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Rate Increase Bypasses Keys by RYAN Mccarthy Rep
WWW.KEYSNET.COM SATURDAY,APRIL 27, 2013 VOLUME 60, NO. 34 ● 25 CENTS STATE LEGISLATURE Rate increase bypasses Keys By RYAN McCARTHY Rep. Holly Raschein (R-Key But new Citizens Property policies structure that has a dwelling Lastly, language was added [email protected] Largo) intact. That means replacement cost of $1 million from Raschein’s House Bill avoiding windstorm insur- elsewhere in Florida will see hikes or more, or a single condo- 819, which would add an addi- After twice delaying a vote, ance rate hikes of up to 137 minium unit that has a com- tional member to the Florida the state Senate on Thursday percent in Monroe. Florida’s 66 other counties. the Keys from a cap on insur- bined dwelling and contents Commission on Hurricane approved a controversial bill The amendment language The average windstorm ing homes above a certain replacement cost of $1 million Loss Projection Methodology. that could mean significant states that the exception is for premium in the Keys is value. That amendment or more, is not eligible for The bill says the member Citizens Property Insurance “counties where [Citizens] $2,900. Had the rate hike drops Citizens’ coverage lim- coverage by the corporation.” would be “a licensed profes- Corp. premium hikes on new provides more than 75 per- included Monroe County, that its in phases to as low as The bill also says that sional structural engineer policies statewide. cent of the personal lines res- same average policy could $300,000 statewide, but a $1 homes insured by Citizens as who is a full-time faculty The good news for Keys idential policies providing cost a new customer $6,873. -
The 26Th Society for Animation Studies Annual Conference Toronto
Sheridan College SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence The Animator Conferences & Events 6-16-2014 The Animator: The 26th oS ciety for Animation Studies Annual Conference Toronto June 16 to 19, 2014 Society for Animation Studies Paul Ward Society for Animation Studies Tony Tarantini Sheridan College, [email protected] Follow this and additional works at: http://source.sheridancollege.ca/conferences_anim Part of the Film and Media Studies Commons SOURCE Citation Society for Animation Studies; Ward, Paul; and Tarantini, Tony, "The Animator: The 26th ocS iety for Animation Studies Annual Conference Toronto June 16 to 19, 2014" (2014). The Animator. 1. http://source.sheridancollege.ca/conferences_anim/1 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book is brought to you for free and open access by the Conferences & Events at SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. It has been accepted for inclusion in The Animator by an authorized administrator of SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. For more information, please contact [email protected]. THANK YOU TO OUR SPONSORS THE ANIMATOR THEThe 26th Society forANIMATOR Animation Studies Annual Conference TheToronto 26 Juneth Society 16 to 19, 2014 for www.theAnimation animator2014.com Studies @AnimatorSAS2014 Annual Conference Toronto June 16 to 19, 2014 • www.the animator2014.com • @AnimatorSAS2014 WELCOME Message from the President Animation is both an art and skill; it is a talent that is envied the world over. Having a hand in educating and nurturing some of the finest animators in the world is something for which Sheridan is exceptionally proud. -
Toronto Aboriginal Research Project (TARP) TARP TORONTO ABORIGINAL RESEARCH PROJECT
TARP RESEARCH PROJECT TORONTO ABORIGINAL TORONTO ABORIGINAL TARP RESEARCH PROJECT FINAL REPORT FINAL REPORT COMMISSIONED BY Toronto Aboriginal Support Services Council (TASSC) TORONTO ABORIGINAL TARP RESEARCH PROJECT FINAL REPORT TORONTO ABORIGINAL SUPPORT SERVICES COUNCIL (TASSC) MEMBERS Sponsors of the Toronto Aboriginal Research Project (TARP) TARP TORONTO ABORIGINAL RESEARCH PROJECT Harvey Manning, Frances Sanderson, Nishnawbe Homes FINAL REPORT Kenn Richard, Na-Me-Res Native Child and Family Services Toronto Art Zoccole, 2-Spirited People of the 1st Nations Andrea Chisjohn, Toronto Council Fire Native Cultural Centre Don McCaskill Christa Big Canoe, Kimberly Murray Kevin FitzMaurice and Jonathan Rudin, Aboriginal Legal Services Jaime Cidro Toronto Larry Frost, Native Canadian Centre of Toronto COMMISSIONED BY Toronto Aboriginal Support Services Council (TASSC) CONTENTS The Toronto Aboriginal Support Services Council (TASSC) Executive Summary 17 would like to thank: 1 Introduction 41 The funders of the Toronto Aboriginal Research Project (TARP) 1.1 Background 41 Ontario Ministry of Aboriginal Affairs 1.2 The Toronto Aboriginal Research Project (TARP) 43 1.3 Research on Aboriginal People in Toronto 46 The Urban Aboriginal Strategy of the Office of the Federal Interlocutor for Métis and Non-status Indians 1.4 Users Guide to this Report 64 City of Toronto Homelessness Partnership Initiative 2 Tarp Methodology: Community-Based Research 66 2.1 Research Methodology: Quantitative and Qualitative Approaches 66 We would like to thank the members of TASSC and of the TARP Steering 2.2 TARP Research Design: A Community-Based Approach 68 Committee as well as the many members of the Toronto Aboriginal 2.2.1 Community Survey 69 Community who gave generously of their time and expertise to 2.2.2 Key Respondent Interviews 71 contribute to the TARP study. -
Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
1961 Climbers Outing in the Icefield Range of the St
the Mountaineer 1962 Entered as second-class matter, April 8, 1922, at Post Office in Seattle, Wash., under the Act of March 3, 1879. Published monthly and semi-monthly during March and December by THE MOUNTAINEERS, P. 0. Box 122, Seattle 11, Wash. Clubroom is at 523 Pike Street in Seattle. Subscription price is $3.00 per year. The Mountaineers To explore and study the mountains, forests, and watercourses of the Northwest; To gather into permanent form the history and traditions of this region; To preserve by the encouragement of protective legislation or otherwise the natural beauty of Northwest America; To make expeditions into these regions in fulfillment of the above purposes; To encourage a spirit of good fellowship among all lovers of outdoor Zif e. EDITORIAL STAFF Nancy Miller, Editor, Marjorie Wilson, Betty Manning, Winifred Coleman The Mountaineers OFFICERS AND TRUSTEES Robert N. Latz, President Peggy Lawton, Secretary Arthur Bratsberg, Vice-President Edward H. Murray, Treasurer A. L. Crittenden Frank Fickeisen Peggy Lawton John Klos William Marzolf Nancy Miller Morris Moen Roy A. Snider Ira Spring Leon Uziel E. A. Robinson (Ex-Officio) James Geniesse (Everett) J. D. Cockrell (Tacoma) James Pennington (Jr. Representative) OFFICERS AND TRUSTEES : TACOMA BRANCH Nels Bjarke, Chairman Wilma Shannon, Treasurer Harry Connor, Vice Chairman Miles Johnson John Freeman (Ex-Officio) (Jr. Representative) Jack Gallagher James Henriot Edith Goodman George Munday Helen Sohlberg, Secretary OFFICERS: EVERETT BRANCH Jim Geniesse, Chairman Dorothy Philipp, Secretary Ralph Mackey, Treasurer COPYRIGHT 1962 BY THE MOUNTAINEERS The Mountaineer Climbing Code· A climbing party of three is the minimum, unless adequate support is available who have knowledge that the climb is in progress. -
“Performance As Narrative in Two Mclaren Animated Shorts” Lucille Mok, Harvard University
“Performance as Narrative in Two McLaren Animated Shorts” Lucille Mok, Harvard University Presented at the Canadian University Music Society Annual Conference University of Victoria, Victoria, BC June 5 to 9, 2013 Experimental filmmaker Norman McLaren created his abstract animated films at a pivotal moment in the history of animation and in the development of film and sound technology. During his career of over forty years (from 1941 until his death in 1987) at the National Film Board of Canada [NFB], McLaren was a key player in this evolution, incorporating sound and video in new and innovative ways. In both his aesthetic and approach to sound, McLaren followed in the footsteps of German filmmaker Oskar Fischinger, whose animation awakened McLaren’s fascination with film and its ability to “express his feelings about music.”1 Best known for his drawn-on sound techniques, McLaren developed techniques to compose electronic music by drawing or printing graphic patterns directly onto the optical soundtrack.2 [See Figure 1] His 1971 animated short “Synchromy,” referred to by the film scholar Thomas Y. Levin as “the magnum opus of the synthetic sound film,” is an examplar of McLaren’s audio technique.3 [See Figure 2.] By incorporating the images from his audio track directly into the film’s animation, McLaren augmented the visuals, revealing that the deep connections between sound and film were essential to his compositional process. 1 McLaren’s biographer, Terence Dobson, cites his encounter with Fishinger’s short animated film Study No. 7 as a moment of creative awakening. Terence Dobson, The Film Work of Norman McLaren (Eastleigh: John Libby Publishing, 2006), 32. -
Broadcasting Taste: a History of Film Talk, International Criticism, and English-Canadian Media a Thesis in the Department of Co
Broadcasting Taste: A History of Film Talk, International Criticism, and English-Canadian Media A Thesis In the Department of Communication Studies Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Communication Studies) at Concordia University Montreal, Quebec, Canada December 2016 © Zoë Constantinides, 2016 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Zoë Constantinides Entitled: Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media and submitted in partial fulfillment of the requirements for the degree of PhD in Communication Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: __________________________________________ Beverly Best Chair __________________________________________ Peter Urquhart External Examiner __________________________________________ Haidee Wasson External to Program __________________________________________ Monika Kin Gagnon Examiner __________________________________________ William Buxton Examiner __________________________________________ Charles R. Acland Thesis Supervisor Approved by __________________________________________ Yasmin Jiwani Graduate Program Director __________________________________________ André Roy Dean of Faculty Abstract Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media Zoë Constantinides, -
NATIONAL FILM BOARD of CANADA FEATURED at Moma
The Museum off Modern Art 50th Anniversary NO. 16 ID FOR IMMEDIATE RELEASE March 3, 1981 DOCUMENTARY FILMS FROM THE NATIONAL FILM BOARD OF CANADA FEATURED AT MoMA NATIONAL FILM BOARD OF CANADA: A RETROSPECTIVE is a three-part tribute presented by The Museum of Modern Art in recog nition of NFBC's 41 years Of exceptional filmmaking. PART TWO: DOCUMENTARY FILMS, running from March 26 through May 12 in the Museum's Roy and Niuta Titus Auditorium, will trace the develop ment of the documentary form at NFBC, and will be highlighted by a selection of some of the finest films directed by Donald Brittain, whose work has won wide acclaim and numerous awards. PART TWO: DOCUMENTARY will get off to an auspicious start with twelve of Donald Brittain's powerful and unconventional portraits of exceptional individuals. Best known in this country for "Volcano: An Inquiry Into The Life and Death of Malcolm Lowry" (1976), Brittain brings his personal stamp of creative interpretation to such subjects as America's love affair with the automobile in "Henry Ford's America" (1976) ; the flamboyant Lord Thompson of Fleet Street (the newspaper baron who just sold the cornerstone of his empire, The London Times) in "Never A Backward Step" (1966); Norman Bethune, the Canadian poet/ doctor/revolutionary who became a great hero in China when he marched with Mao ("Bethune" 1964); and the phenomenal media hysteria sur rounding the famous quintuplets in "The Diorme Years" (1979) . "Memo randum" (1965) accompanies a Jewish glazier from Tcronto when he takes his son back to the concentration camp where he was interned, an emotion al and historical pilgrimage of strong impact and sensitivity. -
Ten Years Supporting, Delivering & Promoting the Whole Spectrum of Animation
TEN YEARS SUPPORTING, DELIVERING & PROMOTING THE WHOLE SPECTRUM OF ANIMATION Directors Message Wow – we made it to our 10th anniversary!! Who would have thought it? From very humble beginnings – our first festival in 2004 screened at the now-defunct Rupert Street Cinema in Piccadilly – to LIAF 2013, 10 days at 3 different venues. We have survived - sort of. Over 10 years we’ve received more than 12,000 entries, screened more than 2,500 films, and had some of the most talented animators in the world come and hang out with us. And we’ve had a ball on the way. It’s time to blow our own trumpet. As well as being the largest festival of it’s kind in the UK in terms of films and programmes screened, we have a substantial touring component and we run satellite events all year-round. We’ve screened at festivals, cinemas, theatres and colleges all around the world and in the UK and hopefully we have spread the word that animation is a valid artform that is only limited by the animator’s imagination. In short, our maxim is that in animation anything can happen. Long may this be. There are far too may people to thank here (hopefully you know who you are) but the guidance and immense work-rate of my co-Director Malcolm Turner has to be acknowledged. Way back when in our ground zero - actually in the year 1999 - I still vividly recall that very first meeting Malcolm and I had with our then-colleague Susi Allender in the back garden of our Melbourne flat. -
Senior 1 Art. Interim Guide. INSTITUTION Manitoba Dept
DOCUMENT RESUME ED 375 054 SO 024 441 AUTHOR Hartley, Michael, Ed. TITLE Senior 1 Art. Interim Guide. INSTITUTION Manitoba Dept. of Education and Training, Winnipeg. REPORT NO ISBN-0-7711-1162-2 PUB DATE 93 NOTE 201p.; Photographs might not produce well. AVAILABLE FROMManitoba Dept. of Education and Training, Winnipeg, Manitoba, Canada. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher)(052) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS *Art Activities; Art Appreciation; Art Criticism; *Art Education; Course Content; Curriculum Guides; Foreign Countries; Grade 9; High Schools; *Secondary School Curriculum IDENTIFIERS Manitoba ABSTRACT This Manitoba, Canada curriculum guide presents an art program that effectively bridges Canadian junior and senior high school art levels. Content areas include media and techniques, history and culture, criticism and appreciation, and design. Four core units present fundamental art knowledge through themes based on self and environmental exploration. Media and techniques used include drawing, collage, sculpture and ceramics. Four secondary units are enrichment oriented. Maskmaking expands on self-exploration by examining different faces humans present to establish identity and communication. Mass media introduces students to concepts of advertisement communication. Differences between need and want are explored. Landscape is studied as interpretations of environment as seen, remembered, or imagined. Investigation of the future allows for exploration of various scenarios with a wide variety of materials. The teaching method employed is problem solving/inquiry. Idea journals and portfolios are identified and used as evaluation tools. Appendices and bibliographies are included. (MM) ********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** 1993 Senior I Art U S. -
Cosmonauts of the Future: Texts from the Situationist
COSMONAUTS OF THE FUTURE Texts from The Situationist Movement in Scandinavia and Elsewhere Edited by Mikkel Bolt Rasmussen & Jakob Jakobsen 1 COSMONAUTS OF THE FUTURE 2 COSMONAUTS OF THE FUTURE Texts from the Situationist Movement in Scandinavia and Elsewhere 3 COSMONAUTS OF THE FUTURE TEXTS FROM THE SITUATIONIST MOVEMENT IN SCANDINAVIA AND ELSEWHERE Edited by Mikkel Bolt Rasmussen & Jakob Jakobsen COSMONAUTS OF THE FUTURE Published 2015 by Nebula in association with Autonomedia Nebula Autonomedia TEXTS FROM THE SITUATIONIST Læssøegade 3,4 PO Box 568, Williamsburgh Station DK-2200 Copenhagen Brooklyn, NY 11211-0568 Denmark USA MOVEMENT IN SCANDINAVIA www.nebulabooks.dk www.autonomedia.org [email protected] [email protected] AND ELSEWHERE Tel/Fax: 718-963-2603 ISBN 978-87-993651-8-0 ISBN 978-1-57027-304-9 Edited by Editors: Mikkel Bolt Rasmussen & Jakob Jakobsen | Translators: Peter Shield, James Manley, Anja Büchele, Matthew Hyland, Fabian Tompsett, Jakob Jakobsen | Copyeditor: Marina Mikkel Bolt Rasmussen Vishmidt | Proofreading: Danny Hayward | Design: Åse Eg |Printed by: Naryana Press in 1,200 copies & Jakob Jakobsen Thanks to: Jacqueline de Jong, Lis Zwick, Ulla Borchenius, Fabian Tompsett, Howard Slater, Peter Shield, James Manley, Anja Büchele, Matthew Hyland, Danny Hayward, Marina Vishmidt, Stevphen Shukaitis, Jim Fleming, Mathias Kokholm, Lukas Haberkorn, Keith Towndrow, Åse Eg and Infopool (www.scansitu.antipool.org.uk) All texts by Jorn are © Donation Jorn, Silkeborg Asger Jorn: “Luck and Change”, “The Natural Order” and “Value and Economy”. Reprinted by permission of the publishers from The Natural Order and Other Texts translated by Peter Shield (Farnham: Ashgate, 2002), pp. 9-46, 121-146, 235-245, 248-263. -
What's on at the Vancouver International Film Centre
What’s on March 5 - April 8, 2017 at the Vancouver LIFE, ANIMATED International Film Centre Aquarius 1181 Seymour Street 604.683.FILM Discover more at viff.org Personal Shopper Beyond 150 Years: An Acknowledgement of Cinematic Territory Beyond 150 Years Flipping the Script: Angry Inuk MAR 6 - 7, 2017 - FREE EVENTS Making Films to Make Change: ALETHEA ARNAQUQ-BARIL, CANADA, 2016, 85 MIN. IMPACT Canada's sesquicentennial is a complicated celebration Artist Talk with Lisa Jackson MON MAR 6 9:00AM - SCHOOLS SCRENING for Indigenous peoples. A Reel Canada initiative, Beyond 60 MIN. TRUE NORTH 150 Years: An Acknowledgement of Cinematic Territory 7:00PM is an opportunity to celebrate the impact of Indigenous MON MAR 6 - 2:00PM Wryly tackling both misinformation and aggressive ap- cinematic stories. It will feature two days of free public With a background in documentary, including acclaimed peals to emotion, Inuk filmmaker Arnaquq-Baril reframes film screenings, film talks, artist talks, and a high school shorts Suckerfish, and the CBC-broadcast How a People the controversial topic of the seal hunt as a cultural issue screening presented at Vancity Film Centre in partnership Live, Anishinaabe filmmaker Lisa Jackson expanded into in this award-winning hit. “Angry Inuk delivers important with the VIFF and the National Film Board of Canada. fiction with Savage, which won a 2010 Genie award for information about an issue we tend to think we know ev- Best Short Film. Cross-genre work includes current affairs, erything about, and delivers a powerful emotional punch.” animation, performance art film, and a musical.