Notranjščina Škofovske Kapele V Trstu
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1 1 5 5 10 10 14 14 Notranjščina škofovske Interior of the Bishop’s Zadružna gospodarska banka Cooperative Business Bank building Anatomski inštitut Institute of Anatomy Aljaževa kapela Sv. Cirila in Aljaž Chapel of Saints Cyril kapele v Trstu Chapel in Trieste Metoda v Vratih and Methodius in the Vrata valley Stavba s svojo barvito, bogato With its distinct colourful and Stavba Anatomskega inštituta The Institute of Anatomy building of Kapela, ki jo je arhitekt Ivan Vurnik The chapel, designed by Vurnik in okrašeno ter arhitekturno razgibano abundantly ornamented façade, the Medicinske fakultete je Vurnikovo prvo the Faculty of Medicine was Vurnik’s Kapela je bila zgrajena v letih 1925– The Aljaž Chapel was built between zasnoval leta 1913 za škofa dr. 1913 for Bishop Dr. Andrej Karlin, is fasado velja za eno naj razpoznavnejših building, constructed in 1922, became pravo arhitekturno delo. Zgrajena first real architectural work. It was 1927 ob Aljaževem domu. Tloris ima 1925 and 1927. The ground plan has Andreja Karlina, predstavlja celovito an example of a complete artistic ljubljanskih znamenitosti in predstavlja one of the most prominent buildings je bila leta 1920. Tloris je zasnovan constructed in 1920. The ground plan obliko nepravilnega šest kotnika. the layout of an irregular hexagon. Its umetniško delo, ki združuje kiparstvo, work combining painting, sculpture najboljši arhitekturni primer t. i. in Ljubljana. The ground floor featured v obliki črke T, z glavnim vhodom v has the layout of the letter T, with the Daljše stranice objekta so zidane walls are clad with roughly carved slikarstvo in arhitekturo. Gre za and architecture. The chapel is one of narodnega sloga. Zgrajena je bila leta bank premises with the clients’ hall, notranjem vogalu. Fasada je vertikalno main entrance situated on the inside iz grobo klesanih kamnov, portal in rocks, the portal and the cornice enega najlepših primerov secesijske Vurnik’s finest works and one of the 1922. V pritličju je bil dvoranski prostor while the bank’s offices were situated členjena, ravnina oken s parapeti je corner. The façade is segmented venci so gladko ometani. Na fasadi are plastered and white, the façade sakralne umetnosti v Evropi in za eno best examples of Secessionist sacral banke, v prvem nadstropju pisarne, on the first floor and the higher floors umaknjena v notranjost slopov. Polja vertically; the windows and the parapet ni ornamentov. Kapela je za devet features no ornamentation. It is set arhitektovih najboljših del. Obenem art. The composition of the altar is v drugih nadstropjih stanovanja. Pri housed the apartments. The design med okni so zapolnjena s cikcakastim walls recess from the pilasters towards stopnic dvignjena nad okolico. on slightly raised ground and stands je kapela tudi prvo arhitektovo delo, symmetrical; it is a combination of low poslikavi zunanjščine je narodni slog of the façade involves segmented grafičnim ornamentom in spominjajo the inside. The fields between the Pokrita je s strmo piramidasto streho, nine steps above its surroundings. The ki je nastalo v sodelovanju s Heleno and highrelief in white Carrara marble izražen z uporabo motiva stiliziranega window elements and the cornice, na arhitekturo češkega kubizma. windows are adorned with a zigzag zalomljeno na tretjini. Ta majhna, chapel has a steep pyramid roof, which Kottler Vurnik. Simetrično oltarno with abundant gilded geometrical nageljnovega cveta, v rdeči, modri, which stand out from the façade, and Pasovi slopov poudarjajo vertikalnost graphic ornament reminiscent of subtilna arhitektura, ki spominja na is refracted at one third. Even this kompozicijo, ki obvladuje prostor, ornamentation. The figures in the altar beli in rumeni barvi, v notranjščini pa z portrays the impact of Expressionism ter željo po monumentalnosti, kar Czech Cubism. The vertical belts of obrušen kristal, se slogovno navezuje minor and subtle architectural work is tvorijo plitvi ter globoki reliefi iz are marked by the Secession. The domačijskimi motivi, kot so predica v and Cubism. The façade features je bil v arhitekturi zgodnje moderne interchanging pilasters and the fields na ekspresionistično tradicijo. linked to the Expressionist tradition carrarskega marmorja. Figure, vpete texture of the irregularly cut ceramic narodni noši z avbo, žitno klasje, trta. the motif of stylised carnation flower pogost motiv. Okna vzhodne fasade between them create an impression Notranjost kapele ima intimen značaj, and is reminiscent of cut crystal. The v bogato geometrično okrasje, so tiles is intriguing. This was Vurnik’s first Fasada oblikovno soglaša s kubizmom in red, blue, white and yellow. The so zaradi odgovarjanja različnim of accentuated vertical lines and the stene so kamnite, klopi, strop ter interior features rock walls, the ceiling secesijsko oblikovane. Vtis prostora work, completed in collaboration with in ekspresionizmom, ki sta v tem building constitutes the finest example potrebam po svetlobi v notranjih aim for monumentality, which was a oltarni del so iz lesa. Oltarna mensa v is made of wooden boards, and the zaradi kolorita v zlati in beli deluje his wife, painter Helena Kottler Vurnik. času značilna v likovni umetnosti, in of the national architectural style which prostorih različnih velikosti, a zaradi common motif in architecture in Early obliki skrinjaste omare je poslikana z mensa was designed as an altar chest umirjeno. Zanimiva je tekstura se kažeta predvsem v oblikovanju was pursued by Ivan Vurnik in his early enakomernih vertikalnih polj med Modernism. The windows on the front vzorcem belega goloba, žitnega klasa painted with the pattern of white dove, nepravilno lomljenih keramičnih oken, vzorcih oziroma razporeditvi creative period. The geometrical wall slopi delujejo urejeno. Tako slopi façade are of different sizes, as they in cveta, v modri, rdeči, beli ter rumeni ear of grain and flowers in blue, red, ploščic. Kapela je bila ob koncu 2 posameznih arhitekturnih prvin. paintings in the inside, portraying kakor venec, ki zaključuje vrh pročelja, correspond to the light requirements of barvi. white and yellow. prejšnjega stoletja prenovljena. Poslikava notranjščine geometrijskega the national iconography (female so profilirani. the rooms behind them, but the vertical Chancel of the Church of vzorca je delo Helene Kottler Vurnik, spinners in national costumes, ears fields between the pilasters create an St. Catherine in Topol pri Medvodah ki je pri slikanju uporabila razširjeno of grain, vines) in an extended colour 11 orderly impression. Both the pilasters 15 15 2 The design of the chancel from barvno lestvico fasadne poslikave. range compared to the paintings and the cornices feature profiles. Preureditev pročelja cerkve Sv. Petra Remodelled front façade 1920 constitutes one of Vurnik’s Ornamenti se pojavijo tudi v vitrajih na on the outside, are the work of Letno kopališče Obla Gorica Prezbiterij cerkve Sv. Katarine na v Ljubljani of the Church of St. Peter in Ljubljana minor works; however, it signified stropu dvorane ter na čelnih stranicah Vurnik’s wife, painter Helena Vurnik. v radovljici Topolu pri Medvodah strengthened endeavours for the opreme. Stavba je bila vogalna, in Similar ornaments also appear in the Radovljiško letno kopališče predstavlja 11 V letih 1937 in 1938 prenovljena cerkev Between 1937 and 1938, Vurnik’s Ureditev prezbiterija iz leta 1920 introduction of the so called National dokler ob njej ni bil zgrajen sosednji glassworks on the ceiling of the hall. sv. Petra, ki vedutno zaključuje eno renovation of the Church of St. Peter, enega najdoslednejših primerov Outdoor swimming pool Obla Gorica predstavlja manjše, a pomembno Style. The entire chancel is painted objekt, je bila vidna tudi njena z Despite the fact that the rooms are no najpomembnejših cestv mestu, je situated at the end of one of the most moderne arhitekture – ne samo v in Radovljica Vurnikovo delo, saj je arhitekt tu with geometrical ornaments in the grafičnim vzorcem poslikana stranska longer used by the bank, they have not Sloveniji, ampak tudi v srednji Evropi. med Ljubljančani, nevajenimi novosti v prominent streets leading the city poudarjeno izrazil svoja prizadevanja colours of the Slovenian flag – red, fasada. been changed. Formerly, the building Žal pa zaradi večkratnih prezidav The outdoor swimming pool obliki tako radikalne prenove, kot jo je centre (Trubarjeva), provoked heated za uveljavitev t. i. narodnega sloga. white and blue – with the addition of was a corner house and its northern objekt danes ne kaže več izvirne constitutes one of the most consistent tedaj predstavljalo to Vurnikovo delo, polemics among Ljubljana’s citizens, Prezbiterij je poslikan z geometrijskimi yellow and gold. The ornaments in the façade was also painted with a graphic Vurnikove zasnove. Kopališče je bilo examples of modern architecture, not vzbudila zelo ostre javne polemike. who were not used to such radical vzorci v barvah narodne zastave – wall paintings feature the symbols of 6 pattern, which was visible until another zgrajeno leta 1932 pod gozdnim only in Slovenia but also in Central Arhitekt je cerkveno fasados konca 19. renovations of a historical church. rdeči, modri in beli sta dodani še the church’s patroness, St. Catherine: building was built on its northern side. Europe. Unfortunately, it has been stoletja, sicer veliko starejšega objekta, The façade from the late 19th century Vila Savnik pobočjem griča Obla gorica kot rumena in zlata. Simboli svetnice, ki ji a crown, a wheel and