1 1 5 5 10 10 14 14 Notranjščina škofovske Interior of the Bishop’s Zadružna gospodarska banka Cooperative Business Bank building Anatomski inštitut Institute of Anatomy Aljaževa kapela Sv. Cirila in Aljaž Chapel of Saints Cyril kapele v Trstu Chapel in Metoda v Vratih and Methodius in the Vrata valley Stavba s svojo barvito, bogato With its distinct colourful and Stavba Anatomskega inštituta The Institute of Anatomy building of Kapela, ki jo je arhitekt The chapel, designed by Vurnik in okrašeno ter arhitekturno razgibano abundantly ornamented façade, the Medicinske fakultete je Vurnikovo prvo the Faculty of Medicine was Vurnik’s Kapela je bila zgrajena v letih 1925– The Aljaž Chapel was built between zasnoval leta 1913 za škofa dr. 1913 for Bishop Dr. Andrej Karlin, is fasado velja za eno naj razpoznavnejših building, constructed in 1922, became pravo arhitekturno . Zgrajena first real architectural work. It was 1927 ob Aljaževem domu. Tloris ima 1925 and 1927. The ground plan has Andreja Karlina, predstavlja celovito an example of a complete artistic ljubljanskih znamenitosti in predstavlja one of the most prominent buildings je bila leta 1920. Tloris je zasnovan constructed in 1920. The ground plan obliko nepravilnega šest kotnika. the layout of an irregular hexagon. Its umetniško delo, ki združuje kiparstvo, work combining painting, sculpture najboljši arhitekturni primer t. i. in . The ground floor featured v obliki črke T, z glavnim vhodom v has the layout of the letter T, with the Daljše stranice objekta so zidane walls are clad with roughly carved slikarstvo in arhitekturo. Gre za and architecture. The chapel is one of narodnega sloga. Zgrajena je bila leta bank premises with the clients’ hall, notranjem vogalu. Fasada je vertikalno main entrance situated on the inside iz grobo klesanih kamnov, portal in rocks, the portal and the cornice enega najlepših primerov secesijske Vurnik’s finest works and one of the 1922. V pritličju je bil dvoranski prostor while the bank’s offices were situated členjena, ravnina oken s parapeti je corner. The façade is segmented venci so gladko ometani. Na fasadi are plastered and white, the façade sakralne umetnosti v Evropi in za eno best examples of Secessionist sacral banke, v prvem nadstropju pisarne, on the first floor and the higher floors umaknjena v notranjost slopov. Polja vertically; the windows and the parapet ni ornamentov. Kapela je za devet features no ornamentation. It is set arhitektovih najboljših del. Obenem art. The composition of the altar is v drugih nadstropjih stanovanja. Pri housed the apartments. The design med okni so zapolnjena s cikcakastim walls recess from the pilasters towards stopnic dvignjena nad okolico. on slightly raised ground and stands je kapela tudi prvo arhitektovo delo, symmetrical; it is a combination of low poslikavi zunanjščine je narodni slog of the façade involves segmented grafičnim ornamentom in spominjajo the inside. The fields between the Pokrita je s strmo piramidasto streho, nine steps above its surroundings. The ki je nastalo v sodelovanju s Heleno and highrelief in white Carrara marble izražen z uporabo motiva stiliziranega window elements and the cornice, na arhitekturo češkega kubizma. windows are adorned with a zigzag zalomljeno na tretjini. Ta majhna, chapel has a steep pyramid roof, which Kottler Vurnik. Simetrično oltarno with abundant gilded geometrical nageljnovega cveta, v rdeči, modri, which stand out from the façade, and Pasovi slopov poudarjajo vertikalnost graphic ornament reminiscent of subtilna arhitektura, ki spominja na is refracted at one third. Even this kompozicijo, ki obvladuje prostor, ornamentation. The figures in the altar beli in rumeni barvi, v notranjščini pa z portrays the impact of Expressionism ter željo po monumentalnosti, kar Czech Cubism. The vertical belts of obrušen kristal, se slogovno navezuje minor and subtle architectural work is tvorijo plitvi ter globoki reliefi iz are marked by the Secession. The domačijskimi motivi, kot so predica v and Cubism. The façade features je bil v arhitekturi zgodnje moderne interchanging pilasters and the fields na ekspresionistično tradicijo. linked to the Expressionist tradition carrarskega marmorja. Figure, vpete texture of the irregularly cut ceramic narodni noši z avbo, žitno klasje, trta. the motif of stylised carnation flower pogost motiv. Okna vzhodne fasade between them create an impression Notranjost kapele ima intimen značaj, and is reminiscent of cut crystal. The v bogato geometrično okrasje, so tiles is intriguing. This was Vurnik’s first Fasada oblikovno soglaša s kubizmom in red, blue, white and yellow. The so zaradi odgovarjanja različnim of accentuated vertical lines and the stene so kamnite, klopi, strop ter interior features rock walls, the ceiling secesijsko oblikovane. Vtis prostora work, completed in collaboration with in ekspresionizmom, ki sta v tem building constitutes the finest example potrebam po svetlobi v notranjih aim for monumentality, which was a oltarni del so iz lesa. Oltarna mensa v is made of wooden boards, and the zaradi kolorita v zlati in beli deluje his wife, painter . času značilna v likovni umetnosti, in of the national architectural style which prostorih različnih velikosti, a zaradi common motif in architecture in Early obliki skrinjaste omare je poslikana z mensa was designed as an altar chest umirjeno. Zanimiva je tekstura se kažeta predvsem v oblikovanju was pursued by Ivan Vurnik in his early enakomernih vertikalnih polj med Modernism. The windows on the front vzorcem belega goloba, žitnega klasa painted with the pattern of white dove, nepravilno lomljenih keramičnih oken, vzorcih oziroma razporeditvi creative period. The geometrical wall slopi delujejo urejeno. Tako slopi façade are of different sizes, as they in cveta, v modri, rdeči, beli ter rumeni ear of grain and flowers in blue, red, ploščic. Kapela je bila ob koncu 2 posameznih arhitekturnih prvin. paintings in the inside, portraying kakor venec, ki zaključuje vrh pročelja, correspond to the light requirements of barvi. white and yellow. prejšnjega stoletja prenovljena. Poslikava notranjščine geometrijskega the national iconography (female so profilirani. the rooms behind them, but the vertical Chancel of the Church of vzorca je delo Helene Kottler Vurnik, spinners in national costumes, ears fields between the pilasters create an St. Catherine in Topol pri Medvodah ki je pri slikanju uporabila razširjeno of grain, vines) in an extended colour 11 orderly impression. Both the pilasters 15 15 2 The design of the chancel from barvno lestvico fasadne poslikave. range compared to the paintings and the cornices feature profiles. Preureditev pročelja cerkve Sv. Petra Remodelled front façade 1920 constitutes one of Vurnik’s Ornamenti se pojavijo tudi v vitrajih na on the outside, are the work of Letno kopališče Obla Gorica Prezbiterij cerkve Sv. Katarine na v Ljubljani of the Church of St. Peter in Ljubljana minor works; however, it signified stropu dvorane ter na čelnih stranicah Vurnik’s wife, painter Helena Vurnik. v radovljici Topolu pri Medvodah strengthened endeavours for the opreme. Stavba je bila vogalna, in Similar ornaments also appear in the Radovljiško letno kopališče predstavlja 11 V letih 1937 in 1938 prenovljena cerkev Between 1937 and 1938, Vurnik’s Ureditev prezbiterija iz leta 1920 introduction of the so called National dokler ob njej ni bil zgrajen sosednji glassworks on the ceiling of the hall. sv. Petra, ki vedutno zaključuje eno renovation of the Church of St. Peter, enega najdoslednejših primerov Outdoor swimming pool Obla Gorica predstavlja manjše, a pomembno Style. The entire chancel is painted objekt, je bila vidna tudi njena z Despite the fact that the rooms are no najpomembnejših cestv mestu, je situated at the end of one of the most moderne arhitekture – ne samo v in Vurnikovo delo, saj je arhitekt tu with geometrical ornaments in the grafičnim vzorcem poslikana stranska longer used by the bank, they have not Sloveniji, ampak tudi v srednji Evropi. med Ljubljančani, nevajenimi novosti v prominent streets leading the city poudarjeno izrazil svoja prizadevanja colours of the Slovenian flag – red, fasada. been changed. Formerly, the building Žal pa zaradi večkratnih prezidav The outdoor swimming pool obliki tako radikalne prenove, kot jo je centre (Trubarjeva), provoked heated za uveljavitev t. i. narodnega sloga. white and blue – with the addition of was a corner house and its northern objekt danes ne kaže več izvirne constitutes one of the most consistent tedaj predstavljalo to Vurnikovo delo, polemics among Ljubljana’s citizens, Prezbiterij je poslikan z geometrijskimi yellow and gold. The ornaments in the façade was also painted with a graphic Vurnikove zasnove. Kopališče je bilo examples of modern architecture, not vzbudila zelo ostre javne polemike. who were not used to such radical vzorci v barvah narodne zastave – wall paintings feature the symbols of 6 pattern, which was visible until another zgrajeno leta 1932 pod gozdnim only in but also in Central Arhitekt je cerkveno fasados konca 19. renovations of a historical church. rdeči, modri in beli sta dodani še the church’s patroness, St. Catherine: building was built on its northern side. Europe. Unfortunately, it has been stoletja, sicer veliko starejšega objekta, The façade from the late 19th century Vila Savnik pobočjem griča Obla gorica kot rumena in zlata. Simboli svetnice, ki ji a crown, a wheel and books. The altar ena sama zgradba enotnega completely remodelled and the basic spremenil v modernističen spomenik. was replaced by a modern façade – a je cerkev posvečena, krona, kolo ter painting, the work of painter Helena Nadstropna vila je bila zgrajena med arhitekturnega jezika; v tipologiji idea of the original design is no longer Gladka stena med zvonikoma ima plain wall between both towers, which knjige, so vključeni v stenski ornament. Vurnik, depicts St. Catherine talking letoma 1922 in 1925 na trgu pred 6 tovrstnih objektov je bila to tedaj visible. It was built in 1932 at the foot vlogo monumentalnega tabloja. V preserved some of their Baroque Oltarna slika je delo Helene Kottler to the wise men; the wise man on the glavnim vhodom v staro mestno of the Obla Gorica hill as one single zgornjem delu je niz petih mozaičnih character in the upper parts. The Savnik Villa novost. Kopališče s petdesetmetrskim Vurnik in predstavlja motiv pogovora right was portrayed with the face of her jedro. Poudarjeno je trikotno čelo osrednjim bazenom in otroškim construction designed as a single slik, ki predstavljajo Jezusa Kristusa façade is adorned with mosaics of sv. Katarine z modrijani; slikarka husband Ivan Vurnik. in vogalna stolpiča. Na pročelju je This multi-storey villa was constructed bazenom je postavljeno na dvignjeno architectural unit, which was new for med štirimi evangelisti; gre za delo Jesus Christ and the four evangelists, je desnega modrijana naslikala z figuralna plastika. Tako notranjščina between 1922 and 1925 in the square ploščad, ki se v severnem delu naslanja this type of facilities. The swimming Helene Kottler Vurnik, ki je evangelista the work of painter Helena Vurnik. She obrazom svojega moža. kakor fasada hiše sta bili deloma at the entrance to Radovljica’s Old na pobočje. Bazena sta bila obzidana pool was positioned on a raised terrace Janeza upodobila s portretom svojega portrayed St. John with the appearance 3 spremenjeni. Town. Its accents are the triangular s stavbnimi krili na treh straneh, južni with its northern edge leaning against moža. Nad portalom z masivnima of her husband Ivan Vurnik. Side portals gable and the corner oriels. The front the slope of the hill. The complex stebroma je kvadrasta preklada z are adorned with mosaic rosettes and Sanatorium for pulmonary del pa je bil odprt, linijsko zamejen z 3 façade features figural plastic. Both included the central swimming pool upodobitvijo Jezusa, ki izroča ključe two round windows above them. The patients in Golnik nizkimi betonskimi kvadri. Vzhodno the interior and the façade have been and a pool for children. Building wings zavetniku cerkve. Zasnova pročelja main portal is accentuated with two Sanatorij za pljučne bolnike 7 krilo kopališkega kompleksa, kjer The building, constructed in 1921 partly restored. were constructed on all sides of the je vsebinsko v celoti podrejena low but massive columns supporting na Golniku Vila Vurnik so bile sanitarije in slačilnice, ter as tuberculosis hospital, is situated zahodno krilo z restavracijo sta bila pool except for the southern side which simboliki sv. Petra, ki je v Svetem the lintel and a large mosaic portraying Stavba je bila zgrajena leta 1921 on a hill, beneath the old Golnik Leta 1919 sta se zakonca Vurnik gladka bela kvadra, severno krilo pa was open and clad with low massive pismu kot apostol Simon nagovorjen the handing over of the key to St. Peter. na vzpetini pod starim golniškim castle and features a park in front of preselila v Ljubljano. Najprej sta 7 železobetonska nadstrešnica, pod concrete blocks. The eastern wing z besedami: »Jaz pa ti povem: ‘Ti si The design of the entire façade is gradom. Pred sanatorijem je obsežen the sanatorium and a forest in the živela v občinskem stanovanju na with bathrooms and changing rooms, Peter in na tej skali bom sezidal svojo marked with symbolism of St. Peter in Vurnik’s Villa katero so bile lesene garderobne park, v neposredni bližini gozd. immediate vicinity. The ground plan ljubljanskem gradu, leta 1922 pa in sanitarne kabine; okrogli stebri and the western wing with a restaurant Cerkev in vrata podzemlja je ne bodo the Roman : “And I tell Tloris je pregleden, objekt je bil is clear and it was designed for 100 je arhitekt naredil načrte za manjšo In 1919, Ivan Vurnik and his wife, grobe obdelave so objekt povezovali were plain white squares, while the premagala.’« (Mt 16,18); ime Peter v you that you are Peter, and on this rock zasnovan za 100 bolniških postelj s beds and service rooms for the staff, visoko pritlično vilo z mezzaninom. painter Helena Kottler Vurnik, moved to v zaključeno celoto. Osrednji northern wing had a reinforced antičnih jezikih pomeni skalo. Vurnik je I will build my Church, and the gates spremljevalnimi prostori za osebje, patients and visitors. The façade is Hiša je imela tudi svetel slikarski atelje, Ljubljana and lived at Ljubljana Castle poudarek kopališča je bil eleganten concrete roof with wooden changing s prenovo cerkve domišljeno posegel of Hades will not overpower it.” (Matt. bolnike ter obiskovalce. Kompozicija symmetrical, with the central part with v katerem je delala njegova žena at first. In 1922, Ivan Vurnik designed železobetonski skakalni stolp, z jekleno rooms and toilets. The roughly-worked tudi na področje urbanizma, saj je 16: 18) The renovation of the Church fasade je simetrična, izstopajo osrednji larger windows and pointed arches on Helena Kottler Vurnik. Na ravni strehi plans for a small villa comprising a lestvijo ter zaokroženimi vutami, ki je round columns linked all three sides in novi spomenik nekdanje predmestje of St. Peter symbolically linked the del s triado večjih odprtin, na vrhu the fourth floor standing out, and with je terasa. Leta 1931 je bil stavbi dodan raised ground floor and a mezzanine. bil do porušitve zgleden primer drzne a single architectural unit. The central Ljubljane priključil dogajanju v Šempeter suburbs with the city centre sklenjenih v šilaste loke, ter stranski two side wings with vertical accents. prizidek, prav tako po Vurnikovih The building housed his wife Helena’s inženirske arhitekture, obenem pa tudi accent of the complex was the elegant središču mesta. thus Šempeter became part of the city krili stavbe z vertikalnimi poudarki. On the ground floor, the front façade načrtih. studio. The roof features a terrace. In na daleč viden in razpoznaven znak reinforced concrete diving tower with centre rather than part of the province. Pritličje glavne fasade, ki je danes overlooking the park once featured 1931 an annex was constructed, also objekta. Tehnična novost kopališča je a steel ladder on the eastern side. The spremenjena, se je nekdaj s členjeno open roofed terraces intended for according to Vurnik’s designs. bila tudi bakrena streha, na kateri se je diving tower was the most notable 16 odprto pokrito teraso, namenjeno patients’ rest. From the terrace, a feature of the outdoor swimming pool 16 8 grela voda. Vurnikova družinska grobnica zunanjemu počitku bolnikov, odpiralo spiral staircase leads to a vast park and an example of daring architectural Vila Adlešič Vurnik family vault v park z mogočnimi drevesi. Sanatorij with impressive trees. The sanatorium 8 engineering. A technical novelty in the Leta 1942 je kot ilegalec v odporu je bil oblikovan v dialogu s starim was designed with due consideration V letih 1922—1923 je bila po Vurnikovih 12 swimming pool design was the copper proti okupatorju pod streli italijanskih In 1942, the nineteen-year-old son of Adlešič’s Villa gradom v neposredni bližini. V načrtih given to the old castle in its vicinity. načrtih zgrajena vila za dr. Jura Kapela Sv. Frančiška Asiškega roof on which the water was warmed. vojakov padel devetnajstletni sin Ivana Ivan Vurnik, Niko Vurnik, was shot to je bila tudi bogato okrašena fasada s An opulent façade with stucco works Adlešiča. Osrednji, vhodni del je Between 1922 and 1923, a villa for In 1966, the buildings surrounding the in Helene Vurnik, Niko Vurnik. Takoj death by Italian troops as a member of štukaturami, ki pa ni bila izvedena. was also planned but was never poudarjen z izmaknjenim stolpičem in Dr. Juro Adlešič was constructed Vurnikovo zadnje delo je kapela v atriju swimming pool were demolished as a po vojni je Ivan Vurnik na radovljiškem the occupation resistance movement. constructed. reprezentativnim balkonom v prvem near to Vurnik’s villa according to samostana na Brezjah. Zasnovana consequence of their poor condition. pokopališču dal postaviti družinsko Immediately after the war, Ivan Vurnik nadstropju. Južna fasada je razgibana Vurnik’s designs. The central part is je bila leta 1967, kot železobetonska grobnico spreprostim mavzolejem, commissioned the construction of 4 z okni in banjastimi nišami; v vrhnjem accentuated with a projecting tower lopa z zelo strmo dvokapno streho. ki vsebuje elemente egipčanske a family vault comprising a simple delu je odprtina v obliki stiliziranega and a balcony on the first floor. The Sredi kapele je masivna oltarna 12 arhitekture. Na fasadi in v notranjosti mausoleum with elements of Egyptian Delavsko naselje vrstnih hiš 4 trilista. west and the south façades feature mensa z mozaikom na čelni stranici grobnice je mozaik s podobo sina, architecture in the Radovljica na Taboru v Mariboru Chapel of St. Francis of Assisi Workers’ settlement of detached Gothic pointed arches. podnožja. Oltarna stena je v celoti delo njegove matere Helene Kottler cemetery. The façade and the interior Prva moderna delavska stanovanjska houses at Tabor in prekrita z mozaično preprogo, ki se Vurnik’s last architectural work is the Vurnik. feature a mosaic, the work of Helena kolonija v Mariboru je bila zgrajena vsebinsko navezuje na literarno delo chapel in the monastery atrium in Vurnik, portraying their son. The first modern workers’ apartment 9 po Vurnikovih načrtih leta 1927 in Sončna pesem iz 13. stoletja, katerega Brezje from 1967. It was designed as settlement in Maribor was built in 9 predstavlja začetek modernega Sokolski dom na Taboru avtorstvo je pripisano sv. Frančišku. a reinforced concrete shelter with an 1927 according to Vurnik’s designs Sokol Gymnasium at Tabor 17 urbanizma v Sloveniji. Naselje Sokolski dom je bil zgrajen v letih Gre za srednjeveško hvalnico extremely steep gable roof. In the 17 and represents the beginning of Grobnica družine Resman Vidic je primer prve prave socialne 1923—1926 kot eden prvih pokritih The Sokol Gymnasium was constructed stvarstvu, tako ni naključje, da je na middle of the chapel stands a large modern urban planning in Slovenia. Resman Vidic family vault stanovanjske gradnje za delavski športnih objektov v Sloveniji. Zajemal between 1923 and 1926 and was one upodobitvi najti stilizirane motive altar mensa. The altar wall behind it is Po drugi svetovni vojni je arhitekt Additionally, the settlement is the razred pri nas. Kompleksa ni je program telovadnih dvoran, of the first indoor sports facilities in narave, nebesnega svoda s soncem, covered in a mosaic with ornamental Vurnik na starem radovljiškem After World War II, architect Vurnik first real example of the construction postavil lastnik tovarne, temveč so društvenih prostorov in stanovanj. Tudi Slovenia with several gymnasiums, luno ter zvezdami in krščanske pattern. Similarly as with the church pokopališču zasnoval kamnito designed a vault shaped as a steep of social apartments for the working ga s pomočjo mestne občine ter z s tem delom je Vurnik želel prispevati society premises and apartments. In simbole. Barvno so mozaiki v kapeli façade, the colours of the mosaics are grobnico v obliki strme šotoraste tree-stump-like prism clad in stone in class which was not built by the factory ugodnimi bančnimi posojili zgradili k vzpostavitvi t. i. narodnega sloga. this building, Ivan Vurnik continued uglašeni s fasadnimi ornmenti bazilike. blue, red, white and gold. prizme. Nad pravokotno odprtino, ki the Radovljica cemetery. A massive owner for the workers but rather by the delavci sami. Mestno naselje oblikuje Tloris stavbe je enostaven, zasnova his aspirations for the introduction of a jo zapira kovana kroparska mreža, je rock lintel with the carved inscription workers themselves. This was possible več nizov enonadstropnih vrstnih podrejena funkcionalnim zahtevam national architectural style. The ground masivna kamnita preklada z vklesanim ‘IHS’ is situated above the opening at with the assistance of the urban 13 13 enodružinskih hiš, 147 enot, katerih enote. Stavba ima dve vhodni fasadi, plan is simple and pure, subordinated napisom IHS. the front. The opening is covered with municipality and with the help of loans. Hotel Grajski Dvor v Radovljici Grajski Dvor Hotel in Radovljica glavne fasade se nizajo ob ulicah. V južno, ki vodi v telovadne prostore, to the functional requirements. It a decorative wrought-iron net. The layout of the urban settlement notranjosti dolgih in ozkih parcel so z monumentalnim stopniščem, has two entrance façades: the south Leta 1934 zgrajeni hotel, ki stoji na This hotel, constructed in 1934, at the comprises several sets of two-storey vrtovi. Na prometno nedostopnem svečanim balkonom ter veliko triforo façade leads to the gymnasiums, robu obsežnega, nekdaj baročnega edge of a large, formerly Baroque, detached single houses (147 units), the 18 kraju je urejen park z otroškim s šilastimi loki, in severno, z vhodi v with a monumental staircase, a parka, je zadržana, ne izstopajoča park is an example of non-pretentious 18 main façades of which are arranged Preureditev fasade bazilike Marije igriščem, trgovinami in lokali. Vurnik stanovanja oziroma v društveni del, ceremonial balcony and a large triforia arhitektura. Ulična in glavna fasada architecture. The design of the along the streets. Gardens situated Pomagaj na Brezjah Remodelled front façade of the je imel na vseh nivojih načrtovanja ki je bolj zadržana. Stranski fasadi, with pointed arches, and the north sta povsem različni. Fasada ob street-oriented façade is completely Seznam literature Sources on the long and narrow land plots end Basilica of Mary Help of Christians naselja v mislih potrebe delavca, od ulična in dvoriščna, sta enaki in façade with access to the apartments parku je simetrično zasnovana, ima different from that of the main façade. Konec 19. stoletja je bilo na mestu on streets which are free of traffic. Set zasnove tlorisa objektov do ureditev simetrični. Stavba je členjena v treh and the society premises, which is velika tridelna okna s poudarjenimi The main façade overlooks the park nekdanje manjše cerkve zgrajeno At the end of the 19th century, at the IVAN VURNIK (1884–1971), IVAN VURNIK (1884–1971), back away from traffic is a a children’s zunanjih prostorov ter ekonomične pasovih, pritličje je gladko, nadstropje more modest. The side façades, one policami ter prekladami. Vhod and has symmetrical design, large romarsko svetišče, današnja bazilika site of a former small church, today slovenski arhitekt, Slovene architect. playground in a park which also has zidave, idejno pa se je pri delu oprl pa ima bogato profilirano stebrišče. overlooking the street and the other je enostavno monumentalen. windows with triple segmentation Marije Pomagaj. Frančiškanski the Church of Mary Help of Christians posebna izdaja revije Arhitektov bilten, Special edition of Architect’s Bulletin shops and restaurants. At all levels na zglede t. i. vrtnih mest v Nemčiji Stebri so plastično oblikovani z facing the courtyard, are identical and Vrhnji del stavbe je zaključen z and accentuated massive window samostan ob njej je iz istega časa. was constructed. At the same time, a Ljubljana: Društvo arhitektov, 1994. magazine, 1994. of architectural design, from the ter Angliji. V tem naselju je bila tudi motivom sonca. Slikovitost fasade je symmetrical. Vertically, the building is linearnim nizom podstrešnih oken sills and lintels. The ground floor Urbano ureditev okolice je leta 1937 Franciscan monastery was built next rationally designed ground plan to GORENJSKA, ARHITEKTURNI VODNIK, GORENJSKA , ARHITEKTURNI VODNIK. prvič v Sloveniji uporabljena tipologija dosežena s profiliranimi stavbnimi divided into three levels: the ground v izstopajočih štukaturnih okvirjih features arcades. The entrance has zasnoval arhitekt Janez Valentinčič to it. The urban design was prepared the arrangement of the outdoor areas Robert Potokar, Ljubljana: Saving, 2002. Robert Potokar, Saving, Ljubljana 2002. vrstnih hiš. členi ter štukaturami. Telovadnica floor is plain and non-adorned while in je z venčnim zidcem ločen od a simple but large portal. The attic pod vodstvom arhitekta Jožeta in 1937 by architect Janez Valentinčič and economical construction, Vurnik je monumentalna, velikosti 31 x 16 the first floor features opulently spodnjih etaž. Ulično fasado določa is accentuated with a cornice above Plečnika. Preureditev cerkvene under the mentorship of architect POZABLJENA POLOVICA, Alenka Šelih idr., POZABLJENA POLOVICA, Alenka Šelih idr., kept in mind the requirements of the m, višine 13 m, in zaradi domišljeno profiled columns adorned with the igra volumnov, ki se vzpostavlja med the second floor and small windows fasade v neorenesančnem slogu je Jože Plečnik. The remodelling of the Založba Tuma in SAZU, Ljubljana, 2007. Založba Tuma in SAZU, Ljubljana, 2007. working class. Design examples were postavljenih odprtin zelo svetla. motif of the sun. The façade features dvema nesimetričnima prizidkoma in stucco work frames. Apart from Vurnik načrtoval leta 1965. Fasadno façade was designed by Vurnik in sought in German and English garden no paintings or ornamentation; instead, različnih gabaritov in osrednjo enoto. the main volume, the street-oriented razgibanost je dodatno poudaril 1965. The Neo-Renaissance façade DELAVSKO NASELJE VRSTNIH HIŠIC NA WORKERS’ SETTLEMENT OF DETACHED cities. The houses in this settlement it is adorned by profiled construction Kavarniški del hotelske notranjščine, façade features two dissimilar and z živahnimi mozaičnimi okraski was remodelled by adding mosaic BETNAVSKI CESTI V MARIBORU: HOUSES AT BETNAVSKA ULICA marked the first use of detached elements and stucco works. The ki je danes močno spremenjena, non-symmetrical annexes with flat krščanske ikonografije. Ornamentika ornamentation portraying the symbols http://arhitekturni-vodnik.org/?object=231 IN MARIBOR: houses in Slovenia... interior of the gymnasium, which je deloval izčiščeno; prebeljene roofs, while their façade is plain. At the se prepleta s simboli in izpisano of the Catholic Church and inscriptions. &mode=2&pic=1414&pl=0&o=0&a=0 http://arhitekturni-vodnik.org/?object=231 besedo. Barvni izbor je enak The colours used in the mosaic are &mode=2&pic=1414&pl=0&o=0&a=0 measures 31 x 16 metres and is 13 železobetonske grede je arhitekt time of construction, the interior was VURNIKOVA VILA: tistemu, ki ga je Vurnik uporabljal pri those that had already been used in metres high, is monumental and very uporabil kot likovno prvino. simple and reinforced concrete beams http://giskd2s.situla.org/rkd/Opis. VURNIK’S VILLA: arhitekturnih delih z začetka svojega the early stage of Vurnik’s creation: bright, with light entering through the painted white were visible. The interior asp?Esd=22821 http://giskd2s.situla.org/rkd/Opis. poklicnega udejstvovanja. blue, red, white and gold. windows and roof openings. has been thoroughly remodelled. asp?Esd=22821 Ivan Vurnik (1884–1971) 13 16 17 18 12 3 Arhitekt Ivan Vurnik velja za pionirja Along with Jože Plečnik and Maks moderne arhitekture in za utemelji­ Fabiani, architect Ivan Vurnik is telja urbanizma na Slovenskem considered the pioneer of modern (poleg Jožeta Plečnika in Maksa architecture and the founder of Fabianija). Zaslužen je za ustanovitev urban planning in Slovenia. He can arhitekturnega oddelka na Tehnični be credited with the establishment fakulteti v Ljubljani, ki je bil temelj of the Department of Architecture Fakulteti za arhitekturo. Vurnik je v at the Technical Faculty in Ljubljana, začetku svojega arhitekturnega dela the predecessor of the present-day razvijal t. i. narodni slog, pozneje pa Faculty of Architecture. During the se je usmeril k funkcio­nalizmu. Bil early stages of his professional life, je poznavalec sodobnih kulturnih he worked on the development of tokov. V njegovem zelo raznolikem the so called National Style, but later opusu izstopajo dela izrazite turned to Functionalism. Vurnik was inovativnosti. Vurnikovo ustvarjanje je a connoisseur of modern trends zaznamovalo tudi življenje s Heleno but maintained a personal style in Kottler Vurnik, na Dunaju rojeno his creations. His body of work is in akademsko izšolano slikarko, comprised of very diverse architectural grafičarko ter ilustratorko, s katero works, the ideas and motifs do not Hotel grajski dvor Vurnikova družinska grobnica Grobnica družine Resman Vidic Preureditev fasade bazilike Marije Kapela Sv. Frančiška Asiškega Sanatorij za pljučne bolnike sta sodelovala predvsem pri delih za recur, and he was constantly seeking Grajski dvor Hotel Vurnik family vault Resman Vidic family vault Pomagaj Chapel of St. Francis of Assisi Sanatorium for pulmonary patients cerkvene naročnike. Pomemben je new and original solutions. Vurnik Kranjska cesta 2, Radovljica Staro pokopališče v Radovljici Staro pokopališče v Radovljici Remodelled front façade of the Brezje Golnik 36, Golnik tudi arhitektov prispevek k prenovi was married to painter Helena Kottler Radovljica Old Cemetery Radovljica Old Cemetery Basilica of Mary Help of Christians spomeniških objektov. Vurnik, which strongly influenced his architectural work. Together they Brezje designed works for churches. His Rojen je bil v Radovljici, v podobarski contribution to the modern approach 11 6 oz. kamnoseški družini. Arhitekturo to renovating monuments was also je študiral na Visoki tehnični šoli na significant. Dunaju. Eno leto se je izpopolnjeval v mojstrski šoli arhitekta Otta Vurnik studied architecture in 4 Wagnerja. Med letoma 1913 in 1915 and, after finishing his studies, worked je deloval kot pomožni arhitekt in Otto Wagner’s architectural office izgradnje novega cesarskega for a year. During the 1913–1915 dvora, dunajskega Hofburga. Leta period, he as was involved in the 1919 se je naselil v Ljubljani. V letih design of the Hofburg in Vienna as 1919—1946 je kot predstojnik vodil an architectural assistant. He lived in Oddelek za arhitekturo, nanj pa je iz Ljubljana from 1919. From then, until tujine povabil tudi arhitekta Jožeta 1946, was Head of the Department of Plečnika. Med letoma 1925 in 1957 je Architecture at the Technical Faculty vodil arhitekturni seminar, ki so mu Letno kopališče Obla Gorica Vila Savnik to which he also invited architect rekli Vurnikova šola. Od leta 1954 Outdoor swimming pool Obla Gorica Savnik Villa Jože Plečnik. During the 1925–1957 je bil častni član Zveze arhitektov Radovljica Gorenjska cesta 2, Radovljica period, Vurnik ran an architectural Jugoslavije in častni predsednik course. From 1954, he was an Murska Sobota Društva arhitektov Slovenije. Leta Delavsko naselje vrstnih hiš na Taboru honorary member of the Architects 1954 je bil odlikovan z redom dela, Workers’ settlement of detached houses at Tabor Association of Yugoslavia and an leta 1961 je na Dunaju za svoje delo Betnavska cesta, Maribor honorary president of the Architects prejel ugledno Prechtlovo nagrado, Society of Slovenia. He received the leta 1966 pa je dobil tudi Prešernovo Order of Work in 1954, was awarded nagrado. Slovenj Gradec Maribor the Prechtl Award in Vienna in 1961 and the Prešeren Award, the highest recognition in Slovenia in the field of culture, in 1966.

Vrata Jesenice Ptuj

Helena Kottler Vurnik (1882–1962) Radovljica Brezje Velenje Golnik Helena Kottler Vurnik je bila slikarka, Helena Kottler Vurnik was a painter, risarka in ilustratorka, ki je ustvarjala 14 drawer and illustrator, master of all v obdobju umetnostnega sloga painting techniques and applied arts, secesije. Veljala je za mojstrico who was active during the period Kamnik Celje vseh slikarskih in grafičnih tehnik of the Secession. She painted oil ter uporabne umetnosti. Slikala je paintings, employed enamel and 9 10 5 v olju, ustvarjala je v tehniki emajla mosaic techniques, designed books, Škofja Loka Trbovlje in mozaika, grafike, ukvarjala se je s newspaper vignettes and drafts Domžale knjižno opremo oziroma ilustracijo, for banners. She influenced the izdelovala je vinjete za časopise ter development of the so called National Sv. Katrina predloge za vezenje, tudi za cerkvena Style, decorative art and twentieth- bandera. S svojim umetniškim delom century sacral art in Slovenia. Ljubljana je vplivala na razvoj t. i. narodnega sloga, dekorativne umetnosti ter Helena Kottler was born in Vienna cerkvene umetnosti 20. stoletja v where she studied painting. In 1913, Sloveniji. she met architect Ivan Vurnik, they got married and moved to Radovljica. Rodila se je na Dunaju, kjer je tudi In the same year, they had already študirala. Leta 1913 je spoznala Ivana worked together on the alterations Sokolski dom Vurnika, s katerim sta se poročila in to the Bishop’s Chapel in Trieste se naselila v Radovljici. Že istega leta and their collaboration continued, Sokol Gymnasium sta zakonca Vurnik prvič poklicno particularly in church work. Helena Aljaževa kapela Sv. Cirila in Metoda Tabor 13, Ljubljana sodelovala, in sicer pri preureditvi became a recognised church painter, Aljaž chapel of St. Cyril and Methodius Postojna Novo Mesto škofovske kapele v Trstu, s čimer sta her paintings featuring on the altars of Vrata začrtala pot svojemu nadaljnjemu all the important churches in Ljubljana. skupnemu delu. Helena Kottler In 1927, she returned to the academy Anatomski inštitut Zadružna gospodarska banka Vurnik se je uveljavila predvsem kot of fine arts in Vienna and completed a Institute of anatomy Cooperative business cerkvena slikarka, njene slike pa so specialisation with Professor Jettmar. Zaloška cesta 4, Ljubljana bank building krasile oltarje vseh pomembnejših Two of the most significant works that Trst Miklošičeva cesta 8, Ljubljana ljubljanskih cerkva. Leta 1927 je na she completed in collaboration with Kočevje dunajski akademiji, pri prof. Jettmarju, her husband are the construction opravila še študij slikarske specialke. od the Cooperative Business Bank 2 1 7 8 15 Najbolj znameniti deli, ki sta nastali v building and the restoration of the sodelovanju Ivana in Helene Vurnik, Church of St. Peter in Ljubljana. Koper sta Zadružna gospodarska banka Izola in preureditev cerkve sv. Petra v Ljubljani.

Vila Vurnik Vurnik’s Villa Finžgarjeva ulica 2, Ljubljana

Prezbiterij cerkve Sv. Katarine Notranjščina škofovske kapele Vila Adlešič Preureditev pročelja Chancel of the church of St. Catherine Interior of the bishop’s chapel Adlešič’s Villa cerkve Sv. Petra Topol pri Medvodah Trst Groharjeva ulica 7, Ljubljana Remodelled front façade Trieste of the church of St. Peter Ljubljana