Thomas Babbington Macaulay Critical and Historial Essays
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Anglo-Dutch Relations, a Political and Diplomatic Analysis of the Years
1 ANGLO-DUTCH RELATIONS A Political and Diplomatic Analysis of the years 1625-1642 ’’Nations have no permanent friends or allies, they only have permanent interests’’ Lord Palmerston Britain’s Prime Minister 1855 and 1859-65 Anton Poot, M.A. Royal Holloway University of London March 2013 Supervised by Professor Pauline Croft, MA (Oxon) DPhil. FSA FRHistS, to be submitted in fulfilment of the degree of Doctor of Philosophy Declaration: I hereby declare that the work presented in this thesis, ANGLO-DUTCH RELATIONS A Political and Diplomatic Analysis of the years 1625-1642 is my own. Signed: Name: Anton Poot Date: 2013 For my wife Jesmond 2 ABSTRACT The aim of this thesis is to analyse Anglo-Dutch relations in this highly volatile period, as perceived and interpreted by both sides, and it also closes the gap between the notable theses of Grayson1 and Groenveld2. On 23 August 1625 Charles I and the Dutch Republic concluded a partnership agreement for joint warfare at sea and a month later a treaty for war against Spain. In December 1625 England, Denmark and the Republic signed treaties to establish the nucleus of an alliance against the Austrian Habsburgs. Charles wanted an active role in continental politics. Also to compel Spain to support his aim to restore his exiled sister Elizabeth and husband Count Elector Frederick V to their Palatinate estates and Frederick to his Electoral dignities in the Empire. The Dutch wanted England as an active partner in their war with Spain. It was a partnership of convenience, with different objectives but with the intention that success would serve the interests of both. -
The Memoirs of Count Grammont
The Memoirs of Count Grammont Anthony Hamilton The Memoirs of Count Grammont Table of Contents The Memoirs of Count Grammont..........................................................................................................................1 Anthony Hamilton..........................................................................................................................................1 BIOGRAPHICAL SKETCH OF ANTHONY HAMILTON........................................................................1 CHAPTER FIRST. INTRODUCTION.........................................................................................................6 CHAPTER SECOND. ARRIVAL OF THE CHEVALIER GRAMMONT AT THE SIEGE OF TRINO, AND THE LIFE HE LED THERE.........................................................................................8 CHAPTER THIRD. EDUCATION AND ADVENTURES OF THE CHEVALIER GRAMMONT BEFORE HIS COMING TO THE SIEGE OF TRINO..............................................................................10 CHAPTER FOURTH. HIS ARRIVAL AT THE COURT OF TURIN, AND HOW HE SPENT HIS TIME THERE.............................................................................................................................................17 CHAPTER FIFTH. HE RETURNS TO THE COURT OF FRANCEHIS ADVENTURES AT THE SIEGE OF ARRASHIS REPLY TO CARDINAL MAZARINHE IS BANISHED THE COURT......28 CHAPTER SIXTH. HIS ARRIVAL AT THE ENGLISH COURTTHE VARIOUS PERSONAGES OF THIS COURT.......................................................................................................................................38 -
Selections from the Writings of Walter Savage Landor;
BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIFT OF 3Henrg W. Sage 1S91 A./X.Z3/J Cornell University Library PR 4871.C59 1898 Selections from the writings of Walter S 1924 013 495 407 Cornell University IJJa Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924013495407 THE ATHEN/£UM PRESS SERIES G. L. KITTREDGE and C. T. WINCHESTER GENERAL EDITORS tTbe Htberueum press Series. This series is intended to furnish a library of the best English literature from Chaucer to the present time in a form adapted to the needs of both the student and the general reader. The works selected are carefully edited, with biographical and critical introductions, full explanatory notes, and other, neces- sary apparatus. W. S. LANDOR. Htbenajum press Series SELECTIONS FROM THE WRITINGS OF WALTER SAVAGE LANDOR Edited with Introduction and Notes W. B. SHUBRICK CLYMER BOSTON, U.S.A. GINN & COMPANY, PUBLISHERS ST&e atficnsctim J3rees 1898 Copyright, 1898, by W. B. SHUBRICK CLYMER ALL RIGHTS RESERVED PREFACE. The first edition of John Forster's Life of Landor was published by Chapman and Hall, in two volumes, in 1869; in 1876, abridged, it formed the first volume of Forster's eight-volume edition of The Works and Life of Walter Sav- age Landor ; in 1895 the second edition was reprinted. In this biography is stored almost all the information of any consequence relating to Landor; and Forster's is the stand- ard text of the collected writings. -
Hegemonizing Minds Through Life Writing: the Case of English Men of Letters As an Imperial Text
Journal of the Punjab University Historical Society Volume: 34, No. 01, January – June 2021 Shahzeb Khan * Azka Zia ** Hegemonizing Minds through Life Writing: The Case of English Men of Letters as an Imperial Text Abstract This article discusses the English Men of Letters series, as a representative work of Imperial Life writing, which was utilized by the British colonizers to influence local minds in favor of the colonial rule. Available studies which discuss EML series and Victorian biographies do so in the context of England, in this study, however, the colonial imperatives necessitated the publishing of English biographies which were needed in the colonies to support discursively the non- discursive and expansionist agenda of the colonizers on the ground. The paper argues that the series was a tool to materialize what Macaulay had imagined in 1835: a class English in taste, opinions, morals and intellect (Macaulay 1835). For this class to be created, rhetoric of Englishness was required which could pull subjectivities towards it in the consensual environment of an educational institution. One crucial cog in this juggernaut of colonizing Englishness was thus the EML series, the paper argues. It is thus an attempt to further understand the historical schema of imperialism with the help of biographies. The paper ends on a forward-looking note and emphasizes the need to develop a discourse on ways to resist hegemonic readings in institutional settings. Keywords: English men of letters, John Morley, Surrogate, Life writing, hegemonic reading. Introduction to English Men of Letters Series, John Morley The English Men of Letters series, first published in 1878 in London, has been celebrated in available histories as "the most successful venture of the kind since Johnson's Lives of the Poets". -
The Romanticism of Dequincey
NIVERSITY OF ILLINOIS LIBRARY Book Volume mi Digitized by the Internet Archive in 2013 http://archive.org/details/romanticismofdeqOOrupp • THE ROMANTICISM OF DEQUINCEY f BY I FWTS WTI I TA"M RUPP A. B. CARTHAGE COLLEGE, 1910 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS w IN ENGLISH IM Of THE UNIVERSITY OF ILLINOIS 1911 raw UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL 194 ( 1 HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY ENTITLED BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF In Charge of Major Work Head of Department Recommendation concurred in: Committee on Final Examination 1 97722 INTRODUCTION. This thesis is presented with the complete realisation that neither does it ©over adequately all the ramifications of the subject, nor does it approach in any sense an adequate treatment of the few topics that have Been selected. It will amply deserve criticise for the too apparent biographical tinge, and for the lack of that disinterested review in the light of contemporary romanticism which would lift it. more nearly into the proper sphere of the thesis. In apology the author of this paper can claim only to have followed those things which appealed to his own individual mood while reading De Quincey's works. The time required to read and to collate the entire body of essays and papers from De Quincey's pen alone, all suggestive, precluded any attention to outside criticism and comment, such as might be found in the papers of Hazlitt, Coleridge, and other contemporaries of De Quincey, or in critical estimates and biographies. -
Richelieu's Army: War, Government and Society in France, 1624–1642
Richelieu's Army: War, Government and Society in France, 1624–1642 DAVID PARROTT CAMBRIDGE UNIVERSITY PRESS Richelieu's Army War, Government and Society in France, 1624±1642 The conduct of European war on an unprecedented scale is central to an understanding of the ministry of Richelieu (1624±42), and there has been no previous study of the French army during this period. This book provides a detailed account of the organization of the army, and examines the challenges posed by war to government and society in a period associated with the creation of the `absolutist state'. By making extensive use of archival material, the study cuts through myths concerning military and administrative evolution, and confronts typical assumptions about progressive centralization and more effective control of the war-effort by the crown and its agents. Although the European war imposed huge burdens upon the French people, Richelieu's ministry struggled to control the army through traditional administrative and ®nancial mechanisms. Far from strengthening the absolutist authority of government, the waging of war eroded the ministry's control over army of®cers and troops and incited tensions between soldiers and civilians across French society which in turn contributed to the undermining of existing structures of authority and control. The book also makes an original and sceptical contribution to the debate about a `military revolution' in early modern Europe by examining the conduct of war in early seventeenth- century France. In addition, it seeks to contextualize the inadequacy of the war-effort during Richelieu's ministry by providing a view of the military context of French foreign policy after 1625 which challenges many of the orthodoxies about Richelieu's aims and objectives in involving France in the Thirty Years War. -
Edmund Burke, Miscellaneous Writings (Select Works Vol. 4) (1874)
Burke_0005.04 09/15/2005 09:39 AM THE ONLINE LIBRARY OF LIBERTY © Liberty Fund, Inc. 2005 http://oll.libertyfund.org/Home3/index.php EDMUND BURKE, MISCELLANEOUS WRITINGS (SELECT WORKS VOL. 4) (1874) URL of this E-Book: http://oll.libertyfund.org/EBooks/Burke_0005.04.pdf URL of original HTML file: http://oll.libertyfund.org/Home3/HTML.php?recordID=0005.04 ABOUT THE AUTHOR Burke was an English political philosopher who is often seen as laying the foundations of modern conservatism. Although he supported the American colonies in the revolution against the British crown, he strongly opposed the French Revolution, the rise of unbridled democracy, and the growing corruption of government. ABOUT THE BOOK This volume contains some of Burke’s speeches on parliamentary reform, on colonial policy in India, and on economic matters. THE EDITION USED Select Works of Edmund Burke. A New Imprint of the Payne Edition. Foreword and Biographical Note by Francis Canavan, 4 vols (Indianapolis: :Liberty Fund, 1999). COPYRIGHT INFORMATION The copyright to this edition, in both print and electronic forms, is held by Liberty Fund, Inc. FAIR USE STATEMENT This material is put online to further the educational goals of Liberty Fund, Inc. Unless otherwise stated in the Copyright Information section above, this material may be used freely for educational and academic purposes. It may not be used in any way for profit. http://oll.libertyfund.org/Home3/EBook.php?recordID=0005.04 Page 1 of 175 Burke_0005.04 09/15/2005 09:39 AM It may not be used in any way for profit. -
The WORKS of VOLTAIRE
The WORKS of VOLTAIRE "Edween two servants of Humanzty, wlto appea,.ed e;gltteen Itundred years apa,.t, Iltere is a myste,.ious relation. * * * * Let us say it witlt a sentiment of profound ,.espect: JESUS WEPT: VOLTAIRE SMILED. Of tltat divine tear and oj Iltat Ituman smile is composed tlte sweetness of tlte p,.esent civilization ." VICTOR HUGO. College of Du Page Instructional Resources Center GleR EIIYD, Illinois ~ Presented by Mr. & Mrs. Henry A. Diekmann A CRITIQVE. 8 BIOGRAPHY lOY ()!'IE. HVNDRED &'DlX\Y-EIGHT DESIGNS, COMPRISING R(PRODVCTION5 OF RARE OLD ENGRAVING 5, 51UL PLl~TE~. PHO- TOGRAVuRE'",,_~o~~o~~~o& CURIOUS FAC-SIMILEa. o1J[MlLt~~~ll~W\I!llJ\kY) 0 INSTRUCTIONAl RESOURCES CENTER COllEGE OF DU PAGE CoPYRIGHT, 1901, By E. R. DuMoNT OwHED BY TAB ST. HUBERT GUILD tilaw YORK , VOLTAIRE AGE OF LOUIS XIV. VOL. XII-PART I CONTENTS AGE OF LOUIS XIV. CHAPTER PAGE INTRODUCTION 5 I. THE STATE OF EUROPE BEFORE LOUIS XIV. II. VICTORIES OF THE FRENCH III. THE CIVIL WAR IV. THE CIVIL WAR UNTIL 1654 v. DEATH OF CARDINAL MAZARIN 75 VI. LOUIS XIV. GOVERNS ALONE 106 VII. THE CONQUEST OF FLANDERS 120 VIII. PEACE OF AIX-LA-CHAPELLE IX. MAGNIFICENCE OF LOUIS XIV. X. HOLLAND EVACUATED . XI. DEATH OF MARSHAL TURENNE XII. THE PEACE OF NIMEGUEN XIII. THE TAKING OF STRASBURG XIV. JAMES II. OF ENGLAND DETHRONED 223 XV. EUROPE UNTIL 1697 XVI. THE TREATY WITH SAVOY LIST OF PLATES PART I P.6.0B VOLTAIRE • Frontispiece LOUIS XIV. JEAN BAPTISTE COLBERT INTRODUCTION TO THE AGE OF LOUIS XIV. -
Notes and References
Notes and References INTRODUCTION I. Elizabeth Gaskell, The Life of Charlotte Bronte·, ed. Alan Shelston (Harmonds worth: Penguin Books, 1977) ch. vn, p. I 55. This is a reprint of the 185 7 first edition. 2. Frank Kermode, The Genesis of Secrecy. On the Interpretation of Narrative (Harvard University Press, 1979) p. 117. 3. David Novarr, The Making of Walton's Lives (Ithaca: Cornell University Press, 1958) p. 495. Nearly thirty years ago Novarr modestly noted the disregard of form in the study of biography. More aggressively, Leon Edel presses the case for the formal analysis of biography in 'Biography: The Question of Form', Friendship's Garland, Essays Presented to Mario Praz, ed. Vittorio Gabrieli (Rome: Edizioni de Storia e Letteratura, I 966) pp. 343-60, and more recently in 'Biography: A Manifesto', biography, I: I (1978) 1-3. 4. Edward Gibbon, An Essay on the Study of Literature (I 761, French; New York: Garland Publishing, 1970) pp. 99-100. Gibbon adds that the rarest quality is meeting 'a genius who knows how to distinguish them [the types offacts] amidst the vast chaos of events, wherein they are jumbled and deduce them, pure and unmixed, from the rest' (p. 100). 5. On Donne, see Novarr, The Making of Walton's Lives, p. 56; on Boswell, Robert Gittings, The Nature of Biography (Seattle: University of Washington Press, 1978) p. 32; Thomas Carlyle, History of Frederick II of Prussia Called Frederick the Great, ed. John Clive (University of Chicago Press, 1969) pp. ~; Lytton Strachey, Eminent Victorians (1918; New York: Capricorn Books, 1963) pp. -
ABSTRACT the Ideal World of Edmond Rostand's Cyrano De
ABSTRACT The Ideal World of Edmond Rostand’s Cyrano de Bergerac: A Director’s Approach Traci Elizabeth Ledford, M.F.A. Thesis Chairperson: Marion D. Castleberry, Ph.D. Edmond Rostand wrote Cyrano de Bergerac during a time when realism was beginning to assert its dominance over French theatre. Rostand’s masterpiece, with its neo-Romantic attributes, is often perceived as a reaction against the new theatrical movement as well as a celebration of France’s history. The play’s enduring popularity can be attributed to its emphasis on the ideal exemplified in the dynamic and heroic title character. This director’s approach to Cyrano de Bergerac examines the history behind the play including the playwright’s life, work, sources for the play, and its importance in fin- de-siècle France. A thorough analysis of the script and genre helps to initiate dialogues with designers about directorial concepts and helps to guide actors through a production style that supports the text. This study also includes the artistic challenges, concepts, and decisions that shaped choices for the play before concluding with a critical examination of the final product. The Ideal World of Edmond Rostand’s Cyrano de Bergerac: A Director’s Approach by Traci Elizabeth Ledford, B.F.A. A Thesis Approved by the Department of Theater Arts ___________________________________ Stan C. Denman, Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts Approved by the Thesis Committee _________________________________ _____________________________ Marion D. Castleberry, Ph.D., Chairperson Stan C. -
Milton's Literary Reputation During the Victorian Era. Calvin Huckabay Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1955 Milton's Literary Reputation During the Victorian Era. Calvin Huckabay Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Part of the English Language and Literature Commons Recommended Citation Huckabay, Calvin, "Milton's Literary Reputation During the Victorian Era." (1955). LSU Historical Dissertations and Theses. 8147. https://digitalcommons.lsu.edu/gradschool_disstheses/8147 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. MILTON*S LITERARY REPUTATION DURING THE VICTORIAN ERA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Meohanioal College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Calvin Huokabay B. A ., Louisiana College, 1949 M, A,, Tulane University, 1950 June, 1956 UMI Number: DP69525 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI DP69525 Published by ProQuest LLC (2015). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. -
Selective Affinities and Poetic Appropriation: Percy Bysshe
SELECTIVE A ffinities a n d P oetic A ppropriation : P e r c y B y ss h e S helley a n d W illem K lo o s Kris Omer Eli Antoon Sebastiaan STEYAERT University College London Ph.D. in Dutch September 2000 ProQuest Number: U642576 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642576 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract In this dissertation, I examine the reception and appropriation of Percy Bysshe Shelley’s works in the Low Countries during the period 1880-1940. This period roughly coincides with the writing career of Willem Kloos (1859-1938), the Dutch poet-critic who monopolised his admiration for Shelley and proclaimed himself to be his only poetical heir. I demonstrate how Kloos’s own poetics and political beliefs made him misrepresent and manipulate key facts in Shelley’s life and literary output during his never-ending promotion of the artistic, as well as spiritual, bond between himself and the English writer. More particularly, Kloos showed great determination in advancing Shelley’s works as a comprehensive endorsement of his own artistic tenets.