips, etc. Libraries—Special collections—Graphic novels. Summary: This unique guide offers fresh insights on how graphic novels and comics differ from traditional books and require different treatment in the library, from purchasing, shelving, and cataloging to readers' advisory services, programs, and curriculum. 027.625 T459 Thomas, Nancy Pickering; Crow, Sherry R. -
A City out of Old Songs
A City Out of Old Songs: The influence of ballads, hymns and children’s songs on an Irish writer and broadcaster Catherine Ann Cullen Context Statement for PhD by Public Works Middlesex University Director of Studies: Dr Maggie Butt Co-Supervisor: Dr Lorna Gibb Contents: Public Works Presented as Part 1 of this PhD ............................................................ iii List of Illustrations ....................................................................................................... iv Acknowledgements ...................................................................................................... v Preface: Come, Gather Round ..................................................................................... 1 Chapter 1: The Singing Without Ceasing .................................................................... 8 Chapter 2: A Tune That Could Calm Any Storm ......................................................... 23 Chapter 3: Something Rich and Strange .................................................................... 47 Chapter 4: We Weave a Song Beneath Our Skins ...................................................... 66 Chapter 5: To Hear the Nightingale Sing ................................................................... 98 Conclusion: All Past Reflections Shimmer into One ............................................... 108 Works Cited .............................................................................................................. 112 Appendix 1: Index of Ballads and Songs used -
April 2001 J 0 Urnal
A forum for Christian school educators Christian Educators Volume 40 No. 4 April 2001 J 0 urnal When t:vetJJtltiufl Is a SOHfl Editorial My sister-in-law's mother died Why Do We Sing? my boss in a church in the Neth of Alzheimer's disease several erlands. He could sing really years ago. To wards the end of her mother's life, communica well, and he knew it too. I sat next to him doing my best. After tion was almost non-existent, except when my sister-in-law church he said to me, 'The way you sing, you may as well keep would sing songs her mother had learned earlier in life, espe your mouth shut.' That really happened to me, and it hurt. It cially psalms and hymns. These songs elicited a response where took me a long time to get over that. Why do we sing anyway? otherwise eyes remained blank, and mouth still. Babies notice When I was young, I used to sing when no one heard me, and ably respond to singing, and children love to engage in it. One then I could sing to my heart's content." The man's voice broke might conclude from this and many other examples that sing when he told me this, and his eyes filled with tears at the pain ing is very basic to our existence. It seems to go to and come ful memory of that insensitive and arrogant remark. He has from the core of our being. since departed this world and may well be giving singing les But something happens to most children on their way to sons to his former boss in heaven, provided the man has soft adulthood. -
The Film Festival Fills the Ballroom
The WEDNESDAY, APRIL 18, 2012 • VOL. 24, NO. 25 $1.25 Edmunston, N.B. won the Live Right Now contest, but didn't we have KLONDIKE fun trying? SUN The Film Festival Fills the Ballroom There were lots of bottoms on seats at the annual short film festival. See story on page 5. Photo by Dan Davidson in this Issue Muesum flooding 3 Ducks Unlimited 6 River Breakup Stats 9 Come check out Artifacts were damaged but prompt The auction is a great success for Stephen Johnson predicts Breakup action was crucial in preventing the organization and the town. with better odds than Lotto 649. our great selection more problems. of sale books! See & Do in Dawson 2 Yukon Queen II gone 8 DCA AGM 16 The Cookshack (NEW!) 20 Uffish Thoughts 4 TV Guide 10-14 HACES Graduation 18 Kids' Corner 22 Larry Hil on Berton House 7 Fast Track Mining Report 15 AN Irish Nugget 19 City of Dawson 24 P2 WEDNESDAY, APRIL 18, 2012 THE KLONDIKE SUN What to Get the Rec & Leisure Newsletter & stay up to date. Website: www. cityofdawson.ca. Facebook: "City of Dawson Recreation". Contact us at SEE AND DO 993-2353.The Westminster Hotel Live entertainment in the lounge on Friday and Saturday, 10 p.m. to in DAWSON now: close. More live entertainment in the Tavern on Fridays from 4:30 p.m.The toDowntown 8:30 p.m. Hotel LIVE MusIC - : Barnacle Bob is now playing in the Sourdough Saloon ev This free public service helps our readers find their way through CRIBBAGE TOURNAMENTS the many activities all over town. -
Justice and the Insights of Resistance: the Red Tory Jurisprudence of George Grant
Buffalo Law Review Volume 36 Number 3 Article 7 10-1-1987 Justice and the Insights of Resistance: The Red Tory Jurisprudence of George Grant Thomas Schofield Follow this and additional works at: https://digitalcommons.law.buffalo.edu/buffalolawreview Part of the Science and Technology Law Commons Recommended Citation Thomas Schofield, Justice and the Insights of Resistance: The Red Tory Jurisprudence of George Grant, 36 Buff. L. Rev. 763 (1987). Available at: https://digitalcommons.law.buffalo.edu/buffalolawreview/vol36/iss3/7 This Book Review is brought to you for free and open access by the Law Journals at Digital Commons @ University at Buffalo School of Law. It has been accepted for inclusion in Buffalo Law Review by an authorized editor of Digital Commons @ University at Buffalo School of Law. For more information, please contact [email protected]. BOOK REVIEW Justice and the Insights of Resistance: The Red Tory Jurisprudence of George Grant TECHNOLOGY AND JUSTICE. George Grant, University of Notre Dame Press, 1986. Pp. 133. $8.95. ENGLISH-SPEAKING JUSTICE. George Grant, University of Notre Dame Press, 1985. Pp. 115. $11.95. THOMAS SCHOFIELD* I. INTRODUCTION OR THE VERY THOUGHTFUL, UNUSUAL, ANCIENT, RADICAL, CONSERVATIVE, CHRISTIAN, INTELLECTUAL, CANADIAN WORLD OF GEORGE GRANT If these American hills are not yet ringing with the particular sound of George Grant's philosophic music, the fault lies not in any weakness of Mr. Grant's voice.1 Grant remains unsung by legal academics outside * Attorney in private practice, Buffalo, N.Y.; Lecturer in Law, State University of New York at Buffalo, Faculty of Law and Jurisprudence, 1984-86. -
AUTHOR Collected Works
DOCUMENT RESUME ED 251 834 CS 208 674 AUTHOR Haycock, Ken, Ed.; Haycock, Carol-Ann, Ed. TITLE [Canadian Literature. "Featuring: CanLit."] PUB DATE 84 NOTE 21p. AVAILABLE FROMDyad Services, P.O. Box 4696, Station D, London, Ontario, N5W 5L7 ($30 per year prepaid; $35 per year if billed; back issues and sample copies: $5 per issue). PUB TYPE Collected Works - Serials (022) -- Guides - Classroom Use - Guides (For Teachers) (052) -- Viewpoints (120) JOURNAL CIT Emergency Librarian; v12 n2 p1-26 Nov-Dec 1984 EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Adolescent Literature; *Canadian Literature; *Childrens Literature; Elementary Secondary Education; *Literary Criticism; *Literature Appreciation; Novels; Picture Books; Poetry ABSTRACT The feature articles in this journal issue deal with various aspects of Canadian literature. The articles include: (1) a discussion of who's who and what's what in Canadian literature; (2) reviews of worthwhile but overlooked Canadian children's literature; (3) a list of resource guides to Canadian literature and a short quiz over famous first lines of Canadian novels;(4) ideas for teaching Canadian poetry; and (5) annotations of approximately 80 fiction, nonfiction, and picture books byCanadian writers. (FL) ***t******************************************************************* Reproductions supplied by EDRS are the best that can be made from the original document. ************w********************************************************** . rg 1111P=Imm WM= VOLUME 1 2, NUMBER 2 NOVEMBERDECEMBER 1984 tipmmEANAMMEIMMINRIk U.S. DEPARTMENT OF EDUCATION NATIONAL INSTITUTE OF EDUCATION EDUCATIONAL RESOURCES INFORMATION CENTER IERICi XThis document has been reproduced as received hum the person co organization How ToBluff Your Way originating it Through Canadian Literature ; Minor changes have been made to improve reproduction quality. -
English Language Arts 1
2011 Saskatchewan Additional Learning Resources English Language Arts 1 English Language Arts: Additional Learning Resources 1 Prepared by: Curriculum and E-Learning Branch Ministry of Education 2011 English Language Arts 1 i English language arts: additional learning resources 1 ISBN 978-1-926841-38-0 1. Language arts (Elementary) – Saskatchewan – Bibliography. 2. Children – Books and reading – Saskatchewan – Bibliography. 3. Children’s literature – Bibliography. I. Saskatchewan Ministry of Education. Curriculum and E-Learning. Learning Resources. 011.62 016.3726 028.534 All rights for images of books or other publications are reserved by the original copyright owners. ii English Language Arts 1 Table of Contents Foreword ................................................................................................... v Print, Audio-visual, and Other Resources ..................................................................... 1 Grade 1 Context and Unit Grid. 59 Digital Resources ...........................................................................................61 English Language Arts 1 iii Foreword his list of learning resources identifies high-quality resources that have been recommended by the Ministry of Education to support the curriculum, English Language Arts 1. This list will be updated as new resources Tare recommended and older ones are no longer available. A list of core learning resources can be found on the Ministry of Education website. (CAN) indicates that a Canadian contributed to the development of the resource