DOCSLIB.ORG

IL Salotto Della Contessa Maffei

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
IL Salotto Della Contessa Maffei RAF F AE LLO $AR BHHMÀ 0 —4 IL S A L OTT O DE L L A CONTESSA MAFFEI E L A S O C IE T À M IL A N E SE ( 1 8 3 4- 1 8 8 6 ) o n AL Z A N Z ON I V RDI C s crit t i e ricordi inediti di B A C , M , E , V S C T - E S T A A T L E A D C A L O TE N C A E . I ON I V NO PR I A R I R , , , , A . M AF F E I G IUL IO GA R G A N O C O RRE NT I T O M M A s G R S S I , , , p O , G IA NNINA M IL L I DA NIE L E ST E RN L ISZ T ecc . ec , , c I Q u a r t a E d i zi o n e 499744 M I L A N O F R A T E L L I T R E V E S E D I T O R I , 1895 . P ROP R I E TÀ L E TTERARI A R i s e r v a t i t u t t i i d i r i t t i. ’ ‘ 1 Ip. F rat e l li T re ves . ues to l ibro in cui arl an o tre s o mm i B al Q , p , ac M ango n i Verd i in c ui s i a ita una oll a , , ; g f d i atrio ti in d o m iti e ari d el l a vi il ia d i p p g , ’ tt ra ti d artis ti ital ian i e s tran ieri d i en l e e , , g ’ tild o nn e q ues to l ibro d i c ui m i s o rs e l id ea as col tand o un a s era l e tue incan tevo l i os n i ull it o ci l e n s ervazio s a v a s a , co s acra al l a tu m em o ria o C E L E S T E m ia 0 m ia S os a a , p ’ h m incuo r o i s ri r o n l e a T e, c e a a c ve l co e va ’ tes s a d in ten ti co n s eren ità d i iud izio a Te , g ; che l o tt n d evi n o s ns l l c im d el a e , n e a a a r a p res agio d el l a tua fi n e p recoce !… ’ i n la o il 14de 5 . M , l 9 R . B . C APIT OL O PRIM O. L A F A M IG L IA DE L L A C ON TESSA . i as a del l a C aratt ere e i nfl uenza del s al o tto lll affe . N cit Il on e oe a e eda o s a G amb a s a C on t ess a. c t p t p g gi t i tti t - I aren del l a con n as a L a. C arrara Spi nel l i . I c itt p ti - P oe oe ess e ard t a a C arrara S nel l . t es sa O t vi pi i ti , p t , c i l Un on e che s ezza l a s ua orona. R ivol uzio na i . c t p c ra n o di B al za . narii e rib el l i in cas a G ambara. Un cco t c o o Il sal tto di Clara Maffei , nata c ntessa Car - d urò o o rara Spinelli , mezzo secol a , Milan , e per questo temp o rima s e il s alotto più celebre di tutta Italia . Per cinquantadue anni , fu il ro o r cent di riunione di patri ti , letterati e a tisti i s c h t o italiani , e degl tranieri illustri e visi and o e r o . la nostra Penisola , passavan p Milan ’ s s L influenza , e ercitata dal alott o Maffei nel decennio dal 1849 al 1859 nei destini di Lom ’ o s s iam no n tr bardia e p dire d Italia . va a t i i s curata . L a sua pa r o t ca i rradiazi o ne si dif s o L r fu e oltre i limiti di Milan e della omba dia , s i diffuse in altre regioni italiane ; e Vi po rtò R . BAR B l E R . I l S l o M A a tto afici . 1 0 [ L a fama del salotto ’ o o ro b e n r s la par la d rdine , la pa la c h e p e to ’ uo i divenne fatto . Anc h e f ri d talia , special r ur s ua s mente a Pa igi , c h e p vanta nella toria r s fam o s is po litica , lettera ia e galante , alotti ‘ il o C r M afiei o s o s imi , n me di la a era c no ciut e ripetut o c o n reve rente s impatia : l e s al o n ’ M aji ci veniva citat o alle Tuileries co me ri ’ ’ t ro vo d u o mini d alta tempra sul cui senno e s ul cui ajuto il grande s tatista del nostro r o r o o o r o is giment , Camill Cav u , c ntava con ’ . N o n ra d u n s o fiducia si t tta , adunque , al tto ’ ’ ro s o o p vinciale , ben ì d un sal tto degn d una metro po li . N o n l o s egnal ava cert o il luss o r r no n il s o r este io e , fa t da cui la gentil pad ona s b b rr o b e ns ì di casa e i uoi amici a o ivan , la ri i o o r un ne di elevati intelletti , di f rti ca atteri , r di cuori a denti , devoti alla patria al culto ’ r dell arte e della lette atura. P o ichè e d o ve roso tene rs i lontani da ogni s a n o n s i e gerazione . creda c h e Clara Maffei deva e s se re po sta nella s t o ria delle d o nne no ’ ’ te vo li a lato d una R o land O d una Recamie r ; o s s u na r c h e f e mente dirett ice , una di quelle s s a o o fr regine qua i imperiose di l tti , d ve i e nta ri que to son o più o men o sudditi . La s ua ’ o s s a o s p tenza con i teva nell rte , c i ardua , di ricever b ene di riunire n o b ili elementi di e s ’ o un ser centr d ordine d idee civili , liberali , s enza farne mostra . Ne s s una o stentazione s s s r i ne suna po a , ne sun o sfo z o n lei : s em b er un rava nata per ricevere , p guidare a con v e rs azio ne e r is e n r eletta , p p g e e s ubito ab il mente gli attriti , c h e nel cal o re delle discus N ascita della C ontessa 3 r sioni possono ins orge re . E a gentildonna nel ’ o vivacità l aspett , nel discorso , nella delicata , ’ o nella scioltezza , nel gest , nell anima , e nella finezza colla quale sapeva porre o gni nu o va persona presentata in grado di tro vare ben un o i pre s to nel salotto compagn di att tudini , s tudii u n o un di gusti , di , c ncittadino , amico . o co n tes sa b enchè Tutti la c h iamavan , quan s s s tunque nata contessa , ave e spo ato il p o eta A n d r e a M a f fe i cui non is pe ttava il titolo ’ di c o nte ; ma nessuna c o ntessa d E uropa me ritava più di lei quel tito l o tri b utato più in o maggio alle sue qual ità squisite c h e alla sua r nascita illus t e . Clara Maffei nacque a Bergamo , pat ria ’ ’ d un alt ra dama amica di numerosi poeti e s s o S uar sapienti , la poete a Paolina Secc do m o n i o b o i G ris d , la bu na Les ia Cid n a del Ma o s chero ni, lodata persino da V ltaire . ’ Dall atto di b attesimo si rileva c h e Elena i o - C h iara Mar a Ant nia Carrara Spinelli , figlia dei s ign o ri co nti Giovanni Battista e O ttavia c o n u i Gambara , j g , vide la luce il gio rno ’ o 1814 in città 13 marz del , quella , e preci ’ samente nella parro cc h ia di S ant A gata nel Carmine .
Load more

Recommended publications
  • Libretto Nabucco.Indd
    Nabucco Musica di GIUSEPPE VERDI major partner main sponsor media partner Il Festival Verdi è realizzato anche grazie al sostegno e la collaborazione di Soci fondatori Consiglio di Amministrazione Presidente Sindaco di Parma Pietro Vignali Membri del Consiglio di Amministrazione Vincenzo Bernazzoli Paolo Cavalieri Alberto Chiesi Francesco Luisi Maurizio Marchetti Carlo Salvatori Sovrintendente Mauro Meli Direttore Musicale Yuri Temirkanov Segretario generale Gianfranco Carra Presidente del Collegio dei Revisori Giuseppe Ferrazza Revisori Nicola Bianchi Andrea Frattini Nabucco Dramma lirico in quattro parti su libretto di Temistocle Solera dal dramma Nabuchodonosor di Auguste Anicet-Bourgeois e Francis Cornu e dal ballo Nabucodonosor di Antonio Cortesi Musica di GIUSEPPE V ERDI Mesopotamia, Tavoletta con scrittura cuneiforme La trama dell’opera Parte prima - Gerusalemme All’interno del tempio di Gerusalemme, i Leviti e il popolo lamen- tano la triste sorte degli Ebrei, sconfitti dal re di Babilonia Nabucco, alle porte della città. Il gran pontefice Zaccaria rincuora la sua gente. In mano ebrea è tenuta come ostaggio la figlia di Nabucco, Fenena, la cui custodia Zaccaria affida a Ismaele, nipote del re di Gerusalemme. Questi, tuttavia, promette alla giovane di restituirle la libertà, perché un giorno a Babilonia egli stesso, prigioniero, era stato liberato da Fe- nena. I due innamorati stanno organizzando la fuga, quando giunge nel tempio Abigaille, supposta figlia di Nabucco, a comando di una schiera di Babilonesi. Anch’essa è innamorata di Ismaele e minaccia Fenena di riferire al padre che ella ha tentato di fuggire con uno stra- niero; infine si dichiara disposta a tacere a patto che Ismaele rinunci alla giovane.
    [Show full text]
  • MACBETH Music by Giuseppe Verdi Libretto by Francesco Maria Piave
    MACBETH Music by Giuseppe Verdi Libretto by Francesco Maria Piave & Andrea Maffei Based on the play by William Shakespeare First performed on March 14, 1847 in Florence Characters Macbeth (baritone), Thane of Cawdor Lady Macbeth (soprano) Banquo (bass), A General Macduff (tenor), A Nobleman Malcolm (tenor), son of King Duncan Lady-In-Waiting to Lady Macbeth (soprano) A Physician (bass) A Murderer (baritone) Three Apparitions: A warrior (baritone) A bloody child (soprano) A crowned child (soprano) A manservant (Bass) King Duncan, Fleance (son of Banquo), Attendants, Messengers, Soldiers, Assassins, Witches, Lords and Ladies, Refugees Act 1 Macbeth and Banquo, both generals under King Duncan, come upon a group of witches who foretell their futures: Macbeth will become the Thane of Cawdor, and then King; Banquo will become father of kings. Soldiers bring the news that Macbeth has been named Thane of Cawdor. Amazed by the truth of the prophecies, Macbeth begins to imagine himself as the King (“Due vaticini..”). At Dunsinane, Macbeth’s estate, Lady Macbeth reads a letter she received from her husband recounting his meeting with the witches and the outcome of their predictions. Exulting in this news, she waits impatiently for his arrival and makes plans to pressure Macbeth to act, rather than wait for events to take their course (“Vieni! t’affretta!” -- Come, then! Hasten!). A messenger brings news that King Duncan will be their guest that evening. When Macbeth arrives, she urges him to kill the king that night. In his extended arioso “Mi si affaccia un pugnal?!” (Is this a dagger that appears to me?), Macbeth sees a vision of a bloody dagger and gathers his courage to perform the deed.
    [Show full text]
  • In PDF Format
    30% Exhibit Discount Valid Until January 15, 2021 University of Chicago Press Books are for display only. Order on-site and receive FREE SHIPPING. EX56733 / EX56734 Ship To: Name Address Shipping address on your business card? City, State, Zip Code STAPLE IT HERE Country Email or Telephone (required) Return this form to our on-site representative. OR Mail/fax orders with payment to: Buy online: # of Books: _______ Chicago Distribution Center Visit us at www.press.uchicago.edu. Order Department To order books from this meeting online, 11030 S. Langley Ave go to www.press.uchicago.edu/directmail Subtotal Chicago, IL 60628 and use keycode EX56734 to apply the USA 30% exhibit Fax: 773.702.9756 *Sales Tax Customer Service: 1.800.621.2736 **Shipping and Ebook discount: Most of the books published by the University of Chicago Press are also Handling available in e-book form. Chicago e-books can be bought and downloaded from our website at press.uchicago.edu. To get a 20% discount on e-books published by the University of Chicago Press, use promotional code UCPXEB during checkout. (UCPXEB TOTAL: only applies to full-priced e-books (All prices subject to change) For more information about our journals and to order online, visit *Shipments to: www.journals.uchicago.edu. Illinois add 10.25% Indiana add 7% Massachusets add 6.25% California add applicable local sales tax Washington add applicable local sales tax American Musicological Society New York add applicable local sales tax Canada add 5% GST (UC Press remits GST to Revenue Canada. Your books will Minneapolis, MN / November 07 - 15, 2020 be shipped from inside Canada and you will not be assessed Canada Post's border handling fee.) Payment Method: Check Credit Card ** If shipping: $6.50 first book Visa MasterCard American Express Discover within U.S.A.
    [Show full text]
  • EJ Full Draft**
    Reading at the Opera: Music and Literary Culture in Early Nineteenth-Century Italy By Edward Lee Jacobson A dissertation submitted in partial satisfacation of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mary Ann Smart, Chair Professor James Q. Davies Professor Ian Duncan Professor Nicholas Mathew Summer 2020 Abstract Reading at the Opera: Music and Literary Culture in Early Nineteenth-Century Italy by Edward Lee Jacobson Doctor of Philosophy in Music University of California, Berkeley Professor Mary Ann Smart, Chair This dissertation emerged out of an archival study of Italian opera libretti published between 1800 and 1835. Many of these libretti, in contrast to their eighteenth- century counterparts, contain lengthy historical introductions, extended scenic descriptions, anthropological footnotes, and even bibliographies, all of which suggest that many operas depended on the absorption of a printed text to inflect or supplement the spectacle onstage. This dissertation thus explores how literature— and, specifically, the act of reading—shaped the composition and early reception of works by Gioachino Rossini, Vincenzo Bellini, Gaetano Donizetti, and their contemporaries. Rather than offering a straightforward comparative study between literary and musical texts, the various chapters track the often elusive ways that literature and music commingle in the consumption of opera by exploring a series of modes through which Italians engaged with their national past. In doing so, the dissertation follows recent, anthropologically inspired studies that have focused on spectatorship, embodiment, and attention. But while these chapters attempt to reconstruct the perceptive filters that educated classes would have brought to the opera, they also reject the historicist fantasy that spectator experience can ever be recovered, arguing instead that great rewards can be found in a sympathetic hearing of music as it appears to us today.
    [Show full text]
  • Verdi-Handbuch
    Verdi-Handbuch Bearbeitet von Anselm Gerhard, Uwe Schweikert 2., überarbeitete und erweiterte Auflage; 25 Notenbeispiele 2013. Buch. xlii, 757 S. Hardcover ISBN 978 3 476 02377 3 Format (B x L): 17 x 24,4 cm Gewicht: 1443 g Weitere Fachgebiete > Musik, Darstellende Künste, Film > Musikwissenschaft Allgemein > Einzelne Komponisten und Musiker Zu Inhaltsverzeichnis schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. Verdi Handbuch Verdi.indb I 07.05.13 15:36 2 Verdi-Bilder von Anselm Gerhard Giuseppe Verdi ist allgegenwärtig. Bis in die Fern- Verdis Selbststilisierung sehwerbung hinein begegnen seine Melodien. Seine Opern gehören neben denen Mozarts und Eine der erstaunlichsten Erkenntnisse der Verdi- noch vor den Musikdramen Richard Wagners zu Forschung der letzten Jahrzehnte war die Feststel- den meistgespielten nördlich und südlich der Al- lung, mit welcher Kaltblütigkeit Verdi ein sorgfäl- pen, innerhalb wie außerhalb Europas. Sein Kon- tig retuschiertes Bild seiner Person in Umlauf ge- terfei ist beileibe nicht nur den Italien-Touristen bracht hatte und wie wenig Wert er dabei auf präsent, die sich noch an die zwischen 1962 und Wahrheit legte. Julian Buddens Feststellung, dass 1981 ausgegebenen Tausend-Lire-Note erinnern. »Verdi im fortgeschrittenen Leben dazu neigte, Ebenso allgegenwärtig sind die Bilder, die sich das zu vergessen, was er nicht erinnern wollte« Musikfreunde, Opernfans, Theatermacher, Mu- (Budden 1973, Bd.
    [Show full text]
  • Network Notebook
    Network Notebook Summer Quarter 2017 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • CHAN 3086 BOOK.Qxd 21/5/07 5:36 Pm Page 2
    CHAN 3086 Book Cover.qxd 21/5/07 5:33 pm Page 1 CHAN 3086(2) CHANDOS O PERA IN ENGLISH CHAN 3086 BOOK.qxd 21/5/07 5:36 pm Page 2 Giacomo Puccini (1858–1924) Turandot Lyric drama in three acts Libretto by Giuseppe Adami and Renato Simoni, after Gozzi’s dramatic fairy-tale Lebrecht Music Collection Music Lebrecht Princess Turandot............................................................................................Jane Eaglen soprano The Emperor Altoum, her father....................................................................Nicolai Gedda tenor Timur, the dispossessed King of Tartary...............................................................Clive Bayley bass Calaf, his son.................................................................................................Dennis O’Neill tenor Liù, a slave-girl ................................................................................................Mary Plazas soprano Ping, Grand Chancellor ............................................................................Peter Sidhom baritone Pang, General Purveyor Ministers ..............................................................Mark Le Brocq tenor Pong, Chief Cook } ...................................................................................Peter Wedd tenor A Mandarin .................................................................................................Simon Bailey baritone Prince of Persia ..............................................................................................Mark Le Brocq tenor
    [Show full text]
  • Portrait of Italian Jewish Life (1800S – 1930S) Edited by Tullia Catalan, Cristiana Facchini Issue N
    Portrait of Italian Jewish Life (1800s – 1930s) edited by Tullia Catalan, Cristiana Facchini Issue n. 8, November 2015 QUEST N. 8 - FOCUS QUEST. Issues in Contemporary Jewish History Journal of Fondazione CDEC Editors Michele Sarfatti (Fondazione CDEC, managing editor), Elissa Bemporad (Queens College of the City University of New York), Tullia Catalan (Università di Trieste), Cristiana Facchini (Università Alma Mater, Bologna; Max Weber Kolleg, Erfurt), Marcella Simoni (Università Ca’ Foscari, Venezia), Guri Schwarz (Università di Pisa), Ulrich Wyrwa (Zentrum für Antisemitismusforschung, Berlin). Editorial Assistant Laura Brazzo (Fondazione CDEC) Book Review Editor Dario Miccoli (Università Cà Foscari, Venezia) Editorial Advisory Board Ruth Ben Ghiat (New York University), Paolo Luca Bernardini (Università dell’Insubria), Dominique Bourel (Université de la Sorbonne, Paris), Michael Brenner (Ludwig-Maximilians Universität München), Enzo Campelli (Università La Sapienza di Roma), Francesco Cassata (Università di Genova), David Cesarani z.l. (Royal Holloway College, London), Roberto Della Rocca (DEC, Roma), Lois Dubin (Smith College, Northampton), Jacques Ehrenfreund (Université de Lausanne), Katherine E. Fleming (New York University), Anna Foa (Università La Sapienza di Roma), François Guesnet (University College London), Alessandro Guetta (INALCO, Paris), Stefano Jesurum (Corriere della Sera, Milano), András Kovács (Central European University, Budapest), Fabio Levi (Università degli Studi di Torino), Simon Levis Sullam (Università Ca’
    [Show full text]
  • Social Studies: the Life and Times of Giuseppe Verdi
    Social Studies: The Life and Times of Giuseppe Verdi Students Will Read for information Complete timelines Choose an event to study in-depth Present their findings to the class Copies for Each Student “The Composer” Social Studies Activity Worksheet Copies for the Teacher “The Composer” Social Studies Activity Worksheet SAMPLE Social Studies Activity Worksheet Parts I & II Getting Ready Arrange for time in the library and/or prepare internet access for research, guided practice, or group work if needed. Gather pens, pencils, and additional writing paper as needed for your group. Introduction Depending on your grade level and the ability of your students, you may choose to conduct this lesson or portions of this lesson as a whole class, small group, or partner activity. Remind students to ask for clarification of any unknown words or concepts. Tell students that they will be reading about the composer of La Traviata, Giuseppe Verdi, and studying an abbreviated a timeline of his life. Guided/Independent Practice Part I Instruct your students to read, “The Composer.” Then, provide your students with the “Social Studies Activity Worksheet.” Read the directions and explain to students that by studying events that happened during the composer’s lifetime, one can gain a broader picture and more understanding of the times in which he lived. Allow students time to complete the worksheet. Student answers will vary based on the events they choose to complete the timeline. Part II Instruct students to choose one event within the timeline to study further. Have them present their findings about that event to the class.
    [Show full text]
  • TONGIORGI «Senza Miserie Di Partiti»: Appunti Sul Mito Risorgimentale Del Salotto Maffei » 17
    Acta et Studia 17 Direzione Simona Negruzzo (Università degli Studi di Bologna) Marco Sirtori (Università degli Studi di Bergamo) Comitato scientifico Vittoria Calabrò (Università degli Studi di Messina) Edwige Comoy Fusaro (Université Nice Sophia Antipolis, France) David Gentilcore (University of Leicester, UK) Stefano Magni (Aix-Marseille Université, France) Victor Mallia-Milanes (L-Università ta’ Malta - University of Malta) Philippe Nelidoff (Université Toulouse 1 Capitole, France) Gloria Pastorino (Fairleigh Dickinson University, New Jersey) Olivia Santovetti (University of Leeds, UK) L’OTTOCENTO DI CLARA MAFFEI A cura di Cristina Cappelletti Presentazione di Remo Morzenti Pellegrini Introduzione di Matilde Dillon Wanke Volume pubblicato con il contributo del Dipartimento di Lingue, letterature e culture straniere dell’Università degli Studi di Bergamo CD: Donne ‘compositrici’ dell’Ottocento 1. Maria Szymanowska (1789-1831), Notturno in Si bemolle 2-4. Francesca Nava D’Adda (1794-1877), Sonata in La minore 1. Grave – Allegro – Agitato 2. Andante quasi largo 3. Allegro fugato 5. Fanny Hensel Mendelssohn (1805-1847), Melodia op. 5 n. 1 6. Clara Wieck Schumann (1819-1896), Romanza op. 21 n. 3 7. Cécile Chaminade (1857-1944), Serenata op. 29 Pianoforte: Nadia Fanzaga Questo volume è stato sottoposto a double-blind peer review In copertina: FRANCESCO HAYEZ, Ritratto di Clara Maffei, Riva del Garda, Museo Civico (1845 circa). ISBN 978-88-205-1109-8 Copyright © 2017 MONDUZZI EDITORIALE S.r.l. CISALPINO. Istituto Editoriale Universitario VIA B. EUSTACHI, 12 – 20129 MILANO Tel. 02/20404031 [email protected] Finito di stampare nel mese di dicembre 2017 da Global Print, Gorgonzola (MI) Indice REMO MORZENTI PELLEGRINI Presentazione p.
    [Show full text]
  • Maffei Clara
    UNIVERSITA’ DEGLI STUDI DI MILANO Facoltà di Lettere e Filosofia Corso di laurea in Lettere Moderne LO SPAZIO, LA STORIA LA CULTURA: IL SALOTTO DI CLARA MAFFEI Relatrice: Chia.ma Prof. Giuliana Nuvoli Laureanda: Marianna D’Agostino ANNO ACCADEMICO 2010-2011 1 Introduzione Coniugando alcune letture che avevo fatto sulle donne del Risorgimento e la partecipazione ad un progetto per l’Expo 2015 sulla riscoperta dei “luoghi dimenticati” della Lombardia, ho deciso di analizzare la figura di Clara Maffei, patriota e letterata milanese, e del palazzo in cui visse per trentasei anni e dove tenne uno dei salotti letterari più illustri dell’epoca. L’edificio in questione è Palazzo Olivazzi, situato nel pieno centro di Milano, ad angolo tra via Bigli e via Manzoni. Il primo capitolo dell’elaborato si può suddividere in due parti: nella prima troviamo una breve storia urbanistico – architettonica di Milano nel XVIII - XIX secolo, storia che è indiscutibilmente legata alle dominazioni a cui Milano fu sottoposta nell’arco di diversi secoli; nella seconda parte si analizza la storia di Palazzo Olivazzi, ricostruendola tramite pratiche edilizie, dall’anno 1814 fino al 1909. Tutte le notizie riportate sono frutto di un’indagine effettuata presso l’Archivio storico del Comune di Milano, in particolare presso il Fondo Ornato Fabbriche. L’apparato iconografico è molto ricco in quanto è stato possibile recuperare le pratiche edilizie del XIX – XX secolo che contenevano al loro interno numerosi disegni originali della facciata del palazzo, dell’interno e della planimetria stradale di via Bigli. Sono state altresì trovate piante della città di Milano risalenti anche al XVII secolo e una pianta dei danni della Seconda guerra mondiale, utile per concludere la nostra indagine.
    [Show full text]
  • Network Notebook
    Network Notebook Summer Quarter 2019 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]