Ark Kings Primary I Art
Histor y/Geo conceptual understanding (linked to Year Term Theme Movement Artist Bio substantive knowledge Example Element Medium graph History/Geography unit) y Unit
Paint
Shape Contemporary Koons creates large-scale He blurs the line and creates Scale Jeff Koons Earth is a big space made up of land and artworks of everyday items. an optical illusion of large- art water.
scale objects. Space
Autumn 1 Autumn Dinosaurs
Shape Andy Goldsworthy OBE is a Andy Goldsworthy shows British sculptor, how fragile our environment Colour photographer and Our Fragile Andy is by creating artwork that environmentalist who can change due to its Change is when something is different to environmen Goldsworth Space Contemporary produces site-specific surroundings for example, what it was before. Natural t / Installation y sun, wind, rain and people. resources
Autumn 2 Autumn sculptures and land art Texture situated in natural and
Changes Over Time Over Changes urban settings. Value
Seguy was one such designer who was prolific Year 1 Year from the turn of the century Shape through the 1930's. He Change is when something is different to produced eleven albums of Seguy documents many
Colour Change different kinds of insects of what it was before. Technology has illustrations and patterns of Art Nouveau Eugène which many are caused a lot of change. Humans can which Papillons and affect change. Space Oil pastels Endangerm Séguy endangered.He wanted to Insectes were dedicated to Spring 1 Spring ent insect subjects. E.A. Seguy capture nature and its Rainforests beauty. Tone was a masterful decorative artist who spanned the art Value eras of Art Nouveau through Art Deco.
Brazil is a cultural melting
Romero Britto is a Brazilian pot. Brazilian culture has A nation is a group of similar people artist, painter and sculptor. He been shaped by the living together for shared reasons, who Line Wax
combines elements of cubism, Portuguese, who first settled have a common history, language and crayon Romero pop art and graffiti painting in Shape Culture the country in the 1500’s, but culture. Pop Art Britto his work, using vibrant colours also by Brazil’s native Brazil Paper Spring 2 Spring and bold patterns as a visual Indians, the considerable Colour collage expression of hope, dreams African population, and other and happiness. settlers from Europe, the Pattern Middle East and Asia
Year 2
Autumn 2 Autumn 1 Summer 2 Summer 1
Kings and Queens Titanic Significant individuals City of Birmingham
Patriotism Sentiment authority culture Isolation Nation poverty
Class / Class Fame class
/
/ /
Impressionism Contemporary Expressionism Pop Art Art
Andy Warhol Andy McLauchla Kollwitz Hassan Childe Kathe Kathe Lucy Lucy n
war on the working class. working war onthe and hunger poverty, of effects the depict War, The Peasant and Weavers The including cycles, art famous most Her sculpture. and printmaking painting, with worked who artist German was a Käthe 1960s by the flourished that celebrity culture and advertising, expression, artistic between relationship pop as known movement art visual the in figure aleading who was producer and director artist, American wasan Warhol alongside exhibition works. continues to paint murals onwhite varied surfaces. She predominantly inblack & scale with print and paint, McLauchlan museums. and dealers, collectors, American to Impressionism promulgating in instrumental was Hassam Twachtman, Henry John and Cassatt Mary with scenes. Along coastal and urban his for noted painter, Impressionist an American Childe Frederick art. His works explore the explore works His art.
Kollwitz, née Schmidt, Schmidt, née Kollwitz,
works on a large
Hassam was was Hassam
hunger and poverty. and hunger war, in the people help the to wanted she her works, Through people. fortune less the life of by the very touched was She drawing. and etching woodcut, the ideas by using works. her depict to byused Kathe areseveral There Monroe Marilyn include subjects he hadas celebrities ofthe Some picture. colo different but use over,and over portrait same repeat the would He people. famous Warhol connection People and celebrated diversity Lucy oneanother. for be strong needto countries that shows He country. one’s for love and patriotism wit deals His work
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Summer 1 Spring 2 Spring 1
Oceans Great Fire of London Australia culture Traditions Lost Exploration tragedy
/
stages) Cubism (later Contemporary cartography
Ed Fairburn Mahlangu Period) Picasso Estha Estha Pablo (Blue
the likenesses. into features map other and roads the incorporating maps, on portraits creates Fairburn UK colours. other by warmed occasionally only shades in paintings monochromatic essentially painted hewhen 1904 and 1901 between Picasso Pablo painter by Spanish produced works define the to used is term a Period Blue The art. in a career out carved has successfully and sensitivity, and integrity with culture people's her promoted traditional painting of the art to life dedicated a hasspent Mahlangu Esther - based illustrator Ed based illustrator
of blue and blue blue and of
and the evolution of of evolution the and painting
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Year 3
Summer 2 Spring 1 Autumn 2 Autumn 1
Earthquakes Ancient Egyptians Stone Age and Iron Age Seaside changes over time environmen Culture / lost /lost Culture Our fragile traditions Tragedy Life and death / death change t
Found ObjectFound Contemporary Contemporary Megalithic art Megalithic Ukiyo Art Art
- e
Hokusai Gerhardt Stitzlein Kathryn Kathryn Michelle Michelle Damian Damian Hirst
of Mountof Fuji print series Thirty as author theof woodblock Edo, Hokusai is knownbest Edothe period. Born in painter and printmaker of Japanese artist, ukiyo Katsushika Hokusai was a life. considered what was once preserve to this, attempting illustrate to animals uses often He death. life of and contrast the conveys artwork that collector. art and artist, English emotion. of expression an to songs, illustrating to landscapes, and legends myths, representing to designs, simp from has evolved work Her work. her through conveyed are meanings their stones, theinto carved skilfully been has what decipher to tried have archaeologists and experts Many stones. ancient on the carvings based on is work Gerhardt’s materials. recycled from /sculpture object art found creates who American artist Michelle Stitzlein entrepreneur, entrepreneur, .
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Texture Texture Texture Pattern Pattern Colour Shape Shape Space Form Line Line Line Line
chalk Charcoal / Engraving Lino installatio Bloc watercolo sculpture materials Recycled Plaster Tiles ur – n
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Year 4
Autumn 1 Summer 2 Summer 1 Spring 2
Roman Empire Ancient Greece The British Empire Ancient Maya Innovation Tradition Invasion Scale
Expressionism Abstract Contemporary Impressionism Modernism
Caillebotte Pollock / Grayson Jackson Rothko Gustave Antoni Antoni Gaudi Perry Mark
foibles" and fashions "prejudices, British dissecting for and scene, arts contemporary the of observations and vases ceramic his for known is He broadcaster. writer and artist, contemporary English is an RA CBE Perry Grayson angles. all from his canvases paint and view to him enabling horiz a paint onto household liquid splashing or pouring of technique his for noticed was widely He movement. expressionist abstract in the figure major a and painter American wasan Pollock Jackson Paul the group. in others many manner than more realistic in a painted he although Impressionists, the patronof and member wasa who painter French was a Caillebotte Gustave Família. the Sagrada church of the work, his main including in Barcelona, located one individualized, highly have a works Gaudí's Modernism. Catalan of exponent greatest the as known architect Gaudí Antoni - tapestries, as well as his his as well as tapestries, of - a
- kind style. Most are are Most kind style.
was a Catalan Catalan was a ontal surface, surface, ontal
Society. British about message powerful a convey vases, to as such objects, mundane Greek artwor Roman and traditional to a link show artworks clearly His form. of use viaPerry the by is explored Tradition space. solitary and peaceful a was once what invades colour paint and of His use effects. random the derided others while creation, the of fluency and immediacy critics: the divided abstraction of form extreme This style. dancing frenetic a in often paint, to body whole his of force the used he since painting', 'action called also was It history. modern in artists innovative most ofthe him one has made inspired design mosaic a with matched lines, sweeping peers. Long his of any was unlike vision Hisarchitectural period. revo was style Gaudi’s highlighting scale. highlighting and work within his depth technique, creating perspective point the two theatricality. inherent painting's reduce to hoping it, heas saw and itexisted as paint reality to aimed Caillebotte Degas, contemporary his well as Courbet, Gustave and Millet Jean precursors, his with In common hi by influenced was strongly but Realism of the School to belongs style Caillebotte's s Impressionist associates. associates. Impressionist s lutionary during this this during lutionary
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ks. He utilises utilises He ks. He d He - Francois Francois elves in to in to elves
months at most. months at he be it could but in the state, power overall to be appointed man could one whereby measure an emergency as existed dictatorship The command. could individual one any power of amount the setto were Clear limits kind. any of monarchy against faces se Romans the therepublic, under self and exploitative, type thenegative of tyrants as aredepicted kings later the and tyranny, into turn easily too all could historians, Roman to according Kingship, found wasthe Roman state the beginning of the true but kings, by governed been had Romans history in their Early clear. were tyranny toward Roman attitudes workers. they soldiers, need more countries When doctors. and nurses soldiers, including war, of during times essential are jobs different Many forts. and armies including themselves, defend to place in putthings years. Nations wa on or onland, place take can Wars were developed. warstrategies and deadly and advanced more become have weapons time, Over nation. defeated the of the culture influence often warfare of Victors territory. protect be can Wars battles. sometimes there are decisions, with disagree people When lives. and in material costs the outweigh war could of rewards vast sea, the and land on blocks alliance large city lengthy states, ci neighbouring between skirmishes frontier it be small Whether condition. human the of evil necessary seen asa was warfare world, Greek In the ancient change. climate as such reversed, be always cannot and good always is not Change consequences. have that actions unintention or intentional through change affect can Humans advanced. more become to civilisations allowed haswhich change, of alot has caused Technology architecture. and literature art, as such differences, cultural and what i to is different something is when Change gin when people invade, dispute or dispute invade, people when gin ter. Some wars can last for many for last wars can ter. Some - scale battles between multi between battles scale ation of the republic in 509 BCE. 509BCE. in republic ofthe ation t was before, including physical physical including was before, t
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Shape Form Pattern Colour Colour Colour Line Shape Shape Form Line Line Line
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Summer 1 Spring 2 Spring 1 Autumn 2
Tudors Trade Links Anglo Saxons Volcanoes Commercial Immigratio Reformatio I products structures nnovation Natural Growth trade n n
/
impressionism Contemporary Architecture Pop Pop Art Post Art
-
Lawrence Leonardo Thiebaud Cezanne Di Vinci Various Wayne Jacob Paul
“Renaissance man.” “Renaissance term the epitomized he that disciplines many so crossed genius natural His scientific. things all of student and inventor, architect, Vinci Da paintings figure and landscapes dogs hot and pastries, cones, cans, ice cream objects commonplace depicting works colourful his for known widely painter American Thiebaud Wayne stories. tell to art using he loved painting style; narrative his for noted is Lawrence States. United in the life contemporary history and American African on focused work whose American African was an Lawrence Jacob century. 20th in the art of world different radically endeavo ofartistic conception the from thetransition of foundations the laid work whose painter Post and artist French was a Cézanne Paul — u pies, lipsticks, paint paint pies, lipsticks, 19th
r to a new and and anew r to was a painter, painter, a was — - century century - as well as for his for as well as Impressionist Impressionist
is an painter painter
artworks and inventions. artworks and creating this, of forefront quality. life their improve and education become to people encouraging Europe, across spread This reformation humanism. of philosophies Roman Greek and took in and society advancments the at disgruntled were people many period, Renaissance the During commercial almost items commercial Thiebaud the North. reached they when happened what depicted journey, and their during struggles and hopes their of told North. He m before the South in lived American families how African showed He colour. the tonal varying by work his within depth explores He landscapes) notably, (more forms natural explores he works, In Paul Cézanne Paul influence of Ancient ofAncient influence
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Year 5
Autumn 2 Autumn 1 Summer 2
Discrimination in STEM Inequality and Injustice Victorians ion Discriminat Overcoming Discriminat innovation revolution Industry / Rebellion / Growth adversity
and ion
Modernism Naïve art Graffiti
Hepworth L.S Lowry Barbara Banksy
international prominence. generation to achieve fewthe female artists of her sculpture. She was one of particular modern Modernism and in Her work exemplifies artistEnglish and sculptor. Hepworth DBE was an Dame Jocelyn Barbara world today’s with problems their /share promote to it anavenue find Others by many. criminal activity a is considered Graffiti art " as to referred often human figures with peopled urban landscapes his for known is best and ofpainting style distinctive a developed He century. England districts in the oflife scenes painting for famous Lowry is matchstick men". matchstick
of of in the midin the North West West North - industrial industrial 20th 20th
male peers. male their like artworks display to opportunities same agai discriminated were Cassatt Mary as such Artists art. of history the in time difficult a endured have Women thought'. beautiful a 'holding of way a was work her said Barbara bronze. and stone wood, of made were They abstract. were sculptures Barbara of Many produced. be may they quickly how to due part in stencils, be he 2000 in but freehand, producing and drawing preferred he Initially, capitalism. and authority political terrorism, including issues, global major on commentary critical as act interventions” “urban and art street his of Much revealed. identity years the over speculation of deal great a been has there Although the buildings love engine Britain thriving revolution. Victorian clear Lowry’s
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who rebel. killing those or imprisoning by rebellion who those or others to harming and property to damage including violent, or lobbying, and petitions oflaws, defiance protests, involving peaceful, be can Rebellion anation. of power or resources valuable is which another, some desires group one when occur also can Rebellion resist. rebel and sometimes they oppressed, or unfairly treated are and others of the actions with disagree people When prison. in eating) (stop strike hunger go on would Suffragettes protest, In further prison. went to law for arrested were Suffragettes protesting Many strikes. hunger on going railings and to themselves handcuffing bombs, planting windows, breaking This included listen. to people get to tactics more aggressive ‘ was motto Their violent. more became movement suffragette the result, any bring about to failed had campaigning of methods peaceful 1903). After Pankhurst (Emmeline “Suffragettes” Societies Suffrage Union ofWomen's and Fawcett (Millicent “Suffragists” Suffrage Women's for Society National ofthe formation the with movement national a became women's suffrage for fight the In 1872 suffrage: UK civilisations. of tradition and customs culture, define the resources of Availability humans. for them useful make and resources natural peo cars. Some man are resources Some forsettlers. resource natural invaluable an these were rivers, as built around cities are Many potable. not is saltwater though oceans, and rivers trees, food, rainforests, as natur are resources others. Some than expensive more are resources Some materials. of asupply are Resources Deeds Not Words‘ and they began using using began they and Words‘ Deeds Not
later the more influential National National influential themore later - made. such as canals, trains and and trains canals, as such made.
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Summer 1 Spring 2 Spring 1
World War I Mountains Governance Exploration Democracy Warfare
Contemporary art /Land art Cubism Painter
Christopher Nevinson Richard Richard Picasso Wynne Pablo Long
war artists of World War I. World of war artists famous most ofthe was one who lithographer, and etcher painter, landscape figure and English wasan ARA Nevinson Wynne Richard Christopher artists. land best ofthe one and sculptor English RA is an CBE, Long, Julian Sir Richard eye and style distinct most with the art, modern in name known well most the become had born artist Spanish 50,the of age the Before period. over this occurred that movements art and ofart, terms in century, 20th of figure important most Picasso Pablo
for artistic creation. artistic for
is probably the the probably is - known British British known
great effect. great to Cubism of influence the and Futurism of aesthetic the used which paintings powerful of series a for matter subject the as experiences these used He soldiers. British and French wounded tending work his by disturbed deeply was and Unit Ambulance Friends' the joined Nevinson I, War World of outbreak the At statements. mean create to materials unassuming harnesses he materials, natural of rearrangements minimalist in favorof techniques and media artistic rejecting in Furthermore, medium. that of ideals traditional the undermined and sculpture for techniques m the acceptable has expanded he structures, monumental lasting or create to By refusing object. permanent a as ofart notion the refused has Long nature, by reclaimed be to creations his leaving setting and original their in materials natural with Working of an embodiment war, ananti of tragedies ofthe reminder perpetual a becoming status, monumental a has gained This work civilians. innocent particularly individuals, upon it inflicts suffering the war and of tragedies Guernica works, of famous most the Spanish into delved work Picasso’s Cubism. became which later artwork of form more abstract a Gris on Juan and Braque Georges as such artists alongside worked Picasso , shows the the , shows
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ingful ingful Civil War. His Civil War. war symbol, and and war symbol, machine machine aterials and and aterials peace.
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territory. or anation of power or resources iswhich another, by owned desires something group one when occur also can Rebellion influence to attempt and resist duty moral the is as seen poorly, it treated are people When resist. rebel and sometimes they oppressed, or unfairly treated are and others of the actions with disagree people When "mayday". help, or for aneed indicate to signals different have explorers dangerous, be can exploration As codes. numerical using accessed and identified exact which in system, agrid create longitude and latitude of Lines signals. radio and charts landmarks, or ofstars the position use can explorers territory, unchartered navigate to order In pioneers. as referred to are expeditions complete to asocia within person (or people thefirst purpose; aspecific taken with journeys are Expeditions territory. to rights of conflict and tension to lead which can civilisation, indigenous an to home be may actually explorers access gain links or trade create their territory, expand to leaders by world encouraged and funded is sometimes Exploration resources. orvaluable new of in search area, often anunfamiliar understanding and is discovering Exploration gov help guide or monarchs in others, and make decisions monarchs unelected countries, some vote. must who can, those Australia, like in countries to; choose ifvote they to allowed are 18 of the age over people the UK, In with. agree don't people made be can laws sometimes that means which decisions, make helping to directly than rather representatives, for vote people nations, modern most In decisions. made and voted directly people which in democracy, direct used nations some Historically, to resources. A "new" area for areafor "new" A resources. to usually
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Year 6
Autumn 1 Summer 2
World War II: British Focus World War I PoW Camps Nostalgia Isolation poverty Class /
Contemporary Contemporary installation art
Neil Shigley Kat Flyn
class and homelessness themes of into delves His work educator. and printmaker painter, artist, Neil Shigley art.protest specializing in political & assemblage sculptor Kat Flyn isa self
is a San Diego Diego San is a - taught taught “Invisible People” “Invisible entitled has he which Diego, in San his studio near people homeless of portraits scale large of consists work recent most His internationally. exhibited been has work His human figure. the and human condition the on has focused fine art of much printmaker, a and painter a As responses. people's Trump's graffiti of with covered amemorial into refashions Trump paddles; painted and boat toy wood shack; brothel a houseinto doll anold from reconstructed show: ar the in example art. For in her uses she pieces the many of refashions or constructs also She abstract. or surreal being than them rather to narrative cultural or political a have always pieces her and work; her in objects "found" to opposed as artifacts "saved" employs she because. artists assemblage other from art her She separates twork submitted for this for twork submitted
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Texture Shape Space Value Line Line
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Spring 1 Autumn 2
Apartheid World War II: Jewish Focus Oppression Warfare
Contemporary Installation Art art
Ringgold Faith Boltanski Christian
known for her narrative quilts. narrative her for known best artist, performance and sculptor media mixed writer, painter, is a Ringgold Faith large memory and death time, with obsession His history. Jewish modern and memory themes of the around work revolves French of artists prominent the most Boltanski Christian - scale installations. scale contemporary art contemporary
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at large. at population in the Americans black of percentage the reflecting black, were faces the percent of ten stamps, postage sheet of a like agrid, in Presented noses. and eyes reveal only to cropped human faces of frames 100 of consisted Power, of Black Advent the Commemorating pa Is Bleeding Flag mural by the followed People, The American entitled paintings a series of woman. American anAfro as experience her expressed which performances and sculpture, paintings, for was known 1930) (born Ringgold Faith apast into transformed is lives our moment of every is that work Boltanski's in theme central A art. and death, life, between the relation and loss and memory is about work that bod in a death of imagery and shadows, candles, lights, employs He earth. on life ofour nature transitory the tins, examine to biscuit rusted to photographs obituary from experience, human life and daily of ephemera the with worked has he theSince 1960s, documents. fabricated and real of ablend using often loss, and death absence, themes Boltanski Christian inting, inting,
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Summer 1 Spring 2
Civil Rights Climate Zones and Climate Change Oppression Change
Contemporary conceptual art impressionist
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Summer 2
Refugees Social class
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Georges Seurat
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Colour
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