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1961 Climbers Outing in the Icefield Range of the St
the Mountaineer 1962 Entered as second-class matter, April 8, 1922, at Post Office in Seattle, Wash., under the Act of March 3, 1879. Published monthly and semi-monthly during March and December by THE MOUNTAINEERS, P. 0. Box 122, Seattle 11, Wash. Clubroom is at 523 Pike Street in Seattle. Subscription price is $3.00 per year. The Mountaineers To explore and study the mountains, forests, and watercourses of the Northwest; To gather into permanent form the history and traditions of this region; To preserve by the encouragement of protective legislation or otherwise the natural beauty of Northwest America; To make expeditions into these regions in fulfillment of the above purposes; To encourage a spirit of good fellowship among all lovers of outdoor Zif e. EDITORIAL STAFF Nancy Miller, Editor, Marjorie Wilson, Betty Manning, Winifred Coleman The Mountaineers OFFICERS AND TRUSTEES Robert N. Latz, President Peggy Lawton, Secretary Arthur Bratsberg, Vice-President Edward H. Murray, Treasurer A. L. Crittenden Frank Fickeisen Peggy Lawton John Klos William Marzolf Nancy Miller Morris Moen Roy A. Snider Ira Spring Leon Uziel E. A. Robinson (Ex-Officio) James Geniesse (Everett) J. D. Cockrell (Tacoma) James Pennington (Jr. Representative) OFFICERS AND TRUSTEES : TACOMA BRANCH Nels Bjarke, Chairman Wilma Shannon, Treasurer Harry Connor, Vice Chairman Miles Johnson John Freeman (Ex-Officio) (Jr. Representative) Jack Gallagher James Henriot Edith Goodman George Munday Helen Sohlberg, Secretary OFFICERS: EVERETT BRANCH Jim Geniesse, Chairman Dorothy Philipp, Secretary Ralph Mackey, Treasurer COPYRIGHT 1962 BY THE MOUNTAINEERS The Mountaineer Climbing Code· A climbing party of three is the minimum, unless adequate support is available who have knowledge that the climb is in progress. -
Short Film Programme
SHORT FILM PROGRAMME If you’d like to see some of the incredible short films produced in Canada, please check out our description of the Short Film Programme on page 50, and contact us for advice and assistance. IM Indigenous-made films (written, directed or produced by Indigenous artists) Films produced by the National Film Board of Canada NFB CLASSIC ANIMATIONS BEGONE DULL CARE LA FAIM / HUNGER THE STREET Norman McLaren, Evelyn Lambart Peter Foldès 1973 11 min. Caroline Leaf 1976 10 min. 1949 8 min. Rapidly dissolving images form a An award-winning adaptation of a An innovative experimental film satire of self-indulgence in a world story by Canadian author Mordecai consisting of abstract shapes and plagued by hunger. This Oscar- Richler about how families deal with colours shifting in sync with jazz nominated film was among the first older relatives, and the emotions COSMIC ZOOM music performed by the Oscar to use computer animation. surrounding a grandmother’s death. Peterson Trio. THE LOG DRIVER’S WALTZ THE SWEATER THE BIG SNIT John Weldon 1979 3 min. Sheldon Cohen 1980 10 min. Richard Condie 1985 10 min. The McGarrigle sisters sing along to Iconic author Roch Carrier narrates A wonderfully wacky look at two the tale of a young girl who loves to a mortifying boyhood experience conflicts — global nuclear war and a dance and chooses to marry a log in this animated adaptation of his domestic quarrel — and how each is driver over more well-to-do suitors. beloved book The Hockey Sweater. resolved. Nominated for an Oscar. -
Annual Report 2010-2011
ANNUAL REPORT 2010-2011 HEAD OFFICE P.O. BOX 2398 UNIT 111-EIGHT STOREY 8 ASTRO HILL IQALUIT, NUNAVUT, CANADA The Nunavut Film Development Corporation (NFDC) is a non-governmental organization, established by the Government of Nunavut to provide training and funding though various programs for the production and marketing of film, television and digital media. In meeting its mandate, NFDC's vision is to position Nunavut as a competitive, circumpolar production centre, where Nunavummiut and guests can create quality production that is marketed and distributed to both the domestic and global market. Our policies and programs reflect the six guiding principles of Inuit Quajimajatuqangit. OUR MANDATE The mandate of the Nunavut Film Development Corporation is to increase economic and artistic opportunities for Nunavummiut in the film television and digital media industries and to promote Nunavut as a world-class circumpolar production centre. CORE RESPONSIBILITIES The Nunavut Film Development Corporation embraces and accepts that it is responsible to: Ensure that all activities undertaken by to organization will be carried out under the principals of Inuit Quajimajatuqangit (IQ) Work with the community to sustain and grow a competitive Nunavut owned and controlled film, television and digital media industry. Enable Nunavut production companies to foster existing relationships and to equip same with the tools and resources necessary to establish new relationships with national and international co-financing partners. Assist and enhance the ability of the Nunavut film, television and digital media industry to secure development, production, distribution and marketing financing. To utilize best management practices to administer territorial funding programs in an open, equitable and effective manner. -
FFF 2004 Program.Qxd 2/20/13 11:18 AM Page 1 2013 FFF8.5X11 Fff2004program.Qxd2/20/1311:18Ampage2 1
2013 FFF 8.5x11_FFF 2004 program.qxd 2/20/13 11:18 AM Page 1 2013 FFF 8.5x11_FFF 2004 program.qxd 2/20/13 11:18 AM Page 2 DAN FRANCIS PHOTOGRAPHY 1 2013 FFF 8.5x11_FFF 2004 program.qxd 2/20/13 11:18 AM Page 3 ONCE UPON A TIME, MOTION PICTURES WERE ENORMOUS THINGS. Massive amounts of 35mm film were packed neatly in unwieldy padlocked metal cans and sent to a world’s worth of neighborhood cinemas. During my tenure at a local multiplex, a particularly long movie about a boy wizard resulted in a particularly massive film print. I managed to get this print halfway up a particularly steep staircase before tumbling bow-tie first down to what I feared was my doom but was, in fact, a conveniently placed pile of industrial sized bags of Orville Redenbacher. After that, I left it to our fearless projectionists to struggle them up the stairs to dimly lit projection booths. There, hunched over miles of celluloid, they would work into the wee hours of the morning – steady hands and bleary eyes assembling a new adventure. Such was the weight of storytelling. And the enormity of it made sense to me. Should one be able to lose the life and times of Charles Foster Kane if it slides down into that little space between the entertainment center and the wall? Emily Beck FARGO THEATRE Should the battle against an evil galactic empire be shipped in a standard packing envelope lined with those delicious little bubbles? Executive Director Isn’t it only fitting that the epic journey to return The One Ring (back to the fiery chasm from whence it came) be so enormous it could topple a teenager in an usher’s tuxedo made entirely of polyester? But the world turned. -
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
Drewreview V11.Pdf
1 The Drew Review, the annual research journal for the undergraduates of the Drew University College of Liberal Arts (CLA), publishes the undergraduate research from the previous calendar year. We aim to showcase the intellectual vibrancy of the students of the CLA. The board currently consists of seven editors, selected by faculty nomination, application, and invitation. Published students can apply for a position on the board, with the remaining positions filled by faculty nomination and student application with a writing sample. Submissions to the Review require a faculty nomination. Students who believe their work is exceptional should approach their professor for a nomination. The Drew Review accepts papers of no more than twenty-five pages in October and February from the previous semester. This year, we received thirty-nine submissions and have selected ten for publication. As we are a double-blind, peer-reviewed journal, all submissions should be sent as a Word document to the corresponding editors without naming the student author or professor for whom the essay was written in the body of the essay. The student author’s name and paper title should be in the faculty nomination. Images and graphs will be published in black and white and must be compatible with Word. It is the author’s responsibility to ensure that all images can be reproduced. All published essays will use in- text citations referencing a works cited bibliography, and the specific citation style is dependent on the discipline of the particular essay. Students can expect to be asked to make revisions prior to publication. -
YANDRO for This
VOL.XVII NO. I Published as -regular?y as time and 7 . < i...., i «•:■;■. ' ■■ very, these days) by the Rev. Robert Cottl-on s;;d Co 2 < ?n Rout.- 5 :i1 Cixy, Indiana k?3k8f USA British agent* Alan 77 S?anstead ‘‘..’■ad Hcdd.rj !•>'£■, Great Britain Price, USi 40/ per copy 4 for >1 50 or 12 for $4 00 Price, Britain* 3/0 per -copy- 4 for 10/0 r or .12 far 26/0 s still cto not u»,.•<• t-.> i>. .-?;.■■■>.■-■ -d in r.-tb“” luc-, (Would you, if yon put- out something that looked .likb this?* however even w get ■.■■■? roultilith working the way ** 6 supposed to ” X have a trou. ■ . m u. .-a order _ we are not happy about re* views. An occasional naw reader si. Lots of them at once no C'CufESTS Ramblings (editorial) P JWC ..... t a *■ o ♦ <? r * 9 B Rumblings (editorial) .. ■ RSC t = 4 2 C o o C « 0 a 4 Golden 'Minutes (book ..-<. *i>rats) RSC .... « C G c P P • * •» 6 Envy (verse) . , . L Sprague de Camp © • » a p • 13 The KhlghWfoskowiti rriarlaat:.,-.;: varLtxAe) .. Sam Moskowitz a O 0 a o « • < p 14 Announcements r t W . > e O 9 a • 0 p * • 18 Strange fruit (fans-in? reviews} , X* * .'O . „ e b O o e o 0 * c 19 Technical And 0<N.t 1. j; '. (V?.: ■ c P C < © w • p n 26 Grumblir. g.; (1 st ter s) tarn ♦ « » 0 c e c a 28 The ads begin on page 37 ARTrfCRK Cover by . -
A City out of Old Songs
A City Out of Old Songs: The influence of ballads, hymns and children’s songs on an Irish writer and broadcaster Catherine Ann Cullen Context Statement for PhD by Public Works Middlesex University Director of Studies: Dr Maggie Butt Co-Supervisor: Dr Lorna Gibb Contents: Public Works Presented as Part 1 of this PhD ............................................................ iii List of Illustrations ....................................................................................................... iv Acknowledgements ...................................................................................................... v Preface: Come, Gather Round ..................................................................................... 1 Chapter 1: The Singing Without Ceasing .................................................................... 8 Chapter 2: A Tune That Could Calm Any Storm ......................................................... 23 Chapter 3: Something Rich and Strange .................................................................... 47 Chapter 4: We Weave a Song Beneath Our Skins ...................................................... 66 Chapter 5: To Hear the Nightingale Sing ................................................................... 98 Conclusion: All Past Reflections Shimmer into One ............................................... 108 Works Cited .............................................................................................................. 112 Appendix 1: Index of Ballads and Songs used -
April 2001 J 0 Urnal
A forum for Christian school educators Christian Educators Volume 40 No. 4 April 2001 J 0 urnal When t:vetJJtltiufl Is a SOHfl Editorial My sister-in-law's mother died Why Do We Sing? my boss in a church in the Neth of Alzheimer's disease several erlands. He could sing really years ago. To wards the end of her mother's life, communica well, and he knew it too. I sat next to him doing my best. After tion was almost non-existent, except when my sister-in-law church he said to me, 'The way you sing, you may as well keep would sing songs her mother had learned earlier in life, espe your mouth shut.' That really happened to me, and it hurt. It cially psalms and hymns. These songs elicited a response where took me a long time to get over that. Why do we sing anyway? otherwise eyes remained blank, and mouth still. Babies notice When I was young, I used to sing when no one heard me, and ably respond to singing, and children love to engage in it. One then I could sing to my heart's content." The man's voice broke might conclude from this and many other examples that sing when he told me this, and his eyes filled with tears at the pain ing is very basic to our existence. It seems to go to and come ful memory of that insensitive and arrogant remark. He has from the core of our being. since departed this world and may well be giving singing les But something happens to most children on their way to sons to his former boss in heaven, provided the man has soft adulthood. -
The Film Festival Fills the Ballroom
The WEDNESDAY, APRIL 18, 2012 • VOL. 24, NO. 25 $1.25 Edmunston, N.B. won the Live Right Now contest, but didn't we have KLONDIKE fun trying? SUN The Film Festival Fills the Ballroom There were lots of bottoms on seats at the annual short film festival. See story on page 5. Photo by Dan Davidson in this Issue Muesum flooding 3 Ducks Unlimited 6 River Breakup Stats 9 Come check out Artifacts were damaged but prompt The auction is a great success for Stephen Johnson predicts Breakup action was crucial in preventing the organization and the town. with better odds than Lotto 649. our great selection more problems. of sale books! See & Do in Dawson 2 Yukon Queen II gone 8 DCA AGM 16 The Cookshack (NEW!) 20 Uffish Thoughts 4 TV Guide 10-14 HACES Graduation 18 Kids' Corner 22 Larry Hil on Berton House 7 Fast Track Mining Report 15 AN Irish Nugget 19 City of Dawson 24 P2 WEDNESDAY, APRIL 18, 2012 THE KLONDIKE SUN What to Get the Rec & Leisure Newsletter & stay up to date. Website: www. cityofdawson.ca. Facebook: "City of Dawson Recreation". Contact us at SEE AND DO 993-2353.The Westminster Hotel Live entertainment in the lounge on Friday and Saturday, 10 p.m. to in DAWSON now: close. More live entertainment in the Tavern on Fridays from 4:30 p.m.The toDowntown 8:30 p.m. Hotel LIVE MusIC - : Barnacle Bob is now playing in the Sourdough Saloon ev This free public service helps our readers find their way through CRIBBAGE TOURNAMENTS the many activities all over town. -
Voice in the Poetry of Selected Native American
SPEAKING THROUGH THE SILENCE: VOICE IN THE POETRY OF SELECTED NATIVE AMERICAN WOMEN POETS by D’JUANA ANN MONTGOMERY Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON MAY 2009 Copyright © by D’Juana Ann Montgomery 2009 All Rights Reserved ACKNOWLEDGEMENTS Knowing where to actually begin in acknowledging all of those who have helped make completing this process possible is daunting—there are so many who have contributed in so many ways. Dr. Kenneth Roemer, my dissertation chair, has been an invaluable source of guidance and encouragement throughout the course of my doctoral work. Dr. Tim Morris and Dr. Laurin Porter have also been invaluable in helping me complete the final drafts of this project. I must also acknowledge my English Department colleagues Diane Lewis, Dessita Rury, and Dr. Amy Alexander at Southwestern Assemblies of God University. These wonderful friends have been a continual source of strength and encouragement and have seemingly never tired of listening to me talk about the ups and downs of my project. My heartfelt thanks also goes to Kathy Hilbert, my good friend and colleague from Hill College who has read the drafts of my chapters almost as many times as I have. Finally, and perhaps, most importantly, I must acknowledge the support and sacrifices of my family. My husband Max has always been my biggest supporter; he has never failed to encourage and support me in any way possible. -
Wilfried Loth Building Europe
Wilfried Loth Building Europe Wilfried Loth Building Europe A History of European Unification Translated by Robert F. Hogg An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. ISBN 978-3-11-042777-6 e-ISBN (PDF) 978-3-11-042481-2 e-ISBN (EPUB) 978-3-11-042488-1 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2015 Walter de Gruyter GmbH, Berlin/Boston Cover image rights: ©UE/Christian Lambiotte Typesetting: Michael Peschke, Berlin Printing: CPI books GmbH, Leck ♾ Printed on acid free paper Printed in Germany www.degruyter.com Table of Contents Abbreviations vii Prologue: Churchill’s Congress 1 Four Driving Forces 1 The Struggle for the Congress 8 Negotiations and Decisions 13 A Milestone 18 1 Foundation Years, 1948–1957 20 The Struggle over the Council of Europe 20 The Emergence of the Coal and Steel Community